Songs like Spring Is Here by Connie Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Dandeliers
My Autumn Love
134 bpm • G# Maj • 02:30 • -8.82db
13% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Connie Stevens
Spring Is Here
134 bpm • A# min • 01:56 • -10.36db
17% Popularity • 40% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Poni-Tails
Come Be My Love
135 bpm • G# Maj • 02:20 • -4.85db
17% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Sammy Davis Jr.
Hey There
135 bpm • F Maj • 02:56 • -15db
37% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Vic Dana
More (Theme From Mondo Cane)
133 bpm • A Maj • 02:21 • -7.98db
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Dodie Stevens
No
135 bpm • G# Maj • 01:56 • -10db
12% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Connie Stevens
Because You're Mine
135 bpm • G Maj • 02:35 • -8.78db
4% Popularity • 31% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 31% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Sarah Vaughan
Broken Hearted Melody
132 bpm • G Maj • 02:26 • -10.02db
50% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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The Four Preps
Dreamy Eyes
132 bpm • F# Maj • 02:16 • -12.72db
11% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sue Raney
A Blossom Fell
132 bpm • D min • 02:08 • -14.69db
24% Popularity • 42% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 42% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Linda Scott
Oh! Look At Me Now!
132 bpm • D# Maj • 02:19 • -13.2db
13% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Peggy March
I Wish I Were a Princess
131 bpm • D Maj • 02:13 • -10.5db
24% Popularity • 61% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Gale Storm
Memories Are Made Of This
136 bpm • C Maj • 02:20 • -9.56db
30% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Preps
Memories Are Made of This
132 bpm • A Maj • 02:29 • -14.72db
18% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Jane Morgan
1-2-3
131 bpm • D# Maj • 02:34 • -15.96db
10% Popularity • 57% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 57% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Ruby Murray
Evermore
137 bpm • C Maj • 02:26 • -12.88db
17% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Carmen McRae
Ev'ry Time We Say Goodbye
137 bpm • G# Maj • 03:02 • -16.47db
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Crawford
Your Nose Is Gonna Grow
131 bpm • D Maj • 02:05 • -10.68db
22% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ronnie Hilton
Around the World
131 bpm • B min • 02:42 • -10.89db
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Connie Stevens
The Trolley Song
137 bpm • B Maj • 02:36 • -6.52db
3% Popularity • 53% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 53% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Clanton
Go, Jimmy, Go
137 bpm • C Maj • 02:09 • -4.78db
41% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Diane Renay
Navy Blue
138 bpm • A min • 02:30 • -8.73db
30% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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George Duning
Love Song From "Houseboat" (Almost in Yo...
138 bpm • G Maj • 02:58 • -12.54db
19% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Al Martino
Here In My Heart
130 bpm • C Maj • 03:04 • -10db
30% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
30% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
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Connie Stevens
Your Cheatin' Heart
131 bpm • G# Maj • 02:04 • -11.97db
5% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ruby And The Romantics
Day Dreaming
138 bpm • F Maj • 02:22 • -8.2db
13% Popularity • 61% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 61% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Gogi Grant
The Wayward Wind
138 bpm • B Maj • 02:37 • -15db
20% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Marcie Blane
Who's Going To Take My Daddy's Place
129 bpm • G Maj • 02:26 • -8db
9% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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michael holliday
The Story of My Life
139 bpm • A Maj • 02:15 • -13db
39% Popularity • 70% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 70% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ann-Margret
Slowly
129 bpm • D Maj • 02:07 • -13.92db
28% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Connie Stevens
Apollo
138 bpm • G Maj • 01:55 • -8db
4% Popularity • 56% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 56% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Tommy Edwards
Isle Of Capri
139 bpm • D# Maj • 02:18 • -13.43db
35% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Gogi Grant
The Wayward Wind (Alternate Take)
129 bpm • B Maj • 02:58 • -11.25db
14% Popularity • 51% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 51% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Poni-Tails
I'll Keep Tryin'
129 bpm • G# Maj • 02:24 • -4.16db
19% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Nino Tempo & April Stevens
Whispering
139 bpm • G# Maj • 02:23 • -12db
21% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
32% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Connie Stevens
Nobody's Lonesome for Me
138 bpm • C# Maj • 02:18 • -18.05db
2% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ketty Lester
Love Letters
128 bpm • F# Maj • 02:36 • -18.06db
42% Popularity • 56% Danceability • 22% Energy • 16% Liveness
70% Instrumentalness • 29% Positiveness
42% Popularity • 56% Danceability • 22% Energy • 16% Liveness
70% Instrumentalness • 29% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Toni Fisher
You Won't Forget Me
128 bpm • F min • 01:48 • -6.31db
10% Popularity • 43% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 43% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Gene McDaniels
Point of No Return
141 bpm • F Maj • 02:19 • -8.39db
12% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Connie Stevens
Kookie Kookie Lend Me Your Comb
130 bpm • C min • 02:05 • -7.32db
4% Popularity • 79% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 79% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Castells
I Get Dreamy
127 bpm • D# Maj • 01:58 • -12.89db
19% Popularity • 55% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Joanie Sommers
Johnny Get Angry
127 bpm • C# Maj • 02:36 • -14.47db
31% Popularity • 63% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 63% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Toni Fisher
The Big Hurt
127 bpm • C# Maj • 02:09 • -14.01db
17% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Marcie Blane
Bobby's Girl - Mono
142 bpm • C Maj • 02:19 • -6db
32% Popularity • 53% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 53% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Howard Keel
