Songs like Speed of the Sound of Loneliness by Donna Taggart
Based on a tempo of (+/- 10%) and a similar genre
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Philomena Begley
Queen of the Silver Dollar
166 bpm • C# Maj • 04:19 • -13.84db
29% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Outlaw
Love Her for a While
165 bpm • A# Maj • 03:22 • -16.18db
34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Donna Taggart
Speed of the Sound of Loneliness
166 bpm • E Maj • 03:31 • -7.6db
33% Popularity • 49% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 49% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Ailish McBride
Old Flames
165 bpm • C Maj • 03:37 • -9.16db
22% Popularity • 52% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 52% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Big Tom
Far Side Banks of Jordan
165 bpm • F Maj • 02:54 • -7.24db
25% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Olivia Douglas
Flower of Scotland
168 bpm • C# Maj • 03:28 • -9.27db
21% Popularity • 52% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 52% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Louise Morrissey
Glen of Aherlow
168 bpm • D# Maj • 04:01 • -5.83db
14% Popularity • 39% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 39% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Shaun Loughrey
Love Me When I'm Old
164 bpm • E Maj • 04:25 • -5.62db
40% Popularity • 59% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 59% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Maguire & Fhiona Ennis
Come Back To Ireland
168 bpm • D Maj • 04:17 • -6.98db
26% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Claudia Buckley
Drinking With Dolly
164 bpm • D# Maj • 02:57 • -6db
30% Popularity • 55% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 55% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Big Tom
The Pleasure Has Been Mine
164 bpm • E Maj • 03:09 • -4.94db
31% Popularity • 62% Danceability • 73% Energy • 29% Liveness
1% Instrumentalness • 88% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 29% Liveness
1% Instrumentalness • 88% Positiveness
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Larry Cunningham
Water for My Horses
164 bpm • C# Maj • 03:00 • -7db
26% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sweethearts of the Rodeo
Midnight Girl / Sunset Town
163 bpm • A# Maj • 03:05 • -8.77db
38% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Tommy Dell
Oh Lord It's Hard to Be Humble
163 bpm • G Maj • 03:35 • -8db
25% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Aishling Rafferty
Darling Say You'll Love Me When I'm Old
163 bpm • F Maj • 04:27 • -4.92db
23% Popularity • 23% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 23% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Louise Morrissey
Feelin' Single, Seein' Double
169 bpm • D Maj • 02:24 • -6.61db
22% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Big Tom
One Day At A Time
163 bpm • A Maj • 03:17 • -10.24db
20% Popularity • 50% Danceability • 50% Energy • 19% Liveness
4% Instrumentalness • 57% Positiveness
20% Popularity • 50% Danceability • 50% Energy • 19% Liveness
4% Instrumentalness • 57% Positiveness
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Ciarán Rosney
Willies Shoes
170 bpm • B Maj • 04:04 • -7db
21% Popularity • 53% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Sean Corrigan
Ain't Love Alot Like That
170 bpm • E Maj • 02:17 • -6.91db
30% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Roly Daniels
Red Rose Café
170 bpm • A Maj • 03:47 • -12db
29% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Keelan
When Big Tom Sang Gentle Mother
170 bpm • A Maj • 02:50 • -8.53db
25% Popularity • 64% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Ann Breen
Two Loves
162 bpm • G Maj • 02:56 • -16.78db
28% Popularity • 57% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 57% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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The Outlaws
Forget Your Troubles Tonight
170 bpm • A Maj • 03:13 • -4.14db
23% Popularity • 46% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 46% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Margo
Silver Sandals
162 bpm • A Maj • 02:48 • -12.37db
20% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Hugo Duncan
Sweet Forget Me Not
171 bpm • A# Maj • 03:52 • -11.24db
15% Popularity • 60% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Alan Jackson
Till The End
171 bpm • A Maj • 03:02 • -9.4db
27% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Louise Morrissey
The Inn at Innisfree
161 bpm • D Maj • 04:04 • -8.9db
14% Popularity • 43% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 43% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Logue & McCool
Got No Reason For Going Home
161 bpm • A Maj • 02:37 • -10.29db
22% Popularity • 59% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 59% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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The Judds
Don't Be Cruel
172 bpm • G Maj • 02:27 • -11db
30% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Clodagh Lawlor
Whiskeys Cheaper Than Wine
172 bpm • D Maj • 03:23 • -6.43db
22% Popularity • 50% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 50% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Thomas Maguire & Fhiona Ennis
Solid As A Rock
172 bpm • G# Maj • 02:33 • -4.85db
27% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Donna Taggart
Hard Times
160 bpm • D# Maj • 03:42 • -7.62db
24% Popularity • 45% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 45% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Caitlin
Galway Shawl
173 bpm • D Maj • 04:17 • -7.55db
14% Popularity • 28% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 28% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Steve Hofmeyr
Teach Your Children
174 bpm • D Maj • 03:31 • -7.91db
27% Popularity • 56% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 56% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Louise Morrissey
You'll Remember Me
173 bpm • A# Maj • 03:04 • -10.16db
13% Popularity • 57% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 57% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Ciarán Rosney
Try a Little Kindness
174 bpm • D Maj • 03:17 • -3.83db
34% Popularity • 44% Danceability • 90% Energy • 75% Liveness
1% Instrumentalness • 58% Positiveness
34% Popularity • 44% Danceability • 90% Energy • 75% Liveness
1% Instrumentalness • 58% Positiveness
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Kathy Durkin
The Blackboard of My Heart
174 bpm • G# Maj • 01:57 • -7db
31% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Donna Taggart
Irish Heartbeat
172 bpm • C# Maj • 04:11 • -6.64db
27% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Damian Davis
I Will Love You Till This Ring Turns Gre...
175 bpm • G Maj • 02:40 • -9.85db
34% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Roly Daniels
Mr. Jones
175 bpm • B Maj • 04:42 • -3.85db
28% Popularity • 40% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 40% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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David James
Take Your Time
175 bpm • A# Maj • 03:05 • -5.05db
17% Popularity • 42% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 42% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Ciarán Rosney
Stand Tall and Be Proud
174 bpm • D Maj • 03:38 • -5.73db
29% Popularity • 58% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 58% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Sean Corrigan
Hello Heart
175 bpm • D Maj • 02:30 • -5.05db
29% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Michael English
Dance All Night
175 bpm • A# Maj • 03:15 • -5db
28% Popularity • 64% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 64% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Philomena Begley
Tribute to Billie Jo
175 bpm • C Maj • 03:06 • -4.77db
12% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Justin Mcgurk
Girl Like You, Boy Like Me
175 bpm • G Maj • 03:28 • -7.68db
26% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Fhiona Ennis
Hit 'em Where It Hurts
176 bpm • C# Maj • 02:55 • -4.61db
17% Popularity • 63% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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T.R. Dallas
Rambling Boy
176 bpm • A Maj • 03:31 • -7.76db
27% Popularity • 57% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
27% Popularity • 57% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Big Tom
Gentle Mother
156 bpm • G Maj • 02:49 • -11.61db
30% Popularity • 26% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 26% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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The Three Amigos
Happy Birthday Sweet Sixteen / Let's Twi...
176 bpm • F Maj • 02:36 • -6.79db
32% Popularity • 63% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 63% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Tanya Tucker
The Wheels Of Laredo
155 bpm • F Maj • 03:49 • -9db
28% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Justin Mcgurk
Picked a Winner
177 bpm • G Maj • 02:59 • -6db
37% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Simon Casey
The Third Dance From The End
155 bpm • D Maj • 03:22 • -9.64db
24% Popularity • 50% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
24% Popularity • 50% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Gerry Guthrie
The Fightin Side Of Me
178 bpm • C Maj • 03:37 • -7.3db
17% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Brendan Quinn
Lets Turn Back
178 bpm • G Maj • 02:15 • -8.93db
14% Popularity • 34% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 34% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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John Hogan
Rollin' Home
154 bpm • F Maj • 04:04 • -5.46db
28% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Frank McCaffrey
The Blackboard of My Heart
179 bpm • G Maj • 02:11 • -5db
32% Popularity • 54% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 54% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Mcgurk
Joyce Country Ceili Band
177 bpm • E Maj • 03:42 • -6db
37% Popularity • 49% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 49% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Thomas Maguire & Fhiona Ennis
Heaven's Just A Sin Away
154 bpm • E Maj • 03:04 • -6.84db
21% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Donna Taggart
Living in These Troubled Times
180 bpm • B Maj • 03:19 • -8.59db
28% Popularity • 39% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 39% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Paula Macaskill
You're Going Out The Same Way You Came I...
180 bpm • G# Maj • 02:31 • -6db
40% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Gary Gamble
Time's a Wastin'
180 bpm • G# Maj • 02:31 • -9.13db
30% Popularity • 66% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 66% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Frank McCaffrey
Forgiving You Was Easy
180 bpm • E Maj • 02:23 • -11db
22% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Declan Nerney
Don't Tell Me What to Do
180 bpm • B Maj • 02:30 • -4db
19% Popularity • 51% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 51% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Sean Corrigan
Down in Louisiana
180 bpm • F Maj • 02:22 • -5db
28% Popularity • 56% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 93% Positiveness
28% Popularity • 56% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 93% Positiveness
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The Outlaws
The Deadwood Stage
180 bpm • D Maj • 03:10 • -8.84db
17% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Claudia Buckley
Blame It On Your Heart
153 bpm • G# Maj • 03:30 • -5.91db
22% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 57% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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The Murphys
The Man Who Loved Me First
180 bpm • C Maj • 03:25 • -7.29db
25% Popularity • 45% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 45% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Shawn Cuddy
Walk Tall
180 bpm • G# Maj • 03:03 • -6.63db
23% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Niamh Lynn
I Fall to Pieces
180 bpm • A# Maj • 03:43 • -8.72db
12% Popularity • 23% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 23% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Roly Daniels
Hello Darlin'
153 bpm • A Maj • 02:25 • -7.97db
39% Popularity • 29% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 29% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Declan Nerney
I'm Just Lucky I Guess
180 bpm • C# Maj • 02:23 • -7.97db
20% Popularity • 66% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 66% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Philomena Begley
Blanket on the Ground
181 bpm • F# Maj • 03:12 • -10.19db
32% Popularity • 36% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 36% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Devine
Paint The Town
182 bpm • A# Maj • 02:48 • -3.19db
25% Popularity • 52% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 52% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Hal Ketchum
(Tonight We Just Might) Fall In Love Aga...
183 bpm • E Maj • 03:25 • -8.85db
27% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Michael English
I Don't Care (If You Love Me Anymore)
183 bpm • G# Maj • 02:56 • -4.78db
11% Popularity • 49% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 49% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Donna Taggart
Blue Eyes Crying in the Rain
183 bpm • C Maj • 03:00 • -11.27db
30% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Stuart Moyles
Lay Down Sally
184 bpm • D Maj • 03:16 • -6db
22% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Brendan Quinn
Lucille
150 bpm • F Maj • 03:31 • -10.19db
27% Popularity • 51% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 51% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Dawn Sears
Sweet Memories
149 bpm • D# Maj • 05:24 • -12db
13% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
34% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Michael English
Baby Don't Leave Me In The Night Time
184 bpm • C Maj • 03:18 • -7.1db
22% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Caitlin
Speed of the Sound of Loneliness
185 bpm • D Maj • 02:32 • -8.81db
28% Popularity • 51% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 51% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Louise Morrissey
All I Have Today
185 bpm • F Maj • 02:53 • -3.79db
23% Popularity • 48% Danceability • 72% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 48% Danceability • 72% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
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Shawn Cuddy
Four Country Roads
186 bpm • C Maj • 03:09 • -8.13db
22% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Olivia Douglas
Past the Point of Rescue
186 bpm • A# min • 03:49 • -7.73db
24% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Gerry Guthrie
Go Back Home Again
186 bpm • D Maj • 03:03 • -6.21db
27% Popularity • 50% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 50% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Hal Ketchum
Yesterday's Gone
148 bpm • C Maj • 04:06 • -9.34db
13% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Joey Feek
Strong Enough To Cry
148 bpm • C Maj • 04:08 • -6db
24% Popularity • 52% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 52% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Barry Kirwan
Sweet, Sweet Smile
187 bpm • C Maj • 02:43 • -6.9db
21% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Paula Macaskill
Silver Threads and Golden Needles
148 bpm • D Maj • 02:25 • -8.45db
34% Popularity • 68% Danceability • 69% Energy • 13% Liveness
11% Instrumentalness • 74% Positiveness
34% Popularity • 68% Danceability • 69% Energy • 13% Liveness
11% Instrumentalness • 74% Positiveness
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The Outlaws
The Best Part of the Day Is the Night
187 bpm • G Maj • 02:52 • -6.36db
32% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jim Reeves
Don't Let Me Cross Over
147 bpm • C# Maj • 02:19 • -13.73db
43% Popularity • 52% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 52% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Clodagh Lawlor
One Day at a Time
147 bpm • G# Maj • 03:18 • -5.87db
27% Popularity • 39% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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David James
Woke up in Love
188 bpm • A Maj • 03:24 • -5.03db
24% Popularity • 54% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 54% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Shaun Loughrey
Say You Love Me
188 bpm • G Maj • 03:13 • -6.13db
23% Popularity • 52% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 52% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Michael English
Songs I Remember
188 bpm • G Maj • 03:38 • -4.52db
13% Popularity • 44% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 44% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Dave and Sugar
The Door Is Always Open
188 bpm • F Maj • 02:43 • -10.42db
33% Popularity • 46% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 46% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
