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Song for a Waitress
Songs like
Song for a Waitress
by
Jason Reeves
Based on a tempo of (+/- 10%) and a similar genre
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Jason Reeves
Photographs & Memories (acoustic)
130 bpm • G Maj • 05:15 • -13.93db
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tim Halperin
The Last Song
130 bpm • A# Maj • 04:17 • -6.06db
13% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Hemā Jr.
Hey Brown Eyes
130 bpm • C Maj • 03:25 • -9.23db
17% Popularity • 79% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Silver Trees
Between Us
130 bpm • E Maj • 03:32 • -8.88db
10% Popularity • 55% Danceability • 39% Energy • 26% Liveness
3% Instrumentalness • 10% Positiveness
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The Workday Release
Love in a Box
130 bpm • G# Maj • 02:39 • -8.37db
34% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Erick Baker
1200 Days
130 bpm • C Maj • 03:58 • -11.27db
19% Popularity • 57% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Reeves
Photographs & Memories.
130 bpm • G Maj • 05:27 • -9.47db
25% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Chase Coy
Forever and Always
130 bpm • E Maj • 03:38 • -10.34db
12% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gidi Gov
אנטארקטיקה
129 bpm • G Maj • 04:40 • -7.3db
4% Popularity • 56% Danceability • 78% Energy • 37% Liveness
1% Instrumentalness • 86% Positiveness
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Pat Monahan
Always Midnight
131 bpm • E Maj • 03:19 • -9.28db
18% Popularity • 64% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Stephen Speaks
All These Things
131 bpm • A# Maj • 02:41 • -10.57db
30% Popularity • 62% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sara Haze
Melt Into You
128 bpm • A Maj • 04:13 • -3.09db
9% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Reeves
Song for a Waitress
130 bpm • C# Maj • 03:43 • -7.25db
5% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Javier Colon
My Little Girl
132 bpm • C Maj • 04:57 • -8.72db
12% Popularity • 66% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Alex & Sierra
All for You
132 bpm • B min • 03:11 • -7db
23% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Wertz
Everything's Right
132 bpm • A# Maj • 02:47 • -5.06db
25% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Christian Burghardt
Whiskey and Wine
132 bpm • D Maj • 03:14 • -7db
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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BOYS LIKE GIRLS
Two Is Better Than One
128 bpm • C Maj • 04:02 • -5.19db
67% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Reeves
No Time
132 bpm • C Maj • 04:41 • -11.25db
7% Popularity • 63% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Krause
All My Heart
128 bpm • D Maj • 04:12 • -7.23db
14% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jacob Whitesides
Words
132 bpm • D# Maj • 03:34 • -9.28db
4% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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New Heights
Peaches
127 bpm • F Maj • 04:01 • -4.16db
26% Popularity • 25% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Scars On 45
Insecurity
127 bpm • C min • 05:16 • -8.63db
10% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Matt White
Best Days - Album Version Final
127 bpm • B Maj • 03:00 • -3.8db
36% Popularity • 62% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Reeves
New Hampshire.
132 bpm • C# min • 06:38 • -6.87db
6% Popularity • 53% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Cherrycase
I Could Be Your One
127 bpm • D# Maj • 03:20 • -15.15db
10% Popularity • 50% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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A Great Big World
I Don't Wanna Love Somebody Else
127 bpm • F Maj • 02:43 • -11.16db
37% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Kyle Reynolds
Hold You Tighter (Acoustic)
134 bpm • E Maj • 03:45 • -8.62db
13% Popularity • 56% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Matt Wertz
Sweetness in Starlight
134 bpm • D Maj • 04:48 • -7db
19% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jason Reeves
Old Fashioned Letters.
128 bpm • F Maj • 04:12 • -10.24db
6% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Mathews
I Don't Want to Love You
126 bpm • B Maj • 04:17 • -10db
26% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Colbie Caillat
Droplets
126 bpm • F Maj • 03:23 • -7.71db
31% Popularity • 61% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kyle Reynolds
Hold You Tighter
134 bpm • E Maj • 03:41 • -8db
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Hearn
Please, Don't Take My Love
126 bpm • C# Maj • 03:47 • -8.72db
13% Popularity • 57% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jason Reeves
Happy Accident.
127 bpm • E Maj • 03:45 • -4.63db
6% Popularity • 56% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Cam Nacson
Maybe, Maybe.
135 bpm • E Maj • 03:47 • -9db
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Marié Digby
Stupid For You
125 bpm • G Maj • 03:22 • -5.43db
16% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Alex & Sierra
Give Me Something
125 bpm • B Maj • 03:12 • -7db
27% Popularity • 79% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Hearn
Darlin'
135 bpm • C Maj • 03:08 • -7.11db
14% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Reeves
Grow Old
126 bpm • E Maj • 03:39 • -8.54db
9% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Workday Release
Simple Distance
125 bpm • E Maj • 03:40 • -6.33db
14% Popularity • 62% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Nathan Angelo
Follow Your Heart
135 bpm • E Maj • 03:55 • -9db
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Devon Werkheiser
If Eyes Could Speak
136 bpm • A Maj • 03:29 • -5db
29% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Emily Hearn
Thank God You're Holding Me
135 bpm • D Maj • 03:45 • -4.9db
12% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tim Halperin
I Wanna Fall in Love
136 bpm • G Maj • 03:35 • -5.3db
19% Popularity • 53% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Jason Reeves
Hearts Are Magnets
126 bpm • F Maj • 04:44 • -7.25db
13% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jonas Brothers
When You Look Me In The Eyes
136 bpm • D Maj • 04:09 • -3.73db
63% Popularity • 40% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Elenowen
Honey Come Home
136 bpm • B Maj • 04:06 • -8.95db
19% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Toby Lightman
Holding a Heart (Stripped Version) [Bonu...
136 bpm • D Maj • 03:57 • -5db
11% Popularity • 54% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Greyson Chance
Waiting Outside The Lines
136 bpm • C# Maj • 03:51 • -5.27db
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Reeves
Nobody Else Could Be You
126 bpm • D# Maj • 03:34 • -11.22db
4% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Nick Santino
I Just Wanted You to Know
124 bpm • C# Maj • 03:44 • -8.71db
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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High Dive Heart
Before the Internet
124 bpm • G Maj • 03:39 • -8.53db
5% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Justin James
A Beautiful Life
124 bpm • G Maj • 04:00 • -6.05db
23% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Mikey Wax
Counting On You
124 bpm • C Maj • 03:31 • -4.92db
14% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Hearn
Cutting Ties
124 bpm • C# Maj • 03:43 • -8db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Reeves
Gasoline.
136 bpm • D# min • 03:52 • -4.08db
4% Popularity • 56% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Dia Frampton
Inventing Shadows - The Voice Performanc...
124 bpm • B Maj • 03:33 • -6.27db
16% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
68% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Caylin Cervetti
You Make Me Happy
124 bpm • B Maj • 03:16 • -10.56db
21% Popularity • 46% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Lewis Watson
droplets
123 bpm • F Maj • 03:30 • -9.86db
30% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hedley
Pocket Full Of Dreams
123 bpm • G Maj • 03:43 • -6.87db
32% Popularity • 52% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Jason Reeves
Truth
124 bpm • A# Maj • 05:42 • -7.38db
11% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Bareilles
The Light
123 bpm • G Maj • 04:22 • -8.79db
34% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Haze
Riot
137 bpm • F Maj • 03:09 • -9.17db
21% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kye Sones
Save the World
123 bpm • G# min • 03:21 • -6.83db
24% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Elise Lieberth
She Keeps Me Warm
138 bpm • C Maj • 04:00 • -11.72db
29% Popularity • 48% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Workday Release
Summer Love
138 bpm • E Maj • 02:53 • -8.27db
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jason Reeves
Just Friends.
124 bpm • F Maj • 03:43 • -6.28db
14% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Gabrielle Aplin
Mountains
138 bpm • F# Maj • 02:33 • -10.42db
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Henderson
Piece by Piece
138 bpm • D Maj • 03:00 • -6.46db
22% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Benton Paul
Don't Go
138 bpm • G Maj • 03:14 • -14db
10% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Nicole Serrano
What I Really Wanna Say
138 bpm • G# Maj • 03:40 • -10db
20% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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The Workday Release
A Starlit Sky
138 bpm • F Maj • 02:48 • -9db
30% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Reeves
Terrified
122 bpm • E Maj • 04:18 • -5.57db
11% Popularity • 53% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Holley Maher
I Do
122 bpm • E Maj • 03:39 • -5.61db
29% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Greg Steinfeld
My Light
122 bpm • B Maj • 03:38 • -7db
13% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Graham Colton
Start Somewhere (acoustic)
121 bpm • F# Maj • 03:39 • -10.26db
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Javier Colon
When
139 bpm • D Maj • 03:40 • -8.98db
18% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lewis Watson
halo
121 bpm • G# Maj • 03:19 • -9.65db
29% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Reeves
Mezcal
124 bpm • G Maj • 03:52 • -4.25db
5% Popularity • 76% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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Sinclair
This Too Shall Pass
140 bpm • E Maj • 03:49 • -9db
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Grammer
Kiss You Slow
140 bpm • C Maj • 04:15 • -6.17db
7% Popularity • 55% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Javier Colon
Meant To Be
140 bpm • A Maj • 04:26 • -9.27db
16% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Emily Hearn
I'm Fine
140 bpm • B min • 03:36 • -6.26db
11% Popularity • 58% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Reeves
When Life Was Good - Acoustic Version
124 bpm • F Maj • 04:44 • -9.29db
4% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Carter Hulsey
Black and Blue
140 bpm • E Maj • 03:43 • -9.24db
11% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nathan Angelo
Born To Love You
140 bpm • D# Maj • 03:57 • -10db
21% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Stephen Speaks
Complete
140 bpm • D# Maj • 04:04 • -16.66db
16% Popularity • 56% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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He Is We
Our July In The Rain
140 bpm • F# Maj • 04:06 • -4.73db
33% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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New Heights
Take Me on
120 bpm • C# Maj • 03:55 • -5.2db
14% Popularity • 27% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Reeves
Only With You
123 bpm • C# min • 03:28 • -5.67db
14% Popularity • 59% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Matt White
Falling in Love (With My Best Friend)
120 bpm • C Maj • 03:09 • -6db
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Song for a Waitress