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Sorry I Am
Songs like
Sorry I Am
by
Del Water Gap
Based on a tempo of (+/- 10%) and a similar genre
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Visit Neptune
Change the Times
149 bpm • C# min • 03:00 • -10.94db
39% Popularity • 43% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 39% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
48% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Palmer
PEOPLE FUEL
150 bpm • A# Maj • 02:53 • -7db
37% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ray Bull
Name Something Better
150 bpm • D Maj • 04:01 • -7.43db
48% Popularity • 69% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Richy Mitch & The Coal Miners
BC, Victoria
150 bpm • C# Maj • 04:14 • -11.28db
47% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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dad sports
MANY FACES
148 bpm • B Maj • 02:33 • -6.95db
26% Popularity • 53% Danceability • 91% Energy • 38% Liveness
3% Instrumentalness • 82% Positiveness
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Bennett Coast
Deep End
148 bpm • A# Maj • 03:05 • -11.03db
39% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Krooked Kings
Sick of Being Young
150 bpm • G Maj • 02:59 • -5.49db
51% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Del Water Gap
Complicated - Spotify Singles
148 bpm • C# Maj • 03:58 • -6.11db
32% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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COIN
Loving
147 bpm • A Maj • 02:54 • -6.39db
36% Popularity • 49% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Palace
Son
147 bpm • D Maj • 05:28 • -10.77db
20% Popularity • 41% Danceability • 47% Energy • 21% Liveness
1% Instrumentalness • 22% Positiveness
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Keyboard Dog
9/10
152 bpm • C Maj • 03:23 • -9.61db
30% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Breakup Shoes
Brian Wilson Is My Dad
146 bpm • G Maj • 03:12 • -8.04db
46% Popularity • 46% Danceability • 70% Energy • 12% Liveness
22% Instrumentalness • 54% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Barrie
Chinatown
146 bpm • F# Maj • 03:12 • -7.74db
35% Popularity • 76% Danceability • 57% Energy • 21% Liveness
45% Instrumentalness • 92% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Flyte
I've Got A Girl
152 bpm • A min • 03:29 • -6.19db
38% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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HARBOUR
Thoughts on Letting Go
145 bpm • B Maj • 02:00 • -9db
34% Popularity • 38% Danceability • 49% Energy • 35% Liveness
11% Instrumentalness • 24% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Melchor
not good for you
145 bpm • A Maj • 02:16 • -9.13db
9% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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spill tab
Velcro
145 bpm • E Maj • 03:12 • -6.98db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Wilderado
Astronaut
145 bpm • G Maj • 03:33 • -5.94db
35% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ivers
Push
145 bpm • B Maj • 03:24 • -8db
27% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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HARBOUR
Fish Tank
145 bpm • E Maj • 03:41 • -5db
49% Popularity • 38% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Joe Vann
Houseplants
145 bpm • G Maj • 02:23 • -6db
29% Popularity • 54% Danceability • 70% Energy • 35% Liveness
1% Instrumentalness • 63% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
59% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Ethan Tasch
He's Getting Away!
154 bpm • D Maj • 02:30 • -9.61db
43% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Lucy Dacus
First Time
144 bpm • G# Maj • 04:14 • -5.95db
47% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Krooked Kings
Coming of Age
144 bpm • A Maj • 03:36 • -7.05db
48% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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HARBOUR
With Love
154 bpm • D Maj • 03:37 • -4.33db
42% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
45% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Okey Dokey
Threw My Love Away
144 bpm • A Maj • 03:31 • -6.69db
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Lunar Vacation
Swimming
155 bpm • E Maj • 04:40 • -13.25db
45% Popularity • 44% Danceability • 40% Energy • 12% Liveness
35% Instrumentalness • 37% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
45% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Palmas
Bad Dream
155 bpm • B min • 03:06 • -7.28db
35% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Baird
Lightning Of July
156 bpm • F# Maj • 02:56 • -8db
43% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Babygirl
Sore Eyes
143 bpm • D# Maj • 03:13 • -9.06db
37% Popularity • 56% Danceability • 58% Energy • 15% Liveness
58% Instrumentalness • 55% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
48% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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Breakup Shoes
Breakup Shoes
156 bpm • F# Maj • 03:05 • -9db
41% Popularity • 44% Danceability • 44% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
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TOLEDO
L-Train
156 bpm • G# Maj • 03:47 • -7.47db
33% Popularity • 62% Danceability • 81% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Chiiild
Gone
142 bpm • G Maj • 02:57 • -7.96db
36% Popularity • 62% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Del Water Gap
Vanessa
142 bpm • G# Maj • 04:08 • -5.07db
31% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Krooked Kings
Good and Drunk
157 bpm • B Maj • 02:21 • -6.69db
40% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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The Backseat Lovers
Words I Used
141 bpm • D# Maj • 05:23 • -12db
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Kristiane
Better On Your Own
141 bpm • D Maj • 02:23 • -8.15db
25% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ashes To Amber
Sun Punks
158 bpm • F# Maj • 03:44 • -8.12db
44% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sarah and the Sundays
Coward
158 bpm • E Maj • 03:04 • -6.9db
37% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
39% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Mono Moon
Phase
158 bpm • C Maj • 03:19 • -8.41db
18% Popularity • 60% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Arlie
wait a minute
140 bpm • E Maj • 03:23 • -4db
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Royel Otis
Warm Nights
158 bpm • G min • 03:31 • -8.1db
45% Popularity • 58% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Frankie Cosmos
One Year Stand
158 bpm • B Maj • 02:35 • -17db
46% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
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Spacey Jane
Lots of Nothing - BENEE
140 bpm • A Maj • 03:13 • -5db
49% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Del Water Gap
I Hope You Understand
141 bpm • E Maj • 03:09 • -6.27db
34% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Arlie
sickk
140 bpm • B Maj • 04:05 • -4db
21% Popularity • 51% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Runnner
Awash
140 bpm • D Maj • 03:09 • -10db
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Palace
Love Is a Precious Thing
159 bpm • C Maj • 04:32 • -8.24db
13% Popularity • 59% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 13% Positiveness
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Michigander
Superglue
139 bpm • F Maj • 04:10 • -4.24db
47% Popularity • 53% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Del Water Gap
Bug Bites
160 bpm • B Maj • 03:56 • -7.1db
33% Popularity • 44% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Night Cap
Sentimental
160 bpm • G Maj • 03:13 • -5.35db
47% Popularity • 50% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
46% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Royel Otis
Motels
139 bpm • G# Maj • 03:23 • -7.21db
54% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Michigander
Better
139 bpm • G# Maj • 04:54 • -3db
37% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lunar Vacation
Blue Honey
160 bpm • F# min • 02:34 • -13.84db
53% Popularity • 44% Danceability • 58% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
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Sarah and the Sundays
Sweet Dream
160 bpm • G Maj • 02:36 • -8.61db
38% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
52% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Wallows
Treacherous Doctor
160 bpm • F# min • 02:43 • -6db
54% Popularity • 46% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
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Night Cap
Eileen
160 bpm • C Maj • 02:46 • -4.81db
41% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Vacation Manor
Ending Credits
160 bpm • C Maj • 03:06 • -5.95db
36% Popularity • 44% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Sure Sure
Receive
160 bpm • G# Maj • 02:12 • -7db
33% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Del Water Gap
Chastain - live in Fresno
138 bpm • F Maj • 03:46 • -10.6db
16% Popularity • 46% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Oscar Lang
I've Never Been To LA
161 bpm • E Maj • 03:06 • -4db
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
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The Hails
Breathless
138 bpm • G Maj • 03:00 • -4.52db
41% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Ritt Momney
Set The Table
138 bpm • F Maj • 03:15 • -5.62db
30% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah and the Sundays
Veneer
137 bpm • C# min • 03:47 • -6.48db
33% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Del Water Gap
Uh-huh
161 bpm • C Maj • 02:57 • -7.56db
31% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lunar Vacation
Cutting Corners
162 bpm • E Maj • 02:04 • -5.94db
13% Popularity • 47% Danceability • 88% Energy • 30% Liveness
2% Instrumentalness • 86% Positiveness
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Oscar Lang
I've Never Been To LA (Edit)
161 bpm • E Maj • 02:39 • -3.18db
33% Popularity • 51% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Trudy and the Romance
Angel
137 bpm • E Maj • 04:02 • -5.58db
32% Popularity • 48% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Sorry I Am