Songs like Spider-Man: Homecoming Suite by Michael Giacchino
Based on a tempo of (+/- 10%) and a similar genre
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Jared Moreno Luna
Ant-Man and The Wasp - Main Theme
145 bpm • G Maj • 02:28 • -11.96db
17% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
17% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
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Christophe Beck
Theme from Ant-Man
145 bpm • F min • 02:46 • -8.96db
41% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
45% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
45% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Daniel Pemberton
Only One Spider-Man
145 bpm • D Maj • 02:13 • -10db
49% Popularity • 64% Danceability • 69% Energy • 7% Liveness
93% Instrumentalness • 71% Positiveness
49% Popularity • 64% Danceability • 69% Energy • 7% Liveness
93% Instrumentalness • 71% Positiveness
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Michael Giacchino
High Tech Heist
145 bpm • A# min • 01:26 • -14.9db
20% Popularity • 45% Danceability • 47% Energy • 44% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 45% Danceability • 47% Energy • 44% Liveness
88% Instrumentalness • 10% Positiveness
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Blake Neely
Swashbuckling Through a French Chateau
145 bpm • B min • 02:14 • -11.41db
14% Popularity • 40% Danceability • 62% Energy • 16% Liveness
78% Instrumentalness • 43% Positiveness
14% Popularity • 40% Danceability • 62% Energy • 16% Liveness
78% Instrumentalness • 43% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
38% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
38% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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John Debney
Black Widow Kicks Ass
144 bpm • G Maj • 02:11 • -15db
23% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
23% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Michael Giacchino
Spider-Man: Homecoming Suite
145 bpm • F Maj • 06:12 • -14.19db
39% Popularity • 20% Danceability • 27% Energy • 15% Liveness
70% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 27% Energy • 15% Liveness
70% Instrumentalness • 6% Positiveness
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Alan Menken
Waiting for the Lights
143 bpm • E Maj • 02:47 • -16.32db
50% Popularity • 18% Danceability • 12% Energy • 49% Liveness
82% Instrumentalness • 5% Positiveness
50% Popularity • 18% Danceability • 12% Energy • 49% Liveness
82% Instrumentalness • 5% Positiveness
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Murray Gold
Doctor Who XI
143 bpm • E min • 01:04 • -7db
40% Popularity • 38% Danceability • 92% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
40% Popularity • 38% Danceability • 92% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Tyler Bates
Two-Time-Galaxy Savers
143 bpm • G Maj • 03:01 • -7.79db
18% Popularity • 26% Danceability • 72% Energy • 19% Liveness
87% Instrumentalness • 15% Positiveness
18% Popularity • 26% Danceability • 72% Energy • 19% Liveness
87% Instrumentalness • 15% Positiveness
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Heitor Pereira
He’s Here for Me
143 bpm • D Maj • 01:31 • -16db
36% Popularity • 24% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 8% Positiveness
36% Popularity • 24% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 8% Positiveness
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Pinar Toprak
More Problems
143 bpm • A# min • 08:15 • -12.21db
19% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
19% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Giacchino
Indominus Wrecks
145 bpm • A# min • 06:11 • -20.26db
28% Popularity • 15% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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James Horner
Oscorp Tower
143 bpm • A# Maj • 03:22 • -13.18db
24% Popularity • 17% Danceability • 64% Energy • 5% Liveness
83% Instrumentalness • 12% Positiveness
24% Popularity • 17% Danceability • 64% Energy • 5% Liveness
83% Instrumentalness • 12% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
30% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
30% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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Baltic House Orchestra
Wonder Woman (Main Movie Theme)
142 bpm • A Maj • 02:22 • -13.71db
29% Popularity • 40% Danceability • 68% Energy • 24% Liveness
84% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 68% Energy • 24% Liveness
84% Instrumentalness • 15% Positiveness
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Michael Giacchino
A Stark Contrast
146 bpm • F Maj • 04:41 • -21.04db
19% Popularity • 17% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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James Horner
Main Title - Young Peter
141 bpm • G min • 04:54 • -21.67db
38% Popularity • 20% Danceability • 14% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 14% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Hesham Nazih
Full Moon Fight
149 bpm • E min • 02:13 • -15.9db
28% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
28% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
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Natalie Holt
