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Sons of Our Fathers
Songs like
Sons of Our Fathers
by
Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Michael Giacchino
Moving On
77 bpm • D Maj • 07:54 • -18.96db
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Mina / Dracula
77 bpm • E min • 04:48 • -26db
17% Popularity • 7% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Johnny Klimek
End Titles (Sy's Theme)
77 bpm • F min • 05:12 • -17.59db
10% Popularity • 26% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Peter Gregson
Travelling to Marly
76 bpm • B min • 03:23 • -25.99db
19% Popularity • 9% Danceability • 2% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Elia Cmiral
The Ronin Myth
78 bpm • C Maj • 02:55 • -29.33db
13% Popularity • 18% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Christopher Spelman
The First Goodbye
76 bpm • C# min • 02:33 • -21.04db
19% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Johnny Klimek
Praezision
76 bpm • D min • 04:05 • -13.55db
12% Popularity • 37% Danceability • 34% Energy • 32% Liveness
24% Instrumentalness • 7% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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J. Ralph
Is It or Isn't It Happening?
78 bpm • G# Maj • 01:31 • -15.78db
34% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Alan Silvestri
You Can't Sit Here
76 bpm • C Maj • 02:23 • -26db
36% Popularity • 7% Danceability • 3% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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Reinhold Heil
All Bleeding Stops Eventually / Tomorrow...
78 bpm • A Maj • 02:25 • -25.26db
6% Popularity • 17% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Nicholas Britell
Song of Hal: Strings in C# Minor
78 bpm • C# min • 05:12 • -19.06db
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Johnny Klimek
Lotte Einsam
75 bpm • G# Maj • 04:07 • -16.58db
15% Popularity • 24% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Stephan Zacharias
Der Krieg ist aus
75 bpm • D min • 03:07 • -22.87db
18% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Our Soldiers' Letters
79 bpm • A min • 02:43 • -18db
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Reinhold Heil
Trixie Accosts Hearst
75 bpm • B min • 01:43 • -29db
8% Popularity • 22% Danceability • 4% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Johnny Klimek
Der Armenier
75 bpm • A# Maj • 04:26 • -17.45db
11% Popularity • 25% Danceability • 28% Energy • 33% Liveness
94% Instrumentalness • 7% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Stephan Zacharias
Eva Brauns letzter Brief
79 bpm • F min • 03:35 • -24db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Amie Doherty
Large Ventricles
75 bpm • E min • 03:17 • -18.01db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
37% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Reinhold Heil
Hearst Enters the Wedding
79 bpm • A Maj • 01:54 • -32.33db
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Johnny Klimek
Exit the Pod
75 bpm • G# Maj • 02:48 • -13.62db
12% Popularity • 29% Danceability • 54% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
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Anne Dudley
American History X
80 bpm • D min • 03:30 • -16db
12% Popularity • 15% Danceability • 12% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
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Angelo Milli
Seven Days Seven Seconds
74 bpm • B min • 02:28 • -32.29db
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Nick Cave & Warren Ellis
What Must Be Done
80 bpm • C min • 01:57 • -15.75db
35% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Johnny Klimek
Dunkles Babel
80 bpm • D# Maj • 04:59 • -14.4db
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
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Marco Beltrami
The Lane Family
80 bpm • F# min • 02:47 • -11.5db
17% Popularity • 9% Danceability • 27% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Dario Marianelli
Evey Reborn
80 bpm • F min • 03:50 • -18db
41% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Origin Story
80 bpm • G min • 09:48 • -15db
23% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
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Brian Tyler
Requiem
73 bpm • C min • 02:53 • -19.91db
28% Popularity • 13% Danceability • 11% Energy • 19% Liveness
87% Instrumentalness • 3% Positiveness
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Johnny Klimek
Berliner Luft
80 bpm • G min • 05:52 • -16.96db
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
Peter And Christina
81 bpm • E min • 03:12 • -15.09db
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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John Murphy
Kiss of Death (Requiem in D Minor)
73 bpm • D min • 02:52 • -14.85db
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Johnny Klimek
Allein Reprise
81 bpm • D# Maj • 04:18 • -17.96db
14% Popularity • 15% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Mina's Photo
73 bpm • B Maj • 01:24 • -28.57db
32% Popularity • 15% Danceability • 8% Energy • 8% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
33% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Craig Armstrong
Dead Myrtle
73 bpm • C# Maj • 04:07 • -27.51db
16% Popularity • 6% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Heather McIntosh
Electricity
73 bpm • E Maj • 06:07 • -28.95db
8% Popularity • 7% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Nicholas Britell
Ballade in B-flat Minor: Descent
81 bpm • F# Maj • 02:23 • -17.69db
36% Popularity • 13% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Carter Burwell
Mildred Pierce Opening Titles
73 bpm • D min • 01:42 • -19db
28% Popularity • 23% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Alan Silvestri
"All That Is or Ever Was or Ever Will Be...
73 bpm • C Maj • 01:35 • -16db
32% Popularity • 23% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 3% Positiveness
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Ingo Ludwig Frenzel
Nursing the Barber Surgeon
73 bpm • A min • 01:56 • -25.67db
13% Popularity • 24% Danceability • 2% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jeff Beal
Mr. President
82 bpm • A# Maj • 08:00 • -19.19db
20% Popularity • 10% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Reinhold Heil
Big Daddy
82 bpm • G Maj • 02:26 • -18.87db
3% Popularity • 18% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
34% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Elliot Goldenthal
JD Dies
82 bpm • G# Maj • 03:54 • -18.57db
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Johnny Klimek
Babylon Berlin
83 bpm • C Maj • 01:00 • -16.68db
29% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Nicholas Britell
Ballade in F# Minor: Trebuchets
71 bpm • F# Maj • 01:56 • -23.07db
39% Popularity • 16% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Reinhold Heil
Al Speaks with Caroline / Fisherman's Ha...
71 bpm • E min • 02:19 • -28.93db
5% Popularity • 18% Danceability • 4% Energy • 35% Liveness
16% Instrumentalness • 3% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Johnny Klimek
Entfesselt
83 bpm • A# Maj • 05:33 • -11.45db
20% Popularity • 28% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Daniel Hart
Now I'm Ready, I'm Ready Now
83 bpm • F Maj • 04:01 • -15.26db
30% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Heartbeat to a Gunshot
71 bpm • C min • 04:28 • -24.4db
13% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
20% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Storm
84 bpm • C min • 03:00 • -9db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Johnny Klimek
Piano
71 bpm • E Maj • 01:01 • -27.09db
17% Popularity • 46% Danceability • 0% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
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Jed Kurzel
Chest Burster
71 bpm • D# Maj • 01:24 • -25.37db
36% Popularity • 16% Danceability • 7% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Valerie
71 bpm • C# Maj • 08:48 • -23.19db
20% Popularity • 7% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
I Know What I Have To Do
71 bpm • G# Maj • 02:43 • -23.55db
34% Popularity • 23% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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David Arnold
Appledore
84 bpm • C Maj • 03:38 • -23.07db
18% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Alan Silvestri
Really Confused
84 bpm • G Maj • 01:18 • -32.63db
24% Popularity • 15% Danceability • 1% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Johnny Klimek
Allein
84 bpm • D# Maj • 03:42 • -15.01db
16% Popularity • 11% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Angelo Badalamenti
Main Title / The Trenches
70 bpm • E min • 04:54 • -17.59db
15% Popularity • 11% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 3% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
20% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Éric Serra
I Feel Everything
85 bpm • D min • 02:09 • -27.65db
26% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
David Arnold
The East Wind
85 bpm • D min • 04:00 • -18.59db
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Carter Burwell
Prickly Ash
85 bpm • G min • 01:52 • -22.15db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Clint Mansell
The Sower With Setting Sun
85 bpm • G Maj • 04:47 • -17.24db
21% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jed Kurzel
Macbeth
70 bpm • A Maj • 04:37 • -15db
28% Popularity • 13% Danceability • 23% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
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David Buckley
Papillon
70 bpm • F# min • 02:08 • -19.14db
17% Popularity • 21% Danceability • 8% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
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Sons of Our Fathers