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South of Heaven’s Chanting Mermaids - Remixed By...
Songs like
South of Heaven’s Chanting Mermaids - Remixed By Paper Diamond
by
Rodrigo y Gabriela
Based on a tempo of (+/- 10%) and a similar genre
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Rodrigo y Gabriela
South of Heaven’s Chanting Mermaids - ...
140 bpm • A min • 03:32 • -15.96db
25% Popularity • 60% Danceability • 47% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Paper Diamond
Work 9000
140 bpm • G Maj • 04:27 • -2.27db
5% Popularity • 64% Danceability • 98% Energy • 36% Liveness
81% Instrumentalness • 42% Positiveness
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Steve Jablonsky
Einstein's Wrong
140 bpm • F min • 03:35 • -21.85db
28% Popularity • 66% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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Protohype
Let's Go
140 bpm • F min • 03:32 • -2.95db
4% Popularity • 41% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Pantyraid
The Music's Not Over
140 bpm • C# min • 04:55 • -7.06db
23% Popularity • 48% Danceability • 92% Energy • 22% Liveness
84% Instrumentalness • 43% Positiveness
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Sonic Machine
Age Of Dragons - from 'The Hobbit: Desol...
140 bpm • D min • 02:39 • -15db
29% Popularity • 38% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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James Horner
Tapir Hunt - Score
140 bpm • C# Maj • 01:31 • -19db
20% Popularity • 58% Danceability • 90% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Paper Diamond
Done Up
140 bpm • A# Maj • 02:12 • -6.43db
2% Popularity • 82% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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2CELLOS
Smooth Criminal
140 bpm • A min • 04:10 • -5.37db
46% Popularity • 74% Danceability • 68% Energy • 33% Liveness
88% Instrumentalness • 82% Positiveness
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Rodrigo y Gabriela
Capitan Casanova
140 bpm • A min • 04:00 • -9.3db
3% Popularity • 58% Danceability • 68% Energy • 70% Liveness
93% Instrumentalness • 68% Positiveness
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Bear McCreary
Fallen Through Time
140 bpm • A min • 05:38 • -16db
47% Popularity • 19% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Herr Der Ringe Ensemble + Orchester
Lothlorien
140 bpm • D min • 04:45 • -16.29db
8% Popularity • 14% Danceability • 17% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Nicholas Hooper
School!
140 bpm • G Maj • 01:05 • -31.24db
41% Popularity • 61% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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John Powell
Dinner Talk / Grimmel's Introduction
141 bpm • C# Maj • 03:53 • -21db
33% Popularity • 16% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Dario Marianelli
The Leafy Galleon
139 bpm • C Maj • 04:36 • -27.76db
16% Popularity • 27% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Rodrigo y Gabriela
Orion
139 bpm • A Maj • 04:50 • -17.04db
3% Popularity • 51% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Thomas Bergersen
Clash of Empires
139 bpm • A Maj • 03:02 • -7.54db
24% Popularity • 20% Danceability • 95% Energy • 7% Liveness
80% Instrumentalness • 8% Positiveness
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Brian Tyler
Escaping the Realm
141 bpm • G Maj • 03:53 • -9.87db
20% Popularity • 25% Danceability • 61% Energy • 14% Liveness
77% Instrumentalness • 6% Positiveness
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Jerry Goldsmith
Tuareg Attack
141 bpm • G# Maj • 02:19 • -16.2db
26% Popularity • 30% Danceability • 40% Energy • 33% Liveness
35% Instrumentalness • 16% Positiveness
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Bear McCreary
Theme from Defiance
139 bpm • C# min • 04:19 • -11.35db
19% Popularity • 46% Danceability • 49% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Henry Jackman
Not That Sort Of Bank
141 bpm • D min • 03:26 • -21.31db
24% Popularity • 20% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Ramin Djawadi
A Raven From King's Landing
138 bpm • C min • 01:16 • -25.58db
39% Popularity • 22% Danceability • 5% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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John Debney
