Songs like Sonata in C Major, K.159: Allegro by Domenico Scarlatti
Based on a tempo of (+/- 10%) and a similar genre
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Rondo in F Major, K. 494
146 bpm • F Maj • 06:04 • -27.89db
32% Popularity • 35% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
32% Popularity • 35% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Keyboard Sonata in F Major, K.82/L.30/P....
148 bpm • F Maj • 02:04 • -23.15db
15% Popularity • 39% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 88% Positiveness
15% Popularity • 39% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 88% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 27
141 bpm • B min • 03:02 • -26.52db
13% Popularity • 32% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
13% Popularity • 32% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
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Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
141 bpm • G min • 03:02 • -15.73db
32% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
32% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Jean-Philippe Rameau
La villageoise
152 bpm • E min • 01:19 • -24.19db
32% Popularity • 34% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 93% Positiveness
32% Popularity • 34% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 93% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Ingrid Haebler
Piano Sonata in F Major, KV332: I. Alleg...
138 bpm • C Maj • 07:17 • -23db
15% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
138 bpm • A Maj • 02:45 • -20db
39% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
39% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
21% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
21% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Cinquième concert: II. La Cupis
136 bpm • D min • 04:11 • -29.38db
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
39% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
39% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
45% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
45% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 8 in A Minor, K. 310: I...
135 bpm • A min • 08:04 • -23db
28% Popularity • 26% Danceability • 16% Energy • 18% Liveness
92% Instrumentalness • 34% Positiveness
28% Popularity • 26% Danceability • 16% Energy • 18% Liveness
92% Instrumentalness • 34% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 487 (L. ...
133 bpm • G Maj • 03:52 • -24.12db
20% Popularity • 53% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 65% Positiveness
20% Popularity • 53% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 65% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
18% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
18% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Keyboard Sonata in A Major, Kk. 208 (Arr...
132 bpm • C Maj • 03:54 • -17.78db
33% Popularity • 41% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
33% Popularity • 41% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
132 bpm • G# min • 01:46 • -18db
35% Popularity • 38% Danceability • 42% Energy • 25% Liveness
98% Instrumentalness • 90% Positiveness
35% Popularity • 38% Danceability • 42% Energy • 25% Liveness
98% Instrumentalness • 90% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
132 bpm • C min • 02:07 • -27.63db
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
132 bpm • D min • 02:29 • -32.13db
7% Popularity • 52% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 15% Positiveness
7% Popularity • 52% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Antonio Soler
Sonata No. 84 in D
130 bpm • D Maj • 02:45 • -27db
14% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
14% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, Kk. 213
132 bpm • A min • 05:03 • -31db
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Jean-Philippe Rameau
La poule
130 bpm • G min • 02:38 • -22.51db
26% Popularity • 50% Danceability • 29% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
26% Popularity • 50% Danceability • 29% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in G Major, K.284/L.90/P...
131 bpm • G Maj • 02:30 • -28.4db
7% Popularity • 46% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 40% Positiveness
7% Popularity • 46% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 40% Positiveness
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George Frideric Handel
Suite No. 2 in F Major, HWV 427: I. Adag...
129 bpm • F Maj • 02:36 • -36.17db
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
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Antonio Soler
Sonata No. 84 in D Major, R. 413: Allegr...
129 bpm • D Maj • 02:51 • -20db
16% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 72% Positiveness
16% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 72% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 28 in A Major, Op. 101:...
167 bpm • A Maj • 02:20 • -31db
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Domenico Scarlatti
Sonata in A Major, Kk.208
130 bpm • A Maj • 04:15 • -27.38db
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
43% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
43% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 13. Der Dichter sp...
169 bpm • G Maj • 02:12 • -37db
35% Popularity • 34% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 34% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Domenico Scarlatti
Sonata in D Minor, Kk. 32: Aria
130 bpm • D min • 02:31 • -29.33db
27% Popularity • 45% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
27% Popularity • 45% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
