Songs like Soon I Will Be Gone by Stellenbosch University Choir

169 bpm • C# Maj • 02:34 • -20db

11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness

169 bpm • G# min • 03:41 • -22.38db

9% Popularity • 14% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 11% Positiveness

167 bpm • C# min • 05:20 • -22.88db

12% Popularity • 20% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness

171 bpm • E Maj • 03:59 • -31.11db

24% Popularity • 9% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness

170 bpm • D Maj • 02:00 • -30.88db

15% Popularity • 8% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness

172 bpm • F Maj • 02:37 • -23.97db

8% Popularity • 17% Danceability • 10% Energy • 8% Liveness
11% Instrumentalness • 15% Positiveness

166 bpm • G min • 02:05 • -16.51db

14% Popularity • 30% Danceability • 19% Energy • 9% Liveness
44% Instrumentalness • 21% Positiveness

170 bpm • A Maj • 03:59 • -21.81db

17% Popularity • 11% Danceability • 10% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness

171 bpm • G# Maj • 03:43 • -19.21db

14% Popularity • 20% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness

172 bpm • F# Maj • 02:21 • -13.96db

25% Popularity • 18% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness

173 bpm • A min • 03:34 • -19.64db

11% Popularity • 33% Danceability • 17% Energy • 6% Liveness
33% Instrumentalness • 16% Positiveness

173 bpm • F Maj • 02:30 • -30db

14% Popularity • 13% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness

174 bpm • F# min • 04:02 • -12.6db

9% Popularity • 11% Danceability • 30% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness

174 bpm • A# Maj • 02:58 • -21.67db

17% Popularity • 22% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness

176 bpm • E Maj • 01:08 • -22db

21% Popularity • 12% Danceability • 17% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness

173 bpm • G min • 02:46 • -6.96db

22% Popularity • 36% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness

176 bpm • C# Maj • 06:18 • -30db

24% Popularity • 10% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness

157 bpm • B min • 04:02 • -17.72db

21% Popularity • 26% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness

179 bpm • G Maj • 03:18 • -16.81db

9% Popularity • 22% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness

154 bpm • F Maj • 03:36 • -7.07db

9% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness

176 bpm • F Maj • 01:14 • -23db

25% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness

184 bpm • D Maj • 04:27 • -28.58db

9% Popularity • 12% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness

147 bpm • A min • 04:13 • -20.51db

11% Popularity • 29% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness

148 bpm • D Maj • 06:58 • -12.53db

12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness

146 bpm • A# Maj • 03:56 • -29.09db

8% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness

144 bpm • G# Maj • 02:40 • -27.06db

25% Popularity • 18% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness

146 bpm • D Maj • 08:38 • -14.38db

14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness

145 bpm • C Maj • 05:26 • -13.03db

10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness