Songs like Songs of Separation: A Black Pierrot by William Grant Still
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
William Grant Still
Symphony No. 5, "Western Hemisphere": I....
132 bpm • G min • 03:20 • -17.25db
1% Popularity • 31% Danceability • 19% Energy • 40% Liveness
86% Instrumentalness • 21% Positiveness
1% Popularity • 31% Danceability • 19% Energy • 40% Liveness
86% Instrumentalness • 21% Positiveness
► Preview
Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Louis Moreau Gottschalk
The Last Hope, Religious Meditation (185...
132 bpm • B Maj • 06:24 • -33.8db
0% Popularity • 34% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 6% Positiveness
0% Popularity • 34% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
► Preview
Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
William Grant Still
And They Lynched Him on a Tree: No. 2. L...
131 bpm • C# Maj • 02:05 • -37.16db
0% Popularity • 25% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Konstantia Gourzi
melodies from the sea, Op. 86: V. whale
133 bpm • C Maj • 03:19 • -23.82db
6% Popularity • 28% Danceability • 10% Energy • 21% Liveness
55% Instrumentalness • 7% Positiveness
6% Popularity • 28% Danceability • 10% Energy • 21% Liveness
55% Instrumentalness • 7% Positiveness
► Preview
Ferruccio Busoni
24 Preludes, Op. 37, BV 181: No. 15 in D...
133 bpm • C# Maj • 02:06 • -35db
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
William Grant Still
Danzas De Panama: IV. Cumbia Y Congo
130 bpm • G Maj • 03:05 • -16.63db
1% Popularity • 55% Danceability • 22% Energy • 30% Liveness
74% Instrumentalness • 70% Positiveness
1% Popularity • 55% Danceability • 22% Energy • 30% Liveness
74% Instrumentalness • 70% Positiveness
► Preview
Clara Schumann
Three Romances, Op. 11: No. 1 in E-Flat ...
134 bpm • D# min • 03:03 • -24db
38% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Stephen Foster
Swanee River
134 bpm • F Maj • 01:47 • -30.7db
2% Popularity • 37% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
2% Popularity • 37% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Nico Muhly
The Street (harp solo): Station IV. Jesu...
127 bpm • A# min • 03:20 • -33db
29% Popularity • 47% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 47% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Valeria Szervánszky
Ma mère l'oye, M. 60: 1. Pavane de la B...
135 bpm • A min • 01:21 • -42db
36% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
► Preview
William Grant Still
Prince and the Mermaid Suite: IV. Scherz...
133 bpm • A min • 01:18 • -16.06db
4% Popularity • 57% Danceability • 17% Energy • 14% Liveness
71% Instrumentalness • 86% Positiveness
4% Popularity • 57% Danceability • 17% Energy • 14% Liveness
71% Instrumentalness • 86% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Erik Satie
Enfantillages pittoresques: II. Berceuse
127 bpm • A min • 01:17 • -45db
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
► Preview
William Grant Still
Ennanga For Harp, Piano & Strings: I. Mo...
133 bpm • E min • 05:46 • -20.13db
0% Popularity • 46% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 14% Positiveness
0% Popularity • 46% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 14% Positiveness
► Preview
Amy Beach
4 Sketches, Op. 15: No. 4. Fireflies
135 bpm • A min • 03:08 • -33.43db
15% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
136 bpm • A min • 02:14 • -31db
35% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
35% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
46% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
46% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Nocturnes, Op. 27: II. Lento sotenuto
136 bpm • C# Maj • 05:53 • -27.98db
38% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
38% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": III. An...
133 bpm • G# Maj • 03:09 • -18.91db
3% Popularity • 46% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 57% Positiveness
3% Popularity • 46% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 57% Positiveness
► Preview
François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
► Preview
Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
Kaintuck'
134 bpm • G Maj • 11:10 • -31.62db
1% Popularity • 26% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
Post Scriptum - Sonata For Violin And Pi...
138 bpm • G# Maj • 03:50 • -38.34db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
23% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Jacques Ibert
6 Pièces pour harpe à pédales: II. Sc...
123 bpm • C# Maj • 03:26 • -28.16db
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
William Grant Still
Selections from Littler Folk Suites: IV....
127 bpm • A# Maj • 01:23 • -15.5db
3% Popularity • 63% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 74% Positiveness
3% Popularity • 63% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 74% Positiveness
► Preview
Ashley Jackson
Ennanga: I
140 bpm • E min • 07:12 • -18.28db
2% Popularity • 36% Danceability • 18% Energy • 27% Liveness
70% Instrumentalness • 4% Positiveness
2% Popularity • 36% Danceability • 18% Energy • 27% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Louis Moreau Gottschalk
The Banjo (1854-55)
122 bpm • F# Maj • 03:49 • -23.24db
1% Popularity • 39% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
1% Popularity • 39% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
► Preview
Philippus van Steelant
Missa pro defunctis (1650): III. Symphon...
141 bpm • D Maj • 02:20 • -29.66db
26% Popularity • 14% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 2...
142 bpm • G Maj • 04:39 • -21.07db
52% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
52% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
42% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
42% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 4 in D Minor: III. Juba Dan...
144 bpm • A# Maj • 05:17 • -26.67db
8% Popularity • 24% Danceability • 4% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": III. An...
127 bpm • G# Maj • 03:23 • -25.95db
4% Popularity • 54% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 51% Positiveness
4% Popularity • 54% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 51% Positiveness
► Preview
Vaja Azarashvili
Nostalgie (Version for Cello & Piano)
145 bpm • F min • 02:49 • -30.02db
35% Popularity • 23% Danceability • 2% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 2% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
Miniatures: Adolorido
127 bpm • G Maj • 01:43 • -18.89db
1% Popularity • 89% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 95% Positiveness
1% Popularity • 89% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 95% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Erik Satie
Cinq Grimaces pour le songe d'une nuit d...
116 bpm • A# Maj • 01:01 • -28.48db
39% Popularity • 74% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
39% Popularity • 74% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Ernest Bloch
Enfantines, B. 49: Dream
116 bpm • F min • 01:54 • -38db
23% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
William Grant Still
And They Lynched Him on a Tree: No. 1. W...
127 bpm • D# Maj • 03:36 • -25.15db
0% Popularity • 46% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 46% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Petite Suite: Nocturne
148 bpm • B Maj • 02:36 • -36db
22% Popularity • 29% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
22% Popularity • 29% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Adolphus Hailstork
3 Spirituals for Orchestra: No. 3. Oh Fr...
115 bpm • F Maj • 02:26 • -23.94db
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Quique Sinesi
El abrazo
113 bpm • D Maj • 03:19 • -35.83db
38% Popularity • 21% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
38% Popularity • 21% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Manuel de Falla
Nana
113 bpm • A min • 02:08 • -26.38db
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
William Grant Still
Quit Dat Fool'nish (For Violin and Piano...
135 bpm • G Maj • 01:13 • -18.12db
2% Popularity • 58% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 73% Positiveness
2% Popularity • 58% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 73% Positiveness
► Preview
Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
162 bpm • C Maj • 02:37 • -34.76db
33% Popularity • 43% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
► Preview
William Grant Still
Symphony No. 4, "Autochthonous": I. Mode...
126 bpm • D Maj • 06:08 • -19.46db
3% Popularity • 36% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
3% Popularity • 36% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Erik Satie
Satie / Orch. Ducros: Gymnopédie No. 1
167 bpm • G Maj • 02:52 • -31.86db
66% Popularity • 9% Danceability • 2% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
66% Popularity • 9% Danceability • 2% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Anton Webern
Langsamer Satz
167 bpm • D# Maj • 09:31 • -19.07db
16% Popularity • 11% Danceability • 12% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 12% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Moments musicaux, Op. 16: No. 5 in D-Fla...
169 bpm • C# Maj • 03:43 • -31.94db
34% Popularity • 32% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
William Grant Still
Blues
137 bpm • C Maj • 03:03 • -25.25db
2% Popularity • 34% Danceability • 3% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
2% Popularity • 34% Danceability • 3% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
► Preview
Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
William Alwyn
Prelude
170 bpm • E min • 02:15 • -31.44db
34% Popularity • 22% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
William Grant Still
Symphony No. 3, "The Sunday Symphony": I...
123 bpm • A Maj • 03:42 • -17.42db
3% Popularity • 59% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
3% Popularity • 59% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Konstantia Gourzi
wind whispers, Op. 85: II. floating leaf
175 bpm • F min • 02:17 • -38db
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Florence Beatrice Price
Adoration (Arr. Gray for Violin and Orch...
176 bpm • D Maj • 03:41 • -31.02db
40% Popularity • 9% Danceability • 5% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 5% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
► Preview
William Grant Still
Miniatures: Yaravi
139 bpm • G min • 02:18 • -22.83db
1% Popularity • 24% Danceability • 5% Energy • 23% Liveness
97% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 5% Energy • 23% Liveness
97% Instrumentalness • 4% Positiveness
