Songs like Speak Softly Love by Joey DeFrancesco
Based on a tempo of (+/- 10%) and a similar genre
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Joey DeFrancesco
O Solo Mio
122 bpm • F Maj • 05:12 • -17.28db
12% Popularity • 64% Danceability • 30% Energy • 13% Liveness
79% Instrumentalness • 50% Positiveness
12% Popularity • 64% Danceability • 30% Energy • 13% Liveness
79% Instrumentalness • 50% Positiveness
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Marcus Miller
Papa‎ Was A Rolling Stone
122 bpm • G# Maj • 06:06 • -9.9db
34% Popularity • 86% Danceability • 51% Energy • 7% Liveness
77% Instrumentalness • 84% Positiveness
34% Popularity • 86% Danceability • 51% Energy • 7% Liveness
77% Instrumentalness • 84% Positiveness
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Tom Harrell
Journey to the Stars
122 bpm • F min • 06:34 • -17.6db
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
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Shirley Scott
Blue Bongo
122 bpm • G Maj • 03:05 • -13.03db
23% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Larry Goldings
Solidity
122 bpm • G# Maj • 03:56 • -13.91db
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
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Ray Brown Trio
Summertime - Live At The Fujitsu-Concord...
122 bpm • D min • 07:15 • -19.64db
19% Popularity • 44% Danceability • 32% Energy • 73% Liveness
74% Instrumentalness • 23% Positiveness
19% Popularity • 44% Danceability • 32% Energy • 73% Liveness
74% Instrumentalness • 23% Positiveness
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Joey DeFrancesco
Speak Softly Love
122 bpm • F min • 05:29 • -18db
29% Popularity • 62% Danceability • 22% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
29% Popularity • 62% Danceability • 22% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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Airelle Besson
O Grande Amor
121 bpm • F Maj • 04:38 • -19.68db
31% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
31% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Paddy Milner
Unsquare Dance
121 bpm • B min • 02:55 • -6db
13% Popularity • 55% Danceability • 83% Energy • 8% Liveness
32% Instrumentalness • 74% Positiveness
13% Popularity • 55% Danceability • 83% Energy • 8% Liveness
32% Instrumentalness • 74% Positiveness
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Martin Taylor
Five-O
123 bpm • G min • 06:11 • -14.62db
7% Popularity • 55% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
7% Popularity • 55% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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Abdullah Ibrahim
Someday Soon Sweet Samba
123 bpm • D Maj • 04:45 • -17.35db
24% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
24% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
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Junior Mance
A Time and a Place - Single Version
123 bpm • C min • 05:06 • -14.74db
21% Popularity • 63% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 43% Positiveness
21% Popularity • 63% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 43% Positiveness
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Joey DeFrancesco
Ceora
121 bpm • G# Maj • 07:23 • -13.53db
6% Popularity • 68% Danceability • 28% Energy • 11% Liveness
42% Instrumentalness • 52% Positiveness
6% Popularity • 68% Danceability • 28% Energy • 11% Liveness
42% Instrumentalness • 52% Positiveness
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Christian McBride Trio
Ham Hocks and Cabbage
123 bpm • D# min • 08:24 • -22.72db
32% Popularity • 56% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Bob Mintzer
La vita è bella (Soundtrack of R. Benig...
123 bpm • C Maj • 05:39 • -15db
19% Popularity • 51% Danceability • 45% Energy • 70% Liveness
29% Instrumentalness • 47% Positiveness
19% Popularity • 51% Danceability • 45% Energy • 70% Liveness
29% Instrumentalness • 47% Positiveness
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Eddie Harris
The Shadow of Your Smile
121 bpm • E min • 05:32 • -13db
20% Popularity • 58% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
37% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
37% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Horace Parlan
Congalegre
121 bpm • F min • 04:24 • -11.89db
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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Joe Zawinul
Money in the Pocket
123 bpm • C min • 04:45 • -16.29db
18% Popularity • 76% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
18% Popularity • 76% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Jack Jones
Fever
121 bpm • G Maj • 06:03 • -8.85db
4% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Griffin
Nice And Easy - Remastered 2006/Rudy Van...