A Wooin' We Will Go
127 bpm • G# Maj • 02:28 • -11.58db
21% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Connie Stevens
Our Very Own
139 bpm • D Maj • 03:22 • -9.76db
2% Popularity • 24% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 24% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ketty Lester
Where or When
126 bpm • A# Maj • 02:10 • -14.98db
10% Popularity • 52% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 52% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Caravelles
Tonight You Belong To Me
126 bpm • A Maj • 01:58 • -9.89db
15% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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The Four Preps
Big Man
126 bpm • D# Maj • 02:23 • -8db
31% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Crawford
Lucky Star
143 bpm • G# Maj • 02:02 • -12db
9% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Connie Stevens
A Little Kiss Is a Kiss Is a Kiss
140 bpm • D# Maj • 02:25 • -7.44db
5% Popularity • 56% Danceability • 90% Energy • 87% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 56% Danceability • 90% Energy • 87% Liveness
0% Instrumentalness • 94% Positiveness
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Annette Hanshaw
You're the Cream in My Coffee
143 bpm • G min • 02:59 • -14.79db
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Petula Clark
Baby Lover
143 bpm • F Maj • 02:26 • -10.7db
20% Popularity • 59% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 59% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Holly
You Are My One Desire
125 bpm • D Maj • 02:25 • -10.85db
39% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Dion & The Belmonts
It's Only A Paper Moon
125 bpm • G Maj • 01:56 • -7.04db
35% Popularity • 46% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 46% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Norman Wisdom
Don't Laugh at Me ('Cause I'm a Fool)
143 bpm • A# Maj • 03:36 • -13.06db
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Connie Stevens
Why'd You Wanna Make Me Cry
128 bpm • C# min • 02:07 • -5.77db
3% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
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The Four Preps
Jamaica Farewell
125 bpm • E Maj • 02:43 • -13.19db
15% Popularity • 64% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Caravelles
You Don't Have to Be a Baby to Cry
125 bpm • C# Maj • 02:02 • -14db
27% Popularity • 51% Danceability • 34% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
27% Popularity • 51% Danceability • 34% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
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Ketty Lester
Love Letters (Alternate Take)
125 bpm • G min • 02:42 • -10.13db
35% Popularity • 58% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 33% Positiveness
35% Popularity • 58% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 33% Positiveness
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Max Bygraves
Meet Me on the Corner
124 bpm • A min • 02:28 • -10.2db
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Brian Hyland
Let Me Belong To You
145 bpm • A# Maj • 03:06 • -13.05db
31% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Connie Stevens
Looking for a Boy
126 bpm • D Maj • 02:36 • -8.58db
3% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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The Caravelles
You Don't Have To Be A Baby To Cry
124 bpm • C# Maj • 02:01 • -11db
29% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Mystics
Hushabye
145 bpm • F Maj • 02:33 • -7db
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Louis Prima
You're Nobody 'Til Somebody Loves You
145 bpm • F min • 02:34 • -14.75db
26% Popularity • 55% Danceability • 40% Energy • 95% Liveness
11% Instrumentalness • 78% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 95% Liveness
11% Instrumentalness • 78% Positiveness
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Toni Fisher
The Big Hurt (Alternate Take)
124 bpm • C Maj • 02:19 • -6.07db
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Connie Stevens
Why Can't He Care for Me - Studio
143 bpm • G# Maj • 02:28 • -12.91db
0% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Alma Cogan
Bell Bottom Blues
124 bpm • A Maj • 02:35 • -10.25db
29% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Tommy Edwards
My Melancholy Baby
124 bpm • D min • 02:40 • -7.26db
25% Popularity • 47% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 34% Positiveness
25% Popularity • 47% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 34% Positiveness
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Nino Tempo & April Stevens
Stardust
124 bpm • C Maj • 02:57 • -12.16db
11% Popularity • 55% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 55% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 28% Positiveness
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Guy Lombardo
Red Roses For A Blue Lady
124 bpm • C Maj • 02:46 • -13.83db
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Connie Stevens
It's Lovely Day Tomorrow
144 bpm • C# Maj • 02:27 • -7.95db
4% Popularity • 51% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 51% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Carole King
It Might as Well Rain Until September
146 bpm • C Maj • 02:27 • -6.72db
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Carroll Gibbons
Goodnight My Love
123 bpm • C min • 03:25 • -19db
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
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The Poni-Tails
Seven Minutes in Heaven
123 bpm • C Maj • 02:34 • -8db
33% Popularity • 57% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 57% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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The Four Preps
Gidget
123 bpm • G# Maj • 01:47 • -10.57db
17% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Douglas
It All Depends on You
147 bpm • C Maj • 02:07 • -9.81db
20% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Connie Stevens
You Win Again
124 bpm • C Maj • 02:26 • -12.13db
4% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
4% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ann-Margret
The Lady Loves Me
122 bpm • F Maj • 03:45 • -11.04db
40% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Sarah Vaughan
Separate Ways
122 bpm • G Maj • 02:24 • -10.63db
12% Popularity • 31% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 31% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Joni James
You Belong to Me
148 bpm • C Maj • 02:58 • -15.36db
17% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Stevens
Lost in Wonderland
124 bpm • B Maj • 02:02 • -10.33db
4% Popularity • 36% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 36% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness