Songs like Song for You by Jenny & Tyler
Based on a tempo of (+/- 10%) and a similar genre
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Hollow Wood
Families
127 bpm • D Maj • 04:49 • -9.08db
7% Popularity • 46% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 46% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jenny & Tyler
Fix You
127 bpm • C Maj • 04:56 • -12.84db
20% Popularity • 42% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 42% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Andrew Osenga
The Year Of The Locust
127 bpm • D Maj • 05:11 • -11.56db
30% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Burlap To Cashmere
Closer to the Edge
127 bpm • C min • 03:01 • -12.6db
23% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Colony House
Lose Control
127 bpm • C# Maj • 04:50 • -9.23db
25% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Collection
The Gown of Green
128 bpm • D Maj • 03:19 • -6.54db
21% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Run River North
Foxbeard
128 bpm • C Maj • 04:23 • -8.61db
26% Popularity • 53% Danceability • 44% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
26% Popularity • 53% Danceability • 44% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Jenny & Tyler
Song for You
127 bpm • C Maj • 04:49 • -7db
14% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter G K Thompson
Nostalgia
126 bpm • A# Maj • 04:31 • -8.1db
23% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Sligh
Willow Tree
128 bpm • D Maj • 04:33 • -6.49db
8% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
8% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
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The Assemblie
Greatest
128 bpm • B Maj • 04:52 • -4.8db
9% Popularity • 53% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 53% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Andy Gullahorn
Grand Canyon
126 bpm • G Maj • 04:07 • -11.69db
25% Popularity • 52% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 52% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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The Collection
Dirt
126 bpm • G Maj • 04:55 • -9.39db
31% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jenny & Tyler
Psalm 46
126 bpm • B Maj • 03:18 • -11.87db
32% Popularity • 59% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 59% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Brilliance
Breathe
128 bpm • G Maj • 03:38 • -8.42db
28% Popularity • 48% Danceability • 54% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
28% Popularity • 48% Danceability • 54% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
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Beta Radio
Brother, Sister
126 bpm • C# Maj • 05:48 • -8.61db
20% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Afters
Keeping Me Alive
126 bpm • C# Maj • 03:55 • -6.37db
20% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Belle
Reach
128 bpm • F Maj • 02:15 • -15.63db
30% Popularity • 49% Danceability • 51% Energy • 10% Liveness
95% Instrumentalness • 74% Positiveness
30% Popularity • 49% Danceability • 51% Energy • 10% Liveness
95% Instrumentalness • 74% Positiveness
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Waterdeep
Stay By Your Side
128 bpm • C Maj • 03:38 • -10.72db
13% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jenny & Tyler
Lesser god
125 bpm • F# min • 04:27 • -7.38db
3% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Nathanson
Bulletproof Weeks
129 bpm • D# Maj • 04:01 • -11db
30% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Lonely Forest
Be Everything
129 bpm • C# Maj • 03:13 • -15.1db
10% Popularity • 46% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 46% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Seryn
We Will All Be Changed
125 bpm • A# Maj • 03:46 • -8db
19% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Little Chief
Fields of Wheat
130 bpm • F Maj • 04:02 • -14.81db
13% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Waterdeep
It's Alright
126 bpm • C# Maj • 03:36 • -12.48db
10% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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![Orphan's Song (Psalm 68) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02613df359667a707b3a1e6a66)
Enter The Worship Circle
Orphan's Song (Psalm 68) [Remastered]
129 bpm • E Maj • 03:28 • -9.73db
15% Popularity • 57% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 57% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Switchfoot
The Edge of the Earth - EP Version
130 bpm • F Maj • 04:13 • -8.1db
26% Popularity • 47% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 47% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Halperin
All You Got
130 bpm • G Maj • 03:27 • -5.38db
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Bethel Music
My Dear
130 bpm • G Maj • 03:52 • -8.07db
31% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bifrost Arts
If It Be Your Will
130 bpm • G Maj • 03:04 • -15.7db
18% Popularity • 48% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 12% Positiveness
18% Popularity • 48% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 12% Positiveness
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Seeker & Servant
Let Me Not
130 bpm • A# Maj • 05:13 • -9.02db
21% Popularity • 59% Danceability • 48% Energy • 36% Liveness
25% Instrumentalness • 5% Positiveness
21% Popularity • 59% Danceability • 48% Energy • 36% Liveness
25% Instrumentalness • 5% Positiveness
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Jenny & Tyler
Song for You
130 bpm • C Maj • 04:09 • -7.81db
6% Popularity • 47% Danceability • 74% Energy • 34% Liveness
9% Instrumentalness • 24% Positiveness
6% Popularity • 47% Danceability • 74% Energy • 34% Liveness
9% Instrumentalness • 24% Positiveness
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Sanctus Real
Half Our Lives
130 bpm • B Maj • 04:20 • -8.04db
11% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sisterbrother
Sweet
130 bpm • B Maj • 04:36 • -12db
16% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Amy Stroup
Love You Strongly
130 bpm • C# Maj • 03:39 • -10db
19% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Ember Days
Prodigal
130 bpm • F# Maj • 06:41 • -8db
8% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Switchfoot
Enough to Let Me Go
124 bpm • F# Maj • 03:52 • -7db
37% Popularity • 82% Danceability • 52% Energy • 11% Liveness
17% Instrumentalness • 63% Positiveness
37% Popularity • 82% Danceability • 52% Energy • 11% Liveness
17% Instrumentalness • 63% Positiveness
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Daniel Bashta
Dreamers
124 bpm • F# min • 06:49 • -8db
8% Popularity • 32% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Brady Toops
By The River
124 bpm • E Maj • 03:17 • -12.67db
31% Popularity • 57% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
31% Popularity • 57% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
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Emily Hearn
Cutting Ties
124 bpm • C# Maj • 03:43 • -8db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gabe Dixon
Disappear
124 bpm • A Maj • 04:56 • -7.47db
20% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Winters
Meant
130 bpm • D# Maj • 04:18 • -18.46db
23% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Switchfoot
What It Costs - EP Version
124 bpm • B Maj • 04:05 • -8.95db
19% Popularity • 44% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 8% Positiveness
19% Popularity • 44% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 8% Positiveness
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John Tibbs
Anchor
131 bpm • A Maj • 03:11 • -6.37db
14% Popularity • 60% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 60% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Amy Stroup
Hold onto Hope Love
131 bpm • C# Maj • 04:57 • -10db
26% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
26% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Jake Scott
The Mason
123 bpm • G# Maj • 04:37 • -9db
15% Popularity • 46% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
15% Popularity • 46% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Jon Foreman
The Cure For Pain
123 bpm • B Maj • 04:45 • -13.04db
33% Popularity • 61% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 61% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Seryn
We Will All Be Changed
123 bpm • A# Maj • 05:08 • -7db
28% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Switchfoot
Souvenirs
124 bpm • G Maj • 04:31 • -5.8db
26% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tow'rs
Belly of the Deepest Love
123 bpm • E Maj • 06:21 • -12db
41% Popularity • 74% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
41% Popularity • 74% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
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Jenny & Tyler
Skyline Hill
123 bpm • B Maj • 03:01 • -13.53db
8% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Citizens
Oh God
132 bpm • C Maj • 05:50 • -6db
35% Popularity • 28% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
35% Popularity • 28% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Hunter G K Thompson
Snow
132 bpm • C# Maj • 04:58 • -12db
19% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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John Tibbs
Run Wild (In My Soul)
132 bpm • D# Maj • 02:56 • -6.33db
19% Popularity • 54% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 54% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Switchfoot
Let That Be Enough
131 bpm • E Maj • 02:38 • -12db
34% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Carrollton
Death Has Lost Its Way
122 bpm • G Maj • 04:29 • -7.82db
15% Popularity • 47% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 47% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Jenny & Tyler
Holding on to Hope
123 bpm • G Maj • 05:04 • -8.2db
5% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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![Too Proud (Psalm 81) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02694036984c7e7ca24a50a6aa)
Enter The Worship Circle
Too Proud (Psalm 81) [Remastered]
132 bpm • C Maj • 04:37 • -12db
14% Popularity • 63% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 63% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
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The Hunts
Douse The Flame
132 bpm • E Maj • 04:52 • -9.17db
19% Popularity • 54% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
19% Popularity • 54% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Lee DeWyze
Silver Lining
132 bpm • C# Maj • 03:09 • -6.93db
13% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jon Foreman
Inheritance
122 bpm • E Maj • 04:54 • -7.4db
36% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Vespers
Instrument for You
122 bpm • F# min • 03:32 • -12db
17% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jenny & Tyler
Anchored in Love
132 bpm • D Maj • 03:20 • -9.63db
7% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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The Ember Days
I'll Never Let Go
133 bpm • D# Maj • 03:52 • -7.79db
7% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Jon Bryant
Take Me if You Must
133 bpm • E Maj • 03:33 • -8.41db
14% Popularity • 52% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 52% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Matthew Perryman Jones
Until the Dawn Appears
121 bpm • F Maj • 04:01 • -7.35db
16% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Hyslop
Have You Heard?
121 bpm • A min • 03:27 • -12.22db
13% Popularity • 64% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 64% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Pacific Gold
How Long (Love Constraining to Obedience...
121 bpm • C# Maj • 04:10 • -8.14db
33% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jenny & Tyler
Beloved One
132 bpm • C# min • 04:18 • -8.55db
5% Popularity • 51% Danceability • 47% Energy • 6% Liveness
52% Instrumentalness • 7% Positiveness
5% Popularity • 51% Danceability • 47% Energy • 6% Liveness
52% Instrumentalness • 7% Positiveness
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The Ember Days
Face in the Dark
133 bpm • A Maj • 05:34 • -7.84db
9% Popularity • 28% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jill Phillips
I Am
134 bpm • C Maj • 03:38 • -12.61db
25% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Matthew Perryman Jones
When It Falls Apart
121 bpm • D Maj • 03:16 • -5.8db
10% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Shane & Shane
I Miss You
134 bpm • B min • 04:04 • -11.09db
12% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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The Brilliance
Dust We Are and Shall Return
134 bpm • F Maj • 03:19 • -12db
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jenny & Tyler
As Long as Our Hearts Are Beating
122 bpm • G min • 04:15 • -8.18db
16% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Andy Gullahorn
Someone To You
134 bpm • E Maj • 03:37 • -14.58db
17% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Native Sibling
Darkest of Night Skies
120 bpm • A Maj • 03:55 • -6.33db
16% Popularity • 49% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 49% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Matthew Perryman Jones
Beneath the Silver Moon
133 bpm • G Maj • 06:20 • -15.39db
8% Popularity • 42% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Sisterbrother
Faithful
134 bpm • G Maj • 06:17 • -14.37db
22% Popularity • 54% Danceability • 38% Energy • 13% Liveness
24% Instrumentalness • 19% Positiveness
22% Popularity • 54% Danceability • 38% Energy • 13% Liveness
24% Instrumentalness • 19% Positiveness
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The Brilliance
I've Been Waiting
134 bpm • F Maj • 02:17 • -11.55db
33% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Thomas Junior
Run Forever
134 bpm • D# Maj • 04:41 • -7.38db
10% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jenny & Tyler
When Darkness Falls
122 bpm • D# Maj • 04:05 • -12.74db
8% Popularity • 66% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 66% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Elenowen
Cripple Me
134 bpm • G# Maj • 03:38 • -9db
17% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Perryman Jones
Without a Clue
120 bpm • A# Maj • 04:01 • -6.62db
15% Popularity • 59% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 59% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Run River North
Fight to Keep
120 bpm • D Maj • 03:40 • -6db
24% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Lovelite
Heart Starts Beating
120 bpm • B Maj • 03:48 • -6.45db
21% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Derek Webb
I Was Wrong, I'm Sorry & I Love You
120 bpm • D Maj • 03:54 • -9.8db
8% Popularity • 55% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 55% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Jenny & Tyler
I'm Gonna Love You to the End
132 bpm • C# Maj • 04:09 • -12.83db
5% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Perrin Lamb
Let it Linger
120 bpm • C# Maj • 03:13 • -12db
14% Popularity • 60% Danceability • 44% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Aaron Strumpel
Ic. Bright Star
120 bpm • F# Maj • 05:37 • -9.79db
9% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jon Foreman
Your Love Is Enough
120 bpm • D Maj • 03:43 • -6.81db
24% Popularity • 49% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 49% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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The Gospel Whiskey Runners
I Am a Ghost
120 bpm • F Maj • 03:58 • -8.66db
19% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Derek Webb
She Must and Shall Go Free
120 bpm • G# Maj • 03:46 • -3db
16% Popularity • 52% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 52% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jenny & Tyler
O Freedom (There Will Be a Song)
121 bpm • C Maj • 04:16 • -8.68db
3% Popularity • 45% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 45% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Abandon Kansas
Marching Around Me
120 bpm • G Maj • 03:40 • -8.35db
26% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Penny and Sparrow
Bread and Bleeding
120 bpm • C Maj • 04:16 • -8.32db
25% Popularity • 47% Danceability • 66% Energy • 15% Liveness
14% Instrumentalness • 27% Positiveness
25% Popularity • 47% Danceability • 66% Energy • 15% Liveness
14% Instrumentalness • 27% Positiveness
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Hunter G K Thompson
Springtide Summer
135 bpm • G min • 05:53 • -10.02db
13% Popularity • 42% Danceability • 36% Energy • 12% Liveness
23% Instrumentalness • 23% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 12% Liveness
23% Instrumentalness • 23% Positiveness
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Joshua Hyslop
Nowhere Left To Go
135 bpm • D Maj • 03:38 • -13.27db
20% Popularity • 69% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 27% Positiveness
20% Popularity • 69% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 27% Positiveness
