Songs like Sonate en si bémol majeur K281: Andante amoroseo by Wolfgang Amadeus Mozart
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: b. Tuba...
86 bpm • A# Maj • 03:17 • -25.13db
45% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Bocherini / Arr. GrĂĽtzmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
37% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136: 3. Pres...
86 bpm • D Maj • 02:28 • -19db
27% Popularity • 50% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 52% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 52% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Carl Ditters von Dittersdorf
Symphony No. 1 in C Major, "Die 4 Weltal...
87 bpm • C Maj • 04:15 • -20db
40% Popularity • 22% Danceability • 7% Energy • 14% Liveness
52% Instrumentalness • 10% Positiveness
40% Popularity • 22% Danceability • 7% Energy • 14% Liveness
52% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Wolfgang Amadeus Mozart
Der Stein der Weisen, Act II: Finale. Mi...
85 bpm • A# Maj • 01:26 • -27.01db
14% Popularity • 41% Danceability • 3% Energy • 51% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 41% Danceability • 3% Energy • 51% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
51% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
51% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
88 bpm • C# min • 02:23 • -31.14db
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
84 bpm • A# Maj • 04:42 • -24.87db
23% Popularity • 12% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
23% Popularity • 12% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
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AntonĂn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
89 bpm • A# Maj • 06:35 • -31.66db
35% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
SimfonĂa concertant per a violĂ, viola...
88 bpm • C min • 10:28 • -25.17db
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Fritz Kreisler
Caprice viennois
89 bpm • B Maj • 03:56 • -20.65db
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Der Stein der Weisen, Act I: Dialogue (6...
89 bpm • A# min • 01:44 • -31.08db
7% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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LĂ©o Delibes
Coppélia, Act I: Valse Lente
90 bpm • D# Maj • 00:56 • -12.93db
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Grabmusik, K. 42: IV. Aria. Betracht die...
83 bpm • G min • 04:17 • -29db
39% Popularity • 22% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: II...
82 bpm • G min • 02:20 • -22.05db
46% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
46% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
91 bpm • A min • 03:55 • -11.51db
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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AntonĂn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: V. Sanctus (Compl. SĂĽs...
90 bpm • D Maj • 02:07 • -13db
42% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
42% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20:...
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Josef MysliveÄŤek
Symphony in D Major, F. 29: II. Andante ...
81 bpm • D Maj • 02:55 • -30.16db
41% Popularity • 32% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 17% Positiveness
41% Popularity • 32% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620: Overture
90 bpm • D# Maj • 06:41 • -20db
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Offertory: I...
91 bpm • G min • 03:34 • -21.37db
40% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Danzi
Concertino for Clarinet & Bassoon in B-F...
92 bpm • D# Maj • 02:49 • -24.28db
40% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
40% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
► Preview
Eder Quartet
String Quartet No. 4 in C Major, K. 157:...
81 bpm • C Maj • 01:50 • -19.06db
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Clarinet Quintet in A Major, K. ...
82 bpm • D Maj • 06:28 • -28.11db
15% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
82 bpm • A# Maj • 09:35 • -26db
50% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
50% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: III. ...
93 bpm • D Maj • 09:31 • -19db
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 9 In B, Op. 32 No. 1
80 bpm • B Maj • 04:08 • -30.59db
43% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
II. Andante
82 bpm • C min • 11:18 • -24.15db
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: I....
79 bpm • G min • 01:46 • -17.15db
40% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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AntonĂn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 11 in A Major, K. 331: ...
91 bpm • A Maj • 01:53 • -31db
40% Popularity • 56% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
40% Popularity • 56% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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CĂ©sar Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
78 bpm • A# Maj • 01:18 • -14db
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Sinfonia concertante for Violin ...
91 bpm • C min • 10:43 • -22.56db
8% Popularity • 18% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Sinfonia in D Major, BWV 1045: III. Alle...
95 bpm • D Maj • 02:47 • -19.72db
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
43% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": II....
78 bpm • G Maj • 03:57 • -24db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Sonfonia Concertante in E-Flat, K. 364: ...
81 bpm • C min • 10:55 • -21.02db
14% Popularity • 15% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 11% Positiveness
14% Popularity • 15% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 11% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Jenő Jandó
Piano Sonata No. 14 In C Minor, K. 457: ...
78 bpm • C min • 04:19 • -21.58db
33% Popularity • 31% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 31% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
