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Southbound
Songs like
Southbound
by
Carrie Underwood
Based on a tempo of (+/- 10%) and a similar genre
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Carrie Underwood
See You Again
101 bpm • G# Maj • 04:06 • -2.53db
51% Popularity • 51% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
65% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
54% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Brett Eldredge
Lose My Mind
101 bpm • F# min • 02:35 • -5.51db
53% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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LOCASH
Ring On Every Finger
100 bpm • G Maj • 03:31 • -4db
26% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
Alcohol You Later
100 bpm • G# Maj • 03:06 • -7db
50% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Lane
Fishin'
100 bpm • D Maj • 02:42 • -5.11db
37% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
56% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Currington
Bring It On Over
100 bpm • C Maj • 03:02 • -4.58db
46% Popularity • 70% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Lane
Fix
100 bpm • C min • 03:10 • -2.74db
50% Popularity • 53% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
50% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Eldredge
Somethin' I'm Good At
103 bpm • F Maj • 03:37 • -4db
50% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Bryan
Move
104 bpm • F min • 03:47 • -1db
56% Popularity • 57% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
59% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Carrie Underwood
Drinking Alone
98 bpm • F min • 04:18 • -3.72db
50% Popularity • 69% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
53% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
55% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Sugarland
All I Want To Do
97 bpm • E Maj • 03:33 • -5db
53% Popularity • 71% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
63% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Danielle Bradbery
Sway
97 bpm • D# Maj • 03:32 • -5.48db
48% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
57% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
48% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Young
Lonely Eyes
106 bpm • C# Maj • 03:37 • -5.27db
58% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
65% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
57% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
57% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
61% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Little Big Town
Pontoon
96 bpm • A Maj • 03:32 • -5.72db
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Danielle Bradbery
Shallow
96 bpm • G Maj • 03:27 • -4.19db
43% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
Good Times Roll
96 bpm • C Maj • 02:38 • -4.45db
58% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
68% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Little Big Town
Little White Church
107 bpm • A# Maj • 03:06 • -4.8db
53% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Carrie Underwood
Wasted
95 bpm • G# Maj • 04:34 • -3db
53% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
40% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kenny Chesney
Tip of My Tongue
95 bpm • F Maj • 03:19 • -5.6db
48% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
42% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Zac Brown Band
Someone I Used To Know
108 bpm • F# min • 03:27 • -5.68db
59% Popularity • 62% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Dierks Bentley
Sideways
108 bpm • F min • 03:04 • -3db
59% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Bryan
Down To One
94 bpm • G# Maj • 03:41 • -4.11db
55% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Rascal Flatts
Stand
94 bpm • C Maj • 03:28 • -5db
51% Popularity • 60% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Cole Swindell
Let Me See Ya Girl
93 bpm • F# Maj • 03:07 • -4db
54% Popularity • 52% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Carrie Underwood
Out Of That Truck
93 bpm • F Maj • 02:57 • -4.5db
59% Popularity • 56% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Carrie Underwood
Pink Champagne
110 bpm • A Maj • 03:23 • -3.47db
45% Popularity • 63% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Carrie Underwood
End Up With You
93 bpm • A# min • 03:13 • -4.23db
41% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Southbound