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South Side
Songs like
South Side
by
Tony MacAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Joe Stump
Demonic Trance
122 bpm • G# Maj • 02:48 • -5.87db
15% Popularity • 23% Danceability • 84% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
19% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Neil Zaza
Somewhere in Time
122 bpm • D Maj • 04:08 • -6.47db
33% Popularity • 43% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Shawn Lane
Epilogue: Bach for Lisa (Ich Ruf Zu Dir)
122 bpm • D# min • 02:27 • -14.48db
21% Popularity • 30% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Greg Howe
Direct Injection
122 bpm • A Maj • 05:35 • -9.01db
18% Popularity • 56% Danceability • 86% Energy • 3% Liveness
86% Instrumentalness • 84% Positiveness
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Joey Tafolla
Eternity's End
121 bpm • G Maj • 05:54 • -10.81db
11% Popularity • 33% Danceability • 91% Energy • 39% Liveness
69% Instrumentalness • 15% Positiveness
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Michael Lee Firkins
24 Grand Avenue
123 bpm • A Maj • 04:36 • -13.3db
16% Popularity • 51% Danceability • 70% Energy • 36% Liveness
32% Instrumentalness • 62% Positiveness
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Eric Johnson
High Landrons
123 bpm • G# min • 05:45 • -11db
27% Popularity • 33% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Richie Kotzen
Tilt
121 bpm • D Maj • 05:27 • -6.57db
16% Popularity • 58% Danceability • 94% Energy • 2% Liveness
75% Instrumentalness • 72% Positiveness
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David T. Chastain
18th Century Inamorata - Remastered
121 bpm • C min • 03:56 • -2.64db
9% Popularity • 24% Danceability • 99% Energy • 41% Liveness
91% Instrumentalness • 7% Positiveness
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Greg Howe
Jump Start
121 bpm • C# min • 04:42 • -8.37db
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
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Vitalij Kuprij
Symphony V
123 bpm • A Maj • 07:59 • -6.33db
16% Popularity • 29% Danceability • 92% Energy • 20% Liveness
84% Instrumentalness • 16% Positiveness
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Shawn Lane
The Hurt, The Joy
120 bpm • A Maj • 04:07 • -10.29db
16% Popularity • 59% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Vinnie Moore
The Maze
124 bpm • B Maj • 08:42 • -5db
29% Popularity • 48% Danceability • 94% Energy • 14% Liveness
81% Instrumentalness • 40% Positiveness
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Borislav Mitic
Sky Rider
120 bpm • F# min • 04:01 • -5.09db
11% Popularity • 45% Danceability • 97% Energy • 5% Liveness
91% Instrumentalness • 41% Positiveness
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Daniele Gottardo
Dick Plays the Blues
120 bpm • C Maj • 03:21 • -7.86db
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
40% Instrumentalness • 37% Positiveness
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Michael Angelo Batio
Rain Forest
120 bpm • G# min • 06:29 • -11.59db
17% Popularity • 47% Danceability • 88% Energy • 8% Liveness
83% Instrumentalness • 56% Positiveness
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Al Joseph
I Just Wish
120 bpm • A# Maj • 05:59 • -6.1db
26% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Shawn Lane
Minarets
124 bpm • E Maj • 03:30 • -7.2db
13% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
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Metal Hall of Fame All Stars
Attack Of The Witch (Remix)
124 bpm • G# Maj • 02:57 • -6.59db
0% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Jeff Loomis
Azure Haze
120 bpm • F# Maj • 04:59 • -5.33db
17% Popularity • 39% Danceability • 71% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Neal Schon
The Universe
120 bpm • F min • 04:22 • -7.08db
16% Popularity • 55% Danceability • 83% Energy • 10% Liveness
38% Instrumentalness • 18% Positiveness
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Derek Sherinian
State of Delirium
120 bpm • F# Maj • 02:48 • -10.72db
7% Popularity • 46% Danceability • 64% Energy • 22% Liveness
38% Instrumentalness • 16% Positiveness
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Mr. Fastfinger
Wax On – Wax Off
120 bpm • F# Maj • 05:42 • -9db
10% Popularity • 60% Danceability • 84% Energy • 6% Liveness
17% Instrumentalness • 40% Positiveness
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Andy Wood
Forgotten Secrets
120 bpm • B min • 03:46 • -6.52db
25% Popularity • 56% Danceability • 92% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Tony MacAlpine
Axiomatic Jewels
120 bpm • C# min • 04:16 • -4.8db
22% Popularity • 51% Danceability • 98% Energy • 32% Liveness
75% Instrumentalness • 6% Positiveness
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Cosmosquad
Cyclops
120 bpm • C# min • 05:40 • -6.27db
11% Popularity • 60% Danceability • 90% Energy • 20% Liveness
84% Instrumentalness • 21% Positiveness
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Mr. Fastfinger
Effortless
120 bpm • A# Maj • 05:24 • -8.73db
15% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Gus G.
Terrified
120 bpm • D Maj • 03:14 • -5.57db
17% Popularity • 53% Danceability • 97% Energy • 30% Liveness
77% Instrumentalness • 33% Positiveness
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Tony MacAlpine
Equilibrium
120 bpm • D Maj • 03:55 • -6.56db
12% Popularity • 43% Danceability • 95% Energy • 43% Liveness
82% Instrumentalness • 28% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Kiko Loureiro
In Motion
120 bpm • G Maj • 04:09 • -5.8db
25% Popularity • 53% Danceability • 94% Energy • 6% Liveness
78% Instrumentalness • 27% Positiveness
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John Petrucci
Lost Without You
120 bpm • G min • 04:56 • -9.15db
35% Popularity • 46% Danceability • 50% Energy • 13% Liveness
40% Instrumentalness • 19% Positiveness
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Jason Solowsky
Cybernetic Chaos
120 bpm • B min • 06:50 • -9db
8% Popularity • 25% Danceability • 85% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Jeff Kollman
Superstring Theory
125 bpm • A Maj • 04:53 • -5.56db
9% Popularity • 61% Danceability • 91% Energy • 23% Liveness
73% Instrumentalness • 86% Positiveness
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Tony MacAlpine
Exhibitionist Blvd.
120 bpm • B Maj • 04:27 • -4db
31% Popularity • 45% Danceability • 98% Energy • 32% Liveness
87% Instrumentalness • 21% Positiveness
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Jordan Rudess
Crack The Meter
125 bpm • F# min • 06:13 • -7db
14% Popularity • 53% Danceability • 83% Energy • 13% Liveness
30% Instrumentalness • 70% Positiveness
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Derek Sherinian
Money Shot
125 bpm • A Maj • 04:26 • -12.24db
7% Popularity • 45% Danceability • 84% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Reb Beach
Infinito 1122
125 bpm • D Maj • 03:30 • -4db
14% Popularity • 45% Danceability • 92% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
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Al Joseph
Clock the Pain
125 bpm • B Maj • 05:57 • -7db
18% Popularity • 43% Danceability • 85% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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John Petrucci
Tunnel Vision
119 bpm • E Maj • 06:35 • -5.49db
28% Popularity • 51% Danceability • 92% Energy • 21% Liveness
79% Instrumentalness • 42% Positiveness
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Tony MacAlpine
Poison Cookies
120 bpm • F# Maj • 05:05 • -3.78db
25% Popularity • 38% Danceability • 89% Energy • 5% Liveness
90% Instrumentalness • 47% Positiveness
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Neil Zaza
Bari
125 bpm • D Maj • 03:34 • -5.08db
30% Popularity • 56% Danceability • 87% Energy • 3% Liveness
59% Instrumentalness • 62% Positiveness
► Preview
Pete Thorn
Remember
125 bpm • D min • 04:29 • -7.62db
19% Popularity • 30% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Reb Beach
Whiplash
125 bpm • D# min • 03:22 • -3.46db
9% Popularity • 45% Danceability • 96% Energy • 4% Liveness
94% Instrumentalness • 73% Positiveness
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Rusty Cooley
The Butcher
126 bpm • D# min • 04:51 • -6.71db
9% Popularity • 28% Danceability • 95% Energy • 48% Liveness
87% Instrumentalness • 39% Positiveness
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Kupalo
Inner Dragons
119 bpm • G# Maj • 04:12 • -8.3db
9% Popularity • 32% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Tony MacAlpine
The Raven
119 bpm • D min • 04:13 • -10.64db
14% Popularity • 31% Danceability • 96% Energy • 33% Liveness
86% Instrumentalness • 8% Positiveness
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Vinnie Moore
In Control
126 bpm • C# Maj • 04:38 • -11.04db
24% Popularity • 33% Danceability • 88% Energy • 55% Liveness
68% Instrumentalness • 8% Positiveness
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Steve Morse
Quantum Soup
118 bpm • F min • 11:04 • -7.44db
12% Popularity • 36% Danceability • 70% Energy • 12% Liveness
74% Instrumentalness • 63% Positiveness
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Joe Stump
The Ritual Begins
126 bpm • F min • 01:09 • -4.84db
25% Popularity • 32% Danceability • 95% Energy • 14% Liveness
29% Instrumentalness • 21% Positiveness
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Derek Sherinian
Five Elements
118 bpm • C# min • 04:35 • -5.32db
9% Popularity • 56% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 74% Positiveness
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Liquid Tension Experiment
Hypersonic
118 bpm • B min • 08:21 • -6.85db
32% Popularity • 27% Danceability • 97% Energy • 56% Liveness
74% Instrumentalness • 39% Positiveness
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Tony MacAlpine
The Witch and the Priest
126 bpm • E min • 03:33 • -10.55db
17% Popularity • 22% Danceability • 93% Energy • 46% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Guthrie Govan
Ner Ner
127 bpm • G min • 08:04 • -5db
35% Popularity • 31% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 39% Positiveness
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Reb Beach
Aurora Borealis
118 bpm • G# Maj • 04:45 • -4db
12% Popularity • 39% Danceability • 93% Energy • 34% Liveness
86% Instrumentalness • 42% Positiveness
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Richie Kotzen
Squeeze Play
117 bpm • A Maj • 04:38 • -11.09db
9% Popularity • 52% Danceability • 91% Energy • 33% Liveness
84% Instrumentalness • 54% Positiveness
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Derek Sherinian
Day In the Sun
118 bpm • D Maj • 04:58 • -10.33db
8% Popularity • 50% Danceability • 77% Energy • 33% Liveness
76% Instrumentalness • 30% Positiveness
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Rob Balducci
821 Monroe Drive
127 bpm • A Maj • 06:03 • -8db
10% Popularity • 49% Danceability • 60% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Tony MacAlpine
Edge of Insanity
126 bpm • E min • 04:18 • -9.05db
21% Popularity • 34% Danceability • 85% Energy • 19% Liveness
91% Instrumentalness • 18% Positiveness
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The Aristocrats
ZZ Top
127 bpm • A Maj • 05:14 • -8db
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
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Mattias IA Eklundh
Beasts and Bugs
117 bpm • G Maj • 03:30 • -4.51db
9% Popularity • 57% Danceability • 98% Energy • 16% Liveness
78% Instrumentalness • 22% Positiveness
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Michael Angelo Batio
Clapton Is God
117 bpm • F# Maj • 06:04 • -4db
22% Popularity • 51% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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John Petrucci
Jaws Of Life
117 bpm • B min • 07:29 • -5db
33% Popularity • 48% Danceability • 92% Energy • 6% Liveness
87% Instrumentalness • 34% Positiveness
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Derek Sherinian
Box
117 bpm • C# Maj • 05:05 • -10.53db
9% Popularity • 29% Danceability • 80% Energy • 38% Liveness
84% Instrumentalness • 33% Positiveness
► Preview
Tony MacAlpine
Empire in the Sky
126 bpm • B Maj • 04:57 • -10.79db
20% Popularity • 34% Danceability • 87% Energy • 27% Liveness
84% Instrumentalness • 42% Positiveness
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Andromeda
Chameleon Carneval
117 bpm • A# Maj • 04:59 • -6db
24% Popularity • 32% Danceability • 86% Energy • 19% Liveness
85% Instrumentalness • 54% Positiveness
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Jeff Kollman
Song for James
128 bpm • A Maj • 05:53 • -8.48db
12% Popularity • 47% Danceability • 48% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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Michael Angelo Batio
Dreamin' of 1986
128 bpm • G min • 01:47 • -18.91db
27% Popularity • 38% Danceability • 16% Energy • 15% Liveness
88% Instrumentalness • 19% Positiveness
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Shawn Lane
Get You Back - Live
128 bpm • A Maj • 07:11 • -7.19db
19% Popularity • 43% Danceability • 86% Energy • 65% Liveness
89% Instrumentalness • 49% Positiveness
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John Petrucci
Gemini
127 bpm • G Maj • 06:05 • -5.25db
32% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
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Derek Sherinian
Space Martini
117 bpm • A# min • 03:47 • -11.3db
10% Popularity • 47% Danceability • 74% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
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Bumblefoot
Planetary Lockdown
128 bpm • F# min • 05:16 • -6.9db
31% Popularity • 30% Danceability • 78% Energy • 53% Liveness
47% Instrumentalness • 62% Positiveness
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Tony MacAlpine
Champion
127 bpm • G Maj • 05:12 • -7.96db
9% Popularity • 41% Danceability • 71% Energy • 6% Liveness
82% Instrumentalness • 27% Positiveness
► Preview
Gus G.
Thrill of the Chase
128 bpm • A# min • 04:14 • -4.33db
26% Popularity • 39% Danceability • 96% Energy • 35% Liveness
72% Instrumentalness • 51% Positiveness
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Steve Morse Band
Great Mountain Spirits
128 bpm • F Maj • 04:20 • -6.45db
12% Popularity • 50% Danceability • 59% Energy • 12% Liveness
94% Instrumentalness • 54% Positiveness
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John Petrucci
The Way Things Fall
128 bpm • D Maj • 07:33 • -4.83db
28% Popularity • 49% Danceability • 96% Energy • 22% Liveness
46% Instrumentalness • 50% Positiveness
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Alex Hutchings
And Then She Was Gone
128 bpm • A# min • 05:38 • -6.21db
21% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Reb Beach
Attack Of The Massive
128 bpm • A# min • 06:12 • -4.09db
7% Popularity • 52% Danceability • 96% Energy • 65% Liveness
94% Instrumentalness • 72% Positiveness
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Billy Sheehan
The Suspense Is Killing Me
116 bpm • G min • 03:21 • -6.44db
12% Popularity • 48% Danceability • 93% Energy • 42% Liveness
86% Instrumentalness • 64% Positiveness
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Neil Zaza
Turn the World Around
116 bpm • D min • 04:06 • -5.87db
26% Popularity • 51% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
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Steve Morse Band
Good to Go
116 bpm • D Maj • 04:54 • -9.81db
11% Popularity • 51% Danceability • 83% Energy • 12% Liveness
88% Instrumentalness • 80% Positiveness
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Lars Eric Mattsson
In Your Chrystal Ball
116 bpm • E min • 03:19 • -11.25db
7% Popularity • 44% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
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Stuart Hamm
Kings of Sleep
129 bpm • A Maj • 08:28 • -12.26db
8% Popularity • 54% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Liquid Tension Experiment
Kindred Spirits
129 bpm • A Maj • 06:29 • -3.14db
30% Popularity • 28% Danceability • 96% Energy • 69% Liveness
75% Instrumentalness • 48% Positiveness
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Shawn Lane
Black Market - Live
116 bpm • A# Maj • 08:54 • -9.53db
11% Popularity • 42% Danceability • 76% Energy • 81% Liveness
74% Instrumentalness • 55% Positiveness
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Derek Sherinian
Oceana
129 bpm • D min • 05:39 • -5.81db
9% Popularity • 32% Danceability • 64% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Mattias IA Eklundh
The Road Less Traveled
129 bpm • G min • 02:48 • -4.38db
18% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Alcatrazz
General Hospital
129 bpm • F# min • 04:52 • -9.36db
25% Popularity • 43% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Michael Angelo Batio
Science Fiction
115 bpm • C# Maj • 06:32 • -11.01db
11% Popularity • 16% Danceability • 83% Energy • 20% Liveness
28% Instrumentalness • 37% Positiveness
► Preview
Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
13% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
► Preview
Dave Martone
The Goodie Squeegie Song
115 bpm • C Maj • 03:51 • -5.37db
12% Popularity • 40% Danceability • 85% Energy • 42% Liveness
46% Instrumentalness • 63% Positiveness
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Pete Thorn
10th Street
115 bpm • C Maj • 03:22 • -4.93db
19% Popularity • 57% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
► Preview
Shawn Lane
The Way It Has to Be
115 bpm • D# Maj • 04:43 • -6.65db
29% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
► Preview
Steve Lukather
Tumescent
115 bpm • F Maj • 04:02 • -8db
22% Popularity • 56% Danceability • 68% Energy • 35% Liveness
8% Instrumentalness • 34% Positiveness
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Sergey Golovin
One Who Sings from Afar
130 bpm • E min • 02:43 • -6db
21% Popularity • 31% Danceability • 50% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Jan Cyrka
Hell and High Water
130 bpm • A Maj • 01:01 • -6db
36% Popularity • 48% Danceability • 90% Energy • 59% Liveness
92% Instrumentalness • 57% Positiveness
► Preview
David Valdes
Run Up te Melody
130 bpm • D# min • 04:10 • -2.59db
10% Popularity • 41% Danceability • 98% Energy • 6% Liveness
88% Instrumentalness • 39% Positiveness
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South Side