Songs like Spirituals: My Lord, what a morning by Jessye Norman
Based on a tempo of (+/- 10%) and a similar genre
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Monks Of The Abbey Of Notre Dame
Sanctum Et Immaculata
101 bpm • E min • 03:41 • -28db
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Traditional
Londonderry Air "Farewell to Cucullain" ...
101 bpm • C Maj • 04:17 • -20.97db
32% Popularity • 20% Danceability • 6% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
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The Singers - Minnesota Choral Artists
Set Me as a Seal
101 bpm • D Maj • 02:58 • -30db
26% Popularity • 17% Danceability • 5% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
26% Popularity • 17% Danceability • 5% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
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L'Arpeggiata
Ciaccona (I)
101 bpm • C Maj • 03:52 • -21db
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Gasparo Zanetti
La Mantovana
101 bpm • A min • 02:16 • -16.84db
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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George Frideric Handel
Messiah, HWV 56: No. 12, Chorus "For unt...
102 bpm • G Maj • 04:04 • -18.62db
23% Popularity • 40% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
23% Popularity • 40% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Traditional
Tuo armon lasinen meri
100 bpm • G min • 02:45 • -17.18db
25% Popularity • 30% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
25% Popularity • 30% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Henry Purcell
Trumpet Tune in C Major, ZT 697 (Arr. fo...
99 bpm • D Maj • 02:39 • -22.29db
27% Popularity • 25% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
27% Popularity • 25% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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OCP Session Choir
Asperges Me - Chant Mass
103 bpm • D Maj • 01:48 • -23.76db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Kyrie XVII b
104 bpm • G Maj • 02:07 • -23db
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Traditional
Folk Medley (Arr. Davies, Gordon and Tog...
99 bpm • D Maj • 05:10 • -13.9db
26% Popularity • 42% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 78% Positiveness
26% Popularity • 42% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 78% Positiveness
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Rabanus Maurus
Hymn: Veni creator spiritus
98 bpm • A# Maj • 04:31 • -28.97db
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
35% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Arto Turpela
On autuas se ihminen
98 bpm • G Maj • 01:23 • -20.88db
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
27% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
27% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jessica Baran-Surel
Per tropo fede
105 bpm • D min • 03:47 • -7.78db
31% Popularity • 44% Danceability • 59% Energy • 12% Liveness
20% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 59% Energy • 12% Liveness
20% Instrumentalness • 38% Positiveness
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Traditional
In Nativitate Domini, Ad Matutinum, in P...
105 bpm • C Maj • 01:58 • -14.64db
23% Popularity • 33% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 33% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Divna Ljubojevic
The Lord's Prayer
105 bpm • C Maj • 01:54 • -17.67db
28% Popularity • 27% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 27% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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John Playford
The English Dancing Master: Grimstock
105 bpm • G Maj • 01:31 • -16db
16% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
97 bpm • B Maj • 03:59 • -24.37db
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: III. Sure On This Shining Nig...
105 bpm • C# Maj • 04:57 • -25.61db
23% Popularity • 16% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 4% Positiveness
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Jessica Baran-Surel
Stella splendens
105 bpm • A# Maj • 03:13 • -6.75db
28% Popularity • 44% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
28% Popularity • 44% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Traditional
I Love My Love (arr. Gustav Holst)
97 bpm • C min • 04:24 • -21.27db
18% Popularity • 21% Danceability • 15% Energy • 24% Liveness
15% Instrumentalness • 14% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 24% Liveness
15% Instrumentalness • 14% Positiveness
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Ensemble Discantus
Cantiga de Santa Maria 300: Muito deveri...
105 bpm • F# Maj • 04:22 • -21.94db
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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authentic Kiev chant
Thy Resurrection-(authentic Kiev chant)
106 bpm • C# min • 04:28 • -13.77db
23% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
23% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
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A. Jahnke
VÃ¥rvindar friska
96 bpm • B min • 01:43 • -27db
32% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Pierre Attaingnant
Pavane
96 bpm • G min • 02:11 • -26db
28% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
28% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Traditional
Totuuden henki
97 bpm • D Maj • 01:58 • -17.39db
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 29% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 29% Positiveness
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John Keys
Arrival of the Queen of Sheba
96 bpm • A# Maj • 01:39 • -15db
19% Popularity • 35% Danceability • 15% Energy • 14% Liveness
17% Instrumentalness • 51% Positiveness
19% Popularity • 35% Danceability • 15% Energy • 14% Liveness
17% Instrumentalness • 51% Positiveness
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Monks Of The Abbey Of Notre Dame
Angelus
96 bpm • E Maj • 02:53 • -27db
41% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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Jessica Baran-Surel
Amor mi fa cantar
96 bpm • G Maj • 02:57 • -8.57db
26% Popularity • 18% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 18% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Andrej Makor
O lux beata Trinitas
106 bpm • F# Maj • 02:37 • -25db
24% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Traditional
Eg Veit I Himmerik Ei Borg (I Know A Str...
96 bpm • D min • 02:57 • -31.14db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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"Drevnerussky Rospev" Male Choir
Glorious Miracle
107 bpm • A# Maj • 01:14 • -29db
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
Fall Asleep by the Flash
107 bpm • C Maj • 02:07 • -16db
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Kyrie
107 bpm • G# Maj • 01:39 • -23db
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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NóirÃn Nà Riain
Magnificent cum Alleluia (Song of Praise...
107 bpm • G min • 03:58 • -19.75db
15% Popularity • 25% Danceability • 14% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 14% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Traditional
La Carpinese (Tarantella)
95 bpm • E min • 03:41 • -22db
28% Popularity • 35% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 35% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
The Day of Resurrection (Anastaseos Heme...
107 bpm • D# min • 01:27 • -10db
28% Popularity • 32% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 32% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Huddersfield Choral Society
Eternal Father, Strong to Save
108 bpm • G Maj • 02:45 • -23.57db
22% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
22% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
► Preview
John Playford
The English Dance Master, Part II: Newca...
108 bpm • G Maj • 01:53 • -16db
20% Popularity • 65% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
20% Popularity • 65% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
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Traditional
Salve regina
95 bpm • C# min • 02:53 • -27db
29% Popularity • 30% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
The City Waites
Pastyme with good companye (arr. R. Skea...
109 bpm • A min • 02:44 • -12.11db
8% Popularity • 71% Danceability • 26% Energy • 22% Liveness
18% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 26% Energy • 22% Liveness
18% Instrumentalness • 21% Positiveness
► Preview
Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Nektarius Eginskij
Agni parthene - Hymnos akahistos
109 bpm • D min • 02:39 • -31db
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
109 bpm • D Maj • 05:41 • -33db
16% Popularity • 16% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Traditional
Simple Gifts (Arr. Knigge Recorder and E...
94 bpm • G Maj • 02:47 • -25.49db
33% Popularity • 22% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 24% Positiveness
33% Popularity • 22% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 24% Positiveness
► Preview
Jeronimo Aliseda
Beatus Franciscus
93 bpm • D min • 04:22 • -18.34db
18% Popularity • 23% Danceability • 14% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
The Songs of Taize Session Singers
Veni Sancte Spiritus
93 bpm • B min • 03:46 • -21.11db
26% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jessica Baran-Surel
Andro
110 bpm • G min • 03:31 • -9.39db
30% Popularity • 51% Danceability • 53% Energy • 13% Liveness
51% Instrumentalness • 29% Positiveness
30% Popularity • 51% Danceability • 53% Energy • 13% Liveness
51% Instrumentalness • 29% Positiveness
► Preview
Henry Purcell
Hole in the Wall
110 bpm • A# Maj • 02:46 • -16.07db
18% Popularity • 42% Danceability • 33% Energy • 21% Liveness
12% Instrumentalness • 54% Positiveness
18% Popularity • 42% Danceability • 33% Energy • 21% Liveness
12% Instrumentalness • 54% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Salve Regina
93 bpm • A min • 01:38 • -26db
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Traditional
Taivaassa, johon Jumala
94 bpm • E min • 02:27 • -19.06db
24% Popularity • 40% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
24% Popularity • 40% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
"The Orthodox Singers" Male Choir
Songs Of Penitence For Russia
111 bpm • C Maj • 04:29 • -24db
17% Popularity • 16% Danceability • 4% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 4% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: O Holy God
92 bpm • C# Maj • 03:21 • -30.97db
14% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Eric Whitacre
Whitacre: Five Hebrew Love Songs: Rakút...
92 bpm • G Maj • 02:22 • -26.67db
24% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
The Chamber Choir Eesti Projekt
Dominus Vobiscum
111 bpm • D Maj • 05:42 • -22.51db
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
17% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
17% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
► Preview
John Playford
The English Dancing Master: Parson's Far...
112 bpm • C Maj • 01:51 • -22.5db
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
► Preview
Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Hannah Holgersson
Ave Maria - Bach Gounod
112 bpm • G Maj • 03:46 • -16db
37% Popularity • 26% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
27% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
27% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Los Angeles Master Chorale
The Sound of Spirit
91 bpm • C# Maj • 03:02 • -21.89db
25% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
24% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Traditional
Vierge pure
112 bpm • E min • 07:23 • -8.42db
37% Popularity • 27% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 27% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
36% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
36% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Archangel Voices
Alleluia...Troparion "Behold the Bridegr...
113 bpm • D Maj • 04:01 • -21.74db
31% Popularity • 17% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Alleluia
113 bpm • E min • 03:44 • -22db
45% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
36% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Traditional
A Worcester Ladymass: O Maria virgo pia
91 bpm • D Maj • 01:57 • -24.86db
31% Popularity • 22% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Hilliard Ensemble
Missa "Mille Regretz": Kyrie (Morales)
90 bpm • B Maj • 04:54 • -19.74db
12% Popularity • 10% Danceability • 24% Energy • 15% Liveness
60% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 24% Energy • 15% Liveness
60% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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John Dowland
Come again, sweet love doth now invite
114 bpm • D# Maj • 02:21 • -13db
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Ouvre Moi Les Portes Du Repentir, Pt. 1
89 bpm • F min • 02:07 • -16.07db
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Traditional
Tulkaa kaikki, kotiin tulkaa
114 bpm • A min • 01:26 • -18.38db
24% Popularity • 31% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Lajos Bárdos
Tabortüznel
89 bpm • D min • 02:00 • -24.6db
10% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
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Fredrik Hiller
Tallinn
89 bpm • C min • 02:04 • -19.43db
13% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
