Songs like Soul Glitter by Jean-Pierre Sabar
Based on a tempo of (+/- 10%) and a similar genre
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Alfonso Lovo
Tropical Jazz
124 bpm • A# Maj • 03:14 • -9.16db
10% Popularity • 62% Danceability • 68% Energy • 7% Liveness
14% Instrumentalness • 90% Positiveness
10% Popularity • 62% Danceability • 68% Energy • 7% Liveness
14% Instrumentalness • 90% Positiveness
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David Snell
International Flight
123 bpm • F min • 02:02 • -18.88db
31% Popularity • 47% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 87% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 87% Positiveness
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Jean-Pierre Sabar
Soul Glitter
124 bpm • C Maj • 03:38 • -13.87db
0% Popularity • 42% Danceability • 30% Energy • 24% Liveness
91% Instrumentalness • 16% Positiveness
0% Popularity • 42% Danceability • 30% Energy • 24% Liveness
91% Instrumentalness • 16% Positiveness
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Alessandro Alessandroni
Knell
125 bpm • B min • 01:48 • -12.36db
8% Popularity • 76% Danceability • 50% Energy • 22% Liveness
80% Instrumentalness • 86% Positiveness
8% Popularity • 76% Danceability • 50% Energy • 22% Liveness
80% Instrumentalness • 86% Positiveness
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Tamba 4
Lemanja
123 bpm • F# min • 04:35 • -20.14db
12% Popularity • 35% Danceability • 12% Energy • 11% Liveness
43% Instrumentalness • 20% Positiveness
12% Popularity • 35% Danceability • 12% Energy • 11% Liveness
43% Instrumentalness • 20% Positiveness
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Lesiman
Colloquio
125 bpm • A# min • 02:54 • -14db
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Michel Colombier
Psychasténie
125 bpm • B Maj • 04:18 • -8.98db
8% Popularity • 61% Danceability • 55% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
8% Popularity • 61% Danceability • 55% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Nino Nardini
Shere Khan
125 bpm • G Maj • 02:00 • -10db
13% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
13% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Jean-Pierre Sabar
Karinya
125 bpm • F Maj • 02:43 • -15.48db
0% Popularity • 61% Danceability • 57% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
0% Popularity • 61% Danceability • 57% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Alessandro Alessandroni
Afro Discoteca
123 bpm • C Maj • 03:08 • -8.62db
14% Popularity • 76% Danceability • 61% Energy • 9% Liveness
87% Instrumentalness • 83% Positiveness
14% Popularity • 76% Danceability • 61% Energy • 9% Liveness
87% Instrumentalness • 83% Positiveness
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Sven Libaek
Dark World
125 bpm • A min • 04:32 • -19.87db
20% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
28% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Percy Faith
First Light
125 bpm • E min • 04:20 • -10.61db
15% Popularity • 38% Danceability • 68% Energy • 16% Liveness
32% Instrumentalness • 64% Positiveness
15% Popularity • 38% Danceability • 68% Energy • 16% Liveness
32% Instrumentalness • 64% Positiveness
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Kenny Cox
Clap Clap! The Joyful Noise
122 bpm • C Maj • 07:23 • -9.55db
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
91% Instrumentalness • 80% Positiveness
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
91% Instrumentalness • 80% Positiveness
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Pepe Sanchez
Sentimiento
126 bpm • A Maj • 05:01 • -7.76db
5% Popularity • 71% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
5% Popularity • 71% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 66% Positiveness
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Jean-Pierre Sabar
Allegro Quatro
122 bpm • G min • 03:03 • -10.93db
2% Popularity • 51% Danceability • 62% Energy • 25% Liveness
73% Instrumentalness • 96% Positiveness
2% Popularity • 51% Danceability • 62% Energy • 25% Liveness
73% Instrumentalness • 96% Positiveness
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Lesiman
Moto centripeto
126 bpm • C# Maj • 02:41 • -15.23db
12% Popularity • 41% Danceability • 38% Energy • 11% Liveness
68% Instrumentalness • 49% Positiveness
12% Popularity • 41% Danceability • 38% Energy • 11% Liveness
68% Instrumentalness • 49% Positiveness
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Man Chau Po Orchestra
For A Few Dollars More
126 bpm • A min • 02:27 • -14db
10% Popularity • 51% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 73% Positiveness
10% Popularity • 51% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 73% Positiveness
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John Cameron
Safari so Good
126 bpm • E min • 02:01 • -13db
19% Popularity • 79% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 58% Positiveness
19% Popularity • 79% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 58% Positiveness
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Alex Figueira
Juicy
126 bpm • F min • 03:45 • -15.86db
32% Popularity • 78% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 91% Positiveness
32% Popularity • 78% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 91% Positiveness
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Nino Nardini
Malaysia
126 bpm • G min • 02:08 • -12.99db
32% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
32% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
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Valéria
Marcação
122 bpm • E min • 02:16 • -9.6db
36% Popularity • 70% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 83% Positiveness
36% Popularity • 70% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 83% Positiveness
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Dom Salvador
Barumba
122 bpm • C min • 02:02 • -10.55db
21% Popularity • 38% Danceability • 66% Energy • 14% Liveness
94% Instrumentalness • 64% Positiveness
21% Popularity • 38% Danceability • 66% Energy • 14% Liveness
94% Instrumentalness • 64% Positiveness
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Eden Ahbez
Tradewind
126 bpm • G min • 03:01 • -18.03db
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
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Pucho and His Latin Soul Brothers
Don't Mind the Tears
127 bpm • D Maj • 02:45 • -12db
18% Popularity • 66% Danceability • 51% Energy • 55% Liveness
96% Instrumentalness • 91% Positiveness
18% Popularity • 66% Danceability • 51% Energy • 55% Liveness
96% Instrumentalness • 91% Positiveness
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Ronald Langestraat
Then and forever
121 bpm • D min • 03:31 • -10db
29% Popularity • 59% Danceability • 42% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
29% Popularity • 59% Danceability • 42% Energy • 29% Liveness
1% Instrumentalness • 55% Positiveness
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Os Tres Morais
Freio Aerodinamico
127 bpm • F min • 02:39 • -9.36db
18% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Idris Muhammad
Camby Bolongo
127 bpm • E Maj • 04:33 • -7db
28% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
28% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
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Manu Dibango
Ceddo End Title
127 bpm • G Maj • 05:09 • -13db
19% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
19% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Francisco
Waché
127 bpm • A min • 06:12 • -15.06db
9% Popularity • 61% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
9% Popularity • 61% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
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Rosinha De Valença
Rosinha's Mood
127 bpm • F Maj • 02:56 • -9.01db
24% Popularity • 70% Danceability • 63% Energy • 12% Liveness
83% Instrumentalness • 63% Positiveness
24% Popularity • 70% Danceability • 63% Energy • 12% Liveness
83% Instrumentalness • 63% Positiveness
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Akofa Akoussah
Tango
127 bpm • E min • 03:01 • -6db
20% Popularity • 52% Danceability • 89% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
20% Popularity • 52% Danceability • 89% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
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Stelvio Cipriani
Sophisticated Shake
121 bpm • E min • 03:44 • -17.51db
12% Popularity • 54% Danceability • 38% Energy • 12% Liveness
87% Instrumentalness • 92% Positiveness
12% Popularity • 54% Danceability • 38% Energy • 12% Liveness
87% Instrumentalness • 92% Positiveness
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Dom Salvador
Barumba
121 bpm • A# Maj • 02:03 • -10db
14% Popularity • 31% Danceability • 72% Energy • 9% Liveness
5% Instrumentalness • 80% Positiveness
14% Popularity • 31% Danceability • 72% Energy • 9% Liveness
5% Instrumentalness • 80% Positiveness
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Manu Dibango
Ceddo
127 bpm • G Maj • 05:09 • -11.28db
10% Popularity • 72% Danceability • 48% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
10% Popularity • 72% Danceability • 48% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
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Sebastiao Tapajós
Estudio Nº 1
127 bpm • E min • 03:48 • -20db
15% Popularity • 44% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
15% Popularity • 44% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
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Janko Nilovic
Xenos Cosmos
121 bpm • A min • 04:57 • -9.99db
10% Popularity • 34% Danceability • 79% Energy • 6% Liveness
53% Instrumentalness • 48% Positiveness
10% Popularity • 34% Danceability • 79% Energy • 6% Liveness
53% Instrumentalness • 48% Positiveness
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Jean-Pierre Mirouze
Scène du port
128 bpm • C min • 03:49 • -5.98db
13% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
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Basa Basa
Black Light
128 bpm • B min • 03:36 • -9db
21% Popularity • 44% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 69% Positiveness
21% Popularity • 44% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 69% Positiveness
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Luiz Bonfá
Dance No. 5
128 bpm • B min • 06:47 • -9.75db
10% Popularity • 41% Danceability • 50% Energy • 11% Liveness
37% Instrumentalness • 52% Positiveness
10% Popularity • 41% Danceability • 50% Energy • 11% Liveness
37% Instrumentalness • 52% Positiveness
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Nino Nardini
Mowgli
120 bpm • C Maj • 02:37 • -10.07db
14% Popularity • 68% Danceability • 50% Energy • 10% Liveness
55% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 50% Energy • 10% Liveness
55% Instrumentalness • 76% Positiveness
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Admas
Wed Enate
128 bpm • C Maj • 04:55 • -7.83db
15% Popularity • 81% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 92% Positiveness
15% Popularity • 81% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 92% Positiveness
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Piero Umiliani
Blue Lagoon
120 bpm • G Maj • 03:42 • -19db
19% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
32% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
32% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Ahmed Malek
Tape 19.11
128 bpm • A# Maj • 02:46 • -5db
28% Popularity • 49% Danceability • 93% Energy • 34% Liveness
15% Instrumentalness • 64% Positiveness
28% Popularity • 49% Danceability • 93% Energy • 34% Liveness
15% Instrumentalness • 64% Positiveness
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Jean-Pierre Sabar
Bysantin Laulu
128 bpm • G Maj • 02:31 • -12.34db
0% Popularity • 80% Danceability • 44% Energy • 28% Liveness
86% Instrumentalness • 96% Positiveness
0% Popularity • 80% Danceability • 44% Energy • 28% Liveness
86% Instrumentalness • 96% Positiveness
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Nicolas Godin
Snake Dance
129 bpm • B min • 02:12 • -9.32db
22% Popularity • 78% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
22% Popularity • 78% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Young-Holt Unlimited
Mellow Dreamin'
119 bpm • E min • 03:07 • -14.97db
10% Popularity • 52% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Nino Nardini
Tropical Call
119 bpm • D# Maj • 02:35 • -12.64db
15% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
15% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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G.R.C. Five
Saga Of A Secluded Swamp Monster
119 bpm • A# Maj • 02:51 • -6.37db
12% Popularity • 66% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 73% Positiveness
12% Popularity • 66% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 73% Positiveness
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Jean-Pierre Sabar
Byzantines
129 bpm • G Maj • 02:30 • -9.86db
0% Popularity • 80% Danceability • 52% Energy • 6% Liveness
52% Instrumentalness • 97% Positiveness
0% Popularity • 80% Danceability • 52% Energy • 6% Liveness
52% Instrumentalness • 97% Positiveness
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Frank McDonald
Night Moves
129 bpm • C# Maj • 03:42 • -18.48db
12% Popularity • 52% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 52% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Rupert Clemendore
Eastern Conga
119 bpm • C Maj • 03:30 • -22.3db
7% Popularity • 70% Danceability • 28% Energy • 35% Liveness
67% Instrumentalness • 95% Positiveness
7% Popularity • 70% Danceability • 28% Energy • 35% Liveness
67% Instrumentalness • 95% Positiveness
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Ed Lincoln
Cochise
119 bpm • A# min • 02:23 • -11db
36% Popularity • 63% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Jean-Pierre Mirouze
Together
119 bpm • C min • 03:46 • -6.1db
8% Popularity • 28% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 28% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Claudio Tallino
Spell (Dolce Mattatoio) - M
129 bpm • F min • 02:28 • -13.76db
17% Popularity • 53% Danceability • 67% Energy • 17% Liveness
83% Instrumentalness • 81% Positiveness
17% Popularity • 53% Danceability • 67% Energy • 17% Liveness
83% Instrumentalness • 81% Positiveness
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Gyedu-Blay Ambolley
Simigwa
119 bpm • D min • 02:02 • -14.35db
32% Popularity • 80% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 92% Positiveness
32% Popularity • 80% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 92% Positiveness
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Hong Chungao Street Band
Luna
130 bpm • F# min • 03:16 • -11.51db
24% Popularity • 79% Danceability • 68% Energy • 6% Liveness
85% Instrumentalness • 95% Positiveness
24% Popularity • 79% Danceability • 68% Energy • 6% Liveness
85% Instrumentalness • 95% Positiveness
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Piero Umiliani
Le ore che contano
119 bpm • A# Maj • 05:06 • -11.28db
12% Popularity • 70% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 82% Positiveness
12% Popularity • 70% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 82% Positiveness
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The Fabulous Three
Nightbird
118 bpm • F min • 02:07 • -9.86db
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Ronald Langestraat
Give and take
118 bpm • D min • 05:00 • -12db
27% Popularity • 70% Danceability • 69% Energy • 28% Liveness
82% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 69% Energy • 28% Liveness
82% Instrumentalness • 71% Positiveness
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Pierre Cavalli
Terezinha Meu Amor
130 bpm • G Maj • 03:12 • -15.67db
17% Popularity • 77% Danceability • 35% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
17% Popularity • 77% Danceability • 35% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
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Candeias
Managua
130 bpm • A min • 07:33 • -8.93db
9% Popularity • 53% Danceability • 55% Energy • 9% Liveness
13% Instrumentalness • 84% Positiveness
9% Popularity • 53% Danceability • 55% Energy • 9% Liveness
13% Instrumentalness • 84% Positiveness
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Robert Drasnin
Chant Of The Moon
118 bpm • A# Maj • 02:33 • -20.64db
33% Popularity • 70% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 35% Positiveness
33% Popularity • 70% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 35% Positiveness
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Paul Baillargeon
Felicia-Nova
131 bpm • A min • 03:23 • -14.46db
9% Popularity • 52% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
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Jean-Pierre Sabar
Kuningas On Kuollut
117 bpm • A min • 02:56 • -14.31db
0% Popularity • 38% Danceability • 30% Energy • 46% Liveness
6% Instrumentalness • 27% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 46% Liveness
6% Instrumentalness • 27% Positiveness
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Os Kiezos
Quem Não Faz Filhos
131 bpm • D# min • 04:11 • -11.73db
13% Popularity • 68% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 68% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Pierre Cavalli
Uma Vitamina Faz Favor
130 bpm • A Maj • 03:29 • -13.55db
18% Popularity • 64% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 51% Positiveness
18% Popularity • 64% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 51% Positiveness
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Piero Umiliani
Caretera Panamericana - Remastered 2023
131 bpm • C Maj • 02:59 • -6.99db
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
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Alfonso Lovo
Firebird Feathers
131 bpm • C Maj • 05:39 • -10.45db
9% Popularity • 46% Danceability • 88% Energy • 9% Liveness
47% Instrumentalness • 67% Positiveness
9% Popularity • 46% Danceability • 88% Energy • 9% Liveness
47% Instrumentalness • 67% Positiveness
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Luis Carlos Vinhas
Ye Mele
131 bpm • D min • 02:37 • -10db
19% Popularity • 52% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 52% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
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Jean-Pierre Sabar
Ha Muerto El Rey
117 bpm • A min • 02:55 • -12.03db
0% Popularity • 40% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 40% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
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Ronie e o Central do Brasil
Atoa Atoa
117 bpm • A min • 02:28 • -12.97db
13% Popularity • 52% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Dorothy Ashby
Theme From "Valley Of The Dolls"
132 bpm • D# Maj • 03:33 • -15db
37% Popularity • 61% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
37% Popularity • 61% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
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Los Yoyi
Tú no me puedes conquistar - Remasteriz...
