Songs like Soul Monster by Rod Piazza & The Mighty Flyers Blues Quartet
Based on a tempo of (+/- 10%) and a similar genre
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Mississippi Heat
Goin' Home
106 bpm • F# min • 04:22 • -5db
9% Popularity • 62% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Saghin Stefan
Pumpkin
106 bpm • C Maj • 01:02 • -6.98db
15% Popularity • 57% Danceability • 85% Energy • 17% Liveness
88% Instrumentalness • 93% Positiveness
15% Popularity • 57% Danceability • 85% Energy • 17% Liveness
88% Instrumentalness • 93% Positiveness
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Francesca Sparrow
Find The Love
106 bpm • F min • 03:51 • -12db
26% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Rod Piazza & The Mighty Flyers Blues Quartet
Soul Monster
106 bpm • A min • 03:54 • -5.28db
3% Popularity • 70% Danceability • 66% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
3% Popularity • 70% Danceability • 66% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
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Corey Dennison Band
It's so Easy
106 bpm • G# Maj • 07:02 • -5.28db
8% Popularity • 72% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
8% Popularity • 72% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
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BluesShack
Salty Water
106 bpm • C Maj • 03:10 • -10.08db
8% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Lynwood Slim
Found Love
106 bpm • A Maj • 04:05 • -8db
13% Popularity • 60% Danceability • 62% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
13% Popularity • 60% Danceability • 62% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
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Roomful Of Blues
Round It Down
106 bpm • F Maj • 04:16 • -3.11db
13% Popularity • 58% Danceability • 89% Energy • 49% Liveness
2% Instrumentalness • 80% Positiveness
13% Popularity • 58% Danceability • 89% Energy • 49% Liveness
2% Instrumentalness • 80% Positiveness
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Hubert Sumlin
I Could be You
106 bpm • C Maj • 03:43 • -7.42db
15% Popularity • 61% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
15% Popularity • 61% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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King Leo
Doggin Me Around
106 bpm • E Maj • 03:26 • -8.24db
13% Popularity • 72% Danceability • 70% Energy • 33% Liveness
23% Instrumentalness • 77% Positiveness
13% Popularity • 72% Danceability • 70% Energy • 33% Liveness
23% Instrumentalness • 77% Positiveness
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Jerry "Boogie" McCain
Honky Tonk Parts 1 & 2
106 bpm • F Maj • 03:50 • -9db
14% Popularity • 52% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
14% Popularity • 52% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Sons of the Delta
Standing On The Edge
106 bpm • A Maj • 05:44 • -7db
10% Popularity • 41% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 41% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 62% Positiveness
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Jimmie Vaughan
Comin and Goin'
105 bpm • C Maj • 02:55 • -6.74db
21% Popularity • 60% Danceability • 71% Energy • 20% Liveness
18% Instrumentalness • 72% Positiveness
21% Popularity • 60% Danceability • 71% Energy • 20% Liveness
18% Instrumentalness • 72% Positiveness
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Matt "Guitar" Murphy
Low Down and Dirty
107 bpm • A Maj • 05:22 • -12.14db
15% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Rick Estrin & The Nightcats
Zonin'
107 bpm • F Maj • 03:31 • -6db
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
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Yates McKendree
Papa Ain’t Salty
105 bpm • C Maj • 02:52 • -4.98db
17% Popularity • 56% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 56% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Knock-Out Greg & the Scandinavian Blue Flames
More than meets the eye
107 bpm • A# Maj • 03:52 • -6.2db
7% Popularity • 67% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
7% Popularity • 67% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Mikael Koskinen
Chill Morning
105 bpm • B min • 05:06 • -14.88db
22% Popularity • 70% Danceability • 28% Energy • 16% Liveness
60% Instrumentalness • 40% Positiveness
22% Popularity • 70% Danceability • 28% Energy • 16% Liveness
60% Instrumentalness • 40% Positiveness
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Sue Foley
Come Play with Me
107 bpm • B Maj • 03:40 • -9.63db
8% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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NDOG Band
Front Porch Blues
105 bpm • A Maj • 03:31 • -7.59db
9% Popularity • 74% Danceability • 54% Energy • 8% Liveness
28% Instrumentalness • 83% Positiveness
9% Popularity • 74% Danceability • 54% Energy • 8% Liveness
28% Instrumentalness • 83% Positiveness
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Bob Margolin
Big Tree Blues
105 bpm • A min • 03:23 • -16.67db
11% Popularity • 75% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 75% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Beard
My Eyes Keep Me in Trouble
105 bpm • B Maj • 02:55 • -8.74db
12% Popularity • 72% Danceability • 57% Energy • 11% Liveness
9% Instrumentalness • 78% Positiveness
12% Popularity • 72% Danceability • 57% Energy • 11% Liveness
9% Instrumentalness • 78% Positiveness
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Rod Piazza & The Mighty Flyers Blues Quartet
Talk To Me
105 bpm • A# Maj • 04:36 • -6.83db
0% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Moss Band
Tell Me There's Nothing Wrong
105 bpm • G Maj • 03:13 • -3.85db
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
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Jimmie Vaughan
Shake a Hand
105 bpm • F Maj • 04:23 • -6.59db
14% Popularity • 42% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 42% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 52% Positiveness
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Smooth Gentlemen
HOLLYWOOD FAST
105 bpm • G Maj • 03:15 • -9.33db
11% Popularity • 42% Danceability • 77% Energy • 26% Liveness
87% Instrumentalness • 86% Positiveness
11% Popularity • 42% Danceability • 77% Energy • 26% Liveness
87% Instrumentalness • 86% Positiveness
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James Harman
Ain't It Crazy
107 bpm • E Maj • 03:16 • -8.2db
11% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Carlos Del Junco
Diddle It
105 bpm • F min • 05:12 • -7.06db
9% Popularity • 60% Danceability • 87% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
9% Popularity • 60% Danceability • 87% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Jimmy Rogers
You're Sweet
105 bpm • A Maj • 03:46 • -14.57db
35% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Rod Piazza & The Mighty Flyers Blues Quartet
Can't Stand To See You Go
107 bpm • A# Maj • 03:36 • -6.96db
1% Popularity • 72% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
1% Popularity • 72% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Eddy Clearwater
A Good Leavin' Alone
105 bpm • G Maj • 04:12 • -2.59db
16% Popularity • 51% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 51% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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Mönsterås Bluesband
Just a Feeling
107 bpm • C Maj • 04:33 • -6.51db
9% Popularity • 56% Danceability • 59% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
9% Popularity • 56% Danceability • 59% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
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Daniel Tom
Give Me All Your Love
105 bpm • G# Maj • 03:06 • -13.11db
24% Popularity • 47% Danceability • 64% Energy • 17% Liveness
30% Instrumentalness • 79% Positiveness
24% Popularity • 47% Danceability • 64% Energy • 17% Liveness
30% Instrumentalness • 79% Positiveness
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SpinalE
Il postulato dell'hamburger
107 bpm • C Maj • 01:05 • -11.48db
26% Popularity • 77% Danceability • 36% Energy • 17% Liveness
89% Instrumentalness • 71% Positiveness
26% Popularity • 77% Danceability • 36% Energy • 17% Liveness
89% Instrumentalness • 71% Positiveness
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Snooky Pryor
Can I Get a Witness?
108 bpm • A Maj • 04:08 • -11.53db
23% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nick Moss Band
It Shocks Me Out
108 bpm • A# Maj • 04:09 • -3.28db
11% Popularity • 62% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 62% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Gary Primich
Brown Derby Liquor
104 bpm • F min • 03:38 • -7.24db
12% Popularity • 64% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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James Harman
Who's Got The Geetus
108 bpm • G Maj • 05:37 • -6.9db
9% Popularity • 71% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 71% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
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Karsen Edwards
Insomnia
104 bpm • B Maj • 05:24 • -7.21db
26% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Lil Ed & The Blues Imperials
I Love My Baby
108 bpm • D Maj • 03:44 • -6.03db
23% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmie Vaughan
Rm Blues
104 bpm • G Maj • 03:55 • -6.27db
11% Popularity • 72% Danceability • 72% Energy • 46% Liveness
8% Instrumentalness • 79% Positiveness
11% Popularity • 72% Danceability • 72% Energy • 46% Liveness
8% Instrumentalness • 79% Positiveness
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Luca Giordano
Offline
104 bpm • D# Maj • 04:16 • -6.52db
8% Popularity • 30% Danceability • 78% Energy • 28% Liveness
5% Instrumentalness • 54% Positiveness
8% Popularity • 30% Danceability • 78% Energy • 28% Liveness
5% Instrumentalness • 54% Positiveness
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Bob Margolin
Goin' Back Out On The Road
108 bpm • D Maj • 03:15 • -9.96db
18% Popularity • 58% Danceability • 80% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
18% Popularity • 58% Danceability • 80% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
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Gregor Hilden
I Feel Alright
108 bpm • E Maj • 03:08 • -7.33db
16% Popularity • 68% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 68% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Rick Estrin & The Nightcats
Looking For A Woman
108 bpm • C min • 05:21 • -6.35db
23% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Boy Arnold
Worried Life Blues
108 bpm • C Maj • 03:25 • -15.63db
26% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Sugaray Rayford
Country Boy
108 bpm • D Maj • 03:14 • -7.15db
11% Popularity • 44% Danceability • 69% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
11% Popularity • 44% Danceability • 69% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Neil Young
I Want to Drive My Car - Band
108 bpm • E min • 03:08 • -10.02db
8% Popularity • 44% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 44% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Johnnie Bassett
Love Lessons
104 bpm • D Maj • 03:36 • -7.81db
13% Popularity • 78% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 78% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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The Liberators
Find the Groove
104 bpm • A Maj • 02:05 • -15.73db
20% Popularity • 64% Danceability • 54% Energy • 20% Liveness
38% Instrumentalness • 63% Positiveness
20% Popularity • 64% Danceability • 54% Energy • 20% Liveness
38% Instrumentalness • 63% Positiveness
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Nick Moss Band
Choose Wisely
109 bpm • C Maj • 04:04 • -3.27db
18% Popularity • 44% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 44% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Vaughan
Oh Oh Oh
103 bpm • G# Maj • 04:00 • -5.38db
11% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jerry "Boogie" McCain
Steady (Fifties Classic)
109 bpm • A# Maj • 02:07 • -9.89db
12% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
12% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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A.C. Reed
Party With Y'all
109 bpm • G Maj • 03:12 • -9.53db
9% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Oscher
Straw and a Pipe
109 bpm • F Maj • 06:02 • -12.26db
9% Popularity • 79% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 79% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Guitar Shorty
Fine Cadillac
109 bpm • B min • 05:51 • -4.59db
21% Popularity • 48% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 59% Positiveness
21% Popularity • 48% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 59% Positiveness
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Lonnie Brooks
Wrong Number
109 bpm • G# Maj • 03:17 • -11.47db
12% Popularity • 69% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 69% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Cloud & the Max!!!
Carol's Song
109 bpm • A Maj • 04:31 • -6.15db
11% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmie Vaughan
Kinky Woman
110 bpm • F Maj • 03:27 • -9.03db
20% Popularity • 70% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 70% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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A.C. Reed
Big Woman
109 bpm • C Maj • 03:27 • -9.15db
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Roomful Of Blues
That's Right!
110 bpm • F min • 02:26 • -3.52db
22% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 55% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Mitch Kashmar
You Dogged Me
102 bpm • D Maj • 03:51 • -6.96db
9% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sam Carr's Delta Jukes
Juke Joint Saturday Night
102 bpm • G Maj • 04:01 • -5.57db
9% Popularity • 51% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 51% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Dennis Gruenling
You Got It
110 bpm • A# Maj • 03:14 • -5.52db
12% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Watson
Ain't That Loving You
110 bpm • G Maj • 03:31 • -9.48db
15% Popularity • 89% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 89% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Lurrie Bell
Got My Eyes On You
110 bpm • C min • 04:02 • -9.16db
15% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
32% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Snow Blind Willie
Chicken Blues
110 bpm • D min • 02:58 • -6.18db
19% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Lightning Hall
Venom
110 bpm • G# min • 06:53 • -17db
14% Popularity • 81% Danceability • 32% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
14% Popularity • 81% Danceability • 32% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Tom Lessner
For Lola
110 bpm • B min • 04:31 • -9.14db
13% Popularity • 64% Danceability • 72% Energy • 17% Liveness
19% Instrumentalness • 83% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 17% Liveness
19% Instrumentalness • 83% Positiveness
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Kai Strauss
One Woman Man
110 bpm • A Maj • 03:02 • -6.06db
10% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Cal Denison
Cal's Steel Guitar Shuffle
110 bpm • C Maj • 02:31 • -7.12db
11% Popularity • 63% Danceability • 67% Energy • 25% Liveness
91% Instrumentalness • 66% Positiveness
11% Popularity • 63% Danceability • 67% Energy • 25% Liveness
91% Instrumentalness • 66% Positiveness
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A.C. Reed
Mojo Hand
110 bpm • G Maj • 04:30 • -12.76db
18% Popularity • 87% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
18% Popularity • 87% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Jason Cloud & the Max!!!
