Songs like Sonata No. 11 in A Major, III. Alla Turca: Allegretto by Maria João Pires
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Květa Novotná
Johann Sebastian Bach: Praeludium I C-Du...
103 bpm • C Maj • 01:31 • -26.12db
35% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
35% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 5, G...
104 bpm • D Maj • 01:06 • -24.65db
17% Popularity • 28% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
17% Popularity • 28% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Clara Schumann
Etude in A-Flat Major
104 bpm • G# Maj • 01:51 • -31db
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
English Suite No. 3 in G Minor, BWV 808:...
105 bpm • G min • 03:20 • -19.16db
10% Popularity • 42% Danceability • 36% Energy • 9% Liveness
87% Instrumentalness • 62% Positiveness
10% Popularity • 42% Danceability • 36% Energy • 9% Liveness
87% Instrumentalness • 62% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
105 bpm • F Maj • 03:45 • -20db
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Robert Schumann
Waldszenen, Op. 82: No. 3 Einsame Blumen
105 bpm • A# Maj • 01:49 • -30.98db
24% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
24% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Adolf von Henselt
12 Études caractéristiques, Op. 2: No....
100 bpm • F# Maj • 02:04 • -24.15db
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: I...
106 bpm • A min • 01:12 • -23.63db
13% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
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Muzio Clementi
Keyboard Sonatina in C Major, Op. 36, No...
100 bpm • G Maj • 01:37 • -23.76db
36% Popularity • 41% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 92% Positiveness
36% Popularity • 41% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 92% Positiveness
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Janos Sebestyen
Fantasia And Fugue In C Minor (Extracts)...
107 bpm • C min • 04:41 • -17.81db
42% Popularity • 32% Danceability • 30% Energy • 23% Liveness
91% Instrumentalness • 68% Positiveness
42% Popularity • 32% Danceability • 30% Energy • 23% Liveness
91% Instrumentalness • 68% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Prokofiev: 10 Pieces from Romeo & Juliet...
99 bpm • A min • 03:58 • -19db
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 10, ...
107 bpm • B Maj • 01:57 • -30.72db
16% Popularity • 46% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
16% Popularity • 46% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 1 in D Major, Op. 17:...
99 bpm • G min • 10:27 • -34db
22% Popularity • 24% Danceability • 1% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Muzio Clementi
Keyboard Sonatina In C Major, Op. 36, No...
99 bpm • F Maj • 01:16 • -28db
40% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
40% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Toccata & Fugue in D Minor, BWV 565 (Tra...
98 bpm • D min • 05:16 • -20.66db
21% Popularity • 30% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 8 in A Minor, K. 310: I...
108 bpm • A min • 02:47 • -22.88db
18% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 48% Positiveness
18% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 48% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, III. Rondo
98 bpm • C Maj • 01:45 • -22.86db
39% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 82% Positiveness
39% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 82% Positiveness
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Robert Schumann
Waldszenen, Op. 82: No. 7 Vogel als Prop...
98 bpm • G min • 02:57 • -32db
22% Popularity • 44% Danceability • 1% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
22% Popularity • 44% Danceability • 1% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
109 bpm • F min • 02:28 • -25.74db
35% Popularity • 28% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
35% Popularity • 28% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 10 in G-Flat Ma...
109 bpm • F# Maj • 03:57 • -33.33db
23% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
23% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, II. Andante
108 bpm • G Maj • 04:22 • -28db
33% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
33% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
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Robert Schumann
Schumann: Waldszenen, Op. 82: No. 3, Ein...
97 bpm • A# Maj • 01:54 • -34db
20% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
20% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Benjamin Frith
Nocturne No. 18 In E Major, 'Midi'
97 bpm • E Maj • 06:14 • -30db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Claude Debussy
Children's Corner, L. 113: VI. Golliwogg...
97 bpm • F min • 03:11 • -21.77db
21% Popularity • 46% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
21% Popularity • 46% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B Flat Major, BWV 825: ...
