Songs like Sprained Ankle by Julien Baker
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Dessner
Who'd You Kill Now?
97 bpm • D Maj • 01:32 • -10.7db
25% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Bella Porter
Luck of the Draw
97 bpm • E Maj • 05:20 • -19.98db
9% Popularity • 39% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 39% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Katy Kirby
Secret Language
97 bpm • B Maj • 03:42 • -14.71db
26% Popularity • 64% Danceability • 18% Energy • 33% Liveness
2% Instrumentalness • 15% Positiveness
26% Popularity • 64% Danceability • 18% Energy • 33% Liveness
2% Instrumentalness • 15% Positiveness
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Julien Baker
Over
97 bpm • A min • 01:28 • -16.62db
35% Popularity • 25% Danceability • 18% Energy • 36% Liveness
60% Instrumentalness • 16% Positiveness
35% Popularity • 25% Danceability • 18% Energy • 36% Liveness
60% Instrumentalness • 16% Positiveness
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Miya Folick
Give It To Me
96 bpm • D Maj • 05:10 • -6db
29% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Skullcrusher
Trace
96 bpm • F# Maj • 03:19 • -11.09db
32% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Harrison Whitford
Anyplace I Am
98 bpm • F Maj • 04:02 • -17.85db
16% Popularity • 34% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 36% Positiveness
16% Popularity • 34% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 36% Positiveness
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The Greeting Committee
Wrapped Inside Of Your Arms
98 bpm • G Maj • 03:12 • -10.01db
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Devine
I Was Alive Back Then
98 bpm • F# Maj • 05:09 • -10.53db
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Miya Folick
I Think This Is the Dream Where I Met Yo...
98 bpm • A min • 03:31 • -15.15db
23% Popularity • 36% Danceability • 24% Energy • 7% Liveness
8% Instrumentalness • 28% Positiveness
23% Popularity • 36% Danceability • 24% Energy • 7% Liveness
8% Instrumentalness • 28% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
46% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Tomberlin
Floor
96 bpm • A# Maj • 04:33 • -9.07db
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sufjan Stevens
It’s Your Own Body And Mind
96 bpm • C min • 02:27 • -12.94db
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Adrianne Lenker
Wallet
98 bpm • A Maj • 03:42 • -13.94db
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Frightened Rabbit
How It Gets In
99 bpm • A Maj • 02:41 • -7db
31% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Katy Kirby
Fireman
99 bpm • E Maj • 03:39 • -13.14db
24% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Tomberlin
February
99 bpm • C Maj • 05:20 • -15.14db
19% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Charlie Hickey
Mid Air
95 bpm • F# Maj • 03:22 • -12.27db
15% Popularity • 61% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
15% Popularity • 61% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Ethel Cain
Crush
95 bpm • E Maj • 03:24 • -10.94db
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Snail Mail
Anytime
95 bpm • C# Maj • 04:38 • -10db
36% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
61% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Odie Leigh
Double Shift
95 bpm • D# Maj • 05:00 • -14.04db
31% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Tommy Lefroy
Mortals
100 bpm • G# Maj • 03:08 • -11.9db
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Ethel Cain
Everytime - Spotify Singles
95 bpm • C Maj • 03:54 • -10.07db
50% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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The Beths
Jump Rope Gazers
100 bpm • F Maj • 05:12 • -11.91db
44% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Mercury Rev
Jesseye' Lisabeth
94 bpm • F min • 03:04 • -9.65db
17% Popularity • 28% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 28% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
63% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
63% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Tomberlin
Sin
94 bpm • D Maj • 04:31 • -8.62db
34% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Field Medic
chamomile
94 bpm • A Maj • 03:53 • -12.48db
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
29% Popularity • 49% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
63% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
63% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Margot Liotta
Green Bottle
93 bpm • D Maj • 02:33 • -15.92db
40% Popularity • 46% Danceability • 31% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 46% Danceability • 31% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Julien Baker
Rejoice
101 bpm • G Maj • 03:33 • -8.15db
38% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Clairo
Harbor
93 bpm • F# Maj • 04:24 • -15.29db
54% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
75% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
75% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Harrison Whitford
Picture In a Drawer
93 bpm • F# Maj • 03:43 • -16.94db
12% Popularity • 25% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 25% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 11% Positiveness
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Julien Baker
Relative Fiction
101 bpm • A Maj • 04:19 • -7.74db
45% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
45% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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MUNA
Loose Garment
93 bpm • C# Maj • 03:10 • -9.2db
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Suki Waterhouse
Brutally
92 bpm • G Maj • 03:28 • -12db
55% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
55% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Skullcrusher
You are my House
102 bpm • C Maj • 03:08 • -11db
34% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Tomberlin
possessed
101 bpm • D Maj • 01:51 • -18.61db
38% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Harrison Whitford
Salvation Army
102 bpm • F Maj • 03:48 • -9.65db
41% Popularity • 70% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
41% Popularity • 70% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
62% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
62% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
75% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Better Oblivion Community Center
Big Black Heart
102 bpm • C# Maj • 03:26 • -9.98db
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Blais
Baby Teeth
92 bpm • G# Maj • 03:34 • -12.54db
34% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Japanese Breakfast
Triple 7 - Audiotree Live Version
102 bpm • G Maj • 04:51 • -14.97db
12% Popularity • 28% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Leith Ross
Understood
92 bpm • A# Maj • 05:01 • -14.87db
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Wesley Preis
Loose Fitting Bedsheet
103 bpm • D Maj • 03:44 • -19db
28% Popularity • 40% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
28% Popularity • 40% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
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Snail Mail
Mia
92 bpm • A# Maj • 03:27 • -11.51db
32% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Sufjan Stevens
Olympus
92 bpm • F Maj • 03:07 • -14.33db
41% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Julien Baker
The Modern Leper - from Tiny Changes: A ...
92 bpm • E Maj • 04:27 • -7.64db
31% Popularity • 41% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
31% Popularity • 41% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Miya Folick
Let's Pretend
103 bpm • E min • 03:20 • -8.84db
12% Popularity • 32% Danceability • 32% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
12% Popularity • 32% Danceability • 32% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Snail Mail
c. et al.
104 bpm • A# Maj • 03:23 • -12.41db
30% Popularity • 65% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 65% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Greeting Committee
Call In The Morning
104 bpm • F# Maj • 04:08 • -13.71db
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
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Julien Baker
Ziptie
103 bpm • C Maj • 03:42 • -8.78db
38% Popularity • 62% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 62% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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juliet sunflower
drinking rain
90 bpm • E Maj • 02:59 • -16.69db
22% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rosie Tucker
Icebergs
90 bpm • C min • 03:46 • -7.35db
15% Popularity • 55% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
15% Popularity • 55% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Ethel Cain
Knuckle Velvet
104 bpm • E Maj • 03:22 • -10db
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Leith Ross
Too Much Time In My House Alone
105 bpm • B Maj • 04:04 • -11.14db
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Haley Blais
Rob the Original
105 bpm • G Maj • 03:41 • -8.18db
20% Popularity • 48% Danceability • 64% Energy • 16% Liveness
38% Instrumentalness • 56% Positiveness
20% Popularity • 48% Danceability • 64% Energy • 16% Liveness
38% Instrumentalness • 56% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
49% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
49% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Hana Bryanne
What A Year Today Has Been
89 bpm • C# Maj • 03:11 • -11.19db
18% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Dad Bod
Milkdrinker
90 bpm • A# Maj • 04:27 • -10.35db
15% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Florist
Cool and Refreshing
88 bpm • G Maj • 02:31 • -15.85db
45% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Chappell Roan
Kaleidoscope
88 bpm • B Maj • 03:42 • -7.11db
60% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Julien Baker
Faith Healer - Half Waif Remix
104 bpm • B Maj • 03:51 • -10.48db
14% Popularity • 55% Danceability • 49% Energy • 30% Liveness
6% Instrumentalness • 29% Positiveness
14% Popularity • 55% Danceability • 49% Energy • 30% Liveness
6% Instrumentalness • 29% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Charlie Hickey
No Good at Lying
107 bpm • C Maj • 02:59 • -6db
27% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Manchester Orchestra
Bad Things To Such Good People
88 bpm • A min • 04:09 • -10.17db
33% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Leith Ross
To Me
107 bpm • G Maj • 03:57 • -19.35db
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Julien Baker
Sour Breath
105 bpm • B Maj • 03:04 • -9.12db
48% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Haley Blais
Beginner's guide to birdwatching
108 bpm • B Maj • 04:29 • -17.4db
30% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
57% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Big Red Machine
Hutch
108 bpm • C Maj • 03:55 • -7.83db
29% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
29% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Adrianne Lenker
New York City
108 bpm • C# Maj • 03:48 • -14.21db
43% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Julien Baker
Ballad of Big Nothing
105 bpm • D Maj • 02:54 • -10.12db
33% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Rob Moose
Wasted
87 bpm • C Maj • 04:54 • -15.38db
26% Popularity • 27% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 27% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Jensen McRae
Adam's Ribs
87 bpm • D Maj • 03:14 • -7.24db
40% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Valley Maker
Oh Lightning
87 bpm • D Maj • 03:10 • -8.48db
28% Popularity • 28% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Wednesday
How Can You Live If You Can’t Love How...
109 bpm • C Maj • 03:02 • -10.7db
37% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
64% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
64% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
