Songs like Song of the South by Alabama
Based on a tempo of (+/- 10%) and a similar genre
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Alabama
Song of the South
162 bpm • A Maj • 03:10 • -8db
68% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Clint Black
A Better Man
162 bpm • E Maj • 03:04 • -9db
56% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Earle
Copperhead Road
163 bpm • G Maj • 04:29 • -15.49db
67% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
67% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Brooks Jefferson
Much Too Young (To Feel This Damn Old)
163 bpm • G Maj • 02:58 • -5.64db
47% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Alan Jackson
Little Bitty
163 bpm • E Maj • 02:38 • -6.54db
68% Popularity • 57% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 57% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Patty Loveless
I Try to Think About Elvis
161 bpm • B Maj • 02:49 • -7db
53% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Cody Jinks
Loud and Heavy
164 bpm • C min • 03:50 • -6.71db
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Mel McDaniel
Louisiana Saturday Night
163 bpm • D Maj • 02:24 • -7.31db
71% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
71% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
60% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Tracy Lawrence
Find out Who Your Friends Are
160 bpm • D Maj • 03:49 • -5db
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Toby Keith
Red Solo Cup
164 bpm • E Maj • 03:43 • -6.59db
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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George Jones
The One I Loved Back Then (The Corvette ...
159 bpm • D Maj • 02:30 • -11.82db
58% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sawyer Brown
Six Days On The Road
165 bpm • G Maj • 02:52 • -2.7db
56% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Mark Chesnutt
Bubba Shot The Jukebox
165 bpm • G Maj • 03:05 • -8.45db
62% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Diamond Rio
Unbelievable
158 bpm • B Maj • 02:21 • -8db
54% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
58% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Montgomery Gentry
What Do Ya Think About That
157 bpm • G Maj • 03:37 • -6.13db
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Alabama
Born Country
167 bpm • E Maj • 03:16 • -8.58db
54% Popularity • 58% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 58% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Rabbitt
Drivin' My Life Away
169 bpm • A Maj • 03:16 • -14.09db
56% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
53% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Reba McEntire
The Night The Lights Went Out In Georgia
170 bpm • G min • 04:17 • -11.7db
65% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
65% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lorrie Morgan
Except for Monday
170 bpm • G Maj • 02:56 • -11.98db
52% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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George Jones
The Race Is On
170 bpm • A Maj • 02:07 • -7.73db
59% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Brooks Jefferson
Ain't Goin' Down (Til the Sun Comes Up)
171 bpm • C Maj • 04:31 • -4.31db
49% Popularity • 48% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 48% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Travis Tritt
Help Me Hold On
154 bpm • G Maj • 04:00 • -7.18db
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Merle Haggard
I Think I'll Just Stay Here And Drink
172 bpm • A Maj • 04:31 • -12.7db
54% Popularity • 60% Danceability • 65% Energy • 4% Liveness
12% Instrumentalness • 94% Positiveness
54% Popularity • 60% Danceability • 65% Energy • 4% Liveness
12% Instrumentalness • 94% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lonestar
Mr. Mom
172 bpm • A# Maj • 03:28 • -3.32db
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Cody Johnson
Diamond In My Pocket
152 bpm • G Maj • 03:16 • -3.51db
72% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mark Chesnutt
It's A Little Too Late - 1996 Greatest H...
173 bpm • A Maj • 02:43 • -7.51db
57% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Daryle Singletary
Too Much Fun
152 bpm • G Maj • 02:45 • -4.64db
51% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Trace Adkins
I Left Something Turned On At Home
151 bpm • D# Maj • 03:08 • -5.29db
54% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
54% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Montgomery Gentry
Hell Yeah
174 bpm • C Maj • 04:49 • -6.65db
49% Popularity • 37% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 37% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Chesnutt
Goin' Through The Big D
174 bpm • A# Maj • 02:35 • -8db
58% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Don Williams
Lord, I Hope This Day Is Good - Single V...
174 bpm • D Maj • 04:09 • -17.98db
55% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Toby Keith
American Ride
174 bpm • A Maj • 02:45 • -3db
61% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Alan Jackson
Chattahoochee
175 bpm • C Maj • 02:28 • -9.67db
74% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
74% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Josh Turner
Firecracker
175 bpm • E Maj • 03:28 • -5.36db
52% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
54% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
66% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Vince Gill
One More Last Chance
176 bpm • D Maj • 03:11 • -8.68db
61% Popularity • 52% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 52% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Tritt
Anymore
148 bpm • B Maj • 03:47 • -10.29db
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Alabama
Southern Star
149 bpm • D# Maj • 03:07 • -8.68db
31% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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The Charlie Daniels Band
Drinkin' My Baby Goodbye
177 bpm • A Maj • 03:41 • -10.25db
53% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Horton
The Battle Of New Orleans
177 bpm • A Maj • 02:31 • -12.07db
52% Popularity • 70% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 70% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Diamond Rio
Beautiful Mess
177 bpm • C# Maj • 03:48 • -7db
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Waylon Jennings
Theme from "The Dukes of Hazzard" (Good ...
148 bpm • F Maj • 02:06 • -8.49db
57% Popularity • 63% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 92% Positiveness
57% Popularity • 63% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 92% Positiveness
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Tim McGraw
My Best Friend
148 bpm • A Maj • 04:39 • -8.31db
57% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends Are Coming Over Ton...
147 bpm • D Maj • 02:58 • -8db
57% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Travis Tritt
T-R-O-U-B-L-E
179 bpm • G Maj • 03:00 • -4.33db
60% Popularity • 30% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 30% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 79% Positiveness
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The Chicks
Wide Open Spaces
179 bpm • E Maj • 03:43 • -6.1db
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sawyer Brown
The Race Is On
180 bpm • E Maj • 02:53 • -14db
62% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Charlie Daniels Band
Long Haired Country Boy
145 bpm • D Maj • 04:00 • -11.65db
60% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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The Chicks
Travelin' Soldier
146 bpm • A Maj • 05:43 • -7.05db
66% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hank Williams, Jr.
Dinosaur
145 bpm • E Maj • 03:19 • -14.63db
65% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Turnpike Troubadours
Long Hot Summer Day
145 bpm • A Maj • 04:12 • -5.78db
62% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Watson
Freight Train
145 bpm • E Maj • 02:55 • -5.63db
57% Popularity • 67% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 67% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Dwight Yoakam
Turn It On, Turn It Up, Turn Me Loose
181 bpm • E Maj • 03:23 • -9.29db
51% Popularity • 58% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 58% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Brad Paisley
Then
145 bpm • C Maj • 05:21 • -5.19db
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Tim McGraw
It's Your Love
144 bpm • G Maj • 03:47 • -8.59db
62% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
59% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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George Jones
He Stopped Loving Her Today
144 bpm • G# Maj • 03:15 • -14.84db
59% Popularity • 35% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 35% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
