Songs like Spiritually Evolving by Michael Panasuk
Based on a tempo of (+/- 10%) and a similar genre
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Michael Panasuk
Move Toward the Light
130 bpm • D Maj • 04:07 • -16.87db
0% Popularity • 74% Danceability • 23% Energy • 12% Liveness
71% Instrumentalness • 69% Positiveness
0% Popularity • 74% Danceability • 23% Energy • 12% Liveness
71% Instrumentalness • 69% Positiveness
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渡辺幹男
まぶしい草野球
130 bpm • F Maj • 03:40 • -16.74db
20% Popularity • 81% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
20% Popularity • 81% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Jan Åkesson
Out of the Blue
130 bpm • A# min • 03:55 • -6.24db
0% Popularity • 55% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 55% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
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Stefano Fucili
Celtic Dance
130 bpm • A min • 02:17 • -10.46db
5% Popularity • 42% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 41% Positiveness
5% Popularity • 42% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 41% Positiveness
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Andrew Finn Magill
The Littlest Doyle
130 bpm • D Maj • 04:04 • -15.29db
8% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Suda
Canpai Bossa
130 bpm • A min • 03:12 • -17.74db
18% Popularity • 74% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
18% Popularity • 74% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
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Michael Panasuk
Lonesome Acoustic Guitar
130 bpm • B Maj • 02:05 • -13.89db
0% Popularity • 72% Danceability • 25% Energy • 10% Liveness
16% Instrumentalness • 64% Positiveness
0% Popularity • 72% Danceability • 25% Energy • 10% Liveness
16% Instrumentalness • 64% Positiveness
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お洒落ボサノバClub
夕日が沈む海岸
129 bpm • F# min • 03:17 • -26.29db
17% Popularity • 48% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
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勉強喫茶店
勉強ボサノバBGM
131 bpm • F min • 02:52 • -22.77db
33% Popularity • 61% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
33% Popularity • 61% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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早上喝咖啡
波薩諾瓦吉他
129 bpm • F# Maj • 03:05 • -17.28db
22% Popularity • 53% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Duck Baker
The Blarney Pilgrim
131 bpm • A Maj • 02:17 • -16db
10% Popularity • 45% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
10% Popularity • 45% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
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Kaffeehaus Musik Gesellschaft
Instrumentale Hintergrundmusik
132 bpm • C Maj • 02:02 • -20.82db
28% Popularity • 79% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 76% Positiveness
28% Popularity • 79% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 76% Positiveness
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每天爵士乐
舒适的秋天
129 bpm • E min • 03:07 • -25.1db
15% Popularity • 37% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
15% Popularity • 37% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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お洒落ボサノバClub
作業BGMボサノバ
129 bpm • A min • 02:53 • -20.15db
22% Popularity • 56% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 68% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 68% Positiveness
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Yoshiki
See you
128 bpm • C Maj • 01:05 • -15.98db
12% Popularity • 70% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
12% Popularity • 70% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
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早上喝咖啡
在城市裡散步
131 bpm • A min • 03:00 • -16.84db
20% Popularity • 52% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Jan Åkesson
Memories of A Broken Heart
128 bpm • A# min • 03:41 • -3.45db
0% Popularity • 54% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 54% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Ulli Boegershausen
Krivo Polska
132 bpm • D min • 02:25 • -19.92db
17% Popularity • 57% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
17% Popularity • 57% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Runa
Liam's Lullaby
128 bpm • F Maj • 02:22 • -18.34db
13% Popularity • 46% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 40% Positiveness
13% Popularity • 46% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 40% Positiveness
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Fred Mollin
Ne Me Quitte Pas
128 bpm • A min • 04:16 • -15.51db
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
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Margie Butler
Swans Among the Rushes
132 bpm • G Maj • 03:52 • -11db
13% Popularity • 41% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 40% Positiveness
13% Popularity • 41% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 40% Positiveness
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楽しくスタディーClub
元気になるボサノバ
127 bpm • E min • 03:06 • -23.57db
19% Popularity • 51% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
19% Popularity • 51% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Jan Åkesson
Never Give Up
128 bpm • A# min • 03:58 • -6.1db
0% Popularity • 52% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 52% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Daytime Owl
The Key to the Future
133 bpm • G Maj • 02:09 • -15db
30% Popularity • 87% Danceability • 17% Energy • 9% Liveness
72% Instrumentalness • 54% Positiveness
30% Popularity • 87% Danceability • 17% Energy • 9% Liveness
72% Instrumentalness • 54% Positiveness
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Freyda Epstein
Hajej
126 bpm • G Maj • 04:15 • -15.89db
12% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The O'Neill Brothers Group
Skye Boat (Instrumental Version)
127 bpm • D Maj • 04:43 • -14.66db
11% Popularity • 58% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
11% Popularity • 58% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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Claire Roche
O'Carolan's Welcome and O'Carolan's Conc...
134 bpm • A# min • 03:23 • -15.93db
7% Popularity • 48% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 53% Positiveness
7% Popularity • 48% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 53% Positiveness
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楽しくスタディーClub
ボサノバテンポ
133 bpm • E Maj • 03:15 • -22db
26% Popularity • 55% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
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Traditional
Believe Me If All Those Endearing Young ...
134 bpm • G Maj • 02:27 • -17.59db
9% Popularity • 44% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Jan Åkesson
800
132 bpm • F Maj • 03:23 • -6.4db
0% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Panasuk
Rough and Tumble Love
134 bpm • F# min • 03:25 • -7.18db
0% Popularity • 58% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 58% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Sugar Dressing
Segreta
135 bpm • C# Maj • 02:10 • -17.64db
9% Popularity • 54% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 68% Positiveness
9% Popularity • 54% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 68% Positiveness
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A Palinode
Ms. Monaghan's Reel
125 bpm • E min • 02:14 • -12.86db
7% Popularity • 63% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 90% Positiveness
7% Popularity • 63% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 90% Positiveness
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Stars Magical Orchestra
Sexit - Instrumental
125 bpm • G Maj • 03:05 • -19.22db
22% Popularity • 64% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
22% Popularity • 64% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
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Cirque Dimanche
Travel Across The Land
135 bpm • G# Maj • 02:13 • -22.61db
20% Popularity • 67% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
20% Popularity • 67% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
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Jan Åkesson
They Are the Heroes
128 bpm • C min • 04:47 • -6.83db
0% Popularity • 43% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 43% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 11% Positiveness
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Michael Panasuk
He Reminds Me
125 bpm • C Maj • 04:25 • -6.02db
0% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Edu Arana
Valsecito en sol menor
125 bpm • C min • 01:49 • -22.33db
15% Popularity • 75% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 76% Positiveness
15% Popularity • 75% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 76% Positiveness
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Mona Iglesias
April Recollections
125 bpm • C Maj • 01:04 • -16.22db
7% Popularity • 81% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
7% Popularity • 81% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
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Andy L
Celtic Fling
125 bpm • E Maj • 02:29 • -7.8db
2% Popularity • 62% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
2% Popularity • 62% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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El McMeen
The Blarney Pilgrim Jig
135 bpm • G Maj • 02:53 • -18db
9% Popularity • 51% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 71% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 71% Positiveness
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William Coulter & Friends
Craigieburn Wood
125 bpm • G Maj • 03:48 • -14.92db
11% Popularity • 44% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
11% Popularity • 44% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Michael Panasuk
Slow and Easy
125 bpm • D Maj • 03:10 • -10.52db
0% Popularity • 58% Danceability • 66% Energy • 38% Liveness
96% Instrumentalness • 88% Positiveness
0% Popularity • 58% Danceability • 66% Energy • 38% Liveness
96% Instrumentalness • 88% Positiveness
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Michelle Mulcahy
An Bhuatais
136 bpm • D# Maj • 04:20 • -18.09db
7% Popularity • 33% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
7% Popularity • 33% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Gordon Mcleod
Shetland Reels
124 bpm • G Maj • 02:58 • -3.99db
5% Popularity • 46% Danceability • 81% Energy • 14% Liveness
85% Instrumentalness • 94% Positiveness
5% Popularity • 46% Danceability • 81% Energy • 14% Liveness
85% Instrumentalness • 94% Positiveness
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Jan Åkesson
Like an Eagle
136 bpm • C Maj • 03:55 • -6.44db
0% Popularity • 49% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 49% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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早上喝咖啡
彈吉他
136 bpm • A Maj • 03:23 • -22.34db
14% Popularity • 47% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
14% Popularity • 47% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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甘い夜のジャズ
二人だけの熱い夜
136 bpm • F Maj • 03:27 • -22.45db
11% Popularity • 58% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
11% Popularity • 58% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Michael Panasuk
Full Moon, Empty Heart
125 bpm • D Maj • 03:58 • -4.68db
0% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Marina Costa
Irish Mood
124 bpm • D Maj • 01:09 • -7.77db
25% Popularity • 77% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
25% Popularity • 77% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Stars Magical Orchestra
Parafilia - Instrumental
123 bpm • G# Maj • 03:37 • -19.08db
25% Popularity • 77% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
25% Popularity • 77% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Irish Folk & Celtic Music
One Yellow Rose
137 bpm • C Maj • 04:32 • -17.02db
12% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Anne Roos
Considine's Grove
137 bpm • E min • 02:32 • -14.57db
16% Popularity • 63% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 61% Positiveness
16% Popularity • 63% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 61% Positiveness
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Ashley Broder
While We're Here
137 bpm • E Maj • 03:24 • -12.38db
10% Popularity • 46% Danceability • 26% Energy • 11% Liveness
57% Instrumentalness • 21% Positiveness
10% Popularity • 46% Danceability • 26% Energy • 11% Liveness
57% Instrumentalness • 21% Positiveness
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Michael Panasuk
With You
136 bpm • D Maj • 02:39 • -7.96db
0% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Juan Martínez Pérez
Hidden Grace
123 bpm • E Maj • 02:32 • -14.19db
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Stars Magical Orchestra
Gemido
138 bpm • C Maj • 03:02 • -16.84db
18% Popularity • 68% Danceability • 25% Energy • 17% Liveness
78% Instrumentalness • 55% Positiveness
18% Popularity • 68% Danceability • 25% Energy • 17% Liveness
78% Instrumentalness • 55% Positiveness
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Tempo Natalizio
Atmosfera natalizia
138 bpm • G min • 03:54 • -15.36db
15% Popularity • 42% Danceability • 22% Energy • 21% Liveness
62% Instrumentalness • 8% Positiveness
15% Popularity • 42% Danceability • 22% Energy • 21% Liveness
62% Instrumentalness • 8% Positiveness
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Organic Farm
Work to the Top
138 bpm • A# Maj • 02:05 • -16.9db
26% Popularity • 85% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 63% Positiveness
26% Popularity • 85% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 63% Positiveness
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Kim Robertson
Butterfly Jig
123 bpm • E min • 02:22 • -19.57db
18% Popularity • 50% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
18% Popularity • 50% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Dallas Diamond Players
Stand Beside Me
138 bpm • G Maj • 02:17 • -17.58db
30% Popularity • 54% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
30% Popularity • 54% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Arty McGlynn
Jigs: The Humors Of Kilclogher / Strop T...
122 bpm • G Maj • 03:19 • -10.82db
12% Popularity • 60% Danceability • 56% Energy • 12% Liveness
73% Instrumentalness • 97% Positiveness
12% Popularity • 60% Danceability • 56% Energy • 12% Liveness
73% Instrumentalness • 97% Positiveness
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朝の喫茶店
穏やかな朝に聴く音楽
122 bpm • B min • 03:15 • -12.08db
16% Popularity • 60% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
16% Popularity • 60% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Lucia Micarelli
Shine You No More
139 bpm • F# min • 03:37 • -13.14db
17% Popularity • 55% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 47% Positiveness
17% Popularity • 55% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 47% Positiveness
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Ken Kolodner
Untitled Hornpipe
139 bpm • G Maj • 01:54 • -20.27db
18% Popularity • 41% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 41% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Freddie Colonal
At O Nal
122 bpm • C Maj • 01:12 • -19.5db
10% Popularity • 39% Danceability • 6% Energy • 9% Liveness
48% Instrumentalness • 82% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 9% Liveness
48% Instrumentalness • 82% Positiveness
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楽しくスタディーClub
暗記する音楽
140 bpm • A# min • 02:54 • -23db
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Spanische Gitarre Melodie
Ruhiger Stimmungszustand
121 bpm • D Maj • 02:42 • -15.06db
13% Popularity • 62% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
13% Popularity • 62% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
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Rachelle Spring
Abrazos De Cleopatra - Instrumental
140 bpm • C min • 03:02 • -13.64db
24% Popularity • 68% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
24% Popularity • 68% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
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Sugar Dressing
Good catch
140 bpm • C# Maj • 01:10 • -13.91db
9% Popularity • 72% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
9% Popularity • 72% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
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Liza Pirelli Jazztet
Think Big!
140 bpm • G Maj • 01:56 • -16.2db
33% Popularity • 62% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 58% Positiveness
33% Popularity • 62% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 58% Positiveness
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Jan Åkesson
Damned
121 bpm • C Maj • 04:28 • -5.45db
0% Popularity • 51% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 51% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 18% Positiveness
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Philleann
Harvest Dance
140 bpm • C Maj • 02:36 • -11.16db
19% Popularity • 57% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 51% Positiveness
19% Popularity • 57% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 51% Positiveness
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Snack Boys
Family planning
140 bpm • A# min • 02:05 • -17.51db
8% Popularity • 62% Danceability • 9% Energy • 17% Liveness
88% Instrumentalness • 92% Positiveness
8% Popularity • 62% Danceability • 9% Energy • 17% Liveness
88% Instrumentalness • 92% Positiveness
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Robin Bullock
The Savage Wee Beastie/Limerick Lasses/B...
121 bpm • G Maj • 03:55 • -15db
10% Popularity • 42% Danceability • 54% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
10% Popularity • 42% Danceability • 54% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
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Jazz Brunch
Up Hill Struggle
140 bpm • C Maj • 02:08 • -21.64db
43% Popularity • 60% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 63% Positiveness
43% Popularity • 60% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 63% Positiveness
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Michael Bernard Panasuk
Nylon Strings Attached
121 bpm • A min • 01:58 • -15.53db
0% Popularity • 78% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
0% Popularity • 78% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
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Michael Panasuk
Swinging Away
140 bpm • A# Maj • 02:49 • -12.37db
0% Popularity • 69% Danceability • 41% Energy • 11% Liveness
57% Instrumentalness • 56% Positiveness
0% Popularity • 69% Danceability • 41% Energy • 11% Liveness
57% Instrumentalness • 56% Positiveness
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Cocktails & Jazz
Friday Drinks
140 bpm • G Maj • 02:03 • -23db
29% Popularity • 78% Danceability • 7% Energy • 10% Liveness
45% Instrumentalness • 75% Positiveness
29% Popularity • 78% Danceability • 7% Energy • 10% Liveness
45% Instrumentalness • 75% Positiveness
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Anne Crosby Gaudet
All Things Bright and Beautiful
140 bpm • C Maj • 01:50 • -15.22db
16% Popularity • 60% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
16% Popularity • 60% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Liza Pirelli Jazztet
Passenger
140 bpm • A# Maj • 02:03 • -13.69db
26% Popularity • 62% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 47% Positiveness
26% Popularity • 62% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 47% Positiveness
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Jazz Brunch
Brunch Vibes
140 bpm • G Maj • 02:03 • -25.17db
16% Popularity • 66% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
16% Popularity • 66% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
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Michael Bernard Panasuk
Chopin Waltz
140 bpm • B Maj • 02:06 • -15.3db
0% Popularity • 64% Danceability • 26% Energy • 23% Liveness
91% Instrumentalness • 71% Positiveness
0% Popularity • 64% Danceability • 26% Energy • 23% Liveness
91% Instrumentalness • 71% Positiveness
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Michael Panasuk
Leo and a Trio in Rio
140 bpm • D# Maj • 02:52 • -16.2db
0% Popularity • 68% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
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ricca
A ragtime piano dreamer
140 bpm • E min • 01:55 • -18.16db
10% Popularity • 82% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 85% Positiveness
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XPRSiV
High Class
140 bpm • D# Maj • 02:17 • -21.5db
10% Popularity • 63% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
10% Popularity • 63% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Triskell
Stornoway
140 bpm • C min • 02:49 • -13.5db
9% Popularity • 50% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
9% Popularity • 50% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Ken Kolodner
The Blacktail Canyon Waltz / Down Home W...
140 bpm • G Maj • 05:46 • -14.59db
8% Popularity • 37% Danceability • 25% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 25% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
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Sugar Dressing
Sell by weight
141 bpm • C# min • 01:10 • -15.57db
7% Popularity • 52% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 33% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
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Michael Panasuk
Frankly Frank
140 bpm • G min • 03:47 • -18.35db
20% Popularity • 80% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 64% Positiveness
20% Popularity • 80% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 64% Positiveness
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早上喝咖啡
咖啡廳音樂BGM
140 bpm • C# Maj • 03:19 • -20.71db
17% Popularity • 45% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
17% Popularity • 45% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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XPRSiV
Blissful Boutique
140 bpm • A# Maj • 02:17 • -21.99db
10% Popularity • 62% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
10% Popularity • 62% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
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Lunchtime Jazz
Afternoon Coffee & Cake
141 bpm • C Maj • 01:08 • -23.71db
31% Popularity • 72% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 54% Positiveness
31% Popularity • 72% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 54% Positiveness
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Ian Martyn
Dearly Beloved
120 bpm • B min • 02:12 • -10.35db
7% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Bjørn Lynne
Scarborough Fair
120 bpm • A min • 02:42 • -12.94db
4% Popularity • 55% Danceability • 22% Energy • 13% Liveness
97% Instrumentalness • 23% Positiveness
4% Popularity • 55% Danceability • 22% Energy • 13% Liveness
97% Instrumentalness • 23% Positiveness
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Michael Panasuk
Uptown Waltz
140 bpm • F Maj • 02:50 • -23.62db
0% Popularity • 46% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
0% Popularity • 46% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
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WordHarmonic
Back Roads - Smooth Jazz For Lovers: Aut...
120 bpm • G Maj • 03:49 • -20.3db
13% Popularity • 78% Danceability • 15% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
13% Popularity • 78% Danceability • 15% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
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Annie McGee
The Wearing of the Green
120 bpm • A Maj • 01:56 • -5.51db
1% Popularity • 48% Danceability • 45% Energy • 30% Liveness
18% Instrumentalness • 59% Positiveness
1% Popularity • 48% Danceability • 45% Energy • 30% Liveness
18% Instrumentalness • 59% Positiveness