To the River
138 bpm • F Maj • 03:04 • -19.37db
13% Popularity • 16% Danceability • 29% Energy • 19% Liveness
85% Instrumentalness • 9% Positiveness
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The Hollywood LA Soundtrack Orchestra
Theme from "Sherlock Holmes"
142 bpm • A min • 02:25 • -11.44db
21% Popularity • 73% Danceability • 55% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
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Larry Groupé
Salvatio Crudus
142 bpm • C min • 02:29 • -11.08db
14% Popularity • 38% Danceability • 78% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Hollywood Film Music Orchestra
A Pirate's Hideaway
138 bpm • G min • 03:18 • -10.36db
1% Popularity • 59% Danceability • 40% Energy • 13% Liveness
23% Instrumentalness • 77% Positiveness
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Brian Tyler
Nick's Theme
137 bpm • G Maj • 02:04 • -14.6db
18% Popularity • 15% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Horns Of Hell
143 bpm • F Maj • 03:27 • -19.07db
20% Popularity • 23% Danceability • 27% Energy • 13% Liveness
85% Instrumentalness • 11% Positiveness
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Rodrigo y Gabriela
Mr. Tang
143 bpm • E min • 03:36 • -8.05db
4% Popularity • 45% Danceability • 91% Energy • 96% Liveness
93% Instrumentalness • 66% Positiveness
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Ramin Djawadi
The Lannisters Send Their Regards
143 bpm • F min • 05:44 • -17.65db
32% Popularity • 17% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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John Debney
The Rains Return
144 bpm • D min • 01:44 • -31.5db
21% Popularity • 14% Danceability • 7% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Pokey LaFarge
Red's Theater of the Absurd
144 bpm • A Maj • 03:02 • -8.67db
15% Popularity • 83% Danceability • 39% Energy • 18% Liveness
96% Instrumentalness • 93% Positiveness
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Thomas Newman
Voluntary Retirement
144 bpm • C# Maj • 02:22 • -26.54db
27% Popularity • 16% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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James Horner
"It's Sarah's Move"
136 bpm • C# min • 02:36 • -36.88db
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Ramin Djawadi
Mhysa
144 bpm • D min • 03:54 • -14.34db
54% Popularity • 22% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Brian Tyler
Thor, Son of Odin
136 bpm • D Maj • 01:52 • -11.39db
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Rodrigo y Gabriela
Libertango
136 bpm • E min • 03:13 • -7.69db
4% Popularity • 47% Danceability • 61% Energy • 70% Liveness
82% Instrumentalness • 75% Positiveness
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Harald Kloser
Tidal Wave
145 bpm • F Maj • 03:14 • -18.35db
20% Popularity • 26% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Christian Rich
XIX
145 bpm • G# min • 03:41 • -8.32db
12% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Paper Diamond
Lose My Mind
145 bpm • G Maj • 03:53 • -6.23db
3% Popularity • 66% Danceability • 87% Energy • 12% Liveness
15% Instrumentalness • 23% Positiveness
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Antonio Sánchez
M-Power
135 bpm • A min • 06:00 • -11.56db
9% Popularity • 52% Danceability • 78% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme
135 bpm • D min • 03:06 • -10.68db
50% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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John Debney
Mowgli and the Pit
146 bpm • C min • 03:24 • -21.68db
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Newman
The Marvelous Marriage
134 bpm • C min • 00:50 • -12.87db
15% Popularity • 68% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 98% Positiveness
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Thomas Bergersen
Final Frontier
135 bpm • G# Maj • 04:44 • -10.11db
40% Popularity • 47% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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LOUDPVCK
Wylin
147 bpm • G# Maj • 02:46 • -2.61db
22% Popularity • 64% Danceability • 99% Energy • 57% Liveness
68% Instrumentalness • 51% Positiveness
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Hans Zimmer
Guilty of Being Innocent of Being Jack S...
