Songs like Spring Can Really Hang You Up The Most by Bob Dorough
Based on a tempo of (+/- 10%) and a similar genre
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Ken Nordine
Crimson
83 bpm • D# Maj • 01:34 • -15.17db
8% Popularity • 63% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 63% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Dorough
Spring Can Really Hang You Up The Most
83 bpm • F Maj • 05:59 • -19.03db
2% Popularity • 48% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 48% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Malvina Reynolds
Love Is Something (The Magic Penny)
83 bpm • A Maj • 01:27 • -8.32db
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Apollo 100
Mad Mountain King (Hall of the Mountain ...
83 bpm • D# min • 02:14 • -10.99db
11% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Shirley Temple
Animal Crackers In My Soup
84 bpm • G min • 02:36 • -18.19db
27% Popularity • 65% Danceability • 18% Energy • 15% Liveness
71% Instrumentalness • 85% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 15% Liveness
71% Instrumentalness • 85% Positiveness
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Harry Belafonte
John Henry
84 bpm • E Maj • 03:31 • -12.6db
13% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Gossamer
I Love to Sing-A
82 bpm • F Maj • 01:50 • -6.69db
21% Popularity • 61% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Stan Freberg
Little Blue Riding Hood
82 bpm • G Maj • 03:24 • -19.3db
6% Popularity • 69% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 69% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Capitols
Cool Jerk
84 bpm • A# min • 02:46 • -14.52db
43% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Citizens Of Sweet Haven
Sweethaven
84 bpm • C Maj • 02:54 • -11db
17% Popularity • 56% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 56% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Brother Bones & His Shadows
Sweet Georgia Brown
82 bpm • D# Maj • 02:52 • -11.87db
35% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Harry Belafonte
Scratch Scratch
84 bpm • E Maj • 02:45 • -10.66db
14% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Shirley Ellis
The Name Game
82 bpm • F min • 02:44 • -7.44db
35% Popularity • 75% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 75% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Scott Walker
The Girls And The Dogs
82 bpm • A min • 03:08 • -14db
19% Popularity • 27% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 27% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Slim Gaillard
Chicken Rhythm
85 bpm • C# Maj • 02:31 • -5.67db
8% Popularity • 72% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 72% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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John Shuttleworth
I Can't Go Back To Savoury Now
85 bpm • D Maj • 04:10 • -9db
15% Popularity • 43% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
15% Popularity • 43% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
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Bob Dorough
Eulalia Reprise
81 bpm • C# min • 03:28 • -16.4db
0% Popularity • 49% Danceability • 21% Energy • 11% Liveness
15% Instrumentalness • 23% Positiveness
0% Popularity • 49% Danceability • 21% Energy • 11% Liveness
15% Instrumentalness • 23% Positiveness
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The Vestibules
Bulbous Bouffant
85 bpm • F# Maj • 04:16 • -16db
15% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Bonzo Dog Band
The Monster Mash - 2007 Remaster
81 bpm • C Maj • 02:59 • -11db
15% Popularity • 48% Danceability • 54% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 48% Danceability • 54% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Allan Sherman
Punk
81 bpm • G Maj • 01:01 • -9.28db
14% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Monty Python
Here Comes Another One
85 bpm • C Maj • 01:59 • -14db
13% Popularity • 45% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 45% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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The Banana Splits
The Tra La La Song (One Banana, Two Bana...
81 bpm • D Maj • 01:27 • -11.71db
22% Popularity • 57% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 57% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Dorough
Ow
81 bpm • G min • 04:07 • -13.57db
3% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
3% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ned Washington
When I See an Elephant Fly
86 bpm • D# Maj • 01:49 • -3.44db
30% Popularity • 59% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 59% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Harry Belafonte
Mama Look A Boo Boo
86 bpm • F# Maj • 03:01 • -8db
21% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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The Hollywood Prime Time Orchestra
Les Peanuts (Charly Brown)
80 bpm • G# Maj • 02:20 • -16db
8% Popularity • 67% Danceability • 36% Energy • 9% Liveness
22% Instrumentalness • 90% Positiveness
8% Popularity • 67% Danceability • 36% Energy • 9% Liveness
22% Instrumentalness • 90% Positiveness
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Terence Julius
Revenge
80 bpm • C min • 02:54 • -10.16db
16% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Danny Davis & The Nashville Brass
Go Speed Racer Go
80 bpm • A# Maj • 01:08 • -5.58db
28% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Bob Dorough
I Had the Craziest Dream
86 bpm • G# Maj • 02:40 • -16.74db
6% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Lambert, Hendricks & Ross
Cloudburst
80 bpm • F Maj • 02:15 • -13.99db
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Roger Miller
Oo-De-Lally (Country Western Score Demo)
86 bpm • A# Maj • 00:58 • -17.42db
28% Popularity • 57% Danceability • 65% Energy • 38% Liveness
72% Instrumentalness • 79% Positiveness
28% Popularity • 57% Danceability • 65% Energy • 38% Liveness
72% Instrumentalness • 79% Positiveness
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Gonzo
I'm Going To Go Back There Someday
86 bpm • G Maj • 02:55 • -17db
33% Popularity • 38% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 38% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Stevie Wonder
Fingertips - Original Studio Version
80 bpm • F Maj • 02:56 • -9.35db
30% Popularity • 52% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 52% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Bill Cosby
Sgt Pepper's Lonely Hearts Club Band
86 bpm • E Maj • 02:20 • -11.05db
10% Popularity • 75% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 75% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Dorough
I'm Hip
86 bpm • C# Maj • 03:59 • -11.22db
2% Popularity • 65% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 65% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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Sterling Holloway
Trust In Me (The Python's Song)
87 bpm • D min • 02:50 • -24.44db
38% Popularity • 31% Danceability • 6% Energy • 14% Liveness
19% Instrumentalness • 7% Positiveness
38% Popularity • 31% Danceability • 6% Energy • 14% Liveness
19% Instrumentalness • 7% Positiveness
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Cliff Edwards
Singing in the Rain
87 bpm • A# Maj • 02:11 • -10db
13% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Five Blobs
The Blob
79 bpm • A# Maj • 02:39 • -11db
28% Popularity • 65% Danceability • 60% Energy • 6% Liveness
25% Instrumentalness • 94% Positiveness
28% Popularity • 65% Danceability • 60% Energy • 6% Liveness
25% Instrumentalness • 94% Positiveness
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Harry Belafonte
Zombie Jamboree (Back To Back)
87 bpm • G Maj • 03:19 • -8.52db
26% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Allen Ginsberg
The Lamb
79 bpm • C Maj • 01:14 • -14.91db
1% Popularity • 55% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 55% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Dorough
Everything Happens to Me
80 bpm • F Maj • 04:35 • -22.9db
0% Popularity • 43% Danceability • 10% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 43% Danceability • 10% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
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Hoagy Carmichael
Some Days There Just Ain't No Fish
79 bpm • G min • 02:35 • -12db
15% Popularity • 83% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 83% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bernard Cribbins
Gossip Calypso
88 bpm • C# Maj • 02:07 • -12db
12% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Marx Brothers
I'm Against It/Horse Feathers
78 bpm • D Maj • 03:08 • -13.27db
8% Popularity • 50% Danceability • 47% Energy • 34% Liveness
6% Instrumentalness • 80% Positiveness
8% Popularity • 50% Danceability • 47% Energy • 34% Liveness
6% Instrumentalness • 80% Positiveness
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Ken Nordine
Green
78 bpm • C Maj • 01:34 • -18.44db
14% Popularity • 60% Danceability • 23% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Wally Boag
Let's All Sing Like the Birdies Sing
78 bpm • F Maj • 04:00 • -15db
