Songs like Soy el Ladrón de Tu Amor by Gualberto Ibarreto
Based on a tempo of (+/- 10%) and a similar genre
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El Cuarteto
La Restinga
88 bpm • A Maj • 03:07 • -13.03db
14% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Benito Quiros
Patrona de Margarita
88 bpm • C Maj • 02:57 • -16.09db
10% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Frank Quintero
Química
88 bpm • F# min • 04:24 • -16.82db
29% Popularity • 58% Danceability • 45% Energy • 19% Liveness
32% Instrumentalness • 64% Positiveness
29% Popularity • 58% Danceability • 45% Energy • 19% Liveness
32% Instrumentalness • 64% Positiveness
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Juan Vicente Torrealba
La Potra Zaina
88 bpm • B min • 02:34 • -9.1db
31% Popularity • 77% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 77% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Aries Vighot
Alcaravan Compañero
88 bpm • A Maj • 03:54 • -8.7db
19% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Quinteto Contrapunto
Amalia Rosa
88 bpm • D Maj • 02:12 • -12.16db
24% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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El Cuarteto
Quirpa Con Chipola
87 bpm • B min • 03:19 • -8.29db
12% Popularity • 41% Danceability • 69% Energy • 13% Liveness
70% Instrumentalness • 88% Positiveness
12% Popularity • 41% Danceability • 69% Energy • 13% Liveness
70% Instrumentalness • 88% Positiveness
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Arnulfo Briceño
Evocando al Jilguero
88 bpm • C Maj • 03:30 • -13db
12% Popularity • 75% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 75% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Gualberto Ibarreto
El Sapito del Monte
87 bpm • B min • 02:51 • -7.33db
7% Popularity • 56% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 56% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Juan Vicente Torrealba
La Potranca Zaina
88 bpm • B min • 02:35 • -10.83db
24% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Simón Díaz
Aquel
87 bpm • A Maj • 03:23 • -8.52db
33% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Lila Morillo
El Cocotero
87 bpm • A Maj • 02:34 • -6.84db
12% Popularity • 53% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 53% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Rogelio Ortiz
Por Caprichos Del Destino
87 bpm • B Maj • 03:54 • -15.08db
19% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Milena Benites
Mentira
89 bpm • F# min • 03:24 • -5.53db
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 72% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Gualberto Ibarreto
Ladrón de Tu Amor
87 bpm • A# min • 04:15 • -8.91db
35% Popularity • 32% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 32% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Jesus Moreno
Amiga, Novia y Amante
90 bpm • G min • 03:23 • -9.98db
34% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Grupo Vera
Sereno
89 bpm • D min • 03:07 • -8.44db
12% Popularity • 71% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 71% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Julio Miranda
Rosas Y Claveles
90 bpm • D Maj • 04:23 • -7.81db
35% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Maria Rivas
Motivos
90 bpm • F Maj • 02:55 • -9.55db
9% Popularity • 46% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Teo Galíndez
Para Toda la Vida
86 bpm • B min • 04:18 • -7.83db
38% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Gualberto Ibarreto
La Carta
89 bpm • C Maj • 02:45 • -8.99db
17% Popularity • 62% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 62% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Reynaldo Armas
A Usted
90 bpm • E Maj • 03:03 • -15.63db
28% Popularity • 68% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Reyna Lucero
Son Mentiras
90 bpm • C Maj • 03:19 • -10.26db
27% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Julio Miranda
Ella
91 bpm • E Maj • 03:55 • -8.98db
46% Popularity • 53% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 53% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Ensamble Gurrufío
El Tamarindo
91 bpm • E min • 02:20 • -13.19db
15% Popularity • 46% Danceability • 48% Energy • 26% Liveness
77% Instrumentalness • 67% Positiveness
15% Popularity • 46% Danceability • 48% Energy • 26% Liveness
77% Instrumentalness • 67% Positiveness
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Teo Galíndez
Para Toda la Vida
91 bpm • C# Maj • 04:19 • -11.08db
20% Popularity • 69% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 69% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Gualberto Ibarreto
Anhelante / la Bikina
90 bpm • G Maj • 04:49 • -11.04db
16% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Reynaldo Armas
Mi Credo
91 bpm • C Maj • 04:04 • -9.9db
27% Popularity • 67% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Cholo Valderrama
Aguacerito Menudo
91 bpm • E min • 04:24 • -6.72db
25% Popularity • 65% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 65% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Quinto Criollo
La Paloma
91 bpm • A min • 03:24 • -12.31db
20% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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El Cazador Novato
Recordando Viejos Tiempos
85 bpm • D Maj • 03:45 • -12.51db
28% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Aldemaro Romero
Toma Lo Que Te Ofrecí
91 bpm • C Maj • 02:39 • -14.37db
16% Popularity • 62% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 62% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Gualberto Ibarreto
La Bikina
90 bpm • G Maj • 02:52 • -9.46db
29% Popularity • 49% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 49% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Reynaldo Armas
El Indio
91 bpm • G min • 03:28 • -15.09db
44% Popularity • 70% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 70% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Tino Rodriguez
Los Pregones
85 bpm • D min • 02:39 • -7.98db
8% Popularity • 49% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 49% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Benito Quiros
A la Virgen del Valle
85 bpm • C Maj • 03:21 • -14.13db
12% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Juan Harvey Caycedo
Glosa del Amor Alegre
85 bpm • D Maj • 01:44 • -15.85db
26% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Vitin Aviles
Porque Ahora
85 bpm • E min • 03:01 • -9db
42% Popularity • 42% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 42% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Gualberto Ibarreto
Punto e Velorio
85 bpm • G min • 03:48 • -7.56db
6% Popularity • 70% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
6% Popularity • 70% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Reynaldo Armas
A Usted
91 bpm • E Maj • 03:00 • -7.21db
20% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Reyna Lucero
Carrao, Carrao
84 bpm • D min • 03:46 • -11.05db
34% Popularity • 69% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 69% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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El Cuarteto
El Diablo Suelto / El Alacran
92 bpm • G Maj • 02:15 • -11.9db
22% Popularity • 61% Danceability • 56% Energy • 31% Liveness
23% Instrumentalness • 96% Positiveness
22% Popularity • 61% Danceability • 56% Energy • 31% Liveness
23% Instrumentalness • 96% Positiveness
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Omar Acedo
Anhelante
84 bpm • D# Maj • 03:56 • -13.57db
3% Popularity • 37% Danceability • 21% Energy • 73% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 37% Danceability • 21% Energy • 73% Liveness
0% Instrumentalness • 18% Positiveness
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Baez
Mi Mujer Es Caña Dulce
84 bpm • A min • 03:30 • -7.14db
14% Popularity • 44% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 44% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
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Gualberto Ibarreto
El Garrafon
91 bpm • G# Maj • 03:18 • -6.89db
21% Popularity • 73% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Reynaldo Armas
Murió la Rosa
91 bpm • E Maj • 03:00 • -15.45db
37% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Simón Díaz con La Rondalla Venezolana
El Alcaraván
92 bpm • A min • 04:19 • -12.55db
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Julio Miranda
Consejos De Copas
92 bpm • G# min • 03:40 • -9.07db
31% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Chelique Sarabia y su Conjunto
Chinita De Maracaibo
84 bpm • A min • 03:10 • -9.73db
19% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Rafael Montaño
Ansiedad
84 bpm • A Maj • 02:35 • -8.98db
17% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Gualberto Ibarreto
Arroz Con Frijol
91 bpm • C min • 02:32 • -8.35db
14% Popularity • 80% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
14% Popularity • 80% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Reynaldo Armas
A Usted
92 bpm • E Maj • 02:59 • -14.32db
47% Popularity • 60% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 60% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Soledad Bravo
Ojos malignos ii
84 bpm • G Maj • 02:52 • -8.29db
29% Popularity • 46% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Freddy Salcedo
Viejo Soguero
84 bpm • A min • 03:18 • -7.68db
32% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Francisco Pacheco Y Su Pueblo
El Espanto
93 bpm • C Maj • 04:25 • -5.7db
11% Popularity • 67% Danceability • 81% Energy • 81% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 67% Danceability • 81% Energy • 81% Liveness
0% Instrumentalness • 92% Positiveness
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Fabiana Ochoa
La Potra Zaina
93 bpm • G Maj • 02:47 • -6db
38% Popularity • 72% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 72% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Gualberto Ibarreto
Anhelante
92 bpm • G min • 03:17 • -9.49db
32% Popularity • 50% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 50% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Reynaldo Armas
La Quiero y Qué
92 bpm • D min • 02:28 • -6.33db
44% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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María Teresa Chacín
Americanto
93 bpm • C Maj • 04:42 • -13.79db
7% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Juan Harvey Caycedo
Testimonio
93 bpm • G Maj • 05:55 • -9.25db
14% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Grupo Excelsior
Los Claveles
93 bpm • A Maj • 01:23 • -6db
31% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
31% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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Aldemaro Romero
Poco a Poco
93 bpm • A min • 02:49 • -13.91db
20% Popularity • 40% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 40% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Gualberto Ibarreto
Guácara
92 bpm • C# Maj • 04:23 • -13.12db
12% Popularity • 55% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 55% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Reynaldo Armas
Alma Bolivariana
92 bpm • A min • 02:30 • -9.24db
10% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Cecilia Todd
Ah Que Malhaya un Trotecito
93 bpm • D Maj • 03:09 • -13.89db
7% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Cherry Navarro
Chinita De Maracaibo
83 bpm • A min • 03:13 • -11.31db
11% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Grupo Excelsior
Sinfonía en el Palmar
83 bpm • D Maj • 03:10 • -7.67db
27% Popularity • 58% Danceability • 68% Energy • 12% Liveness
41% Instrumentalness • 70% Positiveness
