Songs like Speedy Gonzalez (1955) Meets Two Crows from Tacos (1956) by Carl Stalling
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Lockington
Gift Giver
90 bpm • C Maj • 04:38 • -14.08db
26% Popularity • 37% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
26% Popularity • 37% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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The Cast of 101 Dalmatians
Sergeant Tibs' Recon/Cat Casserole - Ori...
90 bpm • G# Maj • 01:35 • -16.92db
18% Popularity • 36% Danceability • 12% Energy • 22% Liveness
10% Instrumentalness • 4% Positiveness
18% Popularity • 36% Danceability • 12% Energy • 22% Liveness
10% Instrumentalness • 4% Positiveness
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Walt Disney
Steamboat Willie
90 bpm • G# Maj • 07:37 • -13.81db
40% Popularity • 66% Danceability • 46% Energy • 36% Liveness
56% Instrumentalness • 70% Positiveness
40% Popularity • 66% Danceability • 46% Energy • 36% Liveness
56% Instrumentalness • 70% Positiveness
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Carl Stalling
Hillbilly Hare (1950)
90 bpm • C Maj • 04:22 • -17.07db
7% Popularity • 36% Danceability • 20% Energy • 21% Liveness
53% Instrumentalness • 48% Positiveness
7% Popularity • 36% Danceability • 20% Energy • 21% Liveness
53% Instrumentalness • 48% Positiveness
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The Mellomen
The Tiki, Tiki, TIki Room
90 bpm • G# Maj • 02:40 • -14.23db
37% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Wally Boag
Hawaiian War Chant
90 bpm • F min • 04:22 • -11db
29% Popularity • 40% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
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Hummie Mann
Burnett’s Workshop / Patch Meets Lily ...
90 bpm • C Maj • 03:16 • -22.96db
10% Popularity • 23% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
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John Debney
The Jungle Rescue
89 bpm • G# Maj • 03:17 • -16.66db
24% Popularity • 28% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
24% Popularity • 28% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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The Cast of Alice in Wonderland
A Little Girl/Let The Game Begin/I Warn ...
91 bpm • A min • 01:27 • -16.28db
10% Popularity • 32% Danceability • 8% Energy • 21% Liveness
7% Instrumentalness • 20% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 21% Liveness
7% Instrumentalness • 20% Positiveness
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Carl Stalling
Speedy Gonzalez (1955) Meets Two Crows f...
90 bpm • C Maj • 05:33 • -13.43db
4% Popularity • 29% Danceability • 25% Energy • 40% Liveness
25% Instrumentalness • 41% Positiveness
4% Popularity • 29% Danceability • 25% Energy • 40% Liveness
25% Instrumentalness • 41% Positiveness
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Horatio Nicholls
Horatio Nicholls' Californian Serenade
89 bpm • D min • 03:50 • -9.38db
8% Popularity • 52% Danceability • 36% Energy • 32% Liveness
35% Instrumentalness • 58% Positiveness
8% Popularity • 52% Danceability • 36% Energy • 32% Liveness
35% Instrumentalness • 58% Positiveness
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Annalee
Overture / Preludium (Dixit Dominus) - M...
89 bpm • D# Maj • 03:15 • -15db
42% Popularity • 22% Danceability • 20% Energy • 33% Liveness
87% Instrumentalness • 13% Positiveness
42% Popularity • 22% Danceability • 20% Energy • 33% Liveness
87% Instrumentalness • 13% Positiveness
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Milo Paulus
International Escapades: I. Overture
91 bpm • C# Maj • 01:57 • -11.07db
12% Popularity • 17% Danceability • 32% Energy • 36% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 17% Danceability • 32% Energy • 36% Liveness
84% Instrumentalness • 10% Positiveness
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The Cast of 101 Dalmatians
Bedtime/An Evening Constitutional/A Job ...
89 bpm • D# Maj • 03:10 • -13db
11% Popularity • 21% Danceability • 13% Energy • 28% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 13% Energy • 28% Liveness
61% Instrumentalness • 4% Positiveness
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The Cast of Alice in Wonderland
Alone Again/'Twas Brillig/Lose Something...
91 bpm • A# Maj • 02:30 • -19db
6% Popularity • 38% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 38% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Oliver Wallace
The Pound
89 bpm • C Maj • 01:29 • -28db
32% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Carl Stalling
There They Go Go Go (1956)
89 bpm • G Maj • 05:24 • -13.2db
5% Popularity • 32% Danceability • 30% Energy • 33% Liveness
23% Instrumentalness • 17% Positiveness
5% Popularity • 32% Danceability • 30% Energy • 33% Liveness
23% Instrumentalness • 17% Positiveness
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Disneyland Band
Paddlin' Madeline Home
92 bpm • C Maj • 02:06 • -14.42db
20% Popularity • 42% Danceability • 45% Energy • 84% Liveness
72% Instrumentalness • 77% Positiveness
20% Popularity • 42% Danceability • 45% Energy • 84% Liveness
72% Instrumentalness • 77% Positiveness
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Jerry Goldsmith
Soarin' Around the World
88 bpm • F Maj • 04:50 • -16.42db
28% Popularity • 12% Danceability • 23% Energy • 10% Liveness
54% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 23% Energy • 10% Liveness
54% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
Through the Snow/Shelter - Original
88 bpm • C Maj • 01:55 • -11db
16% Popularity • 9% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 23% Positiveness
16% Popularity • 9% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 23% Positiveness
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Perrey and Kingsley
Baroque Hoedown
93 bpm • F Maj • 02:27 • -15db
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Bill Cantos
Who's Afraid Of The Big Bad Wolf
88 bpm • C Maj • 02:56 • -21.23db
35% Popularity • 56% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
35% Popularity • 56% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Carl Stalling
Porky in Wackyland (1938) / Dough for th...
91 bpm • C Maj • 05:43 • -12.63db
4% Popularity • 52% Danceability • 42% Energy • 72% Liveness
36% Instrumentalness • 48% Positiveness
4% Popularity • 52% Danceability • 42% Energy • 72% Liveness
36% Instrumentalness • 48% Positiveness
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Robert Sharples
Big Show Theme
87 bpm • F Maj • 01:59 • -9.8db
9% Popularity • 24% Danceability • 46% Energy • 6% Liveness
42% Instrumentalness • 62% Positiveness
9% Popularity • 24% Danceability • 46% Energy • 6% Liveness
42% Instrumentalness • 62% Positiveness
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Mark Watters
Magic Carpet/Parting The Seas
87 bpm • D min • 02:23 • -19.74db
21% Popularity • 13% Danceability • 21% Energy • 34% Liveness
82% Instrumentalness • 14% Positiveness
21% Popularity • 13% Danceability • 21% Energy • 34% Liveness
82% Instrumentalness • 14% Positiveness
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The New Century Ragtime Orchestra
A Rag-Time Skedaddle
93 bpm • G Maj • 02:55 • -16.69db
12% Popularity • 70% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 97% Positiveness
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Ron Goodwin
Where Dreams Come True
87 bpm • G Maj • 01:03 • -12.01db
10% Popularity • 10% Danceability • 34% Energy • 44% Liveness
74% Instrumentalness • 18% Positiveness
10% Popularity • 10% Danceability • 34% Energy • 44% Liveness
74% Instrumentalness • 18% Positiveness
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Peacherine Ragtime Society Orchestra
At a Georgia Camp Meeting
93 bpm • F Maj • 03:05 • -16db
25% Popularity • 62% Danceability • 33% Energy • 8% Liveness
94% Instrumentalness • 91% Positiveness
25% Popularity • 62% Danceability • 33% Energy • 8% Liveness
94% Instrumentalness • 91% Positiveness
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Carl Stalling
Carl Stalling with Milt Franklyn in Sess...
88 bpm • G Maj • 07:14 • -17.65db
3% Popularity • 34% Danceability • 16% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
3% Popularity • 34% Danceability • 16% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
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The Cast of Alice in Wonderland
What Genus Are You? - Original
93 bpm • G Maj • 01:14 • -15.31db
12% Popularity • 29% Danceability • 13% Energy • 22% Liveness
71% Instrumentalness • 33% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 22% Liveness
71% Instrumentalness • 33% Positiveness
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The Cast of 101 Dalmatians
Don't Worry, Perdy/The Puppies Are Here/...
87 bpm • A# Maj • 04:07 • -15.39db
13% Popularity • 36% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
13% Popularity • 36% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
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Michael Giacchino
Wall Rat
87 bpm • D# min • 01:50 • -10.39db
25% Popularity • 37% Danceability • 38% Energy • 7% Liveness
71% Instrumentalness • 35% Positiveness
25% Popularity • 37% Danceability • 38% Energy • 7% Liveness
71% Instrumentalness • 35% Positiveness
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Julian Nott
Every Dog Has His Day
87 bpm • F Maj • 02:43 • -17.32db
12% Popularity • 18% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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The Cast of Peter Pan
You Can Fly! You Can Fly! You Can Fly! (...
94 bpm • F Maj • 04:24 • -14.43db
31% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Chaplin
Dog's Life Theme
86 bpm • F min • 03:20 • -16.14db
1% Popularity • 34% Danceability • 11% Energy • 18% Liveness
59% Instrumentalness • 34% Positiveness
1% Popularity • 34% Danceability • 11% Energy • 18% Liveness
59% Instrumentalness • 34% Positiveness
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The Cast of Alice in Wonderland
Mary Ann!/A Lizard With A Ladder/We'll S...
86 bpm • C Maj • 02:42 • -13.61db
4% Popularity • 51% Danceability • 23% Energy • 27% Liveness
56% Instrumentalness • 42% Positiveness
4% Popularity • 51% Danceability • 23% Energy • 27% Liveness
56% Instrumentalness • 42% Positiveness
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Camille Saint-Saëns
Impressions De France
94 bpm • C Maj • 09:51 • -13db
31% Popularity • 26% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 9% Positiveness
31% Popularity • 26% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 9% Positiveness
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Georges Bizet
Duet of Micaela and Don José
94 bpm • D Maj • 00:48 • -26.7db
26% Popularity • 19% Danceability • 5% Energy • 36% Liveness
89% Instrumentalness • 34% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 36% Liveness
89% Instrumentalness • 34% Positiveness
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The Cast of Mary Poppins
Pavement Artist (Chim Chim Cher-Ee)
94 bpm • A# min • 01:59 • -21.78db
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Julian Nott
Ravaged In The Night
94 bpm • D min • 01:45 • -16.45db
10% Popularity • 27% Danceability • 23% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
10% Popularity • 27% Danceability • 23% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
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Charlie Chaplin
Lunch Time / Charlie in the Machine
94 bpm • G Maj • 05:26 • -9.39db
3% Popularity • 39% Danceability • 52% Energy • 10% Liveness
76% Instrumentalness • 33% Positiveness
3% Popularity • 39% Danceability • 52% Energy • 10% Liveness
76% Instrumentalness • 33% Positiveness
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The Wellingtons
Theme from Zorro
95 bpm • G Maj • 01:22 • -8.16db
30% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Elmer Bernstein
Blythe
85 bpm • A# Maj • 02:15 • -18.44db
2% Popularity • 22% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
2% Popularity • 22% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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King Palmer
Hackney Carriage
95 bpm • C Maj • 01:54 • -12.58db
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
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Bruce Broughton
Sassy's Shrimp
95 bpm • A# Maj • 01:13 • -28.14db
15% Popularity • 25% Danceability • 2% Energy • 12% Liveness
64% Instrumentalness • 32% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 12% Liveness
64% Instrumentalness • 32% Positiveness
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Charlie Chaplin
Charlie at the Assembly Line Belt
94 bpm • G Maj • 01:33 • -7.03db
16% Popularity • 46% Danceability • 57% Energy • 56% Liveness
64% Instrumentalness • 12% Positiveness
16% Popularity • 46% Danceability • 57% Energy • 56% Liveness
64% Instrumentalness • 12% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
Made In America
85 bpm • F Maj • 01:55 • -12.66db
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
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The Cast of The Aristocats
Scales and Arpeggios - Original
95 bpm • C Maj • 01:45 • -11.86db
27% Popularity • 74% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 74% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Disneyland Concert Orchestra
Overture / Main Street, U.S.A. - Disneyl...
85 bpm • G Maj • 06:28 • -11.85db
35% Popularity • 28% Danceability • 38% Energy • 32% Liveness
8% Instrumentalness • 20% Positiveness
35% Popularity • 28% Danceability • 38% Energy • 32% Liveness
8% Instrumentalness • 20% Positiveness
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The Fantasyland Band Organ
Once Upon a Dream
85 bpm • C# Maj • 02:19 • -15.05db
35% Popularity • 22% Danceability • 41% Energy • 26% Liveness
35% Instrumentalness • 33% Positiveness
35% Popularity • 22% Danceability • 41% Energy • 26% Liveness
35% Instrumentalness • 33% Positiveness
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The Cast of Alice in Wonderland
Whom Did You Expect - Original
85 bpm • A# Maj • 00:53 • -20.29db
8% Popularity • 35% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Charlie Chaplin
The Factory Machine
85 bpm • G Maj • 01:14 • -5.83db
17% Popularity • 51% Danceability • 84% Energy • 37% Liveness
88% Instrumentalness • 96% Positiveness
17% Popularity • 51% Danceability • 84% Energy • 37% Liveness
88% Instrumentalness • 96% Positiveness
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Jacques Offenbach
Elfenchor from Die Rheinnixen
95 bpm • D# Maj • 02:53 • -14.69db
27% Popularity • 41% Danceability • 36% Energy • 69% Liveness
2% Instrumentalness • 51% Positiveness
27% Popularity • 41% Danceability • 36% Energy • 69% Liveness
2% Instrumentalness • 51% Positiveness
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David Newman
Baby's Wild Ride
85 bpm • F Maj • 01:56 • -8.09db
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
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Paul Williams
I Hope That Somethin' Better Comes Along
96 bpm • G# Maj • 02:31 • -13.14db
25% Popularity • 66% Danceability • 37% Energy • 7% Liveness
62% Instrumentalness • 47% Positiveness
25% Popularity • 66% Danceability • 37% Energy • 7% Liveness
62% Instrumentalness • 47% Positiveness
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Nelson Riddle
Acknowledgement / Main Title
96 bpm • A min • 02:30 • -9.27db
8% Popularity • 33% Danceability • 62% Energy • 18% Liveness
61% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 62% Energy • 18% Liveness
61% Instrumentalness • 24% Positiveness
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The Cast of Peter Pan
Mermaid Lagoon/Bad Day At Skull Rock - O...
84 bpm • F Maj • 04:30 • -17db
18% Popularity • 32% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Charlie Chaplin
Factory Scene
84 bpm • D Maj • 02:31 • -7.19db
4% Popularity • 49% Danceability • 85% Energy • 62% Liveness
92% Instrumentalness • 85% Positiveness
4% Popularity • 49% Danceability • 85% Energy • 62% Liveness
92% Instrumentalness • 85% Positiveness
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Thurl Ravenscroft
The Adventurous Jungle Cruise (Pt. 2)
85 bpm • B Maj • 04:40 • -13.73db
24% Popularity • 61% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 61% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
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David Newman
Angered Rhinos
96 bpm • G Maj • 02:14 • -9db
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
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The M-G-M Studio Orchestra
Cyclone
96 bpm • C Maj • 02:18 • -14.04db
16% Popularity • 29% Danceability • 51% Energy • 59% Liveness
15% Instrumentalness • 36% Positiveness
16% Popularity • 29% Danceability • 51% Energy • 59% Liveness
15% Instrumentalness • 36% Positiveness
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Mount Royal Orchestra
Dating Game Theme Song
97 bpm • G Maj • 00:53 • -7.9db
25% Popularity • 68% Danceability • 42% Energy • 4% Liveness
48% Instrumentalness • 96% Positiveness
25% Popularity • 68% Danceability • 42% Energy • 4% Liveness
48% Instrumentalness • 96% Positiveness
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Georges Bizet
Habanera
97 bpm • G# Maj • 01:06 • -13.58db
28% Popularity • 80% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Cast of 101 Dalmatians
Dognapped!/Anita Darling/What'll We Do? ...
84 bpm • G Maj • 03:06 • -15.67db
11% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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The Cast of Alice in Wonderland
Curiosity Leads To Trouble/Simply Impass...
97 bpm • A Maj • 04:04 • -17.21db
6% Popularity • 26% Danceability • 16% Energy • 38% Liveness
66% Instrumentalness • 12% Positiveness
6% Popularity • 26% Danceability • 16% Energy • 38% Liveness
66% Instrumentalness • 12% Positiveness
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Terry Gilkyson
The Jungle Book: The Bare Necessities (a...
97 bpm • G Maj • 03:29 • -19.38db
32% Popularity • 44% Danceability • 23% Energy • 5% Liveness
58% Instrumentalness • 32% Positiveness
32% Popularity • 44% Danceability • 23% Energy • 5% Liveness
58% Instrumentalness • 32% Positiveness
► Preview
John Debney
The Great Battle/Friends Forever
83 bpm • G# Maj • 06:17 • -16db
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
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Buddy Baker
Great Moments with Mr. Lincoln
83 bpm • F Maj • 05:54 • -12.81db
27% Popularity • 15% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 22% Energy • 15% Liveness
6% Instrumentalness • 11% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
Lou Reed
Dearie - Sidewalks of New York - Smiles ...
97 bpm • C Maj • 05:39 • -16.71db
13% Popularity • 39% Danceability • 22% Energy • 7% Liveness
77% Instrumentalness • 70% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 7% Liveness
77% Instrumentalness • 70% Positiveness
► Preview
Philharmonia Orchestra
Julie's House
83 bpm • F Maj • 01:58 • -16.81db
13% Popularity • 25% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
► Preview
Steve Bramson
Space Mountain® – De la Terre à la L...
83 bpm • E min • 02:15 • -11.85db
19% Popularity • 29% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 29% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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The Los Angeles Radio TV Symphony Orchestra
Alfred Hitchcock présente
98 bpm • C min • 00:57 • -11.51db
16% Popularity • 90% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
16% Popularity • 90% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
► Preview
Xavier Atencio
Barker Parrot
98 bpm • A min • 00:58 • -20.44db
25% Popularity • 68% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 68% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
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The Cast of 101 Dalmatians
Can You Leave Tonight?/Arduous Trek/Any ...
98 bpm • C Maj • 03:56 • -13.68db
9% Popularity • 23% Danceability • 28% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
Space Mountain
99 bpm • F# Maj • 03:10 • -8.31db
34% Popularity • 17% Danceability • 65% Energy • 31% Liveness
5% Instrumentalness • 8% Positiveness
34% Popularity • 17% Danceability • 65% Energy • 31% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Wurlitzer 153 Band Organ
The Sidewalks of New York
82 bpm • G Maj • 02:24 • -12.12db
9% Popularity • 39% Danceability • 40% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
9% Popularity • 39% Danceability • 40% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
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Lyregard
Looking For Ingredients
82 bpm • E min • 02:13 • -20.94db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
61% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
61% Instrumentalness • 10% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
The St. Louis Rag
99 bpm • A Maj • 02:27 • -15.22db
23% Popularity • 59% Danceability • 33% Energy • 10% Liveness
66% Instrumentalness • 96% Positiveness
23% Popularity • 59% Danceability • 33% Energy • 10% Liveness
66% Instrumentalness • 96% Positiveness
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Aron Apping
Dexter
82 bpm • A# min • 01:20 • -10.68db
9% Popularity • 32% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 32% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Camarata And His Orchestra
Love Theme from Sleeping Beauty
99 bpm • F# min • 03:27 • -11db
16% Popularity • 20% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
16% Popularity • 20% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Michael Giacchino
Remy's Rat Pack
99 bpm • G min • 04:07 • -7.21db
33% Popularity • 78% Danceability • 79% Energy • 28% Liveness
67% Instrumentalness • 76% Positiveness
33% Popularity • 78% Danceability • 79% Energy • 28% Liveness
67% Instrumentalness • 76% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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Robert MacGimsey
Splash Mountain Medley
99 bpm • F Maj • 10:34 • -11.12db
33% Popularity • 40% Danceability • 47% Energy • 50% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 40% Danceability • 47% Energy • 50% Liveness
0% Instrumentalness • 62% Positiveness
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Manhattan Ragtime Orchestra
The Junk Man Rag
100 bpm • C Maj • 02:57 • -8db
34% Popularity • 61% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
34% Popularity • 61% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Hollywood Studio Symphony Orchestra
Wagon Train Flashback
81 bpm • D min • 01:09 • -16.76db
11% Popularity • 38% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
11% Popularity • 38% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Paul Frees
Ghostly Voices
81 bpm • C# Maj • 05:08 • -21db
11% Popularity • 34% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 34% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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EPCOT Journey of Water, Inspired by Moana – Chorus
Where You Are - Leap Fountain Zone - Ins...