117 bpm • D Maj • 03:07 • -12.97db
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
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Sven Libaek
The Set
132 bpm • F min • 04:22 • -21.26db
18% Popularity • 56% Danceability • 28% Energy • 28% Liveness
87% Instrumentalness • 81% Positiveness
18% Popularity • 56% Danceability • 28% Energy • 28% Liveness
87% Instrumentalness • 81% Positiveness
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Leila Pinheiro
Tudo Em Cima
117 bpm • F Maj • 03:02 • -7.27db
14% Popularity • 56% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
14% Popularity • 56% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Nino Nardini
Bagheera
116 bpm • B min • 02:18 • -10.52db
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Hot Chocolate
Sexy Moods of Your Mind
133 bpm • C# min • 05:30 • -15.28db
13% Popularity • 65% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 50% Positiveness
13% Popularity • 65% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 50% Positiveness
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Nando Carneiro
G.R.E.S. Luxo Artesanal / O Camponês
116 bpm • B min • 06:13 • -14.22db
11% Popularity • 40% Danceability • 54% Energy • 9% Liveness
87% Instrumentalness • 41% Positiveness
11% Popularity • 40% Danceability • 54% Energy • 9% Liveness
87% Instrumentalness • 41% Positiveness
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Hailu Mergia
Mestirawi Debdabe
116 bpm • A min • 04:36 • -10.12db
23% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Yusef Lateef
Jungle Fantasy
133 bpm • A# min • 02:41 • -18db
15% Popularity • 66% Danceability • 59% Energy • 24% Liveness
91% Instrumentalness • 72% Positiveness
15% Popularity • 66% Danceability • 59% Energy • 24% Liveness
91% Instrumentalness • 72% Positiveness
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Mário Rui Silva
Lonjura
116 bpm • A Maj • 03:23 • -12.5db
22% Popularity • 84% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
22% Popularity • 84% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
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Franco Micalizzi
Flute Sequence
133 bpm • G# Maj • 03:45 • -18.5db
9% Popularity • 58% Danceability • 37% Energy • 37% Liveness
42% Instrumentalness • 44% Positiveness
9% Popularity • 58% Danceability • 37% Energy • 37% Liveness
42% Instrumentalness • 44% Positiveness
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Johnny Guitar
Bangkok by Night
116 bpm • B Maj • 02:35 • -14.35db
21% Popularity • 68% Danceability • 37% Energy • 26% Liveness
90% Instrumentalness • 41% Positiveness
21% Popularity • 68% Danceability • 37% Energy • 26% Liveness
90% Instrumentalness • 41% Positiveness
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September
Stump
133 bpm • A min • 03:26 • -12.31db
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
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Ana Mazzotti
Agora ou Nunca Mais
116 bpm • A min • 02:59 • -10.94db
40% Popularity • 56% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
40% Popularity • 56% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Piero Umiliani
Danza primitiva
133 bpm • C# Maj • 02:43 • -11.8db
13% Popularity • 44% Danceability • 67% Energy • 11% Liveness
43% Instrumentalness • 64% Positiveness
13% Popularity • 44% Danceability • 67% Energy • 11% Liveness
43% Instrumentalness • 64% Positiveness
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The Chakachas
Love, Love, Love
116 bpm • D min • 02:52 • -15.2db
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
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Alberto Baldan Bembo
Savana
133 bpm • F min • 03:51 • -8db
17% Popularity • 51% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 79% Positiveness
17% Popularity • 51% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 79% Positiveness
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Sebastiao Tapajós
Todo É Moda - Single Version
115 bpm • C# Maj • 02:13 • -12.89db
14% Popularity • 78% Danceability • 69% Energy • 12% Liveness
32% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 69% Energy • 12% Liveness
32% Instrumentalness • 96% Positiveness
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Luiz Bonfá
Empty Room
115 bpm • E min • 06:54 • -12.99db
11% Popularity • 46% Danceability • 39% Energy • 10% Liveness
70% Instrumentalness • 24% Positiveness
11% Popularity • 46% Danceability • 39% Energy • 10% Liveness
70% Instrumentalness • 24% Positiveness
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Salah Ragab
Kleopatra
134 bpm • G Maj • 05:05 • -10.81db
12% Popularity • 52% Danceability • 30% Energy • 20% Liveness
48% Instrumentalness • 47% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 20% Liveness
48% Instrumentalness • 47% Positiveness
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Nico Gomez And His Afro Percussion Inc.
Samba de una Sota
134 bpm • C Maj • 03:08 • -10.25db
12% Popularity • 65% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
12% Popularity • 65% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Admas
Bahta's Highlife
114 bpm • C Maj • 06:00 • -10.92db
18% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
18% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
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Tokyo Academy Philharmonic Chorus Group
Taharazaka
114 bpm • C# Maj • 02:54 • -10.52db
12% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Piero Umiliani
Volto di donna - Orchestra Version
114 bpm • C Maj • 03:28 • -10.68db
15% Popularity • 24% Danceability • 34% Energy • 32% Liveness
20% Instrumentalness • 13% Positiveness
15% Popularity • 24% Danceability • 34% Energy • 32% Liveness
20% Instrumentalness • 13% Positiveness
