Songs like Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro by Johann Christian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45 (Version for 2 ...
135 bpm • A Maj • 11:12 • -23.5db
24% Popularity • 37% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
39% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
39% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Grand Overture in B-Flat Major, Op. 18, ...
135 bpm • A# Maj • 01:48 • -20.31db
25% Popularity • 38% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 81% Positiveness
25% Popularity • 38% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 81% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Joseph Haydn
Cello Concerto No. 2 in D Major, Hob. VI...
137 bpm • D Maj • 05:07 • -18.8db
27% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
27% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 10...
132 bpm • F# min • 03:04 • -39.98db
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in F Minor, K.183: Allegro
132 bpm • A# min • 06:10 • -28.05db
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Amadis de Gaule, W. G39: Act II Scene V:...
132 bpm • E Maj • 02:25 • -21.08db
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
Polonaise in G Minor, BWV Anh. 125 (Note...
132 bpm • G min • 01:09 • -25db
26% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 79% Positiveness
26% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 79% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Sergei Rachmaninoff
Suite No. 1 for 2 Pianos, Op. 5 "Fantais...
131 bpm • D Maj • 05:59 • -20.2db
24% Popularity • 36% Danceability • 20% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Keyboard Concerto in E-Flat Major, Op. 7...
139 bpm • D# Maj • 03:20 • -24db
10% Popularity • 42% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
10% Popularity • 42% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Johann Baptist Vanhal
Symphony in C Minor, Bryan Cm2: II. Anda...
139 bpm • F min • 03:43 • -27db
40% Popularity • 33% Danceability • 1% Energy • 10% Liveness
40% Instrumentalness • 10% Positiveness
40% Popularity • 33% Danceability • 1% Energy • 10% Liveness
40% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Sicilienne
140 bpm • D# Maj • 03:57 • -23.13db
37% Popularity • 30% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
37% Popularity • 30% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Johann Christian Bach
A Collection of Favourite Songs sung at ...
131 bpm • C# min • 03:21 • -18.51db
0% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
Aria (After Serenata Veneziana from Andr...
141 bpm • E min • 02:25 • -29.02db
20% Popularity • 25% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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Johann Christian Bach
Symphony in D Major, Op. 3, No. 1, W. C1...
141 bpm • A Maj • 04:16 • -20db
12% Popularity • 33% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 41% Positiveness
12% Popularity • 33% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 41% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Franz Schubert
Notturno for Piano, Violin and Violoncel...
129 bpm • A# Maj • 08:13 • -21db
21% Popularity • 28% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 9% Positiveness
21% Popularity • 28% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 9% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Enrique Granados
IV. La campana de la tarde. Allegretto
129 bpm • F Maj • 02:17 • -36db
28% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
28% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
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George Frideric Handel
Suite No. 2 in F Major, HWV 427: I. Adag...
129 bpm • F Maj • 02:36 • -36.17db
38% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Johann Christian Bach
Sonate en trio pour deux flûtes et bass...
142 bpm • G Maj • 03:36 • -23.2db
1% Popularity • 44% Danceability • 11% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
1% Popularity • 44% Danceability • 11% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Suite No. 2 for 2 Pianos, Op. 17: III. R...
127 bpm • G# Maj • 07:10 • -26.77db
26% Popularity • 34% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
26% Popularity • 34% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
53% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
► Preview
Johann Christian Bach
Grand Overture in D major, Op. 18, No. 6...
146 bpm • E Maj • 02:33 • -25db
13% Popularity • 48% Danceability • 4% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 4% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
► Preview
François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
► Preview
Wilhelm Friedemann Bach
Sinfonia in F major, F. 67: IV. Menuetto...
122 bpm • F Maj • 02:33 • -24db
24% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
24% Popularity • 39% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Quintet in F Major, Op. 22, No. 2: I. Al...
122 bpm • E Maj • 08:30 • -21db
11% Popularity • 41% Danceability • 11% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 41% Danceability • 11% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
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Christian Petzold
Minuet in G Major, BWV Anh. 114 (Noteboo...
122 bpm • G Maj • 01:45 • -37.45db
23% Popularity • 34% Danceability • 1% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
44% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E Minor, Op. 27: III. ...
120 bpm • D Maj • 10:52 • -20.53db
40% Popularity • 37% Danceability • 12% Energy • 24% Liveness
91% Instrumentalness • 9% Positiveness
40% Popularity • 37% Danceability • 12% Energy • 24% Liveness
91% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Franz Schubert
Piano Quintet in A Major, Op. 114, D 667...
120 bpm • D Maj • 03:44 • -17.73db
21% Popularity • 54% Danceability • 22% Energy • 31% Liveness
82% Instrumentalness • 67% Positiveness
21% Popularity • 54% Danceability • 22% Energy • 31% Liveness
82% Instrumentalness • 67% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
119 bpm • A min • 04:57 • -20db
29% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
29% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
Suite No. 1 for 2 Pianos, Op. 5 "Fantais...
118 bpm • G min • 08:00 • -25.26db
10% Popularity • 33% Danceability • 9% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
10% Popularity • 33% Danceability • 9% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Stephan Koncz
GoldBergHain (Quodlibet on "Kraut und R�...
117 bpm • G Maj • 02:44 • -19.88db
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Four Seasons Winter Variation (After Vio...
117 bpm • F min • 01:43 • -27.84db
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Bedřich Smetana
The Moldau Piano Variation
116 bpm • E min • 01:58 • -23.15db
39% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
39% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 28 in A Major, Op. 101:...
167 bpm • A Maj • 02:20 • -31db
37% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