27% Popularity • 58% Danceability • 68% Energy • 12% Liveness
41% Instrumentalness • 70% Positiveness
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María Teresa Chacín
Algo Contigo
83 bpm • C min • 03:41 • -16.46db
11% Popularity • 37% Danceability • 22% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
11% Popularity • 37% Danceability • 22% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
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Gualberto Ibarreto
El Guareque
83 bpm • G# Maj • 04:26 • -8.22db
13% Popularity • 55% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 55% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Ensamble Gurrufío
El Marimbolero
94 bpm • G Maj • 03:07 • -11.3db
11% Popularity • 62% Danceability • 50% Energy • 9% Liveness
79% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 9% Liveness
79% Instrumentalness • 81% Positiveness
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Cecilia Todd
A Tu Regreso
93 bpm • C Maj • 03:36 • -18.24db
14% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Reynaldo Armas
La Quiero y Qué
94 bpm • G min • 02:26 • -14.33db
29% Popularity • 69% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Rafael Martinez
El Cazador Novato
82 bpm • A Maj • 04:23 • -13.6db
17% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Quintero
Muchacha Tímida
82 bpm • A Maj • 04:37 • -9.18db
19% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Los Cuñaos
Alma Llanera
94 bpm • D Maj • 02:45 • -8db
17% Popularity • 46% Danceability • 70% Energy • 58% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 46% Danceability • 70% Energy • 58% Liveness
0% Instrumentalness • 83% Positiveness
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María Teresa Chacín
Mi País
94 bpm • G min • 03:02 • -9.48db
23% Popularity • 60% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 60% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Cristóbal Jiménez
Linda Barinas
95 bpm • D Maj • 03:26 • -8db
41% Popularity • 73% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 73% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Reynaldo Armas
Mi Amigo el Camino
95 bpm • B Maj • 03:18 • -20.08db
46% Popularity • 73% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 73% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Adrenalina Caribe
Tonta
95 bpm • F Maj • 03:32 • -14.63db
23% Popularity • 67% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 67% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Grupo Excelsior
El Gavilán
95 bpm • G# Maj • 01:35 • -5.11db
29% Popularity • 64% Danceability • 78% Energy • 8% Liveness
79% Instrumentalness • 90% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 8% Liveness
79% Instrumentalness • 90% Positiveness
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Armando Martínez
Mi Tristeza
95 bpm • F# min • 04:05 • -4.85db
40% Popularity • 46% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 46% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Cholo Valderrama
Pedro Navajas
81 bpm • E Maj • 04:41 • -7.91db
17% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Nueva Gente
Después Que Me Olvide de Ti
95 bpm • E Maj • 04:07 • -8.65db
15% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Reynaldo Armas
Laguna Vieja
95 bpm • G Maj • 03:45 • -6.25db
41% Popularity • 38% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 38% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 92% Positiveness
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Arnulfo Briceño
Hato Canaguay
95 bpm • D Maj • 02:45 • -12.57db
22% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Daiquiri
Desde Que Te Fuiste
95 bpm • A min • 03:16 • -14.09db
33% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Ensamble Gurrufío
El Cruzao
81 bpm • A Maj • 03:18 • -13db
19% Popularity • 52% Danceability • 68% Energy • 12% Liveness
74% Instrumentalness • 87% Positiveness
19% Popularity • 52% Danceability • 68% Energy • 12% Liveness
74% Instrumentalness • 87% Positiveness
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Cholo Valderrama
Vestida de Garza Blanca
96 bpm • D Maj • 03:39 • -7.47db
11% Popularity • 54% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 54% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Simón Díaz
Maracaibo Florido
81 bpm • D min • 03:21 • -6.01db
20% Popularity • 55% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 55% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Rafael Escalona
La Casa en el Aire
96 bpm • D Maj • 03:03 • -9.51db
35% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Cecilia Todd
Bambuco
81 bpm • F min • 03:27 • -13.45db
13% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Daiquiri
El Amor
95 bpm • C# Maj • 03:40 • -14.22db
8% Popularity • 75% Danceability • 52% Energy • 9% Liveness
81% Instrumentalness • 68% Positiveness
8% Popularity • 75% Danceability • 52% Energy • 9% Liveness
81% Instrumentalness • 68% Positiveness
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Arnulfo Briceño
Llanerita - Llanerita
96 bpm • A min • 04:05 • -12.37db
10% Popularity • 64% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Ignacio Rondon
Sin Temor
96 bpm • G min • 03:27 • -6.69db
26% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Simón Díaz con La Rondalla Venezolana
Maracaibo En La Noche
80 bpm • B min • 03:14 • -11db
15% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Julio Miranda
Lamento Guaiqueri
97 bpm • G Maj • 03:31 • -4.29db
30% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Cecilia Todd
El Novio Pollero
81 bpm • A Maj • 02:51 • -11.31db
7% Popularity • 70% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 70% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Daiquiri
Vente Conmigo
97 bpm • C Maj • 03:19 • -5.33db
19% Popularity • 85% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 85% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
