Songs like Song Of Hope (Heaven Come Down) by Robbie Seay Band
Based on a tempo of (+/- 10%) and a similar genre
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The Modern Post
Rock of Ages
117 bpm • C Maj • 04:38 • -8db
30% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Furler
Reach - Acoustic Version
117 bpm • G min • 03:04 • -10.05db
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Robbie Seay Band
Song Of Hope (Heaven Come Down)
117 bpm • B Maj • 05:25 • -6db
35% Popularity • 52% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 52% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Delirious?
The Happy Song - Remix
117 bpm • G Maj • 04:30 • -3.93db
13% Popularity • 49% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Todd Agnew
Romans 12:1
117 bpm • A Maj • 03:44 • -5.5db
15% Popularity • 63% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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The City Harmonic
Let There Be Light
117 bpm • D Maj • 03:40 • -4.35db
15% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Rush Of Fools
Holy One
118 bpm • A# Maj • 03:40 • -6.21db
32% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sonicflood
Open the Eyes of My Heart
118 bpm • F# Maj • 05:22 • -7db
27% Popularity • 49% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 49% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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The Neverclaim
My Soul Longs
116 bpm • D Maj • 03:56 • -4.88db
15% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Francesca Battistelli
Unpredictable
118 bpm • B Maj • 02:58 • -3.65db
25% Popularity • 56% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 56% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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I AM THEY
How Far We've Come
116 bpm • F Maj • 03:55 • -4.11db
25% Popularity • 50% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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The City Harmonic
Holy (Wedding Day)
118 bpm • A# Maj • 04:18 • -7.7db
39% Popularity • 29% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 29% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dara Maclean
Wanted
118 bpm • D Maj • 03:56 • -6.09db
21% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sonicflood
Write Your Name Upon My Heart
118 bpm • D Maj • 04:37 • -4.75db
19% Popularity • 53% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
19% Popularity • 53% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
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Remedy Drive
Daylight
116 bpm • D Maj • 03:54 • -4.18db
26% Popularity • 52% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 52% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Vertical Worship
Bound For Glory
118 bpm • C Maj • 03:49 • -5.51db
29% Popularity • 51% Danceability • 85% Energy • 98% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 51% Danceability • 85% Energy • 98% Liveness
0% Instrumentalness • 40% Positiveness
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I AM THEY
From the Day
119 bpm • C Maj • 03:39 • -6db
46% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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David Crowder Band
O Praise Him (All This For A King)
115 bpm • A# Maj • 05:48 • -5.68db
44% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Robbie Seay Band
Your Love Is Strong
115 bpm • B Maj • 06:38 • -6.57db
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rush Of Fools
We All
115 bpm • D Maj • 03:23 • -2.91db
32% Popularity • 51% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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TobyMac
Burn For You
115 bpm • A# Maj • 03:49 • -3.17db
43% Popularity • 72% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 72% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Vertical Worship
I'm Going Free (Jailbreak)
115 bpm • E Maj • 04:44 • -6db
33% Popularity • 50% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 50% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
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MIKESCHAIR
Outside Of Me
115 bpm • B Maj • 03:07 • -5.56db
15% Popularity • 48% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 48% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Downhere
A Better Way
115 bpm • G# Maj • 04:40 • -8.15db
22% Popularity • 48% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 48% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Caedmon's Call
Only Hope
119 bpm • G Maj • 02:53 • -6.62db
20% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Furler
Reach
120 bpm • A# Maj • 03:49 • -7db
31% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Glorious Unseen
Oh Praise Him
120 bpm • G Maj • 04:09 • -8db
13% Popularity • 50% Danceability • 67% Energy • 10% Liveness
9% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 67% Energy • 10% Liveness
9% Instrumentalness • 33% Positiveness
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The City Harmonic
Maranatha
120 bpm • C Maj • 04:26 • -4.12db
15% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Todd Agnew
The One That You Want
120 bpm • B Maj • 04:07 • -10.54db
16% Popularity • 53% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 53% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Tree63
Blessed Be Your Name
120 bpm • C# Maj • 03:49 • -8db
49% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Robbie Seay Band
Eternal One
114 bpm • E Maj • 04:48 • -4.71db
5% Popularity • 60% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 60% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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David Crowder Band
Here Is Our King
120 bpm • A# Maj • 03:45 • -5.78db
34% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Francesca Battistelli
Keeping Score
121 bpm • E Maj • 03:01 • -6.26db
24% Popularity • 61% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 61% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Sonicflood
Cry Holy
121 bpm • E Maj • 04:35 • -5db
22% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Everfound
Never Beyond Repair
113 bpm • E Maj • 03:29 • -4.74db
19% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Vicky Beeching
Yesterday, Today And Forever
122 bpm • C# min • 03:55 • -6db
25% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Gray
Sparrows
122 bpm • G Maj • 03:27 • -5.06db
50% Popularity • 65% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 65% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Mandisa
He Is With You
122 bpm • G# Maj • 03:59 • -4.12db
37% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Scott Krippayne
I Wanna Sing - Autobiography Album Versi...
122 bpm • G# Maj • 03:54 • -7.49db
16% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ascend The Hill
Hallelujah! What a Savior
112 bpm • D Maj • 06:04 • -6.71db
35% Popularity • 36% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 36% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Vertical Worship
He Has Won
112 bpm • D Maj • 03:54 • -6.07db
24% Popularity • 45% Danceability • 89% Energy • 85% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 45% Danceability • 89% Energy • 85% Liveness
0% Instrumentalness • 28% Positiveness
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Robbie Seay Band
Love Wins
112 bpm • C Maj • 04:27 • -5.06db
8% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Rich Mullins
Creed
112 bpm • F Maj • 05:20 • -12.05db
37% Popularity • 56% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 56% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Francesca Battistelli
This Is the Stuff - Take 1
111 bpm • D Maj • 02:48 • -4.67db
12% Popularity • 64% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Sonicflood
Resonate
111 bpm • D# Maj • 03:17 • -6.36db
17% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nichole Nordeman
Be My Rescue
124 bpm • C Maj • 04:15 • -7.87db
14% Popularity • 49% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 49% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Charlie Hall
Marvelous Light
124 bpm • B Maj • 04:32 • -6.46db
28% Popularity • 52% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 52% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Robbie Seay Band
Awaken My Soul
123 bpm • A Maj • 03:28 • -5.85db
6% Popularity • 56% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 56% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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The City Harmonic
Mountaintop
124 bpm • G# Maj • 04:07 • -5.1db
26% Popularity • 52% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 52% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Francesca Battistelli
I'm Letting Go
124 bpm • D Maj • 02:53 • -3.58db
37% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Jason Gray
Good to Be Alive
110 bpm • C# min • 03:24 • -6db
49% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Needham
Grace Amazing
110 bpm • B min • 04:13 • -5.71db
20% Popularity • 67% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 67% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Furler
No Compromise (Daniel)
110 bpm • D Maj • 04:41 • -4.86db
24% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Robbie Seay Band
Starting Over
124 bpm • B Maj • 03:59 • -4.57db
6% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
6% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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The City Harmonic
Solid Rock
110 bpm • C Maj • 02:55 • -4.86db
24% Popularity • 53% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 53% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Carrollton
Pass You By
110 bpm • G Maj • 03:38 • -4.87db
19% Popularity • 50% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 50% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Gray
The End of Me
110 bpm • G Maj • 03:32 • -6.04db
25% Popularity • 58% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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DC Talk
Say The Words (Now) - Remix
110 bpm • B min • 04:23 • -3db
31% Popularity • 58% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 58% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Nichole Nordeman
Holy
110 bpm • G# Maj • 03:20 • -5.63db
35% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Furler
I'm Alive
125 bpm • C Maj • 03:46 • -5.67db
30% Popularity • 59% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 59% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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The Glorious Unseen
The More I Seek You
125 bpm • F# Maj • 04:46 • -7db
15% Popularity • 40% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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Bryan & Katie Torwalt
He Is Faithful
125 bpm • G Maj • 04:43 • -4.81db
31% Popularity • 39% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 39% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Mandisa
Joy Unspeakable
125 bpm • F# Maj • 03:38 • -2.13db
36% Popularity • 65% Danceability • 85% Energy • 55% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 65% Danceability • 85% Energy • 55% Liveness
2% Instrumentalness • 77% Positiveness
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Luminate
Love Is Loud
125 bpm • G# Maj • 03:44 • -5.18db
18% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tree63
Look What You've Done - Tree63 Album Ver...
125 bpm • D# Maj • 04:33 • -6.07db
32% Popularity • 52% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 52% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Francesca Battistelli
We Are the Kingdom
109 bpm • C# Maj • 03:43 • -6.66db
26% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The City Harmonic
I Have A Dream (It Feels Like Home)
125 bpm • F Maj • 04:13 • -5.14db
19% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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I AM THEY
We Are Yours
109 bpm • E Maj • 03:34 • -5db
36% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Daniel Bashta
Like a Lion (God's Not Dead)
126 bpm • C Maj • 05:39 • -7.72db
21% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Citizens
Amazing Grace
126 bpm • G Maj • 03:59 • -7.32db
39% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Robbie Seay Band
Rise
126 bpm • C# Maj • 04:24 • -4.23db
10% Popularity • 51% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 51% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Gray
The Sound of Our Breathing
126 bpm • C Maj • 03:31 • -6.82db
20% Popularity • 58% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 58% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Rush Of Fools
Take Me Over
126 bpm • A# Maj • 03:53 • -5.33db
30% Popularity • 61% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 61% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Tree63
You Only
126 bpm • E Maj • 02:32 • -4.49db
35% Popularity • 53% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 53% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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FFH
Open Up The Sky
108 bpm • B Maj • 04:01 • -4.06db
25% Popularity • 57% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 57% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Krista Vossler
The Light Fantastic
127 bpm • A# min • 05:30 • -10.09db
0% Popularity • 42% Danceability • 53% Energy • 9% Liveness
20% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 53% Energy • 9% Liveness
20% Instrumentalness • 12% Positiveness
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Caedmon's Call
Before There Was Time
107 bpm • D Maj • 03:30 • -8db
25% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Gray
Nothing Is Wasted
128 bpm • E Maj • 03:47 • -10.74db
23% Popularity • 49% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 49% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Phil Stacey
You're Not Shaken
128 bpm • C# Maj • 04:42 • -5.38db
19% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rush Of Fools
Lay Me Down
128 bpm • A# Maj • 05:04 • -5.65db
25% Popularity • 54% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Vertical Worship
I'm Going Free (Jailbreak)
107 bpm • F Maj • 03:51 • -6.05db
12% Popularity • 60% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 60% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Downhere
Calmer of the Storm
128 bpm • G# Maj • 05:04 • -10.75db
19% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Caedmon's Call
Who You Are
107 bpm • C Maj • 03:01 • -5.43db
24% Popularity • 64% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 64% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Neverclaim
Mighty Jesus
128 bpm • A Maj • 04:55 • -5.15db
12% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Luminate
Banner Of Love
128 bpm • B Maj • 03:42 • -5db
32% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Bellarive
Bring Us Back
128 bpm • B Maj • 03:38 • -7.38db
16% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Bryan & Katie Torwalt
Shores
128 bpm • A# Maj • 03:22 • -7.4db
26% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Vertical Worship
The Rock Won't Move
128 bpm • B Maj • 07:35 • -7.46db
33% Popularity • 47% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 47% Danceability • 75% Energy • 44% Liveness
0% Instrumentalness • 14% Positiveness
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VOTA
God of the Universe
128 bpm • A Maj • 04:03 • -4db
25% Popularity • 60% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 60% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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MIKESCHAIR
Keep Changing The World
128 bpm • D Maj • 03:30 • -5db
12% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Ascend The Hill
Be Thou My Vision
128 bpm • F# Maj • 06:43 • -6.66db
41% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Bart Millard
It Must Be You (Moses)
107 bpm • A# Maj • 05:14 • -6db
28% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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FFH
When I Praise
106 bpm • D Maj • 03:48 • -7.77db
23% Popularity • 53% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 53% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Robbie Seay Band
Hallelujah God Is Near
106 bpm • A Maj • 04:05 • -4.1db
6% Popularity • 49% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 49% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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MORIAH
Oh Fear (My God Is Near)
106 bpm • D Maj • 03:18 • -5.4db
28% Popularity • 61% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 61% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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DC Talk
In The Light - Remastered 2013
106 bpm • G# min • 05:05 • -5db
48% Popularity • 63% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 63% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Camp
Give You Glory
130 bpm • D Maj • 04:06 • -4.25db
37% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Francesca Battistelli
Time In Between
130 bpm • D Maj • 03:24 • -4.87db
28% Popularity • 45% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
