Songs like Song of the Volga Boatmen - Remastered by Glenn Miller
Based on a tempo of (+/- 10%) and a similar genre
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Lionel Hampton
Don't Be That Way
133 bpm • G# Maj • 02:35 • -10.25db
23% Popularity • 73% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 73% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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Benny Goodman
Bugle Call Rag
133 bpm • A# Maj • 02:56 • -12.5db
24% Popularity • 64% Danceability • 39% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 39% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
66% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
66% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jack Hylton & His Orchestra
Blue Skies Are Around The Corner
133 bpm • G Maj • 02:59 • -9.15db
20% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
20% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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Lionel Hampton
Hey! Ba-Ba-Re-Bop
134 bpm • F Maj • 03:19 • -10.14db
30% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Cab Calloway & His Orchestra
Manhattan Jam
133 bpm • G# Maj • 02:33 • -10.63db
12% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
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Sarah Vaughan
Broken Hearted Melody
132 bpm • G Maj • 02:26 • -10.02db
51% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
We'll Meet Again
132 bpm • A min • 03:18 • -11db
23% Popularity • 70% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 70% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Glenn Miller
Beat Me Daddy Eight To The Bar - Remaste...
134 bpm • G# Maj • 03:04 • -13.61db
18% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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James P. Johnson
Ain't Misbehavin'
132 bpm • C min • 02:57 • -17.13db
34% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
34% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Count Basie Orchestra
Whirly-Bird
132 bpm • G# Maj • 03:52 • -10.58db
35% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
35% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Johnny Mercer
Personality
134 bpm • F Maj • 02:49 • -16.56db
58% Popularity • 74% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 74% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Vic Damone
Let's Fall in Love
131 bpm • C# min • 01:58 • -9.06db
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Glenn Miller
A String of Pearls
131 bpm • C min • 03:13 • -11.27db
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
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Perry Como
Accentuate the Positive
131 bpm • C Maj • 02:15 • -11db
39% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Charlie Kunz
Has Anybody Here Seen Kelly
131 bpm • G Maj • 02:12 • -27.08db
23% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
23% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Earl Hines
GT Stomp
135 bpm • E Maj • 02:31 • -13.92db
16% Popularity • 78% Danceability • 35% Energy • 25% Liveness
56% Instrumentalness • 76% Positiveness
16% Popularity • 78% Danceability • 35% Energy • 25% Liveness
56% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Gene Kelly
Singin' In The Rain
136 bpm • F Maj • 04:54 • -13.81db
53% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Annette Hanshaw
Daddy Won't You Please Come Home
136 bpm • G Maj • 02:58 • -11db
29% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 65% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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George Gershwin, Buddy Clark & Dinah Shore
Wonderful
136 bpm • A# Maj • 02:37 • -11db
17% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Vic Damone
On the Street Where You Live - Single V...
130 bpm • B Maj • 02:43 • -9.75db
34% Popularity • 26% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 26% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Glenn Miller & The Army Forces Training Command Orchestra
Over There - 1996 Remastered
137 bpm • C# Maj • 02:13 • -9.37db
8% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Perry Como
I'm Gonna Love That Gal (Like She's Neve...
129 bpm • D# Maj • 02:40 • -7.43db
17% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
32% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Carroll Gibbons
It Looks Like Rain In Cherry Blossom Lan...
138 bpm • G# Maj • 02:55 • -21.45db
39% Popularity • 39% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
39% Popularity • 39% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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Glenn Miller
Moon Love - Remastered
128 bpm • C# Maj • 02:52 • -13.03db
25% Popularity • 55% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 55% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Bing Crosby
Ac-Cent-Tchu-Ate The Positive
138 bpm • C# Maj • 02:39 • -14.43db
38% Popularity • 64% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 64% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Lionel Hampton
Tempo and Swing
138 bpm • G min • 03:22 • -9db
16% Popularity • 68% Danceability • 69% Energy • 5% Liveness
67% Instrumentalness • 92% Positiveness
16% Popularity • 68% Danceability • 69% Energy • 5% Liveness
67% Instrumentalness • 92% Positiveness
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Louis Jordan & His Tympany Five
Is You or Is You Ain't My Baby
138 bpm • F min • 02:45 • -8.81db
32% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
54% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
54% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
57% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Glenn Miller & The Army Air Force Band
A String of Pearls - Remastered 2001
128 bpm • D min • 03:38 • -9.15db
9% Popularity • 64% Danceability • 30% Energy • 64% Liveness
8% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 30% Energy • 64% Liveness
8% Instrumentalness • 46% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
56% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
21% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
18% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
18% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Harry Roy and His Orchestra
They Can't Black Out the Moon
140 bpm • A min • 03:11 • -9.65db
19% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
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Kay Starr
Side By Side
126 bpm • A# Maj • 02:52 • -10db
44% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Les Elgart & His Orchestra
(The Gang That Sang) Heart of My Heart
140 bpm • G# Maj • 02:34 • -14.19db
23% Popularity • 76% Danceability • 17% Energy • 6% Liveness
26% Instrumentalness • 68% Positiveness
23% Popularity • 76% Danceability • 17% Energy • 6% Liveness
26% Instrumentalness • 68% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Benny Goodman Quartet
Runnin' Wild
140 bpm • C min • 02:38 • -13.27db
23% Popularity • 71% Danceability • 67% Energy • 38% Liveness
91% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 67% Energy • 38% Liveness
91% Instrumentalness • 96% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
23% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
23% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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The Boswell Sisters
Concentratin' On You
141 bpm • G Maj • 03:16 • -16.62db
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Nat King Cole Trio
On The Sunny Side Of The Street - 1993 D...
126 bpm • F min • 03:00 • -17db
40% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
40% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
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Glenn Miller
Song Of The Volga Boatmen - Remastered 2...
125 bpm • A# min • 03:23 • -12.02db
20% Popularity • 84% Danceability • 21% Energy • 19% Liveness
43% Instrumentalness • 57% Positiveness
20% Popularity • 84% Danceability • 21% Energy • 19% Liveness
43% Instrumentalness • 57% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Newton
As Long As I'm Singing
125 bpm • F min • 01:51 • -11.11db
32% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lester Lanin
The Hukilau Song - Hula
125 bpm • G Maj • 01:59 • -16.78db
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 88% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart
142 bpm • G Maj • 03:41 • -11.14db
41% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Goodman Quartet
Dinah
124 bpm • F min • 02:39 • -14db
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Boswell Sisters
Everybody Loves My Baby
143 bpm • G min • 02:24 • -11db
27% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
32% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Julie London
I'm In The Mood For Love
123 bpm • A min • 02:29 • -14.59db
62% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Nat King Cole Trio
Dream A Little Dream Of Me - Remastered
123 bpm • F min • 02:50 • -17.95db
43% Popularity • 70% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 70% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Duke Ellington & His Cotton Club Orchestra
Jubilee Stomp
123 bpm • F min • 02:46 • -9db
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
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Carroll Gibbons
Goodnight My Love
123 bpm • C min • 03:25 • -19db
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
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Wayne Newton
But Not For Me - Digitally Remastered 99
123 bpm • C min • 02:23 • -15db
43% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Members Of The Glenn Miller Orchestra
Chattanooga Choo Choo
144 bpm • C# Maj • 03:03 • -17db
20% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Fleetwoods
Come Softly To Me
123 bpm • C# Maj • 02:24 • -18.48db
50% Popularity • 60% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 60% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Perry Como
Don't Let The Stars Get In Your Eyes
123 bpm • G# Maj • 02:40 • -12.53db
50% Popularity • 81% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 81% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sarah Vaughan
Lullaby Of Birdland
123 bpm • B min • 04:00 • -12.43db
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Benny Goodman Trio
Exactly Like You
122 bpm • A# Maj • 03:18 • -18db
33% Popularity • 74% Danceability • 14% Energy • 8% Liveness
21% Instrumentalness • 55% Positiveness
33% Popularity • 74% Danceability • 14% Energy • 8% Liveness
21% Instrumentalness • 55% Positiveness
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James P. Johnson
Charleston
145 bpm • F# min • 01:47 • -9db
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