100 bpm • F# min • 02:01 • -11.08db
32% Popularity • 76% Danceability • 67% Energy • 35% Liveness
74% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 67% Energy • 35% Liveness
74% Instrumentalness • 94% Positiveness
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Oliver Wallace
Warning / Breakout / Snob Hill / A Wee B...
81 bpm • C Maj • 02:44 • -14.81db
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
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Andrea Datzman
Opening (Spirit of Adventure)
100 bpm • D# Maj • 00:52 • -9.58db
35% Popularity • 44% Danceability • 48% Energy • 24% Liveness
98% Instrumentalness • 74% Positiveness
35% Popularity • 44% Danceability • 48% Energy • 24% Liveness
98% Instrumentalness • 74% Positiveness
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Roger Williams
In My Merry Oldsmobile / Meet Me In St. ...
81 bpm • F Maj • 01:57 • -22db
9% Popularity • 29% Danceability • 6% Energy • 20% Liveness
84% Instrumentalness • 34% Positiveness
9% Popularity • 29% Danceability • 6% Energy • 20% Liveness
84% Instrumentalness • 34% Positiveness
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Frank Churchill
Bambi Gets Twitterpated / Stag Fight
100 bpm • D# Maj • 02:32 • -16.79db
29% Popularity • 32% Danceability • 24% Energy • 27% Liveness
43% Instrumentalness • 36% Positiveness
29% Popularity • 32% Danceability • 24% Energy • 27% Liveness
43% Instrumentalness • 36% Positiveness
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Paul Williams
Never Before, Never Again
81 bpm • F Maj • 03:52 • -15.21db
25% Popularity • 12% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
25% Popularity • 12% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Michael Giacchino
The New Babysitter
101 bpm • C Maj • 03:26 • -15.73db
26% Popularity • 28% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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George French
Fully Fashioned
101 bpm • A# Maj • 01:39 • -11db
10% Popularity • 22% Danceability • 30% Energy • 26% Liveness
88% Instrumentalness • 34% Positiveness
10% Popularity • 22% Danceability • 30% Energy • 26% Liveness
88% Instrumentalness • 34% Positiveness
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Cinderella Chorus
Cinderella: Finale
101 bpm • F Maj • 01:06 • -12.14db
35% Popularity • 30% Danceability • 36% Energy • 28% Liveness
34% Instrumentalness • 28% Positiveness
35% Popularity • 30% Danceability • 36% Energy • 28% Liveness
34% Instrumentalness • 28% Positiveness
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The New Orleans Ragtime Orchestra
War Cloud
101 bpm • D# Maj • 03:58 • -14db
26% Popularity • 58% Danceability • 29% Energy • 7% Liveness
92% Instrumentalness • 83% Positiveness
26% Popularity • 58% Danceability • 29% Energy • 7% Liveness
92% Instrumentalness • 83% Positiveness