133 bpm • G Maj • 02:45 • -14.6db
30% Popularity • 57% Danceability • 44% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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James Horner
Scorched earth
133 bpm • D min • 03:32 • -22.08db
33% Popularity • 22% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Price
Potential Clients
147 bpm • G min • 01:58 • -22.65db
22% Popularity • 60% Danceability • 24% Energy • 15% Liveness
85% Instrumentalness • 62% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Kevin Kiner
Dooku Speaks With Jabba
148 bpm • F# min • 01:28 • -10.64db
13% Popularity • 38% Danceability • 53% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Geoff Zanelli
The Devil's Triangle
147 bpm • D# Maj • 02:44 • -13.82db
33% Popularity • 15% Danceability • 39% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Cheryl B. Engelhardt
Mother Gaia
148 bpm • D# Maj • 03:35 • -14.95db
31% Popularity • 35% Danceability • 36% Energy • 19% Liveness
22% Instrumentalness • 27% Positiveness
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Michael Giacchino
Sub Prime Directive
148 bpm • D# Maj • 02:24 • -11.32db
37% Popularity • 19% Danceability • 43% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
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Patrick Doyle
Ride to Observatory
132 bpm • D min • 02:10 • -18.17db
24% Popularity • 16% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
The Mummy
132 bpm • F Maj • 06:15 • -17.26db
22% Popularity • 24% Danceability • 37% Energy • 8% Liveness
40% Instrumentalness • 5% Positiveness
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Brian Tyler
Origins
131 bpm • D min • 03:49 • -12.84db
21% Popularity • 19% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
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James Horner
The Death of Quaritch
131 bpm • C min • 05:20 • -16.17db
18% Popularity • 35% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Cheryl B. Engelhardt
Unwind
132 bpm • E min • 03:59 • -11.72db
25% Popularity • 31% Danceability • 46% Energy • 25% Liveness
7% Instrumentalness • 14% Positiveness
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Henry Jackman
The Horse Stampede
150 bpm • D min • 03:14 • -10db
8% Popularity • 34% Danceability • 72% Energy • 25% Liveness
83% Instrumentalness • 19% Positiveness
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Sound Adventures
Bourne
150 bpm • C# Maj • 01:53 • -11.19db
18% Popularity • 55% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Jerry Goldsmith
Night Boarders
132 bpm • C# Maj • 04:05 • -18.39db
24% Popularity • 24% Danceability • 43% Energy • 7% Liveness
42% Instrumentalness • 6% Positiveness
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Ludwig Göransson
FOILS
150 bpm • D# min • 03:10 • -13.32db
47% Popularity • 54% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Paper Diamond
No Words
150 bpm • F min • 03:01 • -5.26db
3% Popularity • 69% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Diplo
Revolution - Paper Diamond Remix
150 bpm • G# Maj • 04:54 • -8.37db
0% Popularity • 49% Danceability • 86% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
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Edward Shearmur
Back To Earth
130 bpm • D min • 03:14 • -15db
8% Popularity • 22% Danceability • 32% Energy • 19% Liveness
93% Instrumentalness • 11% Positiveness
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Sound Adventures
Arerial Combat
150 bpm • C# Maj • 01:30 • -9db
17% Popularity • 55% Danceability • 83% Energy • 44% Liveness
95% Instrumentalness • 17% Positiveness
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Brian Tyler
The High Seas
130 bpm • C Maj • 02:44 • -11.18db
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
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Rodrigo y Gabriela
Foc
130 bpm • E min • 06:50 • -8.88db
3% Popularity • 46% Danceability • 84% Energy • 98% Liveness
86% Instrumentalness • 48% Positiveness
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Paper Diamond
Take Me Away
150 bpm • C# Maj • 03:44 • -6.32db
3% Popularity • 61% Danceability • 79% Energy • 11% Liveness
16% Instrumentalness • 45% Positiveness
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Misutra
Minecraft OOF Song - 2024 Remaster
130 bpm • G Maj • 03:00 • -9.01db
11% Popularity • 72% Danceability • 58% Energy • 4% Liveness
3% Instrumentalness • 87% Positiveness
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Thomas Bergersen
Emergence
130 bpm • D Maj • 01:49 • -14.42db
8% Popularity • 22% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Ramin Djawadi
The Pointy End
130 bpm • C Maj • 03:17 • -22.16db
34% Popularity • 31% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Chance Thomas
Horse Lords of Norcrofts
130 bpm • C# Maj • 02:50 • -13.16db
27% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Thomas Newman
March of the Gels
151 bpm • A# min • 00:54 • -10.68db
26% Popularity • 55% Danceability • 60% Energy • 14% Liveness
97% Instrumentalness • 31% Positiveness
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Paper Diamond
Towers (Instrumental)
150 bpm • C# Maj • 03:40 • -10.81db
2% Popularity • 46% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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The Black Keys
Only Love Matters
130 bpm • G Maj • 03:22 • -1.85db
59% Popularity • 33% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Henry Jackman
Kingsman Hoedown
152 bpm • E Maj • 02:17 • -7.5db
36% Popularity • 37% Danceability • 86% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Geoff Zanelli
Treasure
129 bpm • D min • 05:42 • -8.73db
34% Popularity • 20% Danceability • 76% Energy • 15% Liveness
94% Instrumentalness • 17% Positiveness
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The Allegorist
Dark Forces
129 bpm • A min • 03:41 • -13.26db
35% Popularity • 20% Danceability • 34% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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James Horner
Vassili's Fame Spreads - Voice
128 bpm • C min • 03:40 • -23.19db
12% Popularity • 17% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 8% Positiveness
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Hugh Jackman
Look Down
153 bpm • A# Maj • 03:16 • -12db
45% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Jackman
X-Training
129 bpm • C min • 04:26 • -15db
32% Popularity • 28% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Jonas B. Ingebretsen
My Destiny
128 bpm • C# min • 03:05 • -10.9db
11% Popularity • 47% Danceability • 33% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
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Rodrigo y Gabriela
Angry and Dead Again - Remixed By Static...
128 bpm • G Maj • 05:49 • -12.55db
25% Popularity • 70% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Geoff Zanelli
Shansa
127 bpm • D min • 03:12 • -21.91db
28% Popularity • 19% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Paper Diamond
We Gone
127 bpm • G# min • 04:13 • -6.39db
5% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Rohan Stevenson
The Forged Seal
127 bpm • F min • 01:22 • -28.18db
28% Popularity • 48% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
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Henry Jackman
Confronting the Past
128 bpm • A Maj • 01:37 • -13.49db
13% Popularity • 34% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
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Jeremy Soule
Trolo's Complaint
127 bpm • B min • 02:20 • -13db
8% Popularity • 69% Danceability • 79% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Nicholas Hooper
Living Death
127 bpm • G# Maj • 01:55 • -22.31db
41% Popularity • 55% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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John Powell
Mars Needs Moms Credits Suite
126 bpm • G# Maj • 03:43 • -9db
11% Popularity • 25% Danceability • 57% Energy • 10% Liveness
47% Instrumentalness • 26% Positiveness
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Edward Shearmur
The World Of Tomorrow
126 bpm • F Maj • 01:07 • -10db
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Hans Zimmer
Palm Tree Escape - Remixed By Adam Freel...
126 bpm • D Maj • 05:27 • -12.63db
30% Popularity • 64% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Newman
Foreign Contaminant
126 bpm • G Maj • 02:06 • -13db
31% Popularity • 70% Danceability • 46% Energy • 12% Liveness
78% Instrumentalness • 30% Positiveness
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Tyler Bates
Fight in the Shade
126 bpm • C min • 03:16 • -19.68db
23% Popularity • 21% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Jackman
Planting the Beans
126 bpm • D# Maj • 02:09 • -14.68db
13% Popularity • 43% Danceability • 38% Energy • 66% Liveness
88% Instrumentalness • 11% Positiveness
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South of Heaven’s Chanting Mermaids - Remixed By...