Songs like Spooky by Classics IV
Based on a tempo of (+/- 10%) and a similar genre
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Classics IV
Sunny
108 bpm • E min • 02:45 • -11.67db
27% Popularity • 66% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
27% Popularity • 66% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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War
All Day Music
108 bpm • B min • 04:08 • -11.89db
44% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The 5th Dimension
Up, Up and Away
108 bpm • G min • 02:43 • -14.6db
49% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Gary Puckett & The Union Gap
Woman, Woman
108 bpm • F# min • 03:16 • -9db
45% Popularity • 47% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 47% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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The Drifters
On Broadway
109 bpm • C# Maj • 03:01 • -15db
41% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Dennis Yost
The Funniest Thing
109 bpm • D Maj • 02:38 • -9db
10% Popularity • 44% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 44% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Classics IV
By The Time I Get To Phoenix
108 bpm • F Maj • 02:17 • -12.59db
8% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Brian Hyland
Gypsy Woman
107 bpm • B Maj • 02:34 • -8db
38% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Ozark Mountain Daredevils
Jackie Blue
107 bpm • C# Maj • 04:10 • -9.94db
56% Popularity • 56% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 56% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Temptations
I Can't Get Next To You
109 bpm • F Maj • 02:54 • -12.91db
52% Popularity • 69% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 69% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Dennis Yost
Cherryhill Park
107 bpm • F Maj • 03:12 • -9.02db
8% Popularity • 51% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 51% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Classics IV
Traces
108 bpm • B min • 02:48 • -10.96db
43% Popularity • 43% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
43% Popularity • 43% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Wayne Fontana & The Mindbenders
The Game Of Love
109 bpm • A Maj • 02:07 • -4db
50% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Temptations
Psychedelic Shack
109 bpm • F min • 03:50 • -13.12db
35% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Lee Michaels
Do You Know What I Mean
109 bpm • C Maj • 03:13 • -10db
44% Popularity • 79% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 79% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Gerry & The Pacemakers
Don't Let the Sun Catch You Crying (Main...
107 bpm • C# Maj • 02:37 • -14db
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Classics IV
Spooky
108 bpm • C min • 02:54 • -11.94db
42% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Cream
Strange Brew
106 bpm • D Maj • 02:46 • -9.93db
65% Popularity • 60% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 60% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Association
Everything That Touches You
110 bpm • G Maj • 03:18 • -12db
32% Popularity • 55% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 55% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Little Anthony & The Imperials
Hurt So Bad
110 bpm • E min • 02:19 • -9.93db
35% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Marvin Gaye
How Sweet It Is (To Be Loved By You)
110 bpm • C Maj • 02:57 • -10db
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Classics IV
Our Day Will Come
109 bpm • G Maj • 02:13 • -13.9db
30% Popularity • 59% Danceability • 32% Energy • 11% Liveness
56% Instrumentalness • 52% Positiveness
30% Popularity • 59% Danceability • 32% Energy • 11% Liveness
56% Instrumentalness • 52% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Association
Cherish
110 bpm • F Maj • 03:27 • -8db
47% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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Jr. Walker & The All Stars
What Does It Take (To Win Your Love)
111 bpm • F Maj • 02:30 • -11db
51% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Rivers
Rockin' Pneumonia And The Boogie Woogie ...
111 bpm • C Maj • 03:30 • -10.37db
36% Popularity • 60% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 60% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Classics IV
Traces (Rerecorded)
107 bpm • B min • 02:46 • -10.58db
11% Popularity • 41% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 32% Positiveness
11% Popularity • 41% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 32% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Classics IV featuring Dennis Yost
Spooky
105 bpm • B min • 02:50 • -10.7db
27% Popularity • 76% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 76% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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The Young Rascals
I Ain't Gonna Eat out My Heart Anymore -...
111 bpm • F Maj • 02:43 • -13db
24% Popularity • 53% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 53% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Undisputed Truth
Smiling Faces Sometimes
105 bpm • B Maj • 03:18 • -12db
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Classics IV
Spooky
110 bpm • C min • 02:59 • -7.31db
4% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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War
Summer
105 bpm • G Maj • 06:36 • -13db
40% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Lemon Pipers
Green Tambourine
111 bpm • G Maj • 02:26 • -7.39db
45% Popularity • 51% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 51% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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The Soul Survivors
Expressway (To Your Heart) - Single Vers...
105 bpm • B Maj • 02:18 • -11db
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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The Young Rascals
In the Midnight Hour
105 bpm • D Maj • 04:03 • -13db
23% Popularity • 36% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 36% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Diana Ross & The Supremes
Love Child
105 bpm • A min • 03:01 • -0.81db
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Classics IV
Traces - Alternative Version
110 bpm • D Maj • 02:40 • -11.13db
4% Popularity • 50% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 50% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Dennis Yost
Most Of All
111 bpm • A Maj • 03:04 • -10.45db
3% Popularity • 38% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 38% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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Chicago
Beginnings - 2002 Remaster
111 bpm • B min • 07:54 • -6.44db
45% Popularity • 52% Danceability • 93% Energy • 65% Liveness
2% Instrumentalness • 49% Positiveness
45% Popularity • 52% Danceability • 93% Energy • 65% Liveness
2% Instrumentalness • 49% Positiveness
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Linda Ronstadt
You're No Good
105 bpm • G# Maj • 03:44 • -10.14db
63% Popularity • 67% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
63% Popularity • 67% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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John Sebastian
Welcome Back (Theme from Welcome Back, K...
111 bpm • E min • 02:50 • -13db
44% Popularity • 74% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 74% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Critters
Younger Girl
111 bpm • C Maj • 02:25 • -13db
18% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The 5th Dimension
Workin' On A Groovy Thing - Patti Drew C...
105 bpm • G Maj • 03:10 • -6.09db
28% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Little Anthony & The Imperials
Goin' Out Of My Head
104 bpm • A Maj • 02:29 • -12db
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Steppenwolf
Magic Carpet Ride
112 bpm • E min • 04:31 • -14.98db
68% Popularity • 64% Danceability • 65% Energy • 3% Liveness
28% Instrumentalness • 80% Positiveness
68% Popularity • 64% Danceability • 65% Energy • 3% Liveness
28% Instrumentalness • 80% Positiveness
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Johnny Rivers
The Poor Side Of Town
104 bpm • F# min • 03:38 • -12.19db
43% Popularity • 42% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 42% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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The Hollies
Witchy Woman - 2007 Remaster
104 bpm • G Maj • 03:39 • -7.13db
36% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Peter And Gordon
I Go to Pieces - Mono; 2002 Remaster
112 bpm • E Maj • 02:26 • -7db
38% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Classics IV
Hush
104 bpm • D# Maj • 02:21 • -10.32db
1% Popularity • 52% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
1% Popularity • 52% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Gladys Knight & The Pips
I Heard It Through The Grapevine
112 bpm • F Maj • 02:45 • -11.79db
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Heart
Magic Man
104 bpm • G min • 05:28 • -12.82db
59% Popularity • 44% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 44% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 73% Positiveness
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Brenton Wood
Gimme Little Sign
113 bpm • A# min • 02:21 • -5.06db
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Jefferson Starship
Miracles
113 bpm • A min • 06:52 • -15.91db
52% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Youngbloods
Get Together
103 bpm • D Maj • 04:39 • -12db
55% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Classics IV
Soul Train
113 bpm • C Maj • 02:44 • -10.73db
17% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Shirelles
Baby It's You
113 bpm • G min • 02:41 • -11.86db
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
54% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Mary Wells
You Beat Me To The Punch
114 bpm • B min • 02:45 • -14.52db
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Dennis Yost
Spooky - Doraville Studio Version
114 bpm • G min • 03:00 • -11.89db
5% Popularity • 73% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
5% Popularity • 73% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Valli & The Four Seasons
Working My Way Back to You
114 bpm • C Maj • 03:06 • -4db
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Classics IV
Just Between You And Me
103 bpm • C Maj • 02:27 • -13.05db
6% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Tommy Roe
Dizzy
102 bpm • F# Maj • 02:57 • -5.85db
50% Popularity • 74% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
50% Popularity • 74% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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The Strangeloves
I Want Candy
102 bpm • G# min • 02:57 • -10db
40% Popularity • 67% Danceability • 85% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
