Songs like Southern Boy - with Jason Aldean by Jordan Rager
Based on a tempo of (+/- 10%) and a similar genre
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Walker Montgomery
Just Say When
150 bpm • F min • 03:09 • -5.68db
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Clark Manson
Towns Like Us
150 bpm • E Maj • 03:39 • -6.87db
11% Popularity • 47% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Pat Cooper
Down to This
150 bpm • A# min • 03:25 • -4.81db
18% Popularity • 51% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 51% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Murphy Elmore
I'm Down
150 bpm • C# min • 03:35 • -4.67db
19% Popularity • 55% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 55% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Fulcher
Somebody Like Me
150 bpm • A Maj • 03:23 • -5.97db
26% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Kenton Bryant
Boys Like That
150 bpm • D# Maj • 02:56 • -4.95db
28% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Walker Montgomery
Like My Daddy Done It
150 bpm • C Maj • 03:27 • -4.54db
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Outshyne
Moonlight Crush
150 bpm • G# Maj • 03:53 • -7db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Rager
Southern Boy
150 bpm • D# Maj • 03:47 • -7.08db
34% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Florida Georgia Line
May We All - Acoustic
150 bpm • G Maj • 03:43 • -5.21db
27% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Jobe Fortner
Wrong Way
150 bpm • A Maj • 03:32 • -6.03db
14% Popularity • 44% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 44% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Walker Montgomery
Wouldn't Be A Country Boy
150 bpm • B Maj • 03:28 • -5.38db
20% Popularity • 61% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Kenton Bryant
Way Back
150 bpm • C# Maj • 02:58 • -4.32db
21% Popularity • 66% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Teddy Robb
Heaven On Dirt
150 bpm • A# Maj • 03:28 • -4.52db
29% Popularity • 51% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 51% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Rager
Want Me to Want You
150 bpm • B Maj • 03:10 • -3.33db
21% Popularity • 44% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 44% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Denning
Sittin' By A Fire
150 bpm • G Maj • 03:02 • -7.37db
23% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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SixForty1
Show You Around
149 bpm • D Maj • 03:08 • -5.5db
16% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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CJ Solar
American Girls
150 bpm • E Maj • 03:35 • -4.11db
19% Popularity • 48% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 48% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Colt Ford
Red, White, Blue and Blessed
152 bpm • C# Maj • 03:05 • -5.42db
25% Popularity • 53% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 53% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Scotty McCreery
Something More
152 bpm • G Maj • 03:28 • -6.13db
26% Popularity • 60% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 60% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Murphy Elmore
Kings of Friday Night
148 bpm • C min • 02:38 • -7.51db
17% Popularity • 48% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 48% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Carter Winter
Chaser
152 bpm • F# min • 03:08 • -7.53db
25% Popularity • 53% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 53% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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SixForty1
Maybe I Might
148 bpm • G# min • 02:54 • -6.09db
24% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Shotgun Rider
Mess I'm In
152 bpm • E Maj • 04:04 • -3.94db
21% Popularity • 51% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 51% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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Dylan Schneider
Gimme a Red Light
148 bpm • G Maj • 03:09 • -5.12db
37% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Dustin Huff
She's a Little More Downtown
148 bpm • F# Maj • 02:59 • -7.29db
15% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Justin Moore
That’s My Boy
148 bpm • G Maj • 03:10 • -4.26db
38% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Phillips
Fixer Upper
148 bpm • C Maj • 03:17 • -5db
23% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Old Dominion
Wake up Loving You
148 bpm • G# Maj • 03:48 • -8.2db
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Pell
Pretty Close
148 bpm • C Maj • 03:00 • -2.88db
15% Popularity • 46% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 46% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Cole Taylor
Take a Drink
152 bpm • D Maj • 02:43 • -4.68db
16% Popularity • 57% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Craig
Whatever You’re Drinking To
152 bpm • D Maj • 03:24 • -3.41db
11% Popularity • 44% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 44% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Pick-Up Lines
148 bpm • A Maj • 03:21 • -4.95db
36% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Chambers
Nowhere Everywhere
148 bpm • D Maj • 03:20 • -4.01db
25% Popularity • 59% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 59% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Carter Winter
My First Love
152 bpm • C Maj • 03:08 • -5.73db
12% Popularity • 51% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 51% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Cole Taylor
More Than Just a Night
152 bpm • A Maj • 03:17 • -4.73db
8% Popularity • 54% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 54% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Clayton Anderson
Doin' What You're Doin'
153 bpm • A Maj • 03:24 • -5.54db
16% Popularity • 58% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 58% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Brantley Gilbert
Way Back
148 bpm • C Maj • 03:37 • -4.25db
36% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Drew Parker
I Was Lying
146 bpm • A# Maj • 03:10 • -4.3db
27% Popularity • 48% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 48% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Andy Velo
Wouldn't Be The First Time
146 bpm • D# Maj • 03:33 • -4.85db
15% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Florida Georgia Line
While He's Still Around
146 bpm • G# Maj • 02:54 • -5.97db
33% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Jameson Rodgers
Cold Case
154 bpm • C# Maj • 03:00 • -4.36db
23% Popularity • 46% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 46% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Brantley Gilbert
Baby Be Crazy
153 bpm • C# min • 03:29 • -4.88db
41% Popularity • 46% Danceability • 75% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
41% Popularity • 46% Danceability • 75% Energy • 29% Liveness
1% Instrumentalness • 44% Positiveness
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Tyler Chambers
Work Hard Pray Harder
146 bpm • E Maj • 03:21 • -6.84db
22% Popularity • 52% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 52% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jaden Hamilton
Ride It Out
146 bpm • C# min • 02:54 • -3.74db
30% Popularity • 50% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 50% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bryan
She's A Hot One
154 bpm • F min • 02:55 • -1.9db
38% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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William Michael Morgan
Vinyl
154 bpm • F Maj • 03:18 • -6db
35% Popularity • 57% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
35% Popularity • 57% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Outshyne
Night with Your Name on It
154 bpm • A# Maj • 03:21 • -6db
12% Popularity • 51% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 51% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Velo
Song You Can Drink a Beer To
146 bpm • G# Maj • 03:30 • -4.56db
17% Popularity • 50% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 50% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Bryce Mauldin
All the Proof I Need
146 bpm • C Maj • 03:32 • -4.54db
20% Popularity • 51% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 51% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Justin Lee
Like I've Fallen
154 bpm • G# Maj • 03:28 • -4.69db
35% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Kenton Bryant
Wild Hearts
146 bpm • C# Maj • 03:10 • -5.06db
23% Popularity • 57% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 57% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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CJ Solar
Tall Boy
146 bpm • D Maj • 03:37 • -4.87db
19% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Pell
Radio
154 bpm • F# Maj • 03:01 • -4.28db
8% Popularity • 51% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 51% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Carter Winter
Bad Boy
146 bpm • C# Maj • 03:38 • -5.65db
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Nate Kenyon
Sip It `Til Sunrise
146 bpm • C# Maj • 03:09 • -6.22db
8% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Canaan Smith
Pour Decisions
146 bpm • D Maj • 02:26 • -4.12db
33% Popularity • 54% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 54% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Cold Creek County
I Can Change All That
146 bpm • B Maj • 02:59 • -4.11db
8% Popularity • 53% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 53% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Kenton Bryant
Get A Little Gone
146 bpm • D Maj • 02:56 • -4.2db
11% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Luke Pell
Remember These Words
154 bpm • D Maj • 03:13 • -6.16db
25% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Scotty McCreery
The Dash
146 bpm • C# Maj • 03:44 • -6.62db
37% Popularity • 58% Danceability • 67% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
37% Popularity • 58% Danceability • 67% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
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Waterloo Revival
Slice of Heaven
154 bpm • G# Maj • 02:51 • -5.26db
23% Popularity • 59% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 59% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Pat Cooper
What She Don't Ask For
146 bpm • G Maj • 03:30 • -6.97db
10% Popularity • 52% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 52% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Levi Riggs
My Best Friend's A Girl
146 bpm • E Maj • 03:17 • -4.27db
20% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Carter Winter
She Don't Wanna Be
146 bpm • D Maj • 03:05 • -7.25db
20% Popularity • 49% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 49% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Curtis Grimes
Smile That Smile
146 bpm • B Maj • 03:23 • -3.72db
24% Popularity • 52% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 52% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Kenton Bryant
Since You’re Gone
154 bpm • C# Maj • 02:58 • -3.12db
13% Popularity • 55% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 55% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan Raymond
BFE
155 bpm • F# Maj • 03:07 • -6.32db
10% Popularity • 59% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 59% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Murphy Elmore
Good With the Memory
154 bpm • C min • 03:31 • -5.58db
22% Popularity • 41% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 41% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Outshyne
My Best Friend's Girl
145 bpm • E Maj • 03:18 • -6db
10% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Phelps
Waves
145 bpm • A Maj • 03:41 • -5.18db
19% Popularity • 60% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 60% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Brian Fuller
Buzzin' Like You
156 bpm • F Maj • 02:54 • -4.06db
16% Popularity • 52% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 52% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Cagle
Just Love Me
156 bpm • F# Maj • 05:08 • -7db
30% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Leave Me Wanting More
156 bpm • G# Maj • 03:00 • -6db
36% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Fulcher
Cowboy Up
144 bpm • F# Maj • 03:38 • -5.08db
18% Popularity • 48% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 48% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
32% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Craig Campbell
It's About Time
144 bpm • A Maj • 03:43 • -6.76db
27% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
46% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Kip Moore
Fast Women
156 bpm • D Maj • 03:38 • -5.72db
34% Popularity • 51% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 51% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Young
You Do the Talkin'
156 bpm • G Maj • 02:59 • -3.98db
36% Popularity • 51% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 51% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Tyler Chambers
In a Perfect World
144 bpm • C Maj • 02:52 • -7db
25% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Tim Dugger
You're Gonna Love Me
144 bpm • G Maj • 03:22 • -5db
30% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jordan Rager
Underage
144 bpm • C# Maj • 03:17 • -5.33db
22% Popularity • 61% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 61% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Scotty McCreery
Get Gone With You
144 bpm • F# Maj • 03:16 • -6.37db
29% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Carter Winter
Trouble
144 bpm • A min • 02:55 • -7.73db
24% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pat Cooper
Don't Have to Be Anything
144 bpm • G# Maj • 03:19 • -3.78db
12% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Walker Montgomery
Simple Town
144 bpm • G# Maj • 03:38 • -5db
31% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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William Michael Morgan
Talking to a Girl
144 bpm • A# Maj • 03:44 • -6.3db
24% Popularity • 63% Danceability • 60% Energy • 17% Liveness
1% Instrumentalness • 25% Positiveness
24% Popularity • 63% Danceability • 60% Energy • 17% Liveness
1% Instrumentalness • 25% Positiveness
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Tyler Chambers
Kiss Me Like That
144 bpm • E Maj • 03:50 • -6.15db
30% Popularity • 50% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 50% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Pell
Make Em Proud
144 bpm • C# Maj • 03:27 • -3.82db
19% Popularity • 55% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 55% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Schneider
50 Cent Lighter
144 bpm • D Maj • 02:58 • -5.01db
31% Popularity • 51% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 51% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Canaan Smith
Cabin In The Woods
144 bpm • D# Maj • 02:56 • -5.82db
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Sean Stemaly
Fading Away
144 bpm • G# Maj • 03:13 • -3db
34% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
