Songs like Sonata V by John Cage
Based on a tempo of (+/- 10%) and a similar genre
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Steve Reich
Drumming: Part IV - Snippet
111 bpm • F# Maj • 02:53 • -22.95db
15% Popularity • 64% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 64% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Meredith Monk
Monk: Railroad (Travel Song)
111 bpm • E min • 02:06 • -21.31db
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
15% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
15% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Zoltán Kodály
Duo for Violin and Cello, Op. 7: I. Alle...
111 bpm • G Maj • 07:57 • -18.1db
9% Popularity • 31% Danceability • 14% Energy • 12% Liveness
72% Instrumentalness • 19% Positiveness
9% Popularity • 31% Danceability • 14% Energy • 12% Liveness
72% Instrumentalness • 19% Positiveness
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Milton Babbitt
Semi-Simple Variations
111 bpm • E Maj • 01:15 • -28.82db
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Krzysztof Penderecki
Threnody for the Victims of Hiroshima
111 bpm • D# Maj • 08:56 • -24.83db
8% Popularity • 16% Danceability • 25% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Steve Reich
Music for 18 Musicians: Section IIIB
111 bpm • E Maj • 03:48 • -22.94db
21% Popularity • 54% Danceability • 24% Energy • 19% Liveness
87% Instrumentalness • 84% Positiveness
21% Popularity • 54% Danceability • 24% Energy • 19% Liveness
87% Instrumentalness • 84% Positiveness
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John Cage
Sonata V
111 bpm • F# Maj • 01:29 • -13.16db
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
96% Instrumentalness • 85% Positiveness
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
96% Instrumentalness • 85% Positiveness
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Meredith Monk
Totentanz
111 bpm • G# Maj • 03:07 • -21.67db
13% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
13% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Jessie Montgomery
Starburst
110 bpm • A Maj • 03:31 • -18db
13% Popularity • 43% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
13% Popularity • 43% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Toru Takemitsu
3 Film Scores: No. 3. Face of Another: W...
112 bpm • G# Maj • 02:28 • -26.07db
31% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
31% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Andante con noto
110 bpm • C Maj • 03:34 • -29db
14% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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John Cage
Two Pieces For Piano (1935): II Quite fa...
110 bpm • G# Maj • 01:21 • -30db
10% Popularity • 29% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
10% Popularity • 29% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Akira Nishimura
Kala
114 bpm • C Maj • 10:31 • -28.09db
14% Popularity • 40% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 40% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 20% Positiveness
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Gabriella Smith
Carrot Revolution
108 bpm • C Maj • 11:18 • -13db
10% Popularity • 35% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 33% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 33% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
112 bpm • A# Maj • 01:55 • -30db
16% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
16% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
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Karlheinz Stockhausen
Fische
114 bpm • F min • 01:50 • -27.03db
22% Popularity • 23% Danceability • 7% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 7% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Terry Riley
G-Song
109 bpm • G min • 09:46 • -21db
19% Popularity • 31% Danceability • 22% Energy • 33% Liveness
86% Instrumentalness • 44% Positiveness
19% Popularity • 31% Danceability • 22% Energy • 33% Liveness
86% Instrumentalness • 44% Positiveness
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John Cage
Six Melodies - performed on Violin and H...
113 bpm • D min • 02:43 • -26db
13% Popularity • 39% Danceability • 1% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 39% Danceability • 1% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Krzysztof Penderecki
Penderecki: Anaklasis, for 42 Strings an...
108 bpm • G# Maj • 06:01 • -21.9db
6% Popularity • 21% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Vers la flamme, Op. 72: Allegro moderato...
108 bpm • C min • 05:43 • -17.38db
12% Popularity • 35% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 35% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Violin Sonata No. 2 in G Major, M...
114 bpm • F min • 04:59 • -22.66db
12% Popularity • 44% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
114 bpm • C min • 04:35 • -22db
22% Popularity • 51% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
22% Popularity • 51% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
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Terry Riley
Sunrise of the Planetary Dream Collector
109 bpm • E min • 12:32 • -19db
20% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
20% Popularity • 42% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Arvo Pärt
Mein Weg Hat Gipfel Und Wallentaler
108 bpm • C Maj • 08:17 • -38.73db
4% Popularity • 42% Danceability • 0% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
4% Popularity • 42% Danceability • 0% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Steve Reich
City Life: II. Pile Driver / Alarms
108 bpm • A min • 03:53 • -14.14db
8% Popularity • 28% Danceability • 23% Energy • 44% Liveness
76% Instrumentalness • 3% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 44% Liveness
76% Instrumentalness • 3% Positiveness
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John Cage
Music of Changes: I
115 bpm • A# min • 04:10 • -20db
11% Popularity • 73% Danceability • 3% Energy • 8% Liveness
30% Instrumentalness • 27% Positiveness
11% Popularity • 73% Danceability • 3% Energy • 8% Liveness
30% Instrumentalness • 27% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Terry Riley
Cadenza on the Night Plain: Captain Jack...
115 bpm • C# Maj • 01:44 • -31db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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George Crumb
Black Angels: II. Absence
115 bpm • G min • 05:25 • -23.13db
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Iannis Xenakis
6 Chansons: No. 6. Soustra, dance
107 bpm • A# Maj • 01:24 • -18db
8% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
8% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
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Meredith Monk
Folkdance
116 bpm • D min • 04:03 • -16db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
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Steve Reich
Music for 18 Musicians: Section IIIA
107 bpm • D Maj • 03:55 • -18db
23% Popularity • 40% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
23% Popularity • 40% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Giacinto Scelsi
Ohoi
116 bpm • A# Maj • 08:33 • -21.71db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
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Igor Stravinsky
The Rite of Spring (1913 Version): Adora...
106 bpm • G# min • 03:17 • -19.37db
18% Popularity • 44% Danceability • 30% Energy • 61% Liveness
84% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 30% Energy • 61% Liveness
84% Instrumentalness • 30% Positiveness
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Charles Ives
Central Park in the Dark - Live
106 bpm • A# min • 07:10 • -21.26db
8% Popularity • 15% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 10% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 10% Positiveness
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Unsuk Chin
Piano Concerto: Movement I
106 bpm • A Maj • 04:07 • -15.96db
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
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John Cage
The Seasons: 6. Summer
106 bpm • D min • 03:36 • -32.68db
14% Popularity • 55% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 55% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Edgard Varèse
Ionisation
116 bpm • A Maj • 05:21 • -18.74db
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
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Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Julian Scriabin
Prelude in C Major, Op. 2: II. Prelude i...
117 bpm • B Maj • 01:15 • -28db
39% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
39% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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Ernst Reijseger
Longing for a Frozen Sky
117 bpm • C min • 02:08 • -18.47db
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
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Kaija Saariaho
7 Papillons: No. 2. —
117 bpm • D Maj • 01:30 • -25db
31% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
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John Cage
Metamorphosis: II
106 bpm • G min • 02:40 • -23.4db
9% Popularity • 40% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 40% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: I. Präludium
105 bpm • A# Maj • 00:54 • -21db
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
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Igor Stravinsky
The Rite of Spring (1913 Version): Adora...
117 bpm • A# min • 03:29 • -26.33db
19% Popularity • 18% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
105 bpm • A min • 02:53 • -34db
19% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
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Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
24% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
24% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
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Steve Reich
Music for 18 Musicians: Section II
105 bpm • D Maj • 05:13 • -11db
23% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
23% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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John Cage
The Seasons: 1. Prelude I
116 bpm • C Maj • 02:01 • -39.33db
16% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Anton Webern
Passacaglia for Large Orchestra, Op. 1
105 bpm • A# min • 10:09 • -19.23db
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: String Quartet, M. 35: I. Allegro...
118 bpm • F Maj • 08:50 • -23.88db
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring, K15, Pt. 1: II. The ...
104 bpm • G# min • 03:24 • -17db
33% Popularity • 51% Danceability • 30% Energy • 67% Liveness
89% Instrumentalness • 59% Positiveness
33% Popularity • 51% Danceability • 30% Energy • 67% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
12% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section IV
105 bpm • A Maj • 06:36 • -23db
16% Popularity • 49% Danceability • 32% Energy • 27% Liveness
99% Instrumentalness • 40% Positiveness
16% Popularity • 49% Danceability • 32% Energy • 27% Liveness
99% Instrumentalness • 40% Positiveness
► Preview
John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
31% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
► Preview
Charles Ives
Set of 5 Take-offs: Song Without (Good) ...
104 bpm • C Maj • 04:05 • -36db
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
13% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
119 bpm • F# Maj • 07:07 • -30db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Pulses II
103 bpm • F# min • 06:10 • -21.14db
13% Popularity • 58% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
13% Popularity • 58% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
103 bpm • G# Maj • 04:00 • -32db
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
John Cage
The Seasons: 4. Spring
118 bpm • D min • 02:26 • -31.16db
14% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Toru Takemitsu
Rain Tree Sketch II
120 bpm • F# min • 05:25 • -31.27db
8% Popularity • 47% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
8% Popularity • 47% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
George Crumb
Black Angels: I. Departure
120 bpm • A# min • 05:37 • -17.43db
15% Popularity • 41% Danceability • 22% Energy • 26% Liveness
7% Instrumentalness • 16% Positiveness
15% Popularity • 41% Danceability • 22% Energy • 26% Liveness
7% Instrumentalness • 16% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section V
104 bpm • C# min • 06:48 • -16.44db
15% Popularity • 51% Danceability • 58% Energy • 20% Liveness
93% Instrumentalness • 93% Positiveness
15% Popularity • 51% Danceability • 58% Energy • 20% Liveness
93% Instrumentalness • 93% Positiveness
► Preview
Osvaldo Golijov
Ainadamar: Water and Horse Prelude
121 bpm • C min • 02:42 • -23.37db
12% Popularity • 82% Danceability • 44% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
12% Popularity • 82% Danceability • 44% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
► Preview
John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
36% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
36% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
Claude Debussy
String Quartet in G Minor, Op. 10: I. An...
121 bpm • D min • 06:25 • -22db
3% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
3% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: 5. Joie du sang ...
121 bpm • D# min • 06:41 • -18.55db
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
► Preview
Charles Ives
3 Places in New England: No. 2 Putnam's ...
121 bpm • C min • 06:13 • -17db
9% Popularity • 40% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
9% Popularity • 40% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section VI
102 bpm • F# min • 04:54 • -13.23db
15% Popularity • 54% Danceability • 68% Energy • 19% Liveness
94% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 19% Liveness
94% Instrumentalness • 52% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
John Taverner
In Nomine-Instrumentation colorée I (20...
122 bpm • D min • 02:09 • -35db
13% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
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Krzysztof Penderecki
Threnody to the Victims of Hiroshima (19...
101 bpm • G min • 10:03 • -15.32db
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
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Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Charles Ives
The Unanswered Question
122 bpm • C Maj • 05:41 • -39.29db
11% Popularity • 17% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Steve Reich
Music for 18 Musicians: Section I
102 bpm • D Maj • 03:58 • -17db
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Partita No. 2 in C Minor, BWV 826: I. Si...
101 bpm • C min • 04:15 • -20.74db
33% Popularity • 33% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
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Kaija Saariaho
Petals
100 bpm • G Maj • 10:38 • -19db
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
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Terry Riley
Riley: Keyboard Study 2 - Brubaker Versi...
100 bpm • D# Maj • 01:13 • -28.68db
29% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
29% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Ernst Reijseger
Forgotten Dreams #4
123 bpm • G Maj • 04:11 • -22.87db
17% Popularity • 38% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
17% Popularity • 38% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
123 bpm • C# Maj • 02:32 • -29.06db
20% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
20% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
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Iannis Xenakis
Pithoprakta
100 bpm • C Maj • 10:40 • -25db
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
10% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Arvo Pärt
Tabula Rasa: Ludus
124 bpm • A min • 09:50 • -20db
8% Popularity • 32% Danceability • 27% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Harry Partch
Delusion of the Fury: Exordium: The Begi...
99 bpm • A min • 10:45 • -16db
12% Popularity • 39% Danceability • 49% Energy • 38% Liveness
34% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 49% Energy • 38% Liveness
34% Instrumentalness • 7% Positiveness
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John Cage
Quartet: I. Moderate
100 bpm • D min • 05:09 • -18.11db
4% Popularity • 59% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 59% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: V. ...
125 bpm • E min • 04:53 • -23db
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
