Songs like Spit Of You by Sam Fender
Based on a tempo of (+/- 10%) and a similar genre
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Oasis
Talk Tonight - Remastered
85 bpm • E min • 04:23 • -8.41db
51% Popularity • 39% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 39% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Fender
Spit Of You
85 bpm • F# min • 04:33 • -5.93db
58% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Brooke Combe
Used To Love Me
87 bpm • A# Maj • 03:03 • -6.33db
22% Popularity • 49% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 49% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Callum Beattie
Heart Stops Beating
87 bpm • C Maj • 03:05 • -5db
37% Popularity • 50% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 50% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Liam Gallagher
One of Us
88 bpm • F min • 03:25 • -3.74db
49% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Nothing But Thieves
Impossible
83 bpm • F Maj • 04:08 • -7.02db
58% Popularity • 51% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 51% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sam Fender
Call Me Lover
86 bpm • G# min • 03:21 • -4.72db
52% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Catfish and the Bottlemen
Showtime
82 bpm • D Maj • 04:40 • -5.97db
64% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Ocean Colour Scene
The Day We Caught The Train
89 bpm • D Maj • 03:06 • -7.76db
56% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Blossoms
My Favourite Room
89 bpm • C Maj • 03:30 • -10db
41% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Bleachers
Chinatown
89 bpm • E Maj • 04:04 • -5.23db
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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JAMIE WEBSTER
We Get By
89 bpm • G# Maj • 02:53 • -4.86db
44% Popularity • 64% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 64% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Fender
Alright
82 bpm • A# Maj • 04:27 • -4db
47% Popularity • 43% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 43% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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KAWALA
Searching
81 bpm • B Maj • 02:24 • -6db
43% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mystery Jets
Bubblegum
81 bpm • D# Maj • 04:24 • -6.05db
45% Popularity • 26% Danceability • 72% Energy • 48% Liveness
5% Instrumentalness • 34% Positiveness
45% Popularity • 26% Danceability • 72% Energy • 48% Liveness
5% Instrumentalness • 34% Positiveness
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Stereophonics
Maybe Tomorrow
81 bpm • G min • 04:32 • -6.77db
68% Popularity • 50% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 50% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Paolo Nutini
Last Request
81 bpm • G min • 03:40 • -7.27db
47% Popularity • 58% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 58% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Reytons
Kids off the Estate
90 bpm • B min • 03:34 • -4db
42% Popularity • 38% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 38% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Fender
Use - Live
81 bpm • C# min • 03:31 • -10.02db
41% Popularity • 43% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 43% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
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Maggie Rogers
Want Want
90 bpm • D Maj • 03:08 • -3db
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Somebody's Child
We Could Start a War - EP Version
90 bpm • C# min • 03:33 • -3.3db
43% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Lathums
I'll Never Forget The Time I Spent With ...
80 bpm • D Maj • 03:13 • -4.87db
35% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Red Rum Club
Kids Addicted
80 bpm • F Maj • 03:09 • -6.41db
38% Popularity • 37% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 37% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Razorlight
America
91 bpm • D Maj • 04:09 • -4.98db
65% Popularity • 45% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 45% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Sam Fender
Seventeen Going Under - Live From Finsbu...
81 bpm • C Maj • 06:15 • -5.2db
41% Popularity • 40% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 40% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Howard
Keep Your Head Up
79 bpm • E min • 04:24 • -9db
66% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Andrew Cushin
Where's My Family Gone
79 bpm • F# min • 04:18 • -2.74db
31% Popularity • 37% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 37% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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DMA'S
Criminals
79 bpm • A Maj • 03:15 • -4.03db
33% Popularity • 47% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 47% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Kasabian
THE WALL
78 bpm • D Maj • 03:29 • -7.09db
31% Popularity • 38% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 38% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Razorlight
You Are Entering The Human Heart
92 bpm • E min • 03:22 • -4.25db
37% Popularity • 57% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 57% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Blossoms
The Sulking Poet
93 bpm • A Maj • 03:34 • -5.75db
32% Popularity • 67% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 67% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fender
Mantra
81 bpm • G# Maj • 04:16 • -6.86db
42% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Andrew Cushin
Runaway
79 bpm • F min • 04:23 • -6.23db
27% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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DMA'S
Lay Down
79 bpm • E min • 03:13 • -3.61db
44% Popularity • 32% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 32% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Inhaler
If You’re Gonna Break My Heart
93 bpm • C Maj • 04:27 • -7db
47% Popularity • 56% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 56% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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JAMIE WEBSTER
Something In The Air
93 bpm • B Maj • 03:06 • -5.38db
46% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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Sam Fender
The Borders - Live From Finsbury Park
81 bpm • C Maj • 05:37 • -5.41db
35% Popularity • 43% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 43% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 68% Positiveness
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Liam Gallagher
Diamond In The Dark
93 bpm • F# min • 03:24 • -4.8db
47% Popularity • 58% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 58% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Somebody's Child
Brother
95 bpm • C# min • 03:45 • -8.57db
38% Popularity • 31% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 31% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Courteeners
Bide Your Time - Remastered 2022
94 bpm • D Maj • 03:19 • -4.68db
45% Popularity • 37% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 37% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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JAMIE WEBSTER
Davey Kane
94 bpm • D# min • 03:37 • -4.09db
37% Popularity • 61% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 61% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jamie T
Sheila
95 bpm • G Maj • 04:19 • -6.01db
55% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Fender
Two People
92 bpm • A Maj • 03:56 • -11db
47% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Far From Saints
Let's Turn This Back Around
95 bpm • G# Maj • 05:28 • -8.69db
34% Popularity • 47% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 47% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Somebody's Child
Love That Sound
95 bpm • E Maj • 03:16 • -5.36db
37% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Razorlight
Golden Touch - Full Length
95 bpm • C# min • 03:25 • -4.17db
60% Popularity • 61% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 61% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Wunderhorse
Leader of the Pack
95 bpm • C# min • 03:03 • -4db
54% Popularity • 51% Danceability • 97% Energy • 9% Liveness
20% Instrumentalness • 59% Positiveness
54% Popularity • 51% Danceability • 97% Energy • 9% Liveness
20% Instrumentalness • 59% Positiveness
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Inhaler
Love Will Get You There
96 bpm • G# Maj • 04:10 • -4.72db
50% Popularity • 50% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 50% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Fender
Start Again
93 bpm • C Maj • 02:58 • -7.53db
43% Popularity • 77% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
43% Popularity • 77% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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The 1975
When We Are Together
75 bpm • D Maj • 03:36 • -11db
61% Popularity • 62% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
61% Popularity • 62% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
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Somebody's Child
Top Drawer Romance
96 bpm • G# min • 03:23 • -5db
28% Popularity • 37% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 37% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Gerry Cinnamon
Kampfire Vampire
75 bpm • C Maj • 03:57 • -5.71db
49% Popularity • 52% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
49% Popularity • 52% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Corella
Monday
97 bpm • A Maj • 02:55 • -5.07db
45% Popularity • 48% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 48% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Spoon
Wild
97 bpm • E Maj • 03:13 • -8.04db
49% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Sam Fender
That Sound
94 bpm • C Maj • 03:25 • -2.24db
53% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The 1975
Oh Caroline
97 bpm • D Maj • 03:32 • -5.47db
67% Popularity • 65% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 65% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Inhaler
Totally
97 bpm • C# Maj • 03:56 • -7.49db
47% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Gerry Cinnamon
The Bonny
97 bpm • A# Maj • 02:56 • -7.29db
49% Popularity • 36% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 36% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Academic
Bear Claws
97 bpm • B min • 03:34 • -1.88db
50% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The War On Drugs
I Don't Wanna Wait
98 bpm • D Maj • 05:13 • -6.1db
46% Popularity • 61% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
46% Popularity • 61% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
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Sam Fender
Play God
94 bpm • A# min • 03:45 • -6.29db
59% Popularity • 71% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
59% Popularity • 71% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Arcade Fire
Unconditional I (Lookout Kid)
98 bpm • B Maj • 04:33 • -8.91db
49% Popularity • 49% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 49% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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KAWALA
Good Like This
99 bpm • B Maj • 03:39 • -10.39db
28% Popularity • 62% Danceability • 56% Energy • 10% Liveness
19% Instrumentalness • 28% Positiveness
28% Popularity • 62% Danceability • 56% Energy • 10% Liveness
19% Instrumentalness • 28% Positiveness
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Stereophonics
Just Looking
100 bpm • G min • 04:13 • -6db
53% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
53% Popularity • 38% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The National
Weird Goodbyes
100 bpm • G# Maj • 05:03 • -7.76db
57% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie T
90s Cars
100 bpm • D# Maj • 03:17 • -5.75db
37% Popularity • 62% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 62% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Fender
Seventeen Going Under - Acoustic
75 bpm • C# Maj • 04:30 • -7.59db
51% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bombay Bicycle Club
Lose You To Love Me
100 bpm • F# Maj • 03:55 • -8.26db
45% Popularity • 62% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 62% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Inhaler
So Far So Good
100 bpm • C Maj • 03:13 • -6db
45% Popularity • 31% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 31% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Joesef
The Sun Is Up Forever
100 bpm • A min • 03:44 • -7.03db
54% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Blossoms
Ribbon Around The Bomb
100 bpm • A Maj • 02:34 • -6db
38% Popularity • 56% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 56% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Jamie T
Hippodrome
100 bpm • D Maj • 02:41 • -4.58db
40% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Fender
Seventeen Going Under - Acoustic
75 bpm • C# Maj • 05:12 • -6.23db
38% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Sundara Karma
Flame
100 bpm • G Maj • 03:47 • -4.64db
50% Popularity • 52% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 52% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Inhaler
My King Will Be Kind
100 bpm • E min • 04:52 • -7db
46% Popularity • 50% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 50% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Circa Waves
Do You Wanna Talk
100 bpm • F# min • 02:26 • -4.81db
56% Popularity • 70% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 70% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Reytons
On the Back Burner
100 bpm • A Maj • 02:06 • -4.65db
60% Popularity • 62% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 62% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Somebody's Child
Give It Up To Love
100 bpm • B min • 03:13 • -7.07db
32% Popularity • 28% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 28% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Fender
Little Bull Of Blithe
97 bpm • D# Maj • 02:10 • -8.8db
52% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Shed Seven
Chasing Rainbows
101 bpm • E Maj • 04:25 • -6db
52% Popularity • 20% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 20% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Gang of Youths
tend the garden
102 bpm • C Maj • 04:27 • -8db
33% Popularity • 36% Danceability • 86% Energy • 15% Liveness
30% Instrumentalness • 60% Positiveness
33% Popularity • 36% Danceability • 86% Energy • 15% Liveness
30% Instrumentalness • 60% Positiveness
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Another Sky
Fell In Love With The City
102 bpm • C# Maj • 03:42 • -9db
27% Popularity • 59% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 11% Positiveness
27% Popularity • 59% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 11% Positiveness
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Blossoms
Charlemagne
102 bpm • A min • 02:46 • -4db
64% Popularity • 54% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 54% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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The K's
Hoping Maybe
102 bpm • C# Maj • 03:50 • -9.41db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Killers
Pressure Machine
102 bpm • F# Maj • 05:09 • -10.36db
39% Popularity • 59% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
39% Popularity • 59% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Alfie Templeman
Broken
102 bpm • C Maj • 03:12 • -4db
40% Popularity • 56% Danceability • 88% Energy • 90% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 56% Danceability • 88% Energy • 90% Liveness
0% Instrumentalness • 76% Positiveness
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The Wombats
Running Up That Hill - triple j Like A V...
102 bpm • C# min • 03:15 • -11.96db
42% Popularity • 49% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
42% Popularity • 49% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Louis Dunford
London's Requiem
103 bpm • B Maj • 05:02 • -8.05db
34% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Catfish and the Bottlemen
Longshot
103 bpm • G Maj • 03:52 • -4.03db
62% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Saint Raymond
Right Way Round
103 bpm • C min • 03:24 • -4.61db
39% Popularity • 68% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
39% Popularity • 68% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
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Somebody's Child
Jungle - Single Version
103 bpm • G# Maj • 04:40 • -2.63db
47% Popularity • 33% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Stone Roses
Waterfall - Remastered
104 bpm • B Maj • 04:38 • -8.22db
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
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Olivia Dean
Ok Love You Bye
104 bpm • F Maj • 02:34 • -7.61db
62% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Circa Waves
Lemonade
104 bpm • D Maj • 03:40 • -5db
46% Popularity • 79% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
46% Popularity • 79% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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Foals
Mountain at My Gates
104 bpm • D min • 04:04 • -5.34db
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
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Sam Fender
Leave Fast
104 bpm • F# Maj • 03:44 • -7.1db
45% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