My Kinda Woman
102 bpm • C Maj • 03:50 • -6.2db
11% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Rusty Zinn
The Chill
110 bpm • D# min • 05:04 • -5.55db
12% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Ronnie Earl
West Side Shuffle
110 bpm • D Maj • 07:46 • -3.9db
17% Popularity • 60% Danceability • 80% Energy • 33% Liveness
89% Instrumentalness • 79% Positiveness
17% Popularity • 60% Danceability • 80% Energy • 33% Liveness
89% Instrumentalness • 79% Positiveness
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Billy Boy Arnold
High Fashion Woman
110 bpm • D Maj • 03:18 • -14.47db
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Francesca Sparrow
Hidden Charm
110 bpm • D# min • 03:35 • -8db
25% Popularity • 51% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 84% Positiveness
25% Popularity • 51% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 84% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
26% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Rod Piazza
Ghostin'
102 bpm • A# Maj • 03:58 • -8.7db
14% Popularity • 61% Danceability • 46% Energy • 9% Liveness
55% Instrumentalness • 43% Positiveness
14% Popularity • 61% Danceability • 46% Energy • 9% Liveness
55% Instrumentalness • 43% Positiveness
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Saverio Maccne
You Just Have To Let It Roll
110 bpm • A# Maj • 04:00 • -5.36db
15% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Rogers
You're So Sweet
111 bpm • A Maj • 02:55 • -8.09db
12% Popularity • 50% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Snooky Pryor
Stick Way out Behind
111 bpm • C Maj • 03:23 • -12.55db
27% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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B.B. & The Blues Shacks
Pardon Me
111 bpm • A Maj • 03:44 • -6db
18% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Lemon Towers
Besides You
111 bpm • A Maj • 02:12 • -20.1db
7% Popularity • 48% Danceability • 29% Energy • 16% Liveness
74% Instrumentalness • 81% Positiveness
7% Popularity • 48% Danceability • 29% Energy • 16% Liveness
74% Instrumentalness • 81% Positiveness
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Little Charlie & The Nightcats
Nervous
111 bpm • D Maj • 03:18 • -12.58db
23% Popularity • 65% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
23% Popularity • 65% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Son Seals
Don't Fool With My Baby
111 bpm • C Maj • 03:04 • -10.12db
11% Popularity • 58% Danceability • 68% Energy • 42% Liveness
3% Instrumentalness • 91% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 42% Liveness
3% Instrumentalness • 91% Positiveness
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Lil Ed & The Blues Imperials
Whiskey Flavored Tears
112 bpm • D Maj • 02:50 • -3.03db
28% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Dr. Wu'
I Wanna' Love You
112 bpm • A Maj • 03:53 • -6.16db
13% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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William Clarke
Trying To Stretch My Money
112 bpm • D Maj • 04:00 • -11.69db
10% Popularity • 59% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
10% Popularity • 59% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
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Jimmy Johnson
Drowning On Dry Land
100 bpm • E Maj • 05:37 • -10.53db
22% Popularity • 61% Danceability • 49% Energy • 21% Liveness
2% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 49% Energy • 21% Liveness
2% Instrumentalness • 55% Positiveness
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Nick Moss Band
Losing Ground
112 bpm • C Maj • 03:17 • -4.51db
10% Popularity • 57% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
10% Popularity • 57% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
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Jason Ricci And New Blood
Done With The Devil
112 bpm • D Maj • 05:11 • -8.16db
7% Popularity • 53% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 53% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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The Kilborn Alley Blues Band
Ntohin' Left To Stimulate
100 bpm • E Maj • 03:35 • -4db
11% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Browning
Desperation #2
100 bpm • E min • 05:08 • -17.73db
12% Popularity • 79% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 79% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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James Harman
Work Don't Come To Me
100 bpm • D Maj • 06:24 • -6.39db
10% Popularity • 68% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
10% Popularity • 68% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Jyri Majala
Tuesday
100 bpm • C Maj • 02:43 • -7.34db
14% Popularity • 57% Danceability • 84% Energy • 37% Liveness
14% Instrumentalness • 85% Positiveness
14% Popularity • 57% Danceability • 84% Energy • 37% Liveness
14% Instrumentalness • 85% Positiveness