30% Popularity • 42% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 42% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Dorough
Lookin' Good
87 bpm • A# Maj • 03:04 • -15.4db
2% Popularity • 70% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 70% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
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Todd Rundgren
Hodja
78 bpm • D Maj • 03:25 • -11.7db
13% Popularity • 65% Danceability • 38% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 38% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Rawls
Season Of The Witch
89 bpm • D min • 05:51 • -9.15db
7% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Peter, Paul and Mary
If I Had a Hammer
90 bpm • A Maj • 02:10 • -9.3db
38% Popularity • 47% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 47% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Ken Nordine
Olive
90 bpm • G# Maj • 01:33 • -14db
17% Popularity • 66% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 66% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Doris Day
High Hopes
77 bpm • C Maj • 02:16 • -11.04db
18% Popularity • 47% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 47% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Dorough
Baltimore Oriole
86 bpm • F min • 03:00 • -20.2db
7% Popularity • 55% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 55% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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CAKE
Mahna, Mahna
90 bpm • G Maj • 02:54 • -11.37db
43% Popularity • 74% Danceability • 48% Energy • 7% Liveness
47% Instrumentalness • 64% Positiveness
43% Popularity • 74% Danceability • 48% Energy • 7% Liveness
47% Instrumentalness • 64% Positiveness
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The Mellomen
The Tiki, Tiki, TIki Room
90 bpm • G# Maj • 02:40 • -14.23db
36% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 57% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Robin Williams
I Yam What I Yam
91 bpm • D Maj • 02:17 • -8.13db
24% Popularity • 67% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 67% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Richman & The Modern Lovers
The Wheels On the Bus
91 bpm • G# Maj • 02:27 • -10.11db
10% Popularity • 66% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 66% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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R. Crumb And His Cheap Suit Serenaders
Singing in the Bathtub
91 bpm • C Maj • 03:09 • -11db
20% Popularity • 79% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
20% Popularity • 79% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Bob Dorough
Baltimore Oriole
79 bpm • F min • 04:18 • -13.43db
0% Popularity • 54% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 54% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Tracy Island
Banana Splits
76 bpm • C# Maj • 01:25 • -8db
23% Popularity • 48% Danceability • 82% Energy • 34% Liveness
4% Instrumentalness • 97% Positiveness
23% Popularity • 48% Danceability • 82% Energy • 34% Liveness
4% Instrumentalness • 97% Positiveness
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Randy Newman
Bet No One Ever Hurt This Bad
92 bpm • D Maj • 02:06 • -18.03db
16% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Andrews Sisters
Shortenin' Bread - 1938 Single Version
92 bpm • E Maj • 02:51 • -14db
21% Popularity • 72% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Perrey and Kingsley
Baroque Hoedown
93 bpm • F Maj • 02:27 • -15db
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Bob Dorough
Notes for You
89 bpm • C min • 02:56 • -14.93db
0% Popularity • 55% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 55% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Moxy Früvous
Spiderman
93 bpm • A Maj • 01:48 • -13db
22% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 93% Positiveness
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Allan Sherman
Eight Foot Two, Solid Blue
93 bpm • C Maj • 02:24 • -12db
21% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Lea
Sing It Way Down Low
93 bpm • C min • 03:32 • -9.77db
0% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Woody Guthrie
Swimmy Swim
74 bpm • C# Maj • 01:56 • -17.92db
12% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Scatman Crothers
Hound Dog
94 bpm • G# min • 02:08 • -7db
10% Popularity • 58% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Bob Dorough
It's Not Easy Being Green
90 bpm • A# Maj • 02:52 • -22.14db
0% Popularity • 48% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
0% Popularity • 48% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
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Mel Brooks
Boy Meets Girl
73 bpm • A min • 02:27 • -17.94db
18% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Trudy Kerr
Up Jumped A Bird
94 bpm • G# Maj • 04:50 • -13.65db
0% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Bob Crewe Generation Orchestra
Love Love Love Drags Me Down
95 bpm • G Maj • 03:42 • -7.06db
8% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Stan Freberg
Heartbreak Hotel
95 bpm • G# Maj • 02:22 • -4.61db
1% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Marx Brothers
Lydia, the Tattooed Lady
73 bpm • C Maj • 02:49 • -14.19db
15% Popularity • 74% Danceability • 22% Energy • 16% Liveness
62% Instrumentalness • 82% Positiveness
15% Popularity • 74% Danceability • 22% Energy • 16% Liveness
62% Instrumentalness • 82% Positiveness
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Bob Dorough
Lucky Seven Sampson
91 bpm • G Maj • 03:00 • -14.46db
21% Popularity • 70% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Barbara Lea
Skylark
95 bpm • F Maj • 03:40 • -15.5db
0% Popularity • 38% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 38% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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Mary Rademacher
Zippity Do Dah
95 bpm • G Maj • 02:58 • -11db
24% Popularity • 79% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 79% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Blossom Dearie
Rhode Island Is Famous For You
95 bpm • C# Maj • 02:11 • -17.76db
30% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Nervous Norvus
Ape Call
95 bpm • F Maj • 02:35 • -7db
11% Popularity • 57% Danceability • 69% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 69% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
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Ivor Cutler
I Believe In Bugs
72 bpm • D# Maj • 01:15 • -15.81db
17% Popularity • 69% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 69% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Dorough
Yardbird Suite
93 bpm • G Maj • 05:44 • -21.75db
0% Popularity • 66% Danceability • 17% Energy • 25% Liveness
5% Instrumentalness • 57% Positiveness
0% Popularity • 66% Danceability • 17% Energy • 25% Liveness
5% Instrumentalness • 57% Positiveness
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The Bonzo Dog Band
Look Out, There's a Monster Coming - 200...
72 bpm • F Maj • 02:53 • -10.31db
22% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Luis Oliveira and His Bandodalua Boys
Chihuahua
96 bpm • F Maj • 02:17 • -9.1db
8% Popularity • 70% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 70% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Allen Toussaint
Java
96 bpm • C Maj • 01:55 • -9.02db
15% Popularity • 62% Danceability • 87% Energy • 7% Liveness
4% Instrumentalness • 97% Positiveness
15% Popularity • 62% Danceability • 87% Energy • 7% Liveness
4% Instrumentalness • 97% Positiveness
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Hoosier Hot Shots
I Like Bananas (Because They Have No Bon...
96 bpm • A# Maj • 02:15 • -11.46db
11% Popularity • 79% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 79% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Maurice Chevalier
Enjoy It ! - In Search of the Castaways,...
96 bpm • A# Maj • 02:06 • -10.09db
28% Popularity • 64% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 64% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Dorough
Moon River
93 bpm • G min • 05:35 • -11.75db
1% Popularity • 69% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
1% Popularity • 69% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
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Esquivel And His Orchestra
Whatchamacallit
96 bpm • F Maj • 02:34 • -12db
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
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Hal Stein
Fitz' Tune
97 bpm • G min • 05:24 • -8.55db
0% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Wild Man Fischer
Merry Go Round
97 bpm • G Maj • 02:25 • -13.58db
11% Popularity • 76% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 76% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Brian Wilson
I Just Can't Wait to Be King
97 bpm • D Maj • 03:37 • -4.83db
14% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Allen Ginsberg
Laughing Song
97 bpm • C Maj • 01:26 • -14.54db
0% Popularity • 57% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 57% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Dorough
Yardbird Suite
93 bpm • G Maj • 04:56 • -15.03db
5% Popularity • 63% Danceability • 30% Energy • 61% Liveness
1% Instrumentalness • 57% Positiveness
5% Popularity • 63% Danceability • 30% Energy • 61% Liveness
1% Instrumentalness • 57% Positiveness
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John Shuttleworth
Two Margarines
97 bpm • G Maj • 01:59 • -8.46db
16% Popularity • 77% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 77% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Hal Stein
Fitz' Tune
97 bpm • G min • 05:23 • -10.43db
0% Popularity • 58% Danceability • 44% Energy • 4% Liveness
2% Instrumentalness • 87% Positiveness
0% Popularity • 58% Danceability • 44% Energy • 4% Liveness
2% Instrumentalness • 87% Positiveness
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Jack Albertson
(I've Got A) Golden Ticket
98 bpm • F# Maj • 03:09 • -13.28db
39% Popularity • 43% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 43% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