124 bpm • F min • 04:19 • -9.24db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
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Joey DeFrancesco
Puttin' on the Ritz
124 bpm • F min • 06:05 • -13.04db
3% Popularity • 43% Danceability • 53% Energy • 10% Liveness
75% Instrumentalness • 60% Positiveness
3% Popularity • 43% Danceability • 53% Energy • 10% Liveness
75% Instrumentalness • 60% Positiveness
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Jay Israelson
Le Bar Band
120 bpm • F min • 02:13 • -11.13db
35% Popularity • 94% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
35% Popularity • 94% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
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Frank Vignola
Don't Mess with Us
120 bpm • C Maj • 01:23 • -9.77db
4% Popularity • 97% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 68% Positiveness
4% Popularity • 97% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 68% Positiveness
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Ben Sidran
Back Nine
120 bpm • C# Maj • 04:31 • -11db
30% Popularity • 90% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 74% Positiveness
30% Popularity • 90% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 74% Positiveness
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Benny Golson
Killer Joe
120 bpm • F Maj • 06:53 • -10.25db
32% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Zazou
Hall/Hugh's Noir
120 bpm • G Maj • 05:10 • -13.74db
22% Popularity • 88% Danceability • 41% Energy • 8% Liveness
76% Instrumentalness • 77% Positiveness
22% Popularity • 88% Danceability • 41% Energy • 8% Liveness
76% Instrumentalness • 77% Positiveness
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Eddie Harris
Chicago Serenade
120 bpm • D min • 02:56 • -12.78db
18% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Bob Berg
Silverado
124 bpm • C min • 08:27 • -11.96db
3% Popularity • 44% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 41% Positiveness
3% Popularity • 44% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 41% Positiveness
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Junior Mance
A Smooth One
124 bpm • F min • 03:26 • -17db
47% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
47% Popularity • 78% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 57% Positiveness
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Joey DeFrancesco
Soul Dancing
120 bpm • A# min • 06:36 • -9.12db
16% Popularity • 66% Danceability • 59% Energy • 14% Liveness
79% Instrumentalness • 54% Positiveness
16% Popularity • 66% Danceability • 59% Energy • 14% Liveness
79% Instrumentalness • 54% Positiveness
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Jimmy Rosenberg
Nature Boy
124 bpm • G# min • 06:14 • -13.47db
13% Popularity • 57% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
13% Popularity • 57% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
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Manu Katché
November 99
124 bpm • F Maj • 05:58 • -19.66db
28% Popularity • 57% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 17% Positiveness
28% Popularity • 57% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 17% Positiveness
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Bobby Hutcherson
Delia
124 bpm • C min • 05:50 • -10.63db
11% Popularity • 47% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 47% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Ninine Garcia Quintet
Jolie Swing
124 bpm • G Maj • 02:49 • -10.02db
32% Popularity • 75% Danceability • 50% Energy • 11% Liveness
79% Instrumentalness • 85% Positiveness
32% Popularity • 75% Danceability • 50% Energy • 11% Liveness
79% Instrumentalness • 85% Positiveness
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Joey DeFrancesco
Volare
124 bpm • C# Maj • 04:14 • -13.95db
15% Popularity • 56% Danceability • 60% Energy • 31% Liveness
78% Instrumentalness • 72% Positiveness
15% Popularity • 56% Danceability • 60% Energy • 31% Liveness
78% Instrumentalness • 72% Positiveness
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Tok Tok Tok
Boogie Woogie Bossa Nova*°
119 bpm • C# Maj • 05:41 • -19.53db
9% Popularity • 67% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 56% Positiveness
9% Popularity • 67% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 56% Positiveness
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Rhoda Scott
We Free Queens
119 bpm • A# min • 05:45 • -9.92db
8% Popularity • 68% Danceability • 39% Energy • 10% Liveness
58% Instrumentalness • 70% Positiveness
8% Popularity • 68% Danceability • 39% Energy • 10% Liveness
58% Instrumentalness • 70% Positiveness
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Christian McBride Trio
Car Wash
125 bpm • E min • 07:12 • -11db
29% Popularity • 66% Danceability • 46% Energy • 67% Liveness
13% Instrumentalness • 56% Positiveness
29% Popularity • 66% Danceability • 46% Energy • 67% Liveness
13% Instrumentalness • 56% Positiveness
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Frank Vignola
Frankly Swinging
119 bpm • D min • 01:11 • -10.79db
4% Popularity • 63% Danceability • 34% Energy • 9% Liveness
76% Instrumentalness • 94% Positiveness
4% Popularity • 63% Danceability • 34% Energy • 9% Liveness
76% Instrumentalness • 94% Positiveness
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Jimmy Forrest
Bolo Blues
125 bpm • F# Maj • 04:07 • -15db
26% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
26% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
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Brad Mehldau Trio
Friends
125 bpm • D Maj • 08:15 • -15db
36% Popularity • 45% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
36% Popularity • 45% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Wes Montgomery Trio
Moanin' - Take 10 / Alternate
119 bpm • F min • 05:46 • -23.37db
36% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
36% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Joshua Redman Quartet
Headin' Home
119 bpm • C Maj • 04:05 • -11db
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
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Bobby Hutcherson
You
119 bpm • F min • 08:02 • -11.79db
6% Popularity • 44% Danceability • 42% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
6% Popularity • 44% Danceability • 42% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
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Joey DeFrancesco
V & G
119 bpm • G# Maj • 06:21 • -16.25db
2% Popularity • 66% Danceability • 24% Energy • 13% Liveness
48% Instrumentalness • 63% Positiveness
2% Popularity • 66% Danceability • 24% Energy • 13% Liveness
48% Instrumentalness • 63% Positiveness
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Art Pepper
Historia de un Amor
119 bpm • G min • 07:43 • -14.28db
21% Popularity • 59% Danceability • 20% Energy • 9% Liveness
59% Instrumentalness • 36% Positiveness
21% Popularity • 59% Danceability • 20% Energy • 9% Liveness
59% Instrumentalness • 36% Positiveness
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Oscar Peterson Trio
Volare
119 bpm • A# min • 02:46 • -18db
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
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Peter Beets
Prelude in e Minor
119 bpm • A min • 05:40 • -15.98db
18% Popularity • 61% Danceability • 57% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
18% Popularity • 61% Danceability • 57% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
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Les doigts de l'homme
St James Infirmary Blues
125 bpm • C# Maj • 04:24 • -14.88db
17% Popularity • 80% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 33% Positiveness
17% Popularity • 80% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 33% Positiveness
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David Grisman
Till There Was You
125 bpm • G# Maj • 02:55 • -22.49db
7% Popularity • 78% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 66% Positiveness
7% Popularity • 78% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 66% Positiveness
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Dexter Gordon
Le Coiffeur
119 bpm • C Maj • 07:02 • -12.66db
44% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Don Byron
Charley's Prelude
126 bpm • F min • 02:48 • -16db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Snorre Kirk
Blues Arabesque
118 bpm • C# Maj • 04:40 • -17.56db
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
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Frank Vignola
Town to Town
118 bpm • C Maj • 01:43 • -13.9db
3% Popularity • 86% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 28% Positiveness
3% Popularity • 86% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 28% Positiveness
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Romane
Gypsy Fire
118 bpm • A min • 03:26 • -11db
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
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Mary Lou Williams
It Ain’t Necessarily So
126 bpm • E min • 04:45 • -22db
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Joey DeFrancesco
In That Order
126 bpm • F min • 06:38 • -14.09db
3% Popularity • 49% Danceability • 45% Energy • 14% Liveness
88% Instrumentalness • 64% Positiveness
3% Popularity • 49% Danceability • 45% Energy • 14% Liveness
88% Instrumentalness • 64% Positiveness
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Serge Chaloff
A Handful Of Stars
126 bpm • F min • 05:35 • -16db
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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The Gene Harris Quartet
Nice 'N' Easy
118 bpm • F Maj • 07:23 • -17db
10% Popularity • 61% Danceability • 27% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
10% Popularity • 61% Danceability • 27% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
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Art Pepper
Patricia
126 bpm • A# Maj • 03:38 • -17.5db
40% Popularity • 65% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 32% Positiveness
40% Popularity • 65% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 32% Positiveness
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Lee Morgan
Sweet Honey Bee
126 bpm • F min • 06:55 • -10db
29% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie Harris
Exodus
118 bpm • A min • 06:39 • -14.69db
14% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Dave Brubeck
Besame Mucho
127 bpm • A# min • 05:58 • -18db
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
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Kenny Garrett
Before It's Time to Say Goodbye
118 bpm • C# Maj • 05:17 • -16.55db
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
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Wynton Kelly
Softly As In A Morning Sunrise
127 bpm • F min • 06:33 • -18.41db
41% Popularity • 62% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
41% Popularity • 62% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
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James Moody
The Pink Panther
118 bpm • C Maj • 05:03 • -15.78db
13% Popularity • 57% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Manu Katché
February Sun
127 bpm • C Maj • 04:42 • -22.91db
36% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Jersey Guitar Mafia
Tarantella Napoletana
127 bpm • A min • 02:18 • -6.26db
5% Popularity • 76% Danceability • 61% Energy • 16% Liveness
93% Instrumentalness • 95% Positiveness
5% Popularity • 76% Danceability • 61% Energy • 16% Liveness
93% Instrumentalness • 95% Positiveness
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Diknu Schneeberger
Rubina
117 bpm • F min • 02:54 • -9.43db
28% Popularity • 71% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
