Songs like Spirituals: Sometimes I feel like a motherless child by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Jessye Norman
Spirituals: Sometimes I feel like a moth...
90 bpm • E min • 03:02 • -21.24db
3% Popularity • 31% Danceability • 8% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
3% Popularity • 31% Danceability • 8% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Alban Berg
7 frühe Lieder: II. Schilflied "Auf geh...
90 bpm • G# Maj • 02:26 • -24.95db
0% Popularity • 17% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 3: "Tu m'as donné ...
90 bpm • A Maj • 02:21 • -27db
15% Popularity • 35% Danceability • 3% Energy • 21% Liveness
11% Instrumentalness • 3% Positiveness
15% Popularity • 35% Danceability • 3% Energy • 21% Liveness
11% Instrumentalness • 3% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
18% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
La traviata / Act III: Parigi, o cara, n...
89 bpm • G# Maj • 04:55 • -20.49db
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
91 bpm • G Maj • 03:31 • -23db
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
89 bpm • A Maj • 03:12 • -21.6db
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Béla Bartók
Bluebeard's Castle, Sz. 48 (Op. 11): Doo...
91 bpm • G# min • 04:25 • -20.33db
3% Popularity • 25% Danceability • 13% Energy • 43% Liveness
5% Instrumentalness • 7% Positiveness
3% Popularity • 25% Danceability • 13% Energy • 43% Liveness
5% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
89 bpm • D# Maj • 03:05 • -17db
22% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: "Bella figlia dell'...
89 bpm • C# Maj • 04:15 • -14.82db
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Wagner
Parsifal / Act 1: Nicht Dank! - Haha! Wa...
91 bpm • F Maj • 08:00 • -28.09db
3% Popularity • 24% Danceability • 5% Energy • 31% Liveness
0% Instrumentalness • 5% Positiveness
3% Popularity • 24% Danceability • 5% Energy • 31% Liveness
0% Instrumentalness • 5% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Jessye Norman
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Erwartung, Op. 17: Er ist auch nicht da
91 bpm • A# Maj • 02:06 • -23.98db
3% Popularity • 27% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 27% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Il Corsaro - Act 1: "Non so le tetre imm...
89 bpm • C min • 03:31 • -24.37db
3% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Bellini: I puritani, Act 2: "O rendetemi...
89 bpm • D# Maj • 01:37 • -29db
25% Popularity • 27% Danceability • 3% Energy • 16% Liveness
61% Instrumentalness • 6% Positiveness
25% Popularity • 27% Danceability • 3% Energy • 16% Liveness
61% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Der fliegende Holländer, Act 2:...
91 bpm • A# Maj • 08:35 • -17.87db
3% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les nuits d'été, Op. 7: 2. Le spectre ...
88 bpm • D Maj • 07:15 • -24db
10% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 3 in D minor - Part 2: 4. S...
88 bpm • A min • 10:19 • -31.52db
3% Popularity • 10% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
3% Popularity • 10% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Prendi, quest'è...
88 bpm • C# Maj • 03:51 • -20.94db
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Calvary / They Crucified My Lord
88 bpm • C# Maj • 04:58 • -20.02db
4% Popularity • 22% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act II: "Dich, teur...
91 bpm • E min • 03:30 • -14.65db
5% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
88 bpm • D# Maj • 06:29 • -19.24db
23% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Gustav Mahler
Mahler: Kindertotenlieder: No. 1, Nun wi...
88 bpm • G min • 06:00 • -25.57db
16% Popularity • 11% Danceability • 5% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 5% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria piena d...
88 bpm • G# Maj • 04:49 • -23db
19% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 1, Sea Slumber...
88 bpm • C Maj • 05:18 • -30db
11% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre - Erster Tag des Bühnenfes...
92 bpm • C# Maj • 02:02 • -20.29db
9% Popularity • 34% Danceability • 16% Energy • 36% Liveness
3% Instrumentalness • 9% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 36% Liveness
3% Instrumentalness • 9% Positiveness
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Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Johannes Brahms
Gestillte Sehnsucht, Op. 91, No. 1
87 bpm • D Maj • 07:13 • -30.89db
5% Popularity • 15% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Stehe still
88 bpm • C Maj • 04:11 • -21db
8% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Licinio Refice
Ombra di nube
87 bpm • G# Maj • 03:23 • -21db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
39% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Béla Bartók
Bluebeard's Castle, Sz. 48 (Op. 11): "Ez...
93 bpm • G# min • 05:15 • -17.91db
4% Popularity • 27% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 27% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Anonymous
You Can Tell the World
93 bpm • F Maj • 02:10 • -14.86db
6% Popularity • 60% Danceability • 18% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 60% Danceability • 18% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Vogli...
87 bpm • F Maj • 08:00 • -13db
8% Popularity • 16% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Im Treibhaus
88 bpm • G min • 07:03 • -32.93db
11% Popularity • 12% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel: Dixit Dominus, HWV 232: VII. De ...
87 bpm • G Maj • 03:20 • -20.06db
16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
17% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Alban Berg
7 frühe Lieder: IV. Traumgekrönt "Das ...
93 bpm • F min • 02:32 • -22.73db
0% Popularity • 21% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Donde lieta...
93 bpm • C# Maj • 03:20 • -17.39db
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal / Act 2: "Ich sah das Kind an s...
87 bpm • G Maj • 06:36 • -29.49db
2% Popularity • 27% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 27% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Alceste (Sung in French), Act III: Act I...
87 bpm • F Maj • 01:53 • -19.28db
10% Popularity • 18% Danceability • 23% Energy • 23% Liveness
33% Instrumentalness • 12% Positiveness
10% Popularity • 18% Danceability • 23% Energy • 23% Liveness
33% Instrumentalness • 12% Positiveness
► Preview
Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Ariadne auf Naxos / Prologue: "Du allmä...
94 bpm • F Maj • 06:07 • -21.61db
6% Popularity • 39% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 39% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90 / Act III: Mi...
92 bpm • E Maj • 06:15 • -13.86db
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
2 Mélodies hébraïques, M.22: 1. Kaddi...
94 bpm • C min • 05:39 • -19.74db
4% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
94 bpm • C min • 03:00 • -24.63db
36% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Ariadne auf Naxos: "Ach! - Wo war ich?" ...
86 bpm • D# Maj • 10:31 • -25.17db
7% Popularity • 23% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anonymous
There is a balm in Gilead
86 bpm • G# Maj • 03:17 • -22.18db
3% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
3% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Madama Butterfly / Act II: "Un bel dì v...
86 bpm • F# Maj • 04:31 • -17.25db
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Symphony No. 3 in D minor - Part 2: 5. L...
86 bpm • F Maj • 04:05 • -23.1db
3% Popularity • 30% Danceability • 9% Energy • 47% Liveness
18% Instrumentalness • 13% Positiveness
3% Popularity • 30% Danceability • 9% Energy • 47% Liveness
18% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 1: "Ah, fors’�...
86 bpm • F Maj • 03:00 • -18db
16% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: V...
94 bpm • G Maj • 08:18 • -18.85db
4% Popularity • 21% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 3% Positiveness
4% Popularity • 21% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Your counsel a...
86 bpm • G min • 05:34 • -20db
14% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Il trionfo del Tempo e del Disin...
94 bpm • E Maj • 06:29 • -25db
19% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 4 Scene 1: "D'a...
86 bpm • G# Maj • 04:01 • -16.9db
10% Popularity • 20% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Alban Berg
7 frühe Lieder: VI. Liebesode "Im Arm d...
86 bpm • F# min • 01:38 • -17.86db
0% Popularity • 22% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Michael Tippett
A Child of our Time / Part 3: "I Would K...
86 bpm • B min • 05:53 • -20.35db
3% Popularity • 16% Danceability • 13% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 13% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Béla Bartók
Bluebeard's Castle, Sz. 48 (Op. 11): Doo...
86 bpm • D# Maj • 04:17 • -19.79db
3% Popularity • 19% Danceability • 11% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 11% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurre-Lieder / Part 1: 3. "O, wenn des M...
86 bpm • C# Maj • 03:14 • -23.86db
6% Popularity • 16% Danceability • 8% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 8% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Anonymous
Sinner, Please Don't Let This Harvest Pa...
86 bpm • C# min • 04:05 • -24.65db
5% Popularity • 21% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 21% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Gabriel Fauré
4 Songs, Op. 39: No. 4, Les roses d'Ispa...
86 bpm • A Maj • 03:44 • -20db
16% Popularity • 32% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 32% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Great Mass in C Minor, K. 427 (417a): I....
86 bpm • C min • 06:33 • -23.09db
9% Popularity • 12% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 3, A Sa...
86 bpm • C Maj • 06:20 • -17db
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Herbert von Karajan
Fidelio: Quartett - Mir ist so wunderbar
85 bpm • G Maj • 04:47 • -20.87db
12% Popularity • 15% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Gurre-Lieder / Part 1: 9. "Du sendest mi...
85 bpm • G Maj • 05:09 • -21.32db
4% Popularity • 17% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
85 bpm • D Maj • 02:31 • -31.88db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Parsifal / Act 2: "Parsifal! Weile!"
95 bpm • G Maj • 03:22 • -29.59db
2% Popularity • 20% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
2% Popularity • 20% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Alban Berg
7 frühe Lieder: I. Nacht "Dämmern Wolk...
95 bpm • E min • 03:48 • -24.05db
0% Popularity • 18% Danceability • 9% Energy • 27% Liveness
41% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 27% Liveness
41% Instrumentalness • 4% Positiveness
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Edvard Grieg
2 Elegiac Melodies, Op. 34: II. The Last...
85 bpm • G Maj • 04:43 • -27.23db
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
