Songs like Sonata in F Major for Two Oboes, Bassoon, and Continuo, Zv 181/5: II. Adagio by Jan Dismas Zelenka
Based on a tempo of (+/- 10%) and a similar genre
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Unico Wilhelm van Wassenaer
Concerto Armonico No. 2 in B-Flat Major:...
106 bpm • E Maj • 04:10 • -19db
14% Popularity • 28% Danceability • 10% Energy • 37% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 28% Danceability • 10% Energy • 37% Liveness
1% Instrumentalness • 17% Positiveness
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Jan Dismas Zelenka
Miserere, ZWV 57: III. Gloria Patri I
106 bpm • D# min • 03:57 • -14.55db
9% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
9% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 5 (Six Sonates en symphonies ...
106 bpm • F# min • 02:06 • -31.09db
12% Popularity • 28% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Sinfo...
106 bpm • F min • 01:13 • -28.03db
19% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: III. Coro...
106 bpm • A Maj • 01:05 • -18.42db
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Antonio Caldara
Sinfonia Nо. 2 in do maggiore (Il batti...
105 bpm • C Maj • 01:27 • -13db
27% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
27% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
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Jean-Marie Leclair
Violin Sonata in E Minor, Op. 5 No. 3: I...
105 bpm • F# Maj • 02:41 • -25db
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
106 bpm • A Maj • 01:21 • -23db
7% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Henri Desmarets
Te Deum "de Lyon": III. Te gloriosus apo...
104 bpm • A# Maj • 01:38 • -19.35db
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
Lass Fürstin, lass noch ein Strahl, BWV...
106 bpm • A# min • 04:01 • -18.43db
8% Popularity • 29% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
8% Popularity • 29% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
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Charles Avison
Concerto in D Major, Op. 6 No. 6: I. Lar...
108 bpm • C# Maj • 02:36 • -16db
18% Popularity • 30% Danceability • 12% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Antonio Caldara
Sinfonia No. 4 in si minore (Morte e sep...
105 bpm • B min • 01:03 • -13db
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
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Accademia Bizantina
I - Grave from: Concerto No. 1 in f mino...
108 bpm • E min • 01:36 • -25.12db
12% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 3% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: VI. Gra...
105 bpm • D# min • 03:25 • -10db
4% Popularity • 27% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 19% Positiveness
4% Popularity • 27% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 19% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: I. Chorus...
108 bpm • B Maj • 01:41 • -20db
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: I. Sin...
108 bpm • E min • 01:08 • -23.89db
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 12 Ari...
105 bpm • D# min • 02:36 • -20db
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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António Pereira da Costa
Concerto IX in A Major: I. Grave
108 bpm • A Maj • 01:24 • -16.31db
12% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Beatus vir - After P...
105 bpm • G# min • 05:18 • -22.27db
7% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: IX. Virgo virgi...
103 bpm • B min • 02:07 • -17.69db
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
29% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
29% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Unico Wilhelm van Wassenaer
Sonata Prima in F Major: IV. Giga Presto
109 bpm • E Maj • 01:30 • -22.13db
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Antonio Caldara
Sinfonia Nо. 1 in re maggiore (Il marti...
107 bpm • F Maj • 01:23 • -11.2db
29% Popularity • 63% Danceability • 48% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
29% Popularity • 63% Danceability • 48% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
109 bpm • C min • 01:39 • -20db
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Virgam virtutis t...
107 bpm • E Maj • 06:13 • -19.14db
11% Popularity • 32% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 28% Positiveness
11% Popularity • 32% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 28% Positiveness
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Johann David Heinichen
Trio Sonata in F Major, S. 256: IV. Alle...
109 bpm • B Maj • 01:41 • -15.82db
10% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. "Te ergo quaesumus"
109 bpm • C# Maj • 02:25 • -31.08db
20% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
20% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 2. A...
109 bpm • C# Maj • 02:27 • -19.81db
5% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in D Minor...
103 bpm • C# min • 01:32 • -23.65db
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
109 bpm • B min • 04:11 • -24.34db
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
De Profundis, ZWV 50: No. 3 Sustinuit
105 bpm • G# min • 03:49 • -30.23db
2% Popularity • 22% Danceability • 1% Energy • 19% Liveness
11% Instrumentalness • 7% Positiveness
2% Popularity • 22% Danceability • 1% Energy • 19% Liveness
11% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
109 bpm • A# min • 01:17 • -17.96db
14% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Johann Kuhnau
Uns ist ein Kind geboren: I. Sonata
103 bpm • G# min • 01:19 • -22.9db
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
110 bpm • B min • 00:55 • -14db
19% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
19% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act I: Hornpipe
110 bpm • F# min • 01:22 • -17.5db
13% Popularity • 47% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 53% Positiveness
13% Popularity • 47% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 53% Positiveness
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Alessandro Scarlatti
La Giuditta: Part I: Aria: A che giova d...
111 bpm • G# min • 02:08 • -22.43db
14% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Gloria. Gloria i...
105 bpm • G# Maj • 02:27 • -18db
14% Popularity • 46% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
14% Popularity • 46% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Johann Sebastian Bach
Matthäus Passion, BWV 244, Pt. 2, Buria...
110 bpm • G Maj • 02:06 • -28.22db
8% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Joseph-Hector Fiocco
Première Lamentation du Mercredi saint:...
102 bpm • G# min • 03:52 • -17db
10% Popularity • 26% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: IV. Kyrie II
101 bpm • C# min • 03:38 • -21db
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Gottlieb Janitsch
Sonata da camera in G Minor, "O Haupt vo...
101 bpm • E Maj • 03:55 • -18.5db
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
111 bpm • F min • 02:41 • -13.8db
17% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 22% Liveness
30% Instrumentalness • 36% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Redempti...
108 bpm • G# min • 04:26 • -24.76db
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Messe in B Minor, BWV 232: No. 4, Gloria...
101 bpm • C# Maj • 01:30 • -16.76db
22% Popularity • 52% Danceability • 41% Energy • 59% Liveness
79% Instrumentalness • 89% Positiveness
22% Popularity • 52% Danceability • 41% Energy • 59% Liveness
79% Instrumentalness • 89% Positiveness
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André Campra
Messe de requiem: II. Kyrie
111 bpm • D# min • 03:58 • -19db
12% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 3 in F Major,...
112 bpm • E Maj • 07:28 • -15.84db
6% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
112 bpm • B Maj • 01:03 • -24.37db
20% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
20% Popularity • 45% Danceability • 8% Energy • 33% Liveness
80% Instrumentalness • 54% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": I. O...
112 bpm • A Maj • 03:02 • -22.52db
16% Popularity • 39% Danceability • 18% Energy • 26% Liveness
72% Instrumentalness • 53% Positiveness
16% Popularity • 39% Danceability • 18% Energy • 26% Liveness
72% Instrumentalness • 53% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: De torrente - Aft...
108 bpm • D# min • 02:39 • -20.05db
17% Popularity • 37% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 45% Positiveness
17% Popularity • 37% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 45% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: X. Susce...
101 bpm • A# min • 02:08 • -22.85db
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VI. Pre...
112 bpm • F# min • 01:11 • -18.14db
24% Popularity • 49% Danceability • 17% Energy • 29% Liveness
94% Instrumentalness • 66% Positiveness
24% Popularity • 49% Danceability • 17% Energy • 29% Liveness
94% Instrumentalness • 66% Positiveness
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Antonio Caldara
Missa Dolorosa: V. Benedictus
112 bpm • C# Maj • 01:54 • -20.97db
17% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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![Ascanio, Sinfonia: II. [Sarabande] cover art](https://i.scdn.co/image/ab67616d00001e020b1485e6a9002ac41793a89c)
Antonio Lotti
Ascanio, Sinfonia: II. [Sarabande]
112 bpm • F# min • 01:02 • -13.36db
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TVWV 1:329: I. ...
112 bpm • C# Maj • 04:14 • -16.49db
11% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Gloria in ex...
104 bpm • C# Maj • 02:45 • -18.81db
11% Popularity • 47% Danceability • 29% Energy • 30% Liveness
79% Instrumentalness • 81% Positiveness
11% Popularity • 47% Danceability • 29% Energy • 30% Liveness
79% Instrumentalness • 81% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
112 bpm • F# min • 01:04 • -19.15db
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: V. Gloria
112 bpm • C# min • 07:10 • -20db
9% Popularity • 28% Danceability • 15% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 28% Danceability • 15% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Charles Avison
Concerto in D Minor; Op. 6 No. 5: IV. Al...
100 bpm • C# min • 02:24 • -16db
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
18% Instrumentalness • 74% Positiveness
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
18% Instrumentalness • 74% Positiveness
► Preview
Alessandro Scarlatti
Il giardino di Rose: Mentr'io godo in do...
113 bpm • B min • 05:32 • -21db
8% Popularity • 26% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Michel Richard Delalande
Symphonies pour les soupers du roy / Qua...
113 bpm • D Maj • 01:12 • -15.61db
16% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 5 Qui ...
108 bpm • A# min • 02:43 • -26.2db
3% Popularity • 19% Danceability • 4% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 4% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
113 bpm • C# min • 01:12 • -19.45db
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Georg Philipp Telemann
Wie ist dein Name so groß (Donner-Ode T...
113 bpm • C# Maj • 05:26 • -19.5db
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Henri Desmarets
Te Deum "de Lyon": XIV. Et rege eos
99 bpm • F Maj • 01:02 • -14.76db
12% Popularity • 37% Danceability • 55% Energy • 25% Liveness
52% Instrumentalness • 74% Positiveness
12% Popularity • 37% Danceability • 55% Energy • 25% Liveness
52% Instrumentalness • 74% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Les Boréades: Ouverture
99 bpm • E Maj • 04:50 • -18db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
11% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 13 Don...
109 bpm • C# Maj • 03:21 • -20.86db
3% Popularity • 41% Danceability • 11% Energy • 8% Liveness
62% Instrumentalness • 38% Positiveness
3% Popularity • 41% Danceability • 11% Energy • 8% Liveness
62% Instrumentalness • 38% Positiveness
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Alessandro Scarlatti
A battaglia, pensieri: Aria: A battaglia...
99 bpm • C Maj • 02:37 • -18.36db
12% Popularity • 44% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 38% Positiveness
12% Popularity • 44% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 38% Positiveness
► Preview
Johann Friedrich Fasch
Concerto for 3 Trumpets, Timpani, 2 Oboe...
99 bpm • G# Maj • 03:54 • -20.01db
12% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
12% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
► Preview
Henry Purcell
Abdelazer: Air
114 bpm • F# min • 01:23 • -27db
30% Popularity • 62% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
30% Popularity • 62% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Joseph Haydn
Mass No. 3 in C Major, Hob.XXII:5, "Miss...
99 bpm • E min • 03:04 • -17db
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
13% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Sonata for Violin, Oboe, Bassoon and Bas...
103 bpm • G min • 03:03 • -14.95db
4% Popularity • 22% Danceability • 28% Energy • 61% Liveness
13% Instrumentalness • 24% Positiveness
4% Popularity • 22% Danceability • 28% Energy • 61% Liveness
13% Instrumentalness • 24% Positiveness
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Johann Bernhard Bach
Ouverture in E Minor: II. Les plaisirs
114 bpm • D min • 01:52 • -19.61db
22% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: II. Christe eleison
98 bpm • D# Maj • 01:07 • -27.43db
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Fürwahr, er trug unsere Krankheit, BuxW...
98 bpm • C min • 10:13 • -22.28db
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
115 bpm • C# Maj • 05:12 • -21.53db
15% Popularity • 36% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Gloria: No. 6,...
115 bpm • G# Maj • 04:27 • -20.37db
15% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
6 Sonatas, ZWV 181, No. 1 in F Major: II...
109 bpm • C# min • 05:05 • -16.79db
1% Popularity • 56% Danceability • 28% Energy • 13% Liveness
95% Instrumentalness • 55% Positiveness
1% Popularity • 56% Danceability • 28% Energy • 13% Liveness
95% Instrumentalness • 55% Positiveness
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Michele Mascitti
8 Violin Sonatas and 4 Concertos, Op. 7,...
115 bpm • D# min • 01:57 • -18db
28% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: III. Dum...
98 bpm • E min • 01:10 • -20.06db
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pedes. ...
98 bpm • C min • 00:59 • -21db
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
115 bpm • B min • 05:57 • -23.63db
7% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Leonardo Vinci
Oratorio a 4 voci: “Tutti son del mate...
97 bpm • B Maj • 05:23 • -21.44db
15% Popularity • 31% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 31% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Gloria Patri - After...
103 bpm • G# min • 01:00 • -22.63db
16% Popularity • 46% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: III. Kyrie eleison
116 bpm • D# Maj • 01:06 • -20.68db
17% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
17% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
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Matthew Locke
Psyche, Act I: Overture
97 bpm • C# Maj • 02:16 • -13db
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: X. "In te Domine sperav...
97 bpm • C# Maj • 02:34 • -16.03db
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
Concerto for Cor Anglais, Strings and Ba...
97 bpm • E min • 03:38 • -23.56db
10% Popularity • 17% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
10% Popularity • 17% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
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Francesco Geminiani
Concerto I in D Major: IV. Allegro
116 bpm • C# Maj • 01:29 • -17.38db
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 63% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 63% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 1 Kyri...
110 bpm • C# Maj • 04:44 • -21db
5% Popularity • 31% Danceability • 9% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
5% Popularity • 31% Danceability • 9% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
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Johann Adam Reincken
Hortus Musicus "Sonata Prima" in A Minor...
116 bpm • A min • 01:22 • -21.54db
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
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Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
20% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Marianna Martines
Psalm 110: IV. Juravit Dominius
116 bpm • G# min • 03:11 • -13.59db
7% Popularity • 31% Danceability • 30% Energy • 16% Liveness
13% Instrumentalness • 11% Positiveness
7% Popularity • 31% Danceability • 30% Energy • 16% Liveness
13% Instrumentalness • 11% Positiveness
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Johann David Heinichen
Concerto a 7 in G Major - 2 Oboes, 2 Vio...
116 bpm • F# Maj • 03:31 • -16.9db
12% Popularity • 46% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
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Johann Georg Pisendel
Sonata in C Minor, Jung III.2.B: II. All...
116 bpm • A Maj • 02:25 • -19.17db
10% Popularity • 44% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 72% Positiveness
10% Popularity • 44% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 72% Positiveness
