Songs like Sospiri, Op. 70 by Edward Elgar
Based on a tempo of (+/- 10%) and a similar genre
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Edward Elgar
Elgar: May Song
117 bpm • A Maj • 03:43 • -20db
11% Popularity • 20% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Credo, R.592: 5. Alla breve: Credo et un...
117 bpm • G Maj • 01:07 • -16.26db
7% Popularity • 28% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
7% Popularity • 28% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
118 bpm • D Maj • 03:27 • -32.86db
33% Popularity • 18% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
115 bpm • D Maj • 05:27 • -26.76db
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
117 bpm • G min • 02:03 • -30.3db
23% Popularity • 19% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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George Frideric Handel
Solomon, HWV 67: Sinfonia "Arrival of th...
119 bpm • A# Maj • 03:05 • -20.15db
34% Popularity • 49% Danceability • 26% Energy • 36% Liveness
89% Instrumentalness • 72% Positiveness
34% Popularity • 49% Danceability • 26% Energy • 36% Liveness
89% Instrumentalness • 72% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Philip Glass
Echorus
120 bpm • C Maj • 05:51 • -24.31db
25% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Manuel de Falla
Nana
113 bpm • A min • 02:08 • -26.38db
27% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
27% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
112 bpm • B min • 02:55 • -33.71db
32% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
123 bpm • E min • 08:06 • -23db
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
112 bpm • F Maj • 04:37 • -20.31db
40% Popularity • 48% Danceability • 14% Energy • 19% Liveness
77% Instrumentalness • 17% Positiveness
40% Popularity • 48% Danceability • 14% Energy • 19% Liveness
77% Instrumentalness • 17% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
110 bpm • B min • 05:06 • -17.97db
6% Popularity • 20% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
109 bpm • B min • 01:33 • -22.89db
24% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
24% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Edward Elgar
Elgar: La capricieuse, Op. 17
126 bpm • E Maj • 03:56 • -24.54db
14% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 6 in B flat, BW...
109 bpm • A# Maj • 06:15 • -22.54db
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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Edward Elgar
Sospiri, Op. 70
108 bpm • F Maj • 05:10 • -20.21db
16% Popularity • 16% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
107 bpm • G Maj • 02:25 • -17.3db
7% Popularity • 48% Danceability • 21% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 48% Danceability • 21% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
107 bpm • A Maj • 04:52 • -20.79db
5% Popularity • 41% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 32% Positiveness
5% Popularity • 41% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 32% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: II. L...
107 bpm • G Maj • 04:30 • -24db
19% Popularity • 31% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Johann Sebastian Bach
Concerto No. 3 in D Major, BWV 1054: I. ...
105 bpm • D Maj • 06:50 • -18db
30% Popularity • 45% Danceability • 25% Energy • 10% Liveness
77% Instrumentalness • 60% Positiveness
30% Popularity • 45% Danceability • 25% Energy • 10% Liveness
77% Instrumentalness • 60% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Credo, R.591: 2. Adagio: Et incarnatus e...
105 bpm • A# Maj • 01:49 • -19.65db
7% Popularity • 16% Danceability • 18% Energy • 21% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 18% Energy • 21% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Dario Marianelli
Two Figures By A Fountain
105 bpm • F min • 01:15 • -21.6db
41% Popularity • 41% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
41% Popularity • 41% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 40% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending: Op...
132 bpm • B min • 06:25 • -25.38db
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 1 in F Major, K. 37: ...
133 bpm • F Maj • 05:23 • -21.14db
28% Popularity • 31% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 31% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Claude Debussy
Danses for Harp and Orchestra, L.103: Da...
134 bpm • D min • 09:51 • -26.18db
10% Popularity • 23% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Dag Wirén
Serenade For Strings, Op.11
135 bpm • G Maj • 04:41 • -16.79db
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Philip Glass
Etude No. 2
101 bpm • F Maj • 04:55 • -20db
49% Popularity • 24% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
49% Popularity • 24% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp in C...
101 bpm • F Maj • 09:12 • -24.61db
13% Popularity • 28% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
13% Popularity • 28% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Credo, R.592: 4. Allegro: Et resurrexit
101 bpm • G Maj • 01:18 • -16.86db
5% Popularity • 38% Danceability • 33% Energy • 51% Liveness
83% Instrumentalness • 64% Positiveness
5% Popularity • 38% Danceability • 33% Energy • 51% Liveness
83% Instrumentalness • 64% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Henry Purcell
I. Overture: II. Rondo
100 bpm • D min • 01:16 • -15db
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 1 in F Major, K. 37: ...
137 bpm • F Maj • 05:00 • -21.93db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Anonymous
Jeux Interdits: Spanish Romance (Arr. fo...
100 bpm • E min • 03:02 • -25.07db
37% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
37% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Johann Samuel Schroeter
Piano Concerto in C Major, Op. 3 No. 3: ...
138 bpm • C Maj • 03:56 • -21db
34% Popularity • 39% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 36% Positiveness
34% Popularity • 39% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 36% Positiveness
