Songs like Song Of Mor'du - From "Brave"/Soundtrack by Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Doyle
Song Of Mor'du
121 bpm • G Maj • 02:17 • -8.79db
26% Popularity • 56% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
37% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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George Bruns
Magical House Cleaning / Blue or Pink
122 bpm • F min • 02:47 • -15db
41% Popularity • 48% Danceability • 29% Energy • 18% Liveness
40% Instrumentalness • 42% Positiveness
41% Popularity • 48% Danceability • 29% Energy • 18% Liveness
40% Instrumentalness • 42% Positiveness
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Jerry Goldsmith
Attack At The Wall
120 bpm • A Maj • 04:59 • -20.33db
36% Popularity • 35% Danceability • 17% Energy • 15% Liveness
82% Instrumentalness • 8% Positiveness
36% Popularity • 35% Danceability • 17% Energy • 15% Liveness
82% Instrumentalness • 8% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
49% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
49% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Patrick Doyle
Rita Skeeter
120 bpm • G# min • 01:41 • -28.64db
38% Popularity • 62% Danceability • 2% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
38% Popularity • 62% Danceability • 2% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Samuel Sim
The Ship's Cook
120 bpm • G min • 02:26 • -16.98db
25% Popularity • 72% Danceability • 26% Energy • 17% Liveness
58% Instrumentalness • 44% Positiveness
25% Popularity • 72% Danceability • 26% Energy • 17% Liveness
58% Instrumentalness • 44% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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An Eligible Quartet
Frank Churchill Arrives
120 bpm • G Maj • 02:06 • -16.69db
30% Popularity • 30% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Mychael Danna
Run With the Herd
120 bpm • D Maj • 03:51 • -13.9db
26% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
26% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Peter Breiner
Miss Stacey's Jig
119 bpm • D Maj • 01:29 • -13.52db
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
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Jan A.P. Kaczmarek
Dancing With The Bear - Finding Neverlan...
123 bpm • C min • 02:03 • -16db
28% Popularity • 47% Danceability • 13% Energy • 13% Liveness
14% Instrumentalness • 32% Positiveness
28% Popularity • 47% Danceability • 13% Energy • 13% Liveness
14% Instrumentalness • 32% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
41% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Patrick Doyle
In Her Heart
123 bpm • A# Maj • 02:36 • -26.73db
32% Popularity • 26% Danceability • 3% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 3% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
37% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
37% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Kris Bowers
The Latest Whistledown
124 bpm • D Maj • 01:34 • -17db
41% Popularity • 59% Danceability • 37% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Trevor Rabin
City of Gold
118 bpm • G Maj • 02:13 • -11db
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Isobel Waller-Bridge
Emma And Mr. Knightley (A Kiss Before Th...
118 bpm • F Maj • 03:06 • -16.4db
35% Popularity • 33% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
35% Popularity • 33% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Randy Newman
This Is Gonna Be Good
125 bpm • C Maj • 03:18 • -14.4db
36% Popularity • 19% Danceability • 20% Energy • 38% Liveness
44% Instrumentalness • 9% Positiveness
36% Popularity • 19% Danceability • 20% Energy • 38% Liveness
44% Instrumentalness • 9% Positiveness
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Alexandra Harwood
Juliet And Dawsey
117 bpm • C# Maj • 03:09 • -16db
31% Popularity • 23% Danceability • 7% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 7% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Bruce Broughton
Bambi's Dream
116 bpm • E Maj • 01:27 • -20db
37% Popularity • 22% Danceability • 17% Energy • 21% Liveness
83% Instrumentalness • 17% Positiveness
37% Popularity • 22% Danceability • 17% Energy • 21% Liveness
83% Instrumentalness • 17% Positiveness
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Daniel Pemberton
London Arrival
126 bpm • A Maj • 02:30 • -10.78db
21% Popularity • 72% Danceability • 62% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
21% Popularity • 72% Danceability • 62% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Alexandre Desplat
A New Beginning
116 bpm • D# Maj • 01:39 • -29.88db
49% Popularity • 17% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Useful Servant
116 bpm • E min • 01:18 • -20.58db
39% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Samuel Sim
Cliff Tops
127 bpm • F Maj • 01:43 • -17.14db
23% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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John Lunn
Life After Death
128 bpm • D min • 06:16 • -15db
28% Popularity • 17% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Blossoms
127 bpm • A min • 06:27 • -21.94db
36% Popularity • 21% Danceability • 7% Energy • 4% Liveness
40% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 7% Energy • 4% Liveness
40% Instrumentalness • 4% Positiveness
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Bear McCreary
Brianna and Roger Theme
128 bpm • A min • 03:24 • -21.95db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Fernando Velázquez
Buffalo
129 bpm • G Maj • 02:08 • -21.93db
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Ramin Djawadi
King Of The North
128 bpm • C min • 01:28 • -17.51db
50% Popularity • 17% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Samuel Sim
Emma Woodhouse Was Born
128 bpm • G min • 03:33 • -18.78db
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
The Play And The Flight - Finding Neverl...
114 bpm • C Maj • 01:21 • -16.37db
35% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
35% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
43% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
43% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
51% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
51% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Patrick Doyle
The Quidditch World Cup
130 bpm • G# Maj • 01:51 • -14.54db
46% Popularity • 39% Danceability • 54% Energy • 38% Liveness
68% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 54% Energy • 38% Liveness
68% Instrumentalness • 36% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
42% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
42% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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Randy Newman
A Bug's Life Suite
113 bpm • C Maj • 05:12 • -16db
39% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
39% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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John Williams
Reunion of Friends
130 bpm • D Maj • 05:08 • -20db
48% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Harriet Smith And Robert Martin Meet In ...
130 bpm • B Maj • 01:50 • -24.61db
32% Popularity • 41% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
32% Popularity • 41% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Ramin Djawadi
Winter Has Come
112 bpm • G# Maj • 03:14 • -13.49db
44% Popularity • 21% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
44% Popularity • 21% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
46% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
46% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Patrick Doyle
The Goblet of Fire
111 bpm • C# Maj • 03:21 • -20.37db
38% Popularity • 16% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Bruce Broughton
A Homeward Bound Overture - Score Versio...
110 bpm • C Maj • 05:04 • -21db
24% Popularity • 27% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
24% Popularity • 27% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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John Williams
Platform Nine-and-Three-Quarters and the...
110 bpm • C Maj • 03:14 • -25.53db
49% Popularity • 26% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
49% Popularity • 26% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Daniel Pemberton
Marquis
134 bpm • A min • 01:23 • -16.65db
28% Popularity • 27% Danceability • 8% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
28% Popularity • 27% Danceability • 8% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
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Patrick Doyle
Harry in Winter
110 bpm • B min • 02:54 • -16.71db
56% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Rob Lane
Arthur Asked to Lead
134 bpm • G Maj • 01:26 • -21.24db
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Where Is Mr. Barrie? - Finding Neverland...
134 bpm • C Maj • 03:32 • -18db
27% Popularity • 48% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
27% Popularity • 48% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Williams
Lumos! (Hedwig's Theme)
134 bpm • E min • 01:38 • -30.11db
49% Popularity • 22% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 9% Positiveness
49% Popularity • 22% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 9% Positiveness
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John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Patrick Doyle
The Dark Mark
110 bpm • C# Maj • 03:26 • -14.61db
37% Popularity • 19% Danceability • 25% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 25% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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City of Prague Orchestra
The Lion King Orchestral Suite
109 bpm • C Maj • 09:02 • -14.26db
9% Popularity • 22% Danceability • 29% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 29% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
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Mack David
So This Is Love: Waltz
135 bpm • G Maj • 01:58 • -16.7db
45% Popularity • 19% Danceability • 16% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
45% Popularity • 19% Danceability • 16% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
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Christian Henson
All's Well That End's Well
135 bpm • B Maj • 04:13 • -20.47db
23% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Wedding
135 bpm • A# Maj • 01:42 • -16db
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Daniel Pemberton
Tewkesbury's Trail
108 bpm • C Maj • 01:41 • -20db
47% Popularity • 29% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 29% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Jason Buckle
This Is the Night
110 bpm • A min • 03:22 • -8.36db
34% Popularity • 40% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 40% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Trevor Rabin
Library of Congress
108 bpm • F Maj • 02:27 • -24db
32% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Anne Dudley
Kissing Town
135 bpm • F Maj • 02:16 • -24db
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
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Christian Henson
The Moonacre Curse
136 bpm • D Maj • 03:08 • -19.6db
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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John Lunn
Brancaster
136 bpm • G Maj • 04:22 • -14.85db
25% Popularity • 21% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
25% Popularity • 21% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Rob Lane
The Call of Destiny / Titles
107 bpm • D# Maj • 01:56 • -11db
38% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
38% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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Zbigniew Preisner
Colin Opens His Eyes
136 bpm • F# Maj • 02:00 • -22.18db
33% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
33% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
37% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Davis
Pride and Prejudice - Main Theme
107 bpm • D# Maj • 04:14 • -21db
33% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
33% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
43% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
43% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
42% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Klaus Badelt
Professor Alexander Hartdegen
137 bpm • A min • 03:26 • -17db
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
34% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Hun's Attack
107 bpm • F min • 04:29 • -17db
34% Popularity • 29% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 10% Positiveness
34% Popularity • 29% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 10% Positiveness
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John Williams
A Window to the Past
107 bpm • A min • 03:54 • -24.6db
56% Popularity • 21% Danceability • 4% Energy • 10% Liveness
54% Instrumentalness • 14% Positiveness
56% Popularity • 21% Danceability • 4% Energy • 10% Liveness
54% Instrumentalness • 14% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness