Songs like Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca by Marco Uccellini
Based on a tempo of (+/- 10%) and a similar genre
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![Sonata sesta for violino solo: VI. Allegro [2] cover art](https://i.scdn.co/image/ab67616d00001e02327a8ecd78d1bd9a98479fdf)
Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op.3, RISM A/I...
139 bpm • D Maj • 04:20 • -17.18db
9% Popularity • 42% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 77% Positiveness
9% Popularity • 42% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 77% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Jean-Baptiste Lully
Alceste, LWV 50: La Fête Infernale - 1e...
139 bpm • F min • 01:19 • -17db
17% Popularity • 54% Danceability • 44% Energy • 15% Liveness
99% Instrumentalness • 57% Positiveness
17% Popularity • 54% Danceability • 44% Energy • 15% Liveness
99% Instrumentalness • 57% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Trio Sonata in D Minor, Op. 1 No. 12, RV...
138 bpm • C# min • 09:24 • -17.81db
11% Popularity • 31% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 31% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: Sonata ...
139 bpm • E Maj • 04:05 • -18.7db
1% Popularity • 21% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
1% Popularity • 21% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Biagio Marini
Sonate, Symphonie, Canzoni, Passe'mezzi,...
138 bpm • G# min • 09:36 • -18.95db
5% Popularity • 30% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
5% Popularity • 30% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Symphony
137 bpm • F# min • 02:18 • -35.43db
17% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Marco Uccellini
Aria sopra la Bergamasca, Op. 3 Aria 5
138 bpm • C# Maj • 02:16 • -16.24db
0% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 4, "The Pres...
136 bpm • C# min • 07:54 • -16.68db
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Jordi Savall
Recercada Ottava Sobre La Folia, 1553 (O...
136 bpm • D min • 01:45 • -18.56db
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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Claudio Monteverdi
Scherzi musicali: Damigella tutta bella,...
136 bpm • A# Maj • 02:55 • -19db
10% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: V. Pre...
137 bpm • E Maj • 02:10 • -13.94db
8% Popularity • 44% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Marco Uccellini
Sonate over canzoni, Op. 5: No. 13, Sona...
137 bpm • G Maj • 02:50 • -15.24db
0% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Heinrich Schmelzer
Ciaccona in A Major
135 bpm • G# Maj • 09:02 • -17db
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
135 bpm • C# Maj • 02:54 • -17.2db
13% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
13% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: II. Al...
143 bpm • E Maj • 01:47 • -14db
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: II. Al...
135 bpm • C# min • 01:45 • -14.66db
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
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Marco Uccellini
Sonate, arie et correnti: Aria sopra la ...
141 bpm • C# Maj • 03:40 • -13.88db
2% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
17% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
17% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Diego Ortiz
Passamezzo Moderno (Recercada II)
134 bpm • G Maj • 01:58 • -18.89db
16% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Marco Uccellini
Aria quinta sopra la Bergamasca, Sonate,...
141 bpm • C# Maj • 03:52 • -16.88db
2% Popularity • 36% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
2% Popularity • 36% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Christoph Willibald Gluck
Don Juan ou le Festin de pierre, Wq. 52:...
144 bpm • G# Maj • 01:22 • -27.02db
9% Popularity • 35% Danceability • 4% Energy • 23% Liveness
94% Instrumentalness • 59% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 23% Liveness
94% Instrumentalness • 59% Positiveness
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: II. La...
134 bpm • C Maj • 02:48 • -20db
11% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
11% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
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Marco Uccellini
Sonate, correnti et arie, Op. 4: No. 2, ...
136 bpm • G min • 03:42 • -20.35db
0% Popularity • 27% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pietro Locatelli
Concerto XI Ã 5 en Ut Mineur, Op. 1: I....
134 bpm • B min • 02:30 • -19db
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
24% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
24% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Antonio Vivaldi
Concerto for Lute and 2 Violins in D Maj...
145 bpm • C# Maj • 02:04 • -17.48db
27% Popularity • 44% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
27% Popularity • 44% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Nicolas Chédeville
Les Saisons amsusantes, Op. 8: Concerto ...
145 bpm • B Maj • 03:24 • -16.6db
8% Popularity • 37% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 37% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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George Frideric Handel
Water Music Suite No. 3 in G Major, HWV ...
133 bpm • G Maj • 02:33 • -15.09db
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
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Marco Uccellini
Sonate, correnti et arie, Op. 4: Aria XI...
136 bpm • B Maj • 02:15 • -17.84db
1% Popularity • 46% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 46% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Sonata No. 1 in F Major, Op. 1: I. Grave
133 bpm • D# Maj • 01:21 • -19.8db
12% Popularity • 16% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 25% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 25% Positiveness
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Tarquinio Merula
Ruggiero
146 bpm • G Maj • 05:55 • -19db
13% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Trio Sonata for Violin, Lute and Basso C...
133 bpm • F# min • 04:20 • -21.15db
10% Popularity • 45% Danceability • 11% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
10% Popularity • 45% Danceability • 11% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Le Concert Des Nations
Troisième Concert: Gavotte (Couperin)
146 bpm • G min • 01:37 • -29db
16% Popularity • 27% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
16% Popularity • 27% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Marco Uccellini
Sonate, arie e correnti, Libro terzo: Co...
135 bpm • F Maj • 01:02 • -23.62db
0% Popularity • 19% Danceability • 7% Energy • 33% Liveness
2% Instrumentalness • 42% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 33% Liveness
2% Instrumentalness • 42% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Santiago De Murcia
Folias Gallegas
147 bpm • D Maj • 03:27 • -30db
17% Popularity • 22% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 54% Positiveness
17% Popularity • 22% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 54% Positiveness
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Georg Philipp Telemann
Quatuor No. 6 in E Minor: VI. Modéré
147 bpm • D# min • 04:54 • -20db
10% Popularity • 18% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: II....
131 bpm • C# min • 01:42 • -17.5db
14% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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![Water Music, Suite No. 2 in D Major, HWV 349: IV. [Rigaudon 1] cover art](https://i.scdn.co/image/ab67616d00001e024901a4a7fbdb16c43cfcd61d)
George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Marco Uccellini
Aria sopra la Bergamasca
143 bpm • C# Maj • 03:58 • -12.43db
2% Popularity • 28% Danceability • 32% Energy • 8% Liveness
30% Instrumentalness • 34% Positiveness
2% Popularity • 28% Danceability • 32% Energy • 8% Liveness
30% Instrumentalness • 34% Positiveness
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Le Concert Des Nations
Premier Concert: Menuet En Trio (Couperi...
147 bpm • F min • 02:12 • -18db
19% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
19% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
► Preview
Denis Gaultier
Dernière courente de Gautier
148 bpm • C# min • 02:47 • -22.78db
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
► Preview
Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
131 bpm • G Maj • 02:50 • -19.95db
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Johann Friedrich Meister
Sonata No. 2 in D Minor: II. Ciaconna. A...
131 bpm • C# min • 01:47 • -17.18db
8% Popularity • 35% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 54% Positiveness
8% Popularity • 35% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 54% Positiveness
► Preview
Marco Uccellini
Sonate, arie et correnti, Op. 3, No. 5, ...
143 bpm • C# Maj • 04:07 • -15.63db
1% Popularity • 33% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
1% Popularity • 33% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
► Preview
Giovanni Battista Vitali
Varie partite del passemezo, ciaccona, c...
131 bpm • B Maj • 02:53 • -16.41db
10% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
► Preview
Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
Concerto con 2 violini e viola da gamba,...
131 bpm • F# min • 02:32 • -12.63db
9% Popularity • 52% Danceability • 33% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 33% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
► Preview
![Improvisation [Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0260519540eed8d143e1d13ae8)
Il Giardino Armonico
Improvisation [Harpsichord]
131 bpm • D# min • 01:23 • -27.62db
11% Popularity • 25% Danceability • 6% Energy • 6% Liveness
24% Instrumentalness • 25% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 6% Liveness
24% Instrumentalness • 25% Positiveness
► Preview
Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
► Preview
James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
20% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
20% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Girolamo Frescobaldi
Canzona prima a basso solo, "detta l'alt...
148 bpm • D min • 03:28 • -24.18db
7% Popularity • 27% Danceability • 10% Energy • 11% Liveness
12% Instrumentalness • 30% Positiveness
7% Popularity • 27% Danceability • 10% Energy • 11% Liveness
12% Instrumentalness • 30% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Marco Uccellini
Sonate, correnti et arie, Op. 4: Aria XI...
144 bpm • B min • 04:12 • -19.38db
2% Popularity • 30% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 30% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Francesca Caccini
Scene 1
130 bpm • F# Maj • 01:20 • -15.87db
16% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
16% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
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Carlo Pallavicino
Pallavicino: Demetrio, Sinfonia: I. Grav...
130 bpm • C Maj • 00:57 • -20.49db
18% Popularity • 27% Danceability • 5% Energy • 42% Liveness
65% Instrumentalness • 22% Positiveness
18% Popularity • 27% Danceability • 5% Energy • 42% Liveness
65% Instrumentalness • 22% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: Sonata ...
144 bpm • B Maj • 04:05 • -19.71db
2% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Quatuor No. 3 in G Major: VI. Gai
130 bpm • F# Maj • 01:34 • -20.21db
10% Popularity • 45% Danceability • 18% Energy • 18% Liveness
4% Instrumentalness • 76% Positiveness
10% Popularity • 45% Danceability • 18% Energy • 18% Liveness
4% Instrumentalness • 76% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
16% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Marco Uccellini
Symphonia XX La Virmingarda
134 bpm • A# min • 02:05 • -12.83db
1% Popularity • 38% Danceability • 27% Energy • 11% Liveness
53% Instrumentalness • 40% Positiveness
1% Popularity • 38% Danceability • 27% Energy • 11% Liveness
53% Instrumentalness • 40% Positiveness
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Carl Friedrich Abel
Allegretto in A Major
129 bpm • G# Maj • 04:43 • -28.4db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Alessandro Scarlatti
29 Partite sopra l'aria della Folia (Arr...
129 bpm • C# min • 07:50 • -21.13db
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
38% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
38% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: Aria qu...
132 bpm • D Maj • 04:15 • -21.94db
1% Popularity • 41% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
1% Popularity • 41% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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Johann Christian Schickhardt
Concerto in G Minor: V. Allegro
128 bpm • C# min • 01:02 • -21.54db
9% Popularity • 55% Danceability • 9% Energy • 33% Liveness
25% Instrumentalness • 75% Positiveness
9% Popularity • 55% Danceability • 9% Energy • 33% Liveness
25% Instrumentalness • 75% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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George Frideric Handel
Oboe Concerto in G Minor, HWV 287: II. A...
127 bpm • G min • 01:38 • -15.66db
15% Popularity • 47% Danceability • 27% Energy • 11% Liveness
57% Instrumentalness • 80% Positiveness
15% Popularity • 47% Danceability • 27% Energy • 11% Liveness
57% Instrumentalness • 80% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
