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Sorry I Am
Songs like
Sorry I Am
by
Del Water Gap
Based on a tempo of (+/- 10%) and a similar genre
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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The Beaches
Shower Beer
149 bpm • E Maj • 03:11 • -3.24db
52% Popularity • 45% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Cub Sport
Come On Mess Me Up
150 bpm • E Maj • 03:23 • -5.6db
52% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
43% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ray Bull
Name Something Better
150 bpm • D Maj • 04:01 • -7.43db
49% Popularity • 69% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Richy Mitch & The Coal Miners
BC, Victoria
150 bpm • C# Maj • 04:14 • -11.28db
48% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
52% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ethan Tasch
Wherever I Am
150 bpm • C Maj • 03:28 • -9.63db
38% Popularity • 60% Danceability • 59% Energy • 17% Liveness
23% Instrumentalness • 54% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
51% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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Del Water Gap
Complicated - Spotify Singles
148 bpm • C# Maj • 03:58 • -6.11db
33% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bleachers
Modern Girl
150 bpm • A# Maj • 03:43 • -6.77db
64% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
51% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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Wilderado
In Between
148 bpm • D Maj • 02:34 • -8.73db
45% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
63% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Krooked Kings
Sick of Being Young
150 bpm • G Maj • 02:59 • -5.49db
53% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Moss
Chaparral
152 bpm • E min • 02:46 • -6.12db
46% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
65% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
52% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
72% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Noah Kahan
The View Between Villages
153 bpm • C# Maj • 03:35 • -13.91db
72% Popularity • 31% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Winnetka Bowling League
Sha La La
145 bpm • A Maj • 03:55 • -7.72db
50% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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HARBOUR
Fish Tank
145 bpm • E Maj • 03:41 • -5db
51% Popularity • 38% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Backfires
Blindsided
145 bpm • G# Maj • 03:27 • -5.94db
47% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
45% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
51% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
78% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
59% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Alfie Jukes
Cigarette
154 bpm • F min • 03:24 • -4.76db
53% Popularity • 55% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Ethan Tasch
He's Getting Away!
154 bpm • D Maj • 02:30 • -9.61db
45% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
59% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
61% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Krooked Kings
Coming of Age
144 bpm • A Maj • 03:36 • -7.05db
49% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Noah Kahan
Your Needs, My Needs
155 bpm • G Maj • 03:27 • -12.16db
71% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
47% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
48% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
71% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
63% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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The Moss
The Place That Makes Me Happy
156 bpm • G# Maj • 03:01 • -6.01db
51% Popularity • 57% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Wallows
Your Apartment
142 bpm • E Maj • 03:18 • -3.23db
68% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jelani Aryeh
I'm in Love
142 bpm • A Maj • 03:16 • -4.99db
56% Popularity • 66% Danceability • 79% Energy • 19% Liveness
8% Instrumentalness • 93% Positiveness
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Del Water Gap
Vanessa
142 bpm • G# Maj • 04:08 • -5.07db
31% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Noah Kahan
New Perspective
157 bpm • F Maj • 04:16 • -10db
74% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Krooked Kings
Good and Drunk
157 bpm • B Maj • 02:21 • -6.69db
41% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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The Aces
Always Get This Way
141 bpm • F# min • 02:54 • -6.09db
47% Popularity • 58% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Hippo Campus
Moonshine
157 bpm • E Maj • 04:00 • -6db
47% Popularity • 51% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
39% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Royel Otis
Kool Aid
158 bpm • B min • 03:36 • -3.6db
61% Popularity • 56% Danceability • 93% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
64% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Spacey Jane
Lots of Nothing - BENEE
140 bpm • A Maj • 03:13 • -5db
49% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Del Water Gap
I Hope You Understand
141 bpm • E Maj • 03:09 • -6.27db
35% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
59% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Dayglow
Then It All Goes Away
140 bpm • D Maj • 03:03 • -3db
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Atwater
KEEP IT COOL!
140 bpm • C Maj • 02:50 • -9.45db
43% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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HARBOUR
Judy You Hung the Moon
140 bpm • F# min • 03:30 • -7.7db
54% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Remi Wolf
Prescription
140 bpm • A Maj • 03:33 • -5.82db
54% Popularity • 65% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
62% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
74% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
68% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Kevin Atwater
star tripping
140 bpm • G Maj • 02:34 • -6.8db
50% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Mt. Joy
Sheep
159 bpm • C# Maj • 03:43 • -8.4db
63% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
52% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Del Water Gap
Bug Bites
160 bpm • B Maj • 03:56 • -7.1db
34% Popularity • 44% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Royel Otis
Motels
139 bpm • G# Maj • 03:23 • -7.21db
55% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Night Cap
Sentimental
160 bpm • G Maj • 03:13 • -5.35db
47% Popularity • 50% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
53% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
54% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
51% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Vacation Manor
Ending Credits
160 bpm • C Maj • 03:06 • -5.95db
36% Popularity • 44% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Beaches
Edge of the Earth
160 bpm • C Maj • 02:40 • -4.74db
67% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Night Cap
Eileen
160 bpm • C Maj • 02:46 • -4.81db
42% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
59% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
47% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
53% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
54% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Del Water Gap
Uh-huh
161 bpm • C Maj • 02:57 • -7.56db
31% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Bleachers
Rollercoaster
162 bpm • A# Maj • 03:08 • -6.23db
67% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Sorry I Am