Songs like Special To Me (Phoenix Audition Song) by Jessica Harper
Based on a tempo of (+/- 10%) and a similar genre
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The Association
Time for Livin'
134 bpm • D Maj • 02:45 • -12.34db
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Cass Elliot
Dream A Little Dream Of Me
134 bpm • B min • 03:41 • -10.39db
45% Popularity • 41% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 41% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
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Elton John
Curtains
134 bpm • A# Maj • 06:34 • -11.72db
33% Popularity • 37% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
33% Popularity • 37% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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The Buggles
Elstree
134 bpm • C# Maj • 04:28 • -10.14db
29% Popularity • 79% Danceability • 77% Energy • 18% Liveness
22% Instrumentalness • 63% Positiveness
29% Popularity • 79% Danceability • 77% Energy • 18% Liveness
22% Instrumentalness • 63% Positiveness
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Klaus Nomi
Simple Man
134 bpm • F Maj • 04:19 • -12.73db
24% Popularity • 75% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 75% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Jessica Harper
Special To Me (Phoenix Audition Song)
134 bpm • B Maj • 02:48 • -4.98db
33% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Blondie
Bermuda Triangle Blues - Remastered
134 bpm • D Maj • 02:48 • -8db
32% Popularity • 32% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
32% Popularity • 32% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
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Kate Bush
Don't Push Your Foot on the Heartbrake -...
134 bpm • A# Maj • 03:15 • -13db
27% Popularity • 57% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 37% Positiveness
27% Popularity • 57% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 37% Positiveness
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Utopia
I Just Want to Touch You
133 bpm • C Maj • 02:01 • -11.6db
21% Popularity • 48% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 48% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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The Kinks
Starstruck (2018 Stereo Remaster)
135 bpm • F Maj • 02:24 • -5.95db
38% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Roches
The Death of Suzzy Roche
133 bpm • D Maj • 03:01 • -13.85db
8% Popularity • 78% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 78% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Jessica Harper
Paris; Illinois
135 bpm • E Maj • 03:24 • -15.14db
0% Popularity • 68% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 68% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Klaus Nomi
After The Fall
133 bpm • A# Maj • 04:45 • -12.34db
19% Popularity • 68% Danceability • 71% Energy • 17% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 68% Danceability • 71% Energy • 17% Liveness
1% Instrumentalness • 73% Positiveness
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Kate Bush
James and the Cold Gun
133 bpm • A# min • 03:36 • -13.66db
38% Popularity • 53% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
38% Popularity • 53% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Andrew Lloyd Webber
Everything's Alright
133 bpm • E Maj • 05:14 • -8.27db
34% Popularity • 41% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 41% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Brian Wilson
Orange Crate Art
135 bpm • D# Maj • 03:00 • -11db
19% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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John Williams
Come Live With Me
133 bpm • F min • 02:04 • -6.93db
11% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Jessica Harper
In My Own Way
135 bpm • C Maj • 02:11 • -10.36db
22% Popularity • 67% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 67% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tina Turner
The Acid Queen
133 bpm • D Maj • 03:47 • -5.39db
26% Popularity • 42% Danceability • 91% Energy • 13% Liveness
46% Instrumentalness • 40% Positiveness
26% Popularity • 42% Danceability • 91% Energy • 13% Liveness
46% Instrumentalness • 40% Positiveness
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Blondie
For Your Eyes Only - Remastered
135 bpm • E Maj • 03:07 • -10.72db
28% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The BeachBums
Upholstery
133 bpm • A# Maj • 02:51 • -4.43db
29% Popularity • 48% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 48% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Patti Smith
Till Victory
133 bpm • B Maj • 02:47 • -8.54db
37% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Electric Light Orchestra
On the Run
135 bpm • C Maj • 03:55 • -8.82db
42% Popularity • 49% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Leonard Nimoy
Love Of The Common People
135 bpm • A# Maj • 02:42 • -10.07db
9% Popularity • 49% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 49% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Paul McCartney
Temporary Secretary - Remastered 2011
132 bpm • C# Maj • 03:14 • -9.38db
41% Popularity • 86% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 70% Positiveness
41% Popularity • 86% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 70% Positiveness
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Stu Phillips
Come with the Gentle People - 1st Versio...
133 bpm • E min • 02:17 • -8.18db
13% Popularity • 47% Danceability • 56% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 47% Danceability • 56% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
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The Zombies
Brief Candles
136 bpm • A Maj • 03:30 • -12.28db
21% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cliff De Young
Bitchin' in the Kitchen
136 bpm • A Maj • 02:31 • -10.26db
27% Popularity • 72% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 72% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Sonny & Cher
A Cowboy's Work Is Never Done
136 bpm • G# Maj • 03:15 • -15.35db
26% Popularity • 64% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Jessica Harper
A Little Brown Dog Named Joe
136 bpm • A min • 03:10 • -8.27db
0% Popularity • 85% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 85% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
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The Roches
Nurds
132 bpm • D Maj • 04:15 • -10.58db
9% Popularity • 60% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 72% Positiveness
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Julie Brown
I Like 'Em Big and Stupid
136 bpm • B min • 03:50 • -9.13db
23% Popularity • 68% Danceability • 87% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 87% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
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Linda McCartney
New Orleans
132 bpm • F Maj • 03:15 • -5.94db
14% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Queen
Lazing On A Sunday Afternoon - Remastere...
132 bpm • D# Maj • 01:07 • -9.11db
57% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Blondie
Suzy & Jeffrey - Remastered 2001
132 bpm • G Maj • 04:10 • -7.79db
18% Popularity • 51% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 51% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Michelle Phillips
The Aching Kind
132 bpm • C Maj • 03:19 • -9.79db
21% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Klaus Nomi
Total Eclipse
136 bpm • C Maj • 03:30 • -13.04db
31% Popularity • 74% Danceability • 66% Energy • 15% Liveness
11% Instrumentalness • 87% Positiveness
31% Popularity • 74% Danceability • 66% Energy • 15% Liveness
11% Instrumentalness • 87% Positiveness
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Ethel Merman
Everything's Coming Up Roses
132 bpm • F# min • 06:30 • -6.2db
15% Popularity • 78% Danceability • 82% Energy • 33% Liveness
7% Instrumentalness • 81% Positiveness
15% Popularity • 78% Danceability • 82% Energy • 33% Liveness
7% Instrumentalness • 81% Positiveness
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Stephen Trask
Tear Me Down
136 bpm • F Maj • 03:53 • -4.97db
29% Popularity • 53% Danceability • 87% Energy • 17% Liveness
4% Instrumentalness • 72% Positiveness
29% Popularity • 53% Danceability • 87% Energy • 17% Liveness
4% Instrumentalness • 72% Positiveness
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B. Miller
Super Hereos
131 bpm • E min • 02:43 • -10.8db
13% Popularity • 40% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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The Mothers Of Invention
Let's Make The Water Turn Black
137 bpm • A min • 02:01 • -14.4db
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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Cass Elliot
A Song That Never Comes - Mono Single Mi...
131 bpm • C# Maj • 02:28 • -14.25db
22% Popularity • 46% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 46% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Klaus Nomi
Lightning Strikes
137 bpm • C Maj • 02:59 • -11.72db
31% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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The Beatles
Maxwell's Silver Hammer - Remastered 200...
