Songs like Sonatina for viola and piano (1952): 2.Larghetto e molto sostenuto - by William Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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William Lloyd Webber
Waltz in E Minor
82 bpm • F Maj • 04:36 • -13.9db
2% Popularity • 13% Danceability • 31% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
2% Popularity • 13% Danceability • 31% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Ernest John Moeran
Lonely Waters, R. 27
82 bpm • G# min • 09:21 • -28.13db
7% Popularity • 11% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Reinhold Glière
Concerto for Harp and Orchestra in E-Fla...
82 bpm • B Maj • 11:06 • -26db
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Holst
Two Songs Without Words, Op. 22: I. Coun...
82 bpm • G Maj • 04:20 • -23.22db
12% Popularity • 19% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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William Lloyd Webber
Lento
82 bpm • A Maj • 05:42 • -22.85db
2% Popularity • 16% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 1...
81 bpm • D min • 04:53 • -27db
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Eight Part Songs, Op. 115: III. The Blue...
83 bpm • F# Maj • 03:56 • -37.71db
35% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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William Lloyd Webber
Missa Sanctae Mariae Magdalenae (1979): ...
81 bpm • A Maj • 00:51 • -20.34db
0% Popularity • 27% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 27% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Paul Reade
Suite from "The Victorian Kitchen Garden...
81 bpm • A# Maj • 01:24 • -29db
10% Popularity • 42% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Eric Coates
Springtime Suite: I
81 bpm • A# Maj • 03:54 • -23db
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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William Lloyd Webber
7 Pieces for piano: 5. Presto for Perseu...
81 bpm • F# min • 01:25 • -33.28db
0% Popularity • 52% Danceability • 4% Energy • 14% Liveness
85% Instrumentalness • 58% Positiveness
0% Popularity • 52% Danceability • 4% Energy • 14% Liveness
85% Instrumentalness • 58% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
80 bpm • A min • 06:02 • -32.46db
31% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
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William Lloyd Webber
7 Pieces for piano: 1. Badinage de Noel
83 bpm • G min • 02:24 • -24.77db
0% Popularity • 34% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
0% Popularity • 34% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Norfolk Rhapsody No. 1 in E minor
80 bpm • E min • 10:42 • -26db
22% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Florence Beatrice Price
Adoration (Version for Solo Violin and S...
80 bpm • D Maj • 03:52 • -22.7db
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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William Lloyd Webber
Serenade for Strings: II. Romance
83 bpm • D Maj • 04:32 • -17.4db
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D major: III. No...
84 bpm • A Maj • 07:54 • -24.49db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Orchestral Suite No. 4, Op. 61, TH 34 "M...
84 bpm • A# Maj • 03:06 • -29db
11% Popularity • 9% Danceability • 3% Energy • 58% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 58% Liveness
93% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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William Lloyd Webber
Mass, "Princeps pacis": IV. Benedictus
83 bpm • A# Maj • 01:01 • -37.22db
3% Popularity • 11% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Carl Ditters von Dittersdorf
Harp Concerto in A major: 2. Larghetto
80 bpm • D Maj • 07:10 • -27.08db
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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William Lloyd Webber
Three Spring Miniatures: II. Willow Song...
83 bpm • A min • 03:09 • -31.35db
2% Popularity • 10% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga (The Winter's Tale), Op. 1...
80 bpm • F Maj • 03:24 • -27db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Antoine Reicha
II. Largo
84 bpm • F Maj • 06:33 • -29db
14% Popularity • 13% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 13% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Victor Herbert
Ghazel for Cello & Strings (Transc. Sam ...
80 bpm • D# Maj • 03:25 • -37.19db
9% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
► Preview
William Lloyd Webber
Serenade for Strings: I. Barcarolle
80 bpm • B min • 02:26 • -19.61db
10% Popularity • 12% Danceability • 11% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Heitor Villa-Lobos
Song of the Black Swan
84 bpm • A min • 02:59 • -25db
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
85 bpm • F Maj • 04:22 • -29db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
John Field
Piano Concerto No. 6: II. Larghetto
79 bpm • E Maj • 06:08 • -32.07db
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Peter Warlock
V. Pieds-en-l'air
85 bpm • G Maj • 03:38 • -26.78db
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
John Ireland
A Downland Suite (Arr. for String Orches...
79 bpm • D# Maj • 06:04 • -27db
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Prelude: 49th Parallel
85 bpm • G Maj • 02:39 • -17db
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Fugue No. 7 In A Major
79 bpm • A Maj • 02:43 • -26db
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Rodeo: II. Corral Nocturne
79 bpm • C Maj • 03:46 • -27db
34% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Jules Massenet
Suite No. 1, Op. 13: III. Nocturne
85 bpm • G# Maj • 05:42 • -26.75db
16% Popularity • 9% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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William Lloyd Webber
The Moon (version for strings)
79 bpm • G min • 04:31 • -19db
24% Popularity • 9% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Nigel Hess
Main Theme
86 bpm • D Maj • 03:26 • -16.62db
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
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George Frideric Handel
Handel: Eternal Source Of Light Divine (...
78 bpm • C# Maj • 03:53 • -20db
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Der Schneemann: Serenade
86 bpm • B min • 02:35 • -18.96db
8% Popularity • 13% Danceability • 14% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri Op. 70
78 bpm • F Maj • 04:50 • -25db
27% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Gerald Finzi
Romance in E-Flat Major, Op. 11
86 bpm • G# Maj • 08:16 • -21.83db
15% Popularity • 12% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Traditional
Deep River (Arr. Coleridge-Taylor, Kanne...
86 bpm • E Maj • 02:47 • -23db
27% Popularity • 17% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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William Lloyd Webber
Mass, "Princeps pacis": I. Kyrie
86 bpm • A min • 02:05 • -25.16db
2% Popularity • 12% Danceability • 4% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 4% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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Frank Bridge
The Sea: I. Seascape
86 bpm • F# min • 06:56 • -21db
9% Popularity • 14% Danceability • 7% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Georges Bizet
The Pearl Fishers: Duet. Au fond du temp...
87 bpm • D# Maj • 04:46 • -19.27db
10% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Sergei Taneyev
Adagio in C Major
78 bpm • G Maj • 05:49 • -17.78db
8% Popularity • 7% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
