Songs like Special Delivery - Remastered by 1910 Fruitgum Company
Based on a tempo of (+/- 10%) and a similar genre
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1910 Fruitgum Company
Simon Says (Re-Recorded / Remastered)
137 bpm • A Maj • 02:26 • -7.39db
17% Popularity • 76% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 76% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Vanity Fare
Hitchin' A Ride
137 bpm • C Maj • 02:55 • -7.53db
42% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dick & Dee Dee
Thou Shalt Not Steal
137 bpm • A Maj • 02:00 • -11db
15% Popularity • 68% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
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Classics IV
Daydream Believer
137 bpm • G Maj • 02:17 • -13.18db
17% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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The Grass Roots
Midnight Confessions
137 bpm • F# Maj • 02:46 • -14.86db
34% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Keith
Ain't Gonna Lie
137 bpm • F Maj • 03:01 • -7db
16% Popularity • 67% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 67% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
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Bob Kuban & The In-Men
The Cheater
137 bpm • D# min • 02:37 • -10.6db
18% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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1910 Fruitgum Company
Game of Love
137 bpm • C Maj • 01:54 • -12.73db
2% Popularity • 80% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 80% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Tommy Boyce
I Wonder What She's Doing Tonight?
137 bpm • A# Maj • 02:41 • -12db
40% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
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The McCoys
Papa's Got a Brand New Bag
138 bpm • A Maj • 02:00 • -13.58db
12% Popularity • 67% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 67% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Music Explosion
Little Bit O' Soul - Action Mix
136 bpm • G Maj • 02:21 • -6.71db
32% Popularity • 60% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 60% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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The Essex
Easier Said Than Done
136 bpm • E Maj • 02:06 • -11db
34% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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The Turtles
You Baby (Mono)
136 bpm • B Maj • 02:18 • -8.45db
33% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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1910 Fruitgum Company
Special Delivery - Remastered
137 bpm • A Maj • 02:38 • -13.09db
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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David Cassidy
I Woke Up In Love This Morning
138 bpm • B min • 02:40 • -12.36db
37% Popularity • 58% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 58% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Gary Puckett & The Union Gap
Keep The Customer Satisfied
136 bpm • D Maj • 02:38 • -11.65db
18% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Peter And Gordon
The Knight in Rusty Armour - Mono; 2003 ...
136 bpm • G# min • 02:37 • -9.99db
9% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Crazy Elephant
Gimme Gimme Good Lovin'
138 bpm • D Maj • 02:03 • -13.79db
40% Popularity • 85% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 85% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ohio Express
Sausalito (Is The Place To Go)
138 bpm • D Maj • 02:17 • -8.7db
10% Popularity • 72% Danceability • 75% Energy • 20% Liveness
32% Instrumentalness • 97% Positiveness
10% Popularity • 72% Danceability • 75% Energy • 20% Liveness
32% Instrumentalness • 97% Positiveness
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Brian Hyland
Lonely Teardrops
138 bpm • G Maj • 03:12 • -8.28db
11% Popularity • 44% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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The Young Rascals
A Girl Like You - Mono
138 bpm • C min • 02:50 • -8.61db
30% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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1910 Fruitgum Company
Sweet Lovin'
138 bpm • E Maj • 01:55 • -13.03db
2% Popularity • 61% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 61% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Freddie & The Dreamers
Do the Freddie
138 bpm • F# Maj • 01:59 • -7.95db
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Peter And Gordon
The Knight in Rusty Armour - Stereo; 201...
136 bpm • B Maj • 02:38 • -7db
19% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The Osmonds
Yo-Yo
138 bpm • D Maj • 03:15 • -5.8db
28% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Crazy Elephant
Gimme Gimme Good Lovin'
136 bpm • D Maj • 01:59 • -8.07db
12% Popularity • 86% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 86% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Mitch Ryder and The Detroit Wheels
In the Midnight Hour
138 bpm • A min • 02:30 • -12.39db
10% Popularity • 74% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 74% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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1910 Fruitgum Company
No Good Annie
135 bpm • C Maj • 02:20 • -11.63db
3% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Fireballs
Daisy Petal Pickin'
136 bpm • D Maj • 02:14 • -8.83db
16% Popularity • 72% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 72% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:07 • -9.31db
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Gene Pitney
Last Chance To Turn Around
135 bpm • F Maj • 03:06 • -8db
24% Popularity • 46% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 46% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Kuban & The In-Men
The Cheater - Remastered
135 bpm • D# min • 02:39 • -7.63db
12% Popularity • 62% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 62% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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The New Colony Six
Love You So Much
135 bpm • B min • 02:01 • -12db
19% Popularity • 50% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 50% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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1910 Fruitgum Company
Goody Goody Gumdrops
135 bpm • G Maj • 02:29 • -12.76db
3% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Grass Roots
Midnight Confessions
135 bpm • F# Maj • 02:44 • -7.08db
50% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:06 • -8db
41% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
41% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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B.J. Thomas
The Eyes Of A New York Woman
135 bpm • A Maj • 03:03 • -8.01db
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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The Parade
Sunshine Girl
139 bpm • G Maj • 02:46 • -12.19db
15% Popularity • 45% Danceability • 40% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
15% Popularity • 45% Danceability • 40% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
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The Kingsmen
Jolly Green Giant
135 bpm • A# Maj • 01:59 • -8db
22% Popularity • 53% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 53% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The McCoys
Come On Let's Go
139 bpm • C Maj • 02:39 • -11db
24% Popularity • 51% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 51% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 47% Positiveness
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Freddie & The Dreamers
I Think of You
135 bpm • D# Maj • 02:15 • -11.66db
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Gentrys
Why Should I Cry
135 bpm • C# Maj • 02:12 • -14db
12% Popularity • 71% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 71% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Petula Clark
A Sign of the Times
139 bpm • A# Maj • 02:52 • -10.18db
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Swinging Blue Jeans
Promise You'll Tell Her
135 bpm • E Maj • 02:09 • -6.92db
24% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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The Moments
Walk Right In
139 bpm • A Maj • 02:09 • -9db
8% Popularity • 77% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 98% Positiveness
8% Popularity • 77% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 98% Positiveness
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1910 Fruitgum Company
Dee-Licious
140 bpm • C# Maj • 02:18 • -11.93db
1% Popularity • 66% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 66% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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The Beau Brummels
Hang On Sloopy
134 bpm • F# Maj • 02:52 • -11.73db
14% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Buckinghams
I Call Your Name
140 bpm • C# min • 02:10 • -10db
17% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Gene Pitney
Mecca
140 bpm • D min • 02:20 • -7.04db
26% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Vanity Fare
Hitchin' a Ride
134 bpm • C Maj • 03:08 • -11db
21% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Association
Time for Livin'
134 bpm • D Maj • 02:45 • -12.34db
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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1910 Fruitgum Company
Simon Says
134 bpm • A Maj • 02:18 • -11db
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Brian Hyland
The Joker Went Wild
140 bpm • G# Maj • 02:44 • -6db
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Young Rascals
It's Wonderful - Single Version
140 bpm • A# Maj • 02:40 • -6.53db
10% Popularity • 39% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 39% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Grass Roots
Baby Hold On
134 bpm • A# Maj • 02:38 • -4.63db
28% Popularity • 65% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
28% Popularity • 65% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
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Bobby Sherman
Easy Come, Easy Go
140 bpm • E Maj • 02:41 • -18db
11% Popularity • 57% Danceability • 23% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 57% Danceability • 23% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Ohio Express
Down At Lulu's
134 bpm • F# Maj • 01:56 • -7.63db
17% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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1910 Fruitgum Company
Let's Make Love
140 bpm • C Maj • 02:00 • -12.52db
2% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Archies
La Dee Doo Down Down
133 bpm • F Maj • 02:08 • -9.46db
16% Popularity • 71% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 71% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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The Young Rascals
It's Wonderful
141 bpm • A# Maj • 02:16 • -12.21db
22% Popularity • 44% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 44% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Don & The Goodtimes
I Could Be So Good To You
133 bpm • C Maj • 02:54 • -12.72db
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Chad & Jeremy
You've Got Your Troubles (I've Got Mine)
133 bpm • C Maj • 02:54 • -10.49db
20% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Ohio Express
Mercy
133 bpm • B min • 02:23 • -7.31db
15% Popularity • 78% Danceability • 90% Energy • 15% Liveness
5% Instrumentalness • 96% Positiveness
15% Popularity • 78% Danceability • 90% Energy • 15% Liveness
5% Instrumentalness • 96% Positiveness
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1910 Fruitgum Company
Dee-Licious - Buddha Remastered 2001
140 bpm • C# Maj • 02:18 • -8.18db
1% Popularity • 65% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 65% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Edward Bear
Last Song
133 bpm • G Maj • 03:11 • -12db
19% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Box Tops
Cry Like a Baby
133 bpm • D Maj • 02:32 • -11.79db
42% Popularity • 67% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 67% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Gilmer
Sugar Shack
133 bpm • G Maj • 02:03 • -7db
41% Popularity • 79% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 79% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Spanky & Our Gang
Making Every Minute Count
141 bpm • E min • 02:35 • -6db
18% Popularity • 60% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 60% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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The Rockin' Berries
What in the World's Come Over You
142 bpm • A Maj • 02:23 • -5.8db
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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1910 Fruitgum Company
(Play Our Song) Mr. Music Man
134 bpm • G min • 02:48 • -12.8db
2% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Association
Windy - Mono
133 bpm • F Maj • 02:56 • -7.18db
18% Popularity • 61% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
18% Popularity • 61% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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The Buckinghams
Susan - Radio Edit
132 bpm • C Maj • 02:18 • -8.21db
15% Popularity • 31% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 31% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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The Uniques
Not Too Long Ago
132 bpm • C Maj • 02:19 • -8.91db
11% Popularity • 55% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 55% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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The McCoys
I Can't Explain It
132 bpm • F Maj • 02:26 • -9.34db
9% Popularity • 76% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 76% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Classics IV
The Letter
142 bpm • A min • 01:55 • -12.35db
28% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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1910 Fruitgum Company
The Train - Buddha Remastered 2001
134 bpm • C Maj • 02:41 • -7.93db
12% Popularity • 62% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 62% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Peppermint Rainbow
Will You Be Staying After Sunday
132 bpm • D# Maj • 03:28 • -7.01db
29% Popularity • 27% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 27% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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The Merseybeats
Don't Turn Around
132 bpm • A Maj • 02:39 • -14.22db
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Cowsills
Indian Lake
132 bpm • G Maj • 02:43 • -9db
41% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Peter And Gordon
Nobody I Know - Mono; 2002 Remaster
132 bpm • C Maj • 02:30 • -6.57db
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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1910 Fruitgum Company
Creations of Simon
140 bpm • C Maj • 03:37 • -14.48db
2% Popularity • 47% Danceability • 74% Energy • 25% Liveness
29% Instrumentalness • 84% Positiveness
2% Popularity • 47% Danceability • 74% Energy • 25% Liveness
29% Instrumentalness • 84% Positiveness
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Bobby Sherman
Easy Come, Easy Go
143 bpm • E Maj • 02:40 • -11db
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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The Association
Enter the Young
131 bpm • G Maj • 02:46 • -5.66db
16% Popularity • 52% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 52% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Ohio Express
Yummy Yummy Yummy
131 bpm • C Maj • 02:22 • -8db
37% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 74% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Cookies
Chains
143 bpm • G Maj • 02:32 • -6.43db
21% Popularity • 66% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 66% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans (Alternat...
143 bpm • G# Maj • 02:31 • -5.42db
18% Popularity • 28% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 28% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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1910 Fruitgum Company
The Train
134 bpm • A min • 02:43 • -11.03db
4% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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The Honeycombs
I Can't Stop
131 bpm • C min • 03:15 • -11.43db
10% Popularity • 59% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 59% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Swingin' Medallions
Double Shot (Of My Baby’s Love)
131 bpm • F min • 02:21 • -11db
33% Popularity • 66% Danceability • 73% Energy • 95% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 66% Danceability • 73% Energy • 95% Liveness
0% Instrumentalness • 97% Positiveness
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The Grass Roots
Lovin' Things
131 bpm • G# Maj • 02:42 • -10.31db
29% Popularity • 59% Danceability • 58% Energy • 5% Liveness
11% Instrumentalness • 90% Positiveness
29% Popularity • 59% Danceability • 58% Energy • 5% Liveness
11% Instrumentalness • 90% Positiveness
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We Five
You Were On My Mind
143 bpm • C# min • 02:35 • -8db
43% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Association
Along Comes Mary - Remastered Version
143 bpm • E min • 02:46 • -11.02db
24% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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1910 Fruitgum Company
1910 Cotton Candy Castle - Remastered
134 bpm • D Maj • 02:18 • -12.44db
3% Popularity • 72% Danceability • 49% Energy • 45% Liveness
60% Instrumentalness • 70% Positiveness
3% Popularity • 72% Danceability • 49% Energy • 45% Liveness
60% Instrumentalness • 70% Positiveness
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Cryan' Shames
I Wanna Meet You
143 bpm • F Maj • 02:06 • -10db
16% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Five Americans
Zip Code
143 bpm • A Maj • 02:32 • -9db
24% Popularity • 40% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 40% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Sherman
Seattle
131 bpm • G Maj • 03:25 • -21.68db
12% Popularity • 58% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 58% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