131 bpm • D Maj • 03:27 • -11.05db
58% Popularity • 76% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 76% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Fanny
Butter Boy
131 bpm • A# Maj • 03:26 • -8.75db
15% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Giovanni
Corn Rigs
131 bpm • F# Maj • 02:37 • -14.2db
28% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Electric Light Orchestra
Standin' in the Rain
130 bpm • F Maj • 03:59 • -11.86db
44% Popularity • 55% Danceability • 51% Energy • 42% Liveness
3% Instrumentalness • 33% Positiveness
44% Popularity • 55% Danceability • 51% Energy • 42% Liveness
3% Instrumentalness • 33% Positiveness
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Cass Elliot
One Way Ticket
131 bpm • E Maj • 02:48 • -12.95db
28% Popularity • 53% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 53% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Klaus Nomi
You Don't Own Me
131 bpm • C Maj • 03:40 • -11.6db
27% Popularity • 68% Danceability • 65% Energy • 10% Liveness
20% Instrumentalness • 84% Positiveness
27% Popularity • 68% Danceability • 65% Energy • 10% Liveness
20% Instrumentalness • 84% Positiveness
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Jobriath
Movie Queen
131 bpm • E Maj • 01:54 • -9.97db
9% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Mort Shuman
Jackie (La chanson de Jacky)
138 bpm • G Maj • 03:12 • -10.27db
9% Popularity • 54% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 54% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Cher
Needles And Pins
130 bpm • C min • 02:39 • -16.23db
19% Popularity • 54% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Electric Light Orchestra
Eldorado
130 bpm • A# Maj • 05:18 • -14.96db
34% Popularity • 30% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Simon & Garfunkel
Scarborough Fair / Canticle - Extended V...
130 bpm • D Maj • 06:19 • -15db
39% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Klaus Nomi
Just One Look
138 bpm • G Maj • 03:19 • -14.47db
20% Popularity • 86% Danceability • 71% Energy • 5% Liveness
2% Instrumentalness • 94% Positiveness
20% Popularity • 86% Danceability • 71% Energy • 5% Liveness
2% Instrumentalness • 94% Positiveness
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Jessica Harper
Walk It While You Talk It
130 bpm • C Maj • 03:06 • -8.81db
0% Popularity • 83% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 83% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Last Night In Soho
130 bpm • D Maj • 03:14 • -12db
27% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Elton John
Val-Hala
130 bpm • G Maj • 04:11 • -10.96db
24% Popularity • 56% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
24% Popularity • 56% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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Don McLean
Everybody Loves Me, Baby
138 bpm • F# min • 03:36 • -10.76db
40% Popularity • 58% Danceability • 76% Energy • 79% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 58% Danceability • 76% Energy • 79% Liveness
0% Instrumentalness • 97% Positiveness
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Tim Rice
Superstar - Original Broadway Cast: 1971
138 bpm • A Maj • 04:00 • -9.2db
15% Popularity • 39% Danceability • 67% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 39% Danceability • 67% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
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Blondie
Just Go Away - Remastered
138 bpm • B Maj • 03:33 • -6db
25% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Maureen McElheron
Your Face
138 bpm • F# Maj • 02:42 • -22.29db
17% Popularity • 39% Danceability • 3% Energy • 13% Liveness
17% Instrumentalness • 18% Positiveness
17% Popularity • 39% Danceability • 3% Energy • 13% Liveness
17% Instrumentalness • 18% Positiveness
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Stu Phillips
Come with the Gentle People
130 bpm • E min • 02:30 • -10.72db
9% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Kate Bush
Kite
139 bpm • C min • 02:57 • -9.76db
37% Popularity • 65% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 65% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Debbie Harry
Maybe for Sure
129 bpm • D Maj • 04:30 • -12.37db
22% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Dory Previn
Beware Of Young Girls
139 bpm • F Maj • 04:05 • -14.92db
12% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 41% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sonny & Cher
It Never Rains In Southern California
129 bpm • D Maj • 03:45 • -10.05db
31% Popularity • 51% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 51% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Bonnie Jo Mason
Ringo, I Love You
140 bpm • B min • 01:46 • -6.35db
10% Popularity • 49% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 49% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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The Zombies
Changes
129 bpm • E min • 03:19 • -13.5db
19% Popularity • 36% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 36% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Kate Bush
The Saxophone Song
139 bpm • A min • 03:52 • -11db
39% Popularity • 38% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 38% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Barbara Harris
It Don't Worry Me
128 bpm • G Maj • 03:55 • -11db
17% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jobriath
Be Still
140 bpm • C Maj • 03:42 • -8.17db