40% Popularity • 67% Danceability • 85% Energy • 9% Liveness
9% Instrumentalness • 66% Positiveness
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Chicago
Saturday in the Park - 2002 Remaster
114 bpm • G Maj • 03:55 • -6.86db
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Badfinger
Day After Day - Remastered 2010
102 bpm • F Maj • 03:11 • -7.11db
57% Popularity • 40% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 40% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Cowsills
Hair
115 bpm • C min • 03:30 • -12db
36% Popularity • 53% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 53% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Classics IV
Something I'll Remember
102 bpm • G Maj • 02:31 • -12.39db
18% Popularity • 34% Danceability • 31% Energy • 15% Liveness
8% Instrumentalness • 30% Positiveness
18% Popularity • 34% Danceability • 31% Energy • 15% Liveness
8% Instrumentalness • 30% Positiveness
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Wilbert Harrison
Kansas City
115 bpm • C# Maj • 02:30 • -6.45db
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
44% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
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Three Dog Night
An Old Fashioned Love Song
101 bpm • A# Maj • 03:50 • -13db
46% Popularity • 46% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
46% Popularity • 46% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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The 5th Dimension
Go Where You Wanna Go
115 bpm • G Maj • 02:22 • -10db
28% Popularity • 53% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 53% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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The McCoys
Hang On Sloopy
115 bpm • G Maj • 03:51 • -12db
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Gary Puckett & The Union Gap
Over You
115 bpm • D Maj • 02:21 • -11db
42% Popularity • 38% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 38% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Classics IV
Everyday with You Girl (Rerecorded)
114 bpm • F Maj • 02:32 • -13.42db
11% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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J.J. Jackson
But It's Alright
115 bpm • C# min • 02:53 • -4.81db
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Three Dog Night
An Old Fashioned Love Song
101 bpm • F Maj • 03:26 • -15.92db
42% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Quicksilver Messenger Service
Fresh Air - Remastered
116 bpm • F# min • 05:19 • -5.41db
41% Popularity • 45% Danceability • 76% Energy • 14% Liveness
34% Instrumentalness • 57% Positiveness
41% Popularity • 45% Danceability • 76% Energy • 14% Liveness
34% Instrumentalness • 57% Positiveness
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The McCoys
Fever
116 bpm • G min • 02:50 • -12db
28% Popularity • 75% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 75% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie DeShannon
Put A Little Love In Your Heart
101 bpm • D Maj • 02:36 • -6.8db
50% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Classics IV
Stormy
115 bpm • E min • 03:08 • -8.25db
10% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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1910 Fruitgum Company
1,2,3 Red Light
116 bpm • D# Maj • 02:07 • -9db
32% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Little Anthony & The Imperials
Tears on My Pillow
101 bpm • C Maj • 02:15 • -9.85db
46% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Grass Roots
Let's Live For Today - Uncensored Versio...
116 bpm • G# min • 02:47 • -7.67db
53% Popularity • 57% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 57% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Donovan
Barabajagal
100 bpm • B min • 03:20 • -17db
36% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
36% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Classics IV
Stormy (Live)
115 bpm • E min • 03:08 • -6.37db
5% Popularity • 59% Danceability • 69% Energy • 79% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 59% Danceability • 69% Energy • 79% Liveness
0% Instrumentalness • 50% Positiveness
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Hamilton, Joe Frank & Reynolds
Don't Pull Your Love Out
100 bpm • G Maj • 02:43 • -4.01db
52% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Friend & Lover
Reach Out Of The Darkness
116 bpm • D Maj • 03:10 • -13.22db
36% Popularity • 64% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 86% Positiveness
36% Popularity • 64% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 86% Positiveness
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Spanky & Our Gang
Echoes (Everybody's Talkin')
116 bpm • E Maj • 03:09 • -13.42db
9% Popularity • 45% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 45% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Grass Roots
Let’s Live For Today
116 bpm • C# min • 02:49 • -8.27db
23% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Bob & Earl
Harlem Shuffle
116 bpm • F Maj • 02:54 • -6.64db
51% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
51% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness