Songs like Sonatas and Interludes for Prepared Piano: Sonata No. 5 by John Cage
Based on a tempo of (+/- 10%) and a similar genre
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John Cage
Sonata XVI & XV "Gemini"
92 bpm • D Maj • 04:33 • -27.63db
9% Popularity • 31% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Julius Eastman
Femenine: No. 1, Prime
92 bpm • D# Maj • 08:48 • -17.88db
28% Popularity • 20% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
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Steve Reich
New York Counterpoint (Version for Clari...
92 bpm • F# Maj • 04:56 • -18db
11% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Arvo Pärt
Psalom
92 bpm • A Maj • 02:08 • -33db
11% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
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Sergei Prokofiev
Piano Sonata No. 2 in D Minor, Op. 14: I...
92 bpm • A Maj • 01:59 • -19.88db
0% Popularity • 49% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
0% Popularity • 49% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Maurice Ravel
Menuet sur le nom d'Haydn, M. 58
93 bpm • G Maj • 02:07 • -35.2db
18% Popularity • 33% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 33% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 10% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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John Luther Adams
Canticles of the Sky: I. Sky with Four S...
92 bpm • G Maj • 04:24 • -15.68db
12% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Caroline Shaw
Three Essays: Second Essay (Echo)
91 bpm • F# Maj • 06:19 • -22.02db
11% Popularity • 11% Danceability • 5% Energy • 33% Liveness
10% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 33% Liveness
10% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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John Cage
In a Landscap: (1948)
93 bpm • D min • 07:49 • -38db
12% Popularity • 27% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 32% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 32% Positiveness
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Steve Reich
The Desert Music: First Movement - Fast
93 bpm • G min • 07:54 • -16db
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
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György Ligeti
Musica ricercata: 4. Tempo de Valse. Poc...
91 bpm • D# Maj • 01:56 • -20.38db
12% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Luigi Russolo
Intonarumori : gorgogliatore (gurgler) -...
94 bpm • A Maj • 01:22 • -26db
13% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
13% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Terry Riley
Cadenza on the Night Plain: Introduction
90 bpm • D Maj • 02:18 • -20.13db
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
46% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
46% Instrumentalness • 7% Positiveness
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Kit Downes
Seeing Things
90 bpm • F min • 02:13 • -33db
17% Popularity • 32% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
17% Popularity • 32% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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John Cage
Cage: Prelude for Meditation
94 bpm • C# Maj • 01:20 • -41.48db
20% Popularity • 36% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 39% Positiveness
20% Popularity • 36% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 39% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Arvo Pärt
Lamentate: Fragile e conciliante
94 bpm • C# Maj • 06:31 • -40.22db
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Chorale Prelude BWV 639, “Ich ruf zu d...
95 bpm • F min • 04:33 • -33.49db
19% Popularity • 36% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
19% Popularity • 36% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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Karlheinz Stockhausen
Model 1
95 bpm • C min • 01:19 • -30.46db
24% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Piano Sonata No. 2 in D Minor, Op. 14: I...
89 bpm • D min • 04:35 • -21.57db
1% Popularity • 50% Danceability • 19% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
1% Popularity • 50% Danceability • 19% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
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Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Nico Muhly
Move
89 bpm • D Maj • 02:35 • -20.17db
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Bryce Dessner
Little Blue Something
89 bpm • D# Maj • 07:56 • -14db
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Osvaldo Golijov
The Dreams and Prayers of Isaac the Blin...
88 bpm • F# min • 03:13 • -28db
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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George Enescu
Enescu: Violin Sonata No. 3 in A Minor, ...
96 bpm • A Maj • 08:22 • -19.47db
8% Popularity • 27% Danceability • 12% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
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Steve Reich
Electric Counterpoint: II. Slow
96 bpm • E Maj • 03:22 • -21.87db
27% Popularity • 71% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
27% Popularity • 71% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Anders Hillborg
11 Gates: No. 10. Seafloor Meditation (W...
89 bpm • F Maj • 01:45 • -43db
10% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Louis Hardin
Symphonique #3 (Ode to Venus) - Instrume...
88 bpm • D Maj • 05:54 • -15.24db
24% Popularity • 20% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
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John Cage
In a Landscape (Two Pieces for Harp) - 1...
96 bpm • F Maj • 07:32 • -25.53db
13% Popularity • 37% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
13% Popularity • 37% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Harry Partch
Two Studies on Ancient Greek Scales: 1) ...
88 bpm • C min • 03:41 • -32db
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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La Monte Young
Sarabande (Arr. J. Schneider for Guitar ...
97 bpm • G Maj • 01:37 • -25.94db
12% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
12% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Anja Lechner
Shadow
88 bpm • C# Maj • 01:18 • -32.22db
19% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
19% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Osvaldo Golijov
Tenebrae: 2.