28% Popularity • 71% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
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Richard Iacona
Lineup
127 bpm • A# min • 01:00 • -19.48db
28% Popularity • 65% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
28% Popularity • 65% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
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Kenny Barron
Rapaz De Bem
117 bpm • C Maj • 06:03 • -10.78db
7% Popularity • 52% Danceability • 52% Energy • 31% Liveness
45% Instrumentalness • 62% Positiveness
7% Popularity • 52% Danceability • 52% Energy • 31% Liveness
45% Instrumentalness • 62% Positiveness
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André Charlier
Fouquet's
127 bpm • F min • 01:35 • -11.85db
36% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
36% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
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Dorothy Donegan
I Just Want To Sing
117 bpm • C min • 03:27 • -18.01db
38% Popularity • 69% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 58% Positiveness
38% Popularity • 69% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 58% Positiveness
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David Grisman
Flamingo
117 bpm • F Maj • 04:09 • -19.84db
3% Popularity • 86% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
3% Popularity • 86% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
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Christian McBride Trio
Who's Making Love
117 bpm • C min • 06:17 • -16db
17% Popularity • 68% Danceability • 28% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 12% Liveness
79% Instrumentalness • 40% Positiveness
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Jean-Pierre Bertrand
Blues O'Clock
117 bpm • F min • 03:33 • -19.52db
32% Popularity • 87% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
32% Popularity • 87% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
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Paris Gadjo Club
Assanhado
116 bpm • G Maj • 02:56 • -7.67db
36% Popularity • 90% Danceability • 51% Energy • 9% Liveness
78% Instrumentalness • 83% Positiveness
36% Popularity • 90% Danceability • 51% Energy • 9% Liveness
78% Instrumentalness • 83% Positiveness
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Marc Johnson
Union Pacific
127 bpm • G min • 05:29 • -13.46db
12% Popularity • 65% Danceability • 51% Energy • 13% Liveness
81% Instrumentalness • 40% Positiveness
12% Popularity • 65% Danceability • 51% Energy • 13% Liveness
81% Instrumentalness • 40% Positiveness
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Joey DeFrancesco
Angel Calling
116 bpm • C Maj • 05:44 • -9.07db
4% Popularity • 46% Danceability • 40% Energy • 28% Liveness
22% Instrumentalness • 29% Positiveness
4% Popularity • 46% Danceability • 40% Energy • 28% Liveness
22% Instrumentalness • 29% Positiveness
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The Modern Jazz Quartet
J.B. Blues
116 bpm • D# Maj • 05:11 • -16.65db
20% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cyrus Chestnut
Gnossienne No. 1
116 bpm • A# min • 06:56 • -23.56db
32% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
32% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Pearl Django
Mighty Engine of Rhythm
128 bpm • A min • 04:03 • -10.51db
24% Popularity • 88% Danceability • 29% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
24% Popularity • 88% Danceability • 29% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
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Snorre Kirk
Bright And Early
128 bpm • C min • 03:01 • -10.8db
12% Popularity • 62% Danceability • 42% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
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Adrien Moignard
How Deep is Your Love
116 bpm • F min • 04:31 • -18.72db
15% Popularity • 63% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 72% Positiveness
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Bill Charlap Trio
Uptown, Downtown
128 bpm • B min • 06:00 • -16db
26% Popularity • 54% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
26% Popularity • 54% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Joey DeFrancesco
Where to Go
128 bpm • C Maj • 07:24 • -8.31db
4% Popularity • 52% Danceability • 58% Energy • 18% Liveness
44% Instrumentalness • 53% Positiveness
4% Popularity • 52% Danceability • 58% Energy • 18% Liveness
44% Instrumentalness • 53% Positiveness
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Ike Quebec
Congo Lament
116 bpm • F# Maj • 06:53 • -16.14db
11% Popularity • 58% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 58% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Emmet Cohen
Future Stride
129 bpm • G Maj • 05:53 • -16.84db
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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Gerald Wilson
Blues For Yna Yna
116 bpm • D min • 06:52 • -14.84db
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
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Wynton Kelly Trio
It's All Right
116 bpm • C Maj • 02:50 • -16.06db
47% Popularity • 79% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 79% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Eric Legnini Trio
Nightfall
129 bpm • B min • 03:30 • -13.2db
28% Popularity • 63% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
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Kenny Barron
Fungii Mama - Remastered
116 bpm • C# Maj • 05:44 • -14.12db
35% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
35% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
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Bojan Z
Ashes to Ashes
115 bpm • F# Maj • 04:50 • -13db
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 49% Positiveness
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 49% Positiveness