97 bpm • A# Maj • 02:05 • -22.1db
14% Popularity • 47% Danceability • 18% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
14% Popularity • 47% Danceability • 18% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Après un Rêve Op. 7, No. 1
96 bpm • F min • 03:22 • -26.28db
29% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Joseph Haydn
Cello Concerto in C, H.VIIb, No.1: 2. Ad...
96 bpm • F Maj • 09:14 • -23.97db
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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John Field
Nocturne No. 8 in E Flat Major, H.30
96 bpm • D# Maj • 04:05 • -24.21db
22% Popularity • 46% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 46% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
111 bpm • F# Maj • 02:54 • -30.27db
30% Popularity • 40% Danceability • 1% Energy • 5% Liveness
88% Instrumentalness • 18% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 5% Liveness
88% Instrumentalness • 18% Positiveness
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Ignacy Jan Paderewski
Piano Concerto in A Minor, Op. 17: II. R...
111 bpm • C Maj • 09:18 • -26db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
10 Préludes, Op. 23: No. 5. Alla marcia...
111 bpm • G min • 04:05 • -21db
27% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
27% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Gaspard de la nuit, M. 55: III. Scarbo
95 bpm • G# Maj • 09:27 • -24.62db
16% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: Promenade I
112 bpm • F Maj • 01:15 • -20.96db
33% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
► Preview
Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 4, B...
95 bpm • D Maj • 01:44 • -36.68db
19% Popularity • 31% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
19% Popularity • 31% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Jean Sibelius
Sonatina No. 1, Op. 67: II. Largo
112 bpm • F# min • 02:11 • -33.07db
31% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
31% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Lang Lang
The Merry Shepherd Boy
112 bpm • G min • 01:33 • -21.82db
31% Popularity • 36% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 73% Positiveness
31% Popularity • 36% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 73% Positiveness
► Preview
Claude Debussy
Suite Bergamasque, L. 75, CD 82: IV. Pas...
95 bpm • F# min • 03:43 • -31.14db
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
112 bpm • F Maj • 01:27 • -21.27db
36% Popularity • 52% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
36% Popularity • 52% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
► Preview
Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
112 bpm • G Maj • 06:04 • -29.69db
28% Popularity • 35% Danceability • 5% Energy • 6% Liveness
92% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 5% Energy • 6% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 13, ...
95 bpm • G Maj • 02:56 • -36db
29% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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John Field
Nocturne No. 14 in G Major, H.58
113 bpm • G Maj • 02:50 • -26.61db
23% Popularity • 36% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 36% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
94 bpm • G min • 10:14 • -17.97db
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
93 bpm • G min • 02:45 • -26.8db
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380 (L. 23)
93 bpm • E Maj • 05:18 • -28.37db
17% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B Flat Major, BWV 825: ...
93 bpm • A# Maj • 01:57 • -22.86db
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 48% Positiveness
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Robert Schumann
Arabeske in C Major, Op. 18: No. 1 Leich...
93 bpm • C Maj • 00:55 • -37.72db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
114 bpm • A min • 03:23 • -17db
49% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Radu Lupu
Concert nr. 5 pentru pian și orchestră...
92 bpm • B Maj • 07:55 • -30.79db
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
English Suite No. 3 in G Minor, BWV 808:...
114 bpm • G min • 03:45 • -27.73db
9% Popularity • 30% Danceability • 11% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Franz Danzi
Concertino for Clarinet & Bassoon in B-F...
92 bpm • D# Maj • 02:49 • -24.28db
41% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 2 in F Major, K. 280: I...
92 bpm • F min • 08:48 • -28.5db
17% Popularity • 42% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 42% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Igor Stravinsky
Petrouchka - Three Movements for Piano (...
116 bpm • A min • 02:29 • -20.65db
16% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
► Preview
Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Schumann: Bunte Blätter, Op. 99: No. 6,...
91 bpm • G# Maj • 01:25 • -31.31db
41% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
41% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
29% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
29% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Muzio Clementi
Keyboard Sonatina in C Major, Op. 36, No...
91 bpm • C Maj • 00:59 • -23db
26% Popularity • 35% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
![Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] cover art](https://i.scdn.co/image/ab67616d00001e025ee40dc5470c9a97095be13d)