Pruned
141 bpm • C# min • 02:44 • -15db
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Joe Kraemer
A Flight at the Opera
141 bpm • E min • 02:22 • -15db
24% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Giacchino
Liberty Parlance
144 bpm • G min • 01:28 • -12.58db
32% Popularity • 58% Danceability • 31% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
32% Popularity • 58% Danceability • 31% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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Alexandre Desplat
Obliviate
150 bpm • C Maj • 03:02 • -19db
52% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
52% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Homecoming
141 bpm • E Maj • 01:24 • -21db
36% Popularity • 16% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
49% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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John Debney
Mayhem In Monaco
140 bpm • E min • 07:25 • -13.02db
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Laura Karpman
Main Title
150 bpm • D# Maj • 01:07 • -9.12db
31% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
31% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
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Daniel Pemberton
Canon Event
150 bpm • D min • 07:09 • -17.56db
45% Popularity • 20% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
45% Popularity • 20% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Christopher Drake
Assassins
140 bpm • D Maj • 02:41 • -10.73db
28% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
28% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
49% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Giacchino
Lift Off
140 bpm • A min • 05:25 • -10.62db
17% Popularity • 36% Danceability • 41% Energy • 31% Liveness
93% Instrumentalness • 8% Positiveness
17% Popularity • 36% Danceability • 41% Energy • 31% Liveness
93% Instrumentalness • 8% Positiveness
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Andrew Lockington
Thalia's Story
140 bpm • G# Maj • 03:42 • -14db
21% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Mychael Danna
The World Was Full Of Wonder
150 bpm • E Maj • 01:37 • -10db
29% Popularity • 32% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
29% Popularity • 32% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Steve Jablonsky
Optimus vs. Megatron
140 bpm • D Maj • 03:59 • -15.33db
38% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Giacchino
Otto Trouble
140 bpm • E Maj • 04:19 • -11.74db
25% Popularity • 23% Danceability • 48% Energy • 27% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 23% Danceability • 48% Energy • 27% Liveness
82% Instrumentalness • 6% Positiveness
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Andrew Lockington
Percy Jackson: Sea of Monsters - Main Ti...
140 bpm • C Maj • 03:15 • -14db
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Tyler Bates
Guardians United
151 bpm • G# Maj • 02:46 • -9.91db
28% Popularity • 38% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
33% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
Favela Escape
139 bpm • C# min • 03:35 • -16db
25% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
25% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Steve Jablonsky
Turtle Power
151 bpm • A min • 02:30 • -10.5db
18% Popularity • 31% Danceability • 54% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
18% Popularity • 31% Danceability • 54% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Theodore Shapiro
Battle of Times Square
151 bpm • C min • 03:20 • -9db
20% Popularity • 23% Danceability • 73% Energy • 14% Liveness
71% Instrumentalness • 14% Positiveness
20% Popularity • 23% Danceability • 73% Energy • 14% Liveness
71% Instrumentalness • 14% Positiveness
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Alan Silvestri
Totally Fine
139 bpm • G min • 04:29 • -31.02db
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Tyler Bates
Groot Cocoon
139 bpm • G# Maj • 02:29 • -13.27db
29% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Nathan Johnson
Like Father, Like Son
138 bpm • D Maj • 01:01 • -21.18db
36% Popularity • 15% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
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Murray Gold
Doctor Who Theme (Series 8)
138 bpm • B min • 01:16 • -7db
37% Popularity • 17% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 44% Positiveness
37% Popularity • 17% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 44% Positiveness
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Michael Giacchino
Swinging Set
138 bpm • D Maj • 01:47 • -9.41db
34% Popularity • 35% Danceability • 78% Energy • 27% Liveness
71% Instrumentalness • 52% Positiveness
34% Popularity • 35% Danceability • 78% Energy • 27% Liveness
71% Instrumentalness • 52% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
47% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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James Horner
Ben's Death
138 bpm • D Maj • 05:41 • -25.97db
24% Popularity • 23% Danceability • 14% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
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Tyler Bates
The Ballad of the Nova Corps. (Instrumen...
152 bpm • G# Maj • 01:48 • -14db
26% Popularity • 12% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
26% Popularity • 12% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
27% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Michael Kamen
The Eye Of The Storm
138 bpm • E min • 02:31 • -13.3db
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
A Lot of 'Splaining to Do
153 bpm • C# Maj • 02:14 • -12.05db
18% Popularity • 57% Danceability • 53% Energy • 58% Liveness
85% Instrumentalness • 42% Positiveness
18% Popularity • 57% Danceability • 53% Energy • 58% Liveness
85% Instrumentalness • 42% Positiveness
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Heitor Pereira
Emergency Exit
153 bpm • C Maj • 03:17 • -13.46db
9% Popularity • 21% Danceability • 44% Energy • 34% Liveness
55% Instrumentalness • 9% Positiveness
9% Popularity • 21% Danceability • 44% Energy • 34% Liveness
55% Instrumentalness • 9% Positiveness
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Tyler Bates
Showtime, A-holes
152 bpm • G# Maj • 01:27 • -11db
44% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
44% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
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Shirley Walker
Sub-Main Title / Batwing / Bat Attack
137 bpm • C Maj • 01:51 • -18db
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
22% Popularity • 28% Danceability • 15% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
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Blake Neely
Closing The Wormhole
137 bpm • G min • 04:43 • -12.13db
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
45% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
45% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Henry Jackman
Lemurian Star
136 bpm • C min • 03:06 • -21db
39% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
39% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Michael Giacchino
Arachnoverture
136 bpm • A min • 10:06 • -15.16db
38% Popularity • 18% Danceability • 20% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 20% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
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Heitor Pereira
The Fight with Death
136 bpm • B min • 02:23 • -13db
35% Popularity • 35% Danceability • 47% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
35% Popularity • 35% Danceability • 47% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
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Thomas Newman
Wall-E
136 bpm • A# Maj • 01:59 • -19db
42% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
42% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Christopher Drake
Main Titles - Batman: Under The Red Hood
136 bpm • A Maj • 02:43 • -16.05db
27% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Hesham Nazih
Summon the Suit
135 bpm • E Maj • 02:16 • -16db
33% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Heitor Pereira
PX-41 Labs
136 bpm • C Maj • 02:06 • -11.36db
30% Popularity • 37% Danceability • 64% Energy • 29% Liveness
71% Instrumentalness • 10% Positiveness
30% Popularity • 37% Danceability • 64% Energy • 29% Liveness
71% Instrumentalness • 10% Positiveness
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Michael Giacchino
Academic Decommitment
135 bpm • A min • 01:57 • -20.18db
32% Popularity • 76% Danceability • 39% Energy • 6% Liveness
79% Instrumentalness • 34% Positiveness
32% Popularity • 76% Danceability • 39% Energy • 6% Liveness
79% Instrumentalness • 34% Positiveness
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Shirley Walker
Batman Drives to Gotham
135 bpm • A# min • 00:59 • -14.2db
23% Popularity • 24% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
23% Popularity • 24% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
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John Debney
Shere Khan Attacks - Stampede
156 bpm • F Maj • 02:05 • -14.76db
21% Popularity • 32% Danceability • 68% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
21% Popularity • 32% Danceability • 68% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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Daniel Pemberton
Miles Morales Returns
156 bpm • G Maj • 03:45 • -9.36db
43% Popularity • 17% Danceability • 74% Energy • 33% Liveness
92% Instrumentalness • 15% Positiveness
43% Popularity • 17% Danceability • 74% Energy • 33% Liveness
92% Instrumentalness • 15% Positiveness
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Mychael Danna
On Its Head
135 bpm • D# Maj • 01:34 • -18.36db
38% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
38% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
37% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
37% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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Ramin Djawadi
Gipsy Danger
135 bpm • A Maj • 03:19 • -12.99db
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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James Horner
Han's Kung Fu
135 bpm • C Maj • 01:39 • -19.83db
23% Popularity • 56% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 16% Positiveness
23% Popularity • 56% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 16% Positiveness
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Michael Giacchino
Drag Racing / An Old Van Rundown
156 bpm • C# Maj • 04:06 • -12.76db
19% Popularity • 32% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
19% Popularity • 32% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Start a Band)
135 bpm • D Maj • 03:53 • -10.65db
56% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
56% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Steve Jablonsky
Did You Forget Who I Am
135 bpm • D min • 01:56 • -13.16db
40% Popularity • 24% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Heitor Pereira
Bounty Hunter
134 bpm • D Maj • 03:28 • -19db
39% Popularity • 25% Danceability • 19% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
39% Popularity • 25% Danceability • 19% Energy • 21% Liveness
54% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Just A Memory
135 bpm • G Maj • 02:08 • -12.21db
34% Popularity • 30% Danceability • 43% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
34% Popularity • 30% Danceability • 43% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
43% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
43% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
54% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
54% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Daniel Pemberton
Spider Training
156 bpm • D Maj • 01:23 • -11db
30% Popularity • 41% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
30% Popularity • 41% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
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Amie Doherty
She-Hulk: Attorney at Law
134 bpm • D Maj • 02:27 • -11.5db
19% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Natalie Holt
Lamentis-1, 2077
133 bpm • C# Maj • 01:54 • -13.4db
32% Popularity • 49% Danceability • 62% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 49% Danceability • 62% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
33% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Paesano
New York's Only Spider-Man
159 bpm • G# Maj • 02:53 • -11.93db
45% Popularity • 46% Danceability • 61% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
45% Popularity • 46% Danceability • 61% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