11% Popularity • 34% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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The Buggles
The Plastic Age
140 bpm • A min • 05:12 • -13.1db
32% Popularity • 71% Danceability • 69% Energy • 7% Liveness
15% Instrumentalness • 64% Positiveness
32% Popularity • 71% Danceability • 69% Energy • 7% Liveness
15% Instrumentalness • 64% Positiveness
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Jessica Harper
My Baby Is A Genius
140 bpm • C Maj • 02:52 • -11.31db
1% Popularity • 82% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 82% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Zombies
I'll Call You Mine
128 bpm • A min • 02:36 • -7.73db
33% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Nicholas
Cousin Kevin
140 bpm • F# Maj • 03:07 • -6.28db
19% Popularity • 33% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 33% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Simon & Garfunkel
Save the Life of My Child
128 bpm • C Maj • 02:48 • -13.68db
39% Popularity • 35% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 35% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 29% Positiveness
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Cher
Carousel Man
128 bpm • C min • 03:05 • -12.7db
15% Popularity • 42% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 42% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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The Buggles
Astroboy (And The Proles On Parade)
140 bpm • E Maj • 04:40 • -11.82db
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
62% Instrumentalness • 32% Positiveness
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
62% Instrumentalness • 32% Positiveness
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Jessica Harper
Nobody's Chasin' nobody
128 bpm • C Maj • 02:55 • -12.83db
0% Popularity • 82% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 82% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jobriath
Space Clown
128 bpm • E Maj • 02:39 • -6.98db
12% Popularity • 30% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 30% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Taco
I Should Care
141 bpm • C Maj • 03:44 • -19.3db
13% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Bush
Full House - 2018 Remaster
128 bpm • C min • 03:14 • -11.61db
26% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Betty Hutton
It's Oh So Quiet
141 bpm • D# Maj • 03:06 • -10.37db
32% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Rachel Sweet
Hairspray
128 bpm • C Maj • 03:13 • -11.55db
9% Popularity • 72% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Steve Harley & Cockney Rebel
Tumbling Down - 2012 Remaster
128 bpm • A Maj • 05:58 • -15.13db
32% Popularity • 45% Danceability • 25% Energy • 17% Liveness
14% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 25% Energy • 17% Liveness
14% Instrumentalness • 17% Positiveness
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Leonard Nimoy
Everybody's Talkin'
128 bpm • D Maj • 02:57 • -15db
7% Popularity • 50% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
7% Popularity • 50% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Klaus Nomi
Nomi Song
141 bpm • A Maj • 02:48 • -12.7db
23% Popularity • 56% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 56% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Joel
C'etait toi (You Were the One)
127 bpm • G Maj • 03:24 • -9.86db
37% Popularity • 70% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 70% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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Alan Price
Time and Tide
141 bpm • G Maj • 04:22 • -13.64db
15% Popularity • 44% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 44% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Zombies
A Rose For Emily
141 bpm • A Maj • 02:19 • -11.92db
31% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Peter Allen
Everything Old Is New Again - Live/1977
127 bpm • G min • 03:42 • -8.78db
21% Popularity • 49% Danceability • 69% Energy • 97% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 49% Danceability • 69% Energy • 97% Liveness
0% Instrumentalness • 42% Positiveness
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Cass Elliot
Easy Come, Easy Go
127 bpm • A# Maj • 02:46 • -7.54db
20% Popularity • 69% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 69% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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The Rutles
Cheese and Onions - 2006 Remaster
141 bpm • G Maj • 02:38 • -7db
24% Popularity • 34% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 47% Positiveness
24% Popularity • 34% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 47% Positiveness
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Jessica Harper
Slow Down Lizzie
141 bpm • C Maj • 02:44 • -15.57db
0% Popularity • 46% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 46% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Bee Gees
Turn Of The Century
127 bpm • G Maj • 02:27 • -10.89db
30% Popularity • 36% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 36% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Margo Guryan
Spanky and Our Gang
141 bpm • C Maj • 02:15 • -4.66db
20% Popularity • 60% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 60% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Wallace Collection
Fly Me to the Earth
141 bpm • F# Maj • 02:52 • -4.74db
19% Popularity • 44% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 44% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