87 bpm • C Maj • 06:46 • -27db
11% Popularity • 17% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
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Friedrich Wilckens
Dance in the Moon
97 bpm • F min • 02:48 • -25.52db
11% Popularity • 29% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Igor Stravinsky
3 Pieces for String Quartet: No. 3
87 bpm • G# Maj • 04:13 • -38db
12% Popularity • 10% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
98 bpm • D Maj • 01:06 • -13.52db
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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György Ligeti
Musica ricercata No. 7 in B-Flat Major
87 bpm • D# Maj • 02:49 • -35.21db
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
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Lou Harrison
Suite for Cello and Harp: I. Chorale
87 bpm • B min • 01:29 • -27.1db
17% Popularity • 19% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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John Cage
A room (Two Pieces for Harp) - 1942
86 bpm • C# min • 01:48 • -20.54db
16% Popularity • 35% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Johnson Gucci
Real Nigga
98 bpm • C Maj • 04:19 • -19.03db
6% Popularity • 77% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 77% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Olivier Messiaen
Quartet for the End of Time
86 bpm • E Maj • 09:29 • -24db
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
The Art of Fugue, BWV 1080: Contrapunctu...
86 bpm • D min • 03:59 • -22.39db
18% Popularity • 13% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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VERGESSENHEIT
Silence
98 bpm • F Maj • 01:58 • -16.23db
3% Popularity • 21% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dobrinka Tabakova
Insight
86 bpm • D min • 09:35 • -15.44db
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
And Birds Are Still . . ., Op. 72
86 bpm • G Maj • 07:43 • -26db
30% Popularity • 9% Danceability • 6% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 6% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Ben Johnston
String Quartet No. 7: Scurrying, Forcefu...
86 bpm • G Maj • 02:36 • -12.6db
8% Popularity • 34% Danceability • 39% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 39% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Carolina Eyck
Oakunar Lynntuja (Strange Birds)
99 bpm • D Maj • 03:36 • -15.83db
12% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
12% Popularity • 32% Danceability • 37% Energy • 35% Liveness
4% Instrumentalness • 53% Positiveness
► Preview
Jonny Greenwood
Greenwood: Popcorn Superhet Receiver:, P...
86 bpm • G Maj • 08:42 • -21db
11% Popularity • 9% Danceability • 14% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 14% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
John Cage
Music for Marcel Duchamp (1947) - Instru...
99 bpm • A# Maj • 06:34 • -28.81db
11% Popularity • 57% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 57% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Steve Reich
Runner: I. Sixteenths
99 bpm • D min • 04:30 • -20.53db
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Takashi Yoshimatsu
Piano Concerto, Op. 67 "Memo Flora": III...
85 bpm • D# Maj • 07:02 • -22.96db
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
► Preview
John Adams
Adams: Shaker Loops: III. Loops and Vers...
85 bpm • G min • 06:54 • -21.92db
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
► Preview
Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
Serenade: I. Passacaglia
85 bpm • G Maj • 02:55 • -19db
11% Popularity • 14% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Giacinto Scelsi
Uaxuctum: III. —
85 bpm • A# Maj • 03:42 • -32.1db
13% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Balanescu Quartet
Charades
100 bpm • C Maj • 01:36 • -19.22db
33% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
33% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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John Cage
Quartet: I. Moderate
100 bpm • D min • 05:09 • -18.11db
4% Popularity • 59% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 59% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Penderecki: Threnody for the Victims of ...
85 bpm • F min • 09:06 • -20.65db
16% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
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György Ligeti
Ligeti: Requiem: I. Introitus. Sostenuto
85 bpm • C# Maj • 05:39 • -42.57db
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Iannis Xenakis
Pithoprakta
100 bpm • C Maj • 10:40 • -25db
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Balanescu Quartet
Wedding Preparation
100 bpm • F Maj • 01:41 • -11.69db
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
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Kaija Saariaho
Petals
100 bpm • G Maj • 10:38 • -19db
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
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Terry Riley
Riley: Keyboard Study 2 - Brubaker Versi...
100 bpm • D# Maj • 01:13 • -28.68db
28% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
28% Popularity • 17% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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György Ligeti
Ligeti: Atmosphères
84 bpm • C# Maj • 08:58 • -32db
27% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Piano Sonata No. 2 in D Minor, Op. 14: I...
84 bpm • G# min • 06:09 • -29.49db
0% Popularity • 30% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Threnody to the Victims of Hiroshima (19...
101 bpm • G min • 10:03 • -15.32db
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
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Conlon Nancarrow
Studies for Player Piano: Study No. 6
84 bpm • A Maj • 03:50 • -35.95db
18% Popularity • 13% Danceability • 0% Energy • 14% Liveness
20% Instrumentalness • 23% Positiveness
18% Popularity • 13% Danceability • 0% Energy • 14% Liveness
20% Instrumentalness • 23% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
30% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
30% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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John Zorn
Kol Nidre
84 bpm • A Maj • 07:00 • -29db
9% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
10% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
10% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
