Songs like Spirit of Grace by Stanton Lanier
Based on a tempo of (+/- 10%) and a similar genre
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Stanton Lanier
Longing for Heavenly Country
117 bpm • G Maj • 04:09 • -22.15db
19% Popularity • 36% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 36% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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John Fluker
Asleep Beneath The Moon (Part One)
117 bpm • A min • 03:48 • -18db
23% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Jonatan Mollberg
Isle Of Water
117 bpm • F Maj • 02:23 • -24db
35% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
35% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Denise Young
Awakened
117 bpm • G min • 03:50 • -22.25db
27% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Akins
Castle Moon
117 bpm • D min • 04:16 • -14.25db
30% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Heinz Goldblatt
Traveling
117 bpm • A# Maj • 01:59 • -20db
32% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
32% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Stanton Lanier
Spirit of Grace
117 bpm • F# Maj • 03:44 • -21.43db
27% Popularity • 38% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
27% Popularity • 38% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Kathryn Toyama
Understanding Each Other
117 bpm • C Maj • 04:16 • -13.94db
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Joe Alexander Shepherd
One Day
118 bpm • A min • 05:09 • -22.1db
18% Popularity • 32% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 32% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Denise Young
There
116 bpm • A# Maj • 03:32 • -18.69db
40% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
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Hans Wolfgang Ziegler
Sunny & Cloudy
118 bpm • G min • 02:17 • -18.23db
35% Popularity • 79% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
35% Popularity • 79% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Joseph Akins
Winter Is Coming
118 bpm • E min • 05:11 • -17db
22% Popularity • 43% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
22% Popularity • 43% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Izumi Tanaka
Ai No Chiara
116 bpm • D# Maj • 03:12 • -13.85db
27% Popularity • 70% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Aaron Lansing
Faded Dreams
116 bpm • A min • 01:51 • -33db
38% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
38% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Kevin Kern
Pearls of Joy
118 bpm • F# min • 03:53 • -18.83db
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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Floating Lights
Time-Lapse
116 bpm • C Maj • 04:57 • -23db
34% Popularity • 38% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 38% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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James Spiteri
The Forest
118 bpm • B Maj • 06:15 • -15.81db
35% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
35% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Józef Gatysik
Evolutionistically yours
116 bpm • F Maj • 02:40 • -32db
23% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Joe Yamada
Chasing the Dream
118 bpm • E Maj • 02:38 • -17.3db
45% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
45% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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David Lanz
First Snow
119 bpm • G# Maj • 05:09 • -18.97db
31% Popularity • 48% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
31% Popularity • 48% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Kevin Kern
Fairy Wings
119 bpm • B min • 04:29 • -21.07db
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
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Martin Landh
Snow In June
119 bpm • G Maj • 02:38 • -16.25db
27% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Alberto Giurioli
One Note
115 bpm • C Maj • 04:45 • -17.61db
29% Popularity • 58% Danceability • 29% Energy • 5% Liveness
95% Instrumentalness • 25% Positiveness
29% Popularity • 58% Danceability • 29% Energy • 5% Liveness
95% Instrumentalness • 25% Positiveness
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Christine Brown
The Police Trilogy
115 bpm • F Maj • 05:02 • -19.05db
18% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
18% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
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Levi Patel
And She Translated Into the Sky
119 bpm • D min • 07:22 • -17.95db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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David de Miguel
Butterfly Dreams
115 bpm • G# Maj • 03:28 • -22.92db
19% Popularity • 38% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
19% Popularity • 38% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Joe Yamada
To Love Again
120 bpm • C Maj • 03:46 • -16.8db
22% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
22% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Sofia's Choice
The Thaw
120 bpm • A min • 02:51 • -5.95db
20% Popularity • 71% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
20% Popularity • 71% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Oscar Sundberg
Suvi
114 bpm • F# Maj • 05:04 • -17db
16% Popularity • 32% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Ana Olgica
Sugarcane
114 bpm • C Maj • 02:24 • -27.86db
43% Popularity • 36% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 46% Positiveness
43% Popularity • 36% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 46% Positiveness
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Levi Patel
As She Passes
119 bpm • G# Maj • 03:43 • -20.43db
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Stanton Lanier
Counting the Sand of the Sea
114 bpm • A# Maj • 04:16 • -26.86db
25% Popularity • 34% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
25% Popularity • 34% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Ageena
Derelict Storms
120 bpm • C Maj • 03:44 • -28.66db
30% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Henrik Janson
Capri Interlude
120 bpm • C Maj • 01:43 • -13.18db
35% Popularity • 85% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
35% Popularity • 85% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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James Spiteri
A New Beginning
120 bpm • C# min • 05:06 • -16.45db
30% Popularity • 33% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 33% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Oliver Riz
Healing Love
120 bpm • A Maj • 04:30 • -18.84db
12% Popularity • 52% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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John Hanks
Hills And Horizons
120 bpm • D Maj • 02:36 • -18.06db
34% Popularity • 75% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
34% Popularity • 75% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
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Isaac Shepard
Campground Stargazing
120 bpm • F Maj • 04:46 • -24.62db
34% Popularity • 74% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 74% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Stanton Lanier
Open Spaces
120 bpm • C# Maj • 05:39 • -18.61db
22% Popularity • 57% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 40% Positiveness
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John Fluker
Asleep Beneath The Moon (Part Two)
120 bpm • A min • 06:45 • -18db
19% Popularity • 37% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
19% Popularity • 37% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Gavin Luke
At First Light
120 bpm • A Maj • 02:08 • -21.97db
29% Popularity • 48% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 48% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Enrico Carmona
Braids
120 bpm • C Maj • 03:30 • -14db
39% Popularity • 72% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
39% Popularity • 72% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Fiona Joy Hawkins
Antarctica
120 bpm • G min • 04:18 • -18db
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
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John Hanks
Be Over Ay
120 bpm • G# Maj • 02:02 • -15.68db
31% Popularity • 66% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 66% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Bernward Koch
Immortal Thoughts
121 bpm • A# Maj • 04:48 • -16.18db
35% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Izumi Tanaka
Last Breath
114 bpm • D# min • 03:05 • -24.51db
21% Popularity • 36% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Enrico Carmona
Tranceformation
120 bpm • D Maj • 02:48 • -16.11db
43% Popularity • 72% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
43% Popularity • 72% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Kathryn Toyama
Open Your Heart
121 bpm • E min • 03:55 • -18.14db
37% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
23% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Stanton Lanier
Bread of Angels
121 bpm • G# Maj • 05:31 • -20.5db
31% Popularity • 34% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 34% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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David Lanz
Rainlight
121 bpm • F min • 05:57 • -15.27db
9% Popularity • 49% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 49% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Steven Cravis
4th Chakra - Key Of F
113 bpm • F Maj • 07:27 • -26.89db
20% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Martino Vergnaghi
Hopefully
121 bpm • C Maj • 04:16 • -17.29db
27% Popularity • 40% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
27% Popularity • 40% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Rachel Currea
Dragonflies
122 bpm • B min • 05:17 • -26.29db
19% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Floating Lights
Ports of Call
122 bpm • D# Maj • 04:46 • -23.59db
25% Popularity • 60% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
25% Popularity • 60% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Stanton Lanier
Bread of Angels
122 bpm • G# Maj • 04:02 • -22db
15% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Karen Marie Garrett
Tip Toe Dancer and the Sea Pearl
122 bpm • G# Maj • 03:52 • -18.95db
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Don Steale
Crying Hearts
112 bpm • C Maj • 03:30 • -15.15db
24% Popularity • 83% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
24% Popularity • 83% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
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Oscar Sundberg
Homebound
122 bpm • G# Maj • 02:57 • -18.87db
17% Popularity • 26% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 26% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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David Hicken
Sekhemet
123 bpm • C Maj • 04:44 • -17db
33% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
33% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Stanton Lanier
Far Away from Home
112 bpm • A# min • 04:41 • -16.7db
22% Popularity • 61% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 61% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 7% Positiveness
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Karen Marie Garrett
It's About the Rose in the Vase on the T...
112 bpm • C# Maj • 05:04 • -20.05db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Kevin Kern
After the Rain
123 bpm • A# Maj • 04:09 • -17.37db
43% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Sofia's Choice
Rebirth
111 bpm • G Maj • 03:53 • -8.85db
10% Popularity • 74% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
10% Popularity • 74% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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John Fluker
After the Fall
111 bpm • D min • 05:51 • -15.02db
10% Popularity • 51% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
10% Popularity • 51% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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David Hicken
Uriel
111 bpm • F# Maj • 04:18 • -24.3db
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Joe Yamada
Remember When
124 bpm • E Maj • 04:07 • -16.6db
15% Popularity • 32% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
15% Popularity • 32% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Stanton Lanier
Rivers of Light
111 bpm • A Maj • 05:30 • -20.19db
15% Popularity • 26% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
15% Popularity • 26% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Tom Ellenhag
Whispers
124 bpm • B Maj • 03:08 • -13.27db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Henrik Janson
The Sleeping Waltz
124 bpm • G Maj • 03:15 • -18.41db
36% Popularity • 47% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
36% Popularity • 47% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Moux
Chasing Stars
124 bpm • C Maj • 02:22 • -30.85db
45% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
45% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Kevin Kern
And the Light is Forever
110 bpm • D# Maj • 03:23 • -19.75db
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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Fiona Joy Hawkins
Freedom
110 bpm • D Maj • 01:51 • -21.18db
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Martin Landh
Come To Light
110 bpm • C min • 02:22 • -18.82db
30% Popularity • 60% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Miranda Boumedin
New Moon (The Meadow)
110 bpm • G# min • 04:13 • -14db
36% Popularity • 73% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
36% Popularity • 73% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Figgy Malone
Embrace Life
125 bpm • E Maj • 03:54 • -22.61db
23% Popularity • 59% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
23% Popularity • 59% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
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Joe Alexander Shepherd
Lost
125 bpm • D min • 02:00 • -25.4db
42% Popularity • 53% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
42% Popularity • 53% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Fiona Joy Hawkins
Portrait of a Waterfall Reprise
110 bpm • D Maj • 03:10 • -22.59db
15% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Louis Landon
The Painter
125 bpm • G min • 03:14 • -21.55db
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
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Piotr Miteska
A Drift in Time
125 bpm • G Maj • 02:40 • -26.63db
35% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
35% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Gandalf
The Loveliest Flower in My Garden
126 bpm • A Maj • 04:36 • -14.8db
27% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Floating Lights
Lost Secrets
126 bpm • G# Maj • 05:04 • -31.14db
27% Popularity • 28% Danceability • 3% Energy • 34% Liveness
81% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 3% Energy • 34% Liveness
81% Instrumentalness • 4% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
32% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
32% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Joe Yamada
Forever Love
126 bpm • D Maj • 06:12 • -18.22db
23% Popularity • 48% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 48% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Robert Haig Coxon
Coming Home
126 bpm • F# Maj • 07:54 • -20.35db
34% Popularity • 20% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Michael Allen Harrison
Unborn Child
126 bpm • C Maj • 03:50 • -27.79db
25% Popularity • 31% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
25% Popularity • 31% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Stanton Lanier
Tears of Lament
109 bpm • B min • 04:44 • -20.05db
8% Popularity • 37% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
8% Popularity • 37% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Louis Landon
The Chair
126 bpm • A# min • 04:58 • -19db
25% Popularity • 44% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
25% Popularity • 44% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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David Lanz
Norwegian Rain
127 bpm • A min • 03:43 • -17.4db
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Matthew Mayer
Ardor
127 bpm • A min • 03:00 • -22.4db
25% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
25% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Leonard Anderson
The Girl Plays
107 bpm • D# Maj • 03:08 • -25.19db
16% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Una Luna
Neuland
128 bpm • A Maj • 02:30 • -24.18db
37% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
37% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness