Songs like Spring (Primavera) by Andreas Prittwitz
Based on a tempo of (+/- 10%) and a similar genre
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Fabrice Tonnellier
Pétales de lotus
105 bpm • G Maj • 03:22 • -18db
16% Popularity • 45% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
16% Popularity • 45% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Germán López
P´Artenara
105 bpm • G Maj • 03:25 • -7.92db
2% Popularity • 60% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 61% Positiveness
2% Popularity • 60% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 61% Positiveness
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Andreas Prittwitz
Spring (Primavera)
105 bpm • C Maj • 06:41 • -13db
11% Popularity • 58% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 58% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Hammer
Heart Transformation
104 bpm • A min • 05:04 • -20.91db
15% Popularity • 18% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Lrollin Clarinet Band
Río Ancho
106 bpm • F Maj • 04:17 • -9.6db
1% Popularity • 85% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 68% Positiveness
1% Popularity • 85% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 68% Positiveness
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From Jogja with Relax
Waterfall Melodies
104 bpm • A# Maj • 03:02 • -18.3db
8% Popularity • 17% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
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Erik Berglund
Angel Song
106 bpm • F Maj • 04:24 • -20.6db
21% Popularity • 38% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
21% Popularity • 38% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Fabrice Tonnellier
Le temple intérieur
104 bpm • C# Maj • 05:52 • -20.09db
13% Popularity • 29% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 29% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Andreas Prittwitz
Minueto I & II ( Suite Nº1 for Violonce...
105 bpm • C Maj • 05:08 • -10.32db
1% Popularity • 61% Danceability • 37% Energy • 14% Liveness
81% Instrumentalness • 50% Positiveness
1% Popularity • 61% Danceability • 37% Energy • 14% Liveness
81% Instrumentalness • 50% Positiveness
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Jorge de Oro
En armonía
104 bpm • D Maj • 03:03 • -16.12db
18% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dean Evenson
Misty Morning Light
103 bpm • A min • 05:27 • -17.09db
8% Popularity • 18% Danceability • 18% Energy • 22% Liveness
84% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 22% Liveness
84% Instrumentalness • 6% Positiveness
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Michel Pépé
Infinitude
103 bpm • E Maj • 04:00 • -19.29db
11% Popularity • 22% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Kamal Engels
Out of the Blue
107 bpm • D# min • 07:35 • -16.34db
28% Popularity • 17% Danceability • 24% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 24% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
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Deuter
Amida
107 bpm • G Maj • 09:59 • -26.37db
21% Popularity • 22% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
Antartida
106 bpm • G Maj • 04:30 • -11.39db
0% Popularity • 31% Danceability • 44% Energy • 7% Liveness
3% Instrumentalness • 10% Positiveness
0% Popularity • 31% Danceability • 44% Energy • 7% Liveness
3% Instrumentalness • 10% Positiveness
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Marcelo A. Rodríguez
Kong - An
107 bpm • A min • 08:59 • -12db
4% Popularity • 16% Danceability • 41% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
4% Popularity • 16% Danceability • 41% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Steven Halpern
Towards The One - Electric Piano and Flu...
103 bpm • F# min • 04:09 • -17.29db
10% Popularity • 46% Danceability • 11% Energy • 4% Liveness
50% Instrumentalness • 8% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 4% Liveness
50% Instrumentalness • 8% Positiveness
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OshO
The Great Pilgrimage
108 bpm • D min • 03:52 • -17.91db
11% Popularity • 28% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 51% Positiveness
11% Popularity • 28% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 51% Positiveness
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Rutman Bowmore
Comforting Illusions
102 bpm • G# Maj • 04:12 • -21.19db
9% Popularity • 14% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel May
Azure Skies
108 bpm • F Maj • 05:33 • -15.47db
14% Popularity • 42% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
14% Popularity • 42% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Andreas Prittwitz
Jameitos
104 bpm • A Maj • 03:55 • -11.48db
1% Popularity • 61% Danceability • 50% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
1% Popularity • 61% Danceability • 50% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Andreas
Maiden Princess
102 bpm • C Maj • 05:04 • -20.92db
10% Popularity • 25% Danceability • 15% Energy • 37% Liveness
88% Instrumentalness • 8% Positiveness
10% Popularity • 25% Danceability • 15% Energy • 37% Liveness
88% Instrumentalness • 8% Positiveness
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Gomer Edwin Evans
Wärmendes universelles Ki
102 bpm • C Maj • 10:12 • -15.27db
15% Popularity • 25% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Luna Richard
Aguas y Delfines Sanadores 2
102 bpm • C Maj • 05:05 • -15db
13% Popularity • 18% Danceability • 31% Energy • 47% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 31% Energy • 47% Liveness
94% Instrumentalness • 12% Positiveness
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Erik Berglund
Angel of Dreams
109 bpm • G Maj • 05:40 • -20.71db
16% Popularity • 34% Danceability • 9% Energy • 54% Liveness
83% Instrumentalness • 8% Positiveness
16% Popularity • 34% Danceability • 9% Energy • 54% Liveness
83% Instrumentalness • 8% Positiveness
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Alberto Grollo
Ethernal Body
109 bpm • D Maj • 04:42 • -15.26db
8% Popularity • 25% Danceability • 43% Energy • 44% Liveness
94% Instrumentalness • 9% Positiveness
8% Popularity • 25% Danceability • 43% Energy • 44% Liveness
94% Instrumentalness • 9% Positiveness
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Andreas Prittwitz
Aria 37 (Dido & Eneas)
108 bpm • G min • 04:44 • -13.83db
1% Popularity • 24% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 24% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Ensemble P.J. Rhinegould
Peace Inside
110 bpm • C min • 07:13 • -23db
17% Popularity • 24% Danceability • 13% Energy • 96% Liveness
82% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 13% Energy • 96% Liveness
82% Instrumentalness • 7% Positiveness
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Gerald Jay Markoe
In the Silence Between Thoughts
101 bpm • F Maj • 06:04 • -22.19db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Boko Suzuki
Eyes to Follow the Hands
110 bpm • F min • 09:31 • -17.53db
10% Popularity • 17% Danceability • 19% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 19% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Eric Berglund
Aguas y Delfines Sanadores
110 bpm • G Maj • 06:18 • -20db
19% Popularity • 22% Danceability • 42% Energy • 37% Liveness
42% Instrumentalness • 16% Positiveness
19% Popularity • 22% Danceability • 42% Energy • 37% Liveness
42% Instrumentalness • 16% Positiveness
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Marcelo Nadruz
Unidade do Ser
110 bpm • C Maj • 05:53 • -13.81db
12% Popularity • 18% Danceability • 18% Energy • 48% Liveness
64% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 18% Energy • 48% Liveness
64% Instrumentalness • 7% Positiveness
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Andreas Prittwitz
Deep sea (Alta mar)
102 bpm • A min • 07:59 • -13db
5% Popularity • 42% Danceability • 31% Energy • 31% Liveness
91% Instrumentalness • 10% Positiveness
5% Popularity • 42% Danceability • 31% Energy • 31% Liveness
91% Instrumentalness • 10% Positiveness
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Cari Live
Sweet Home
100 bpm • A# min • 03:57 • -20.04db
14% Popularity • 41% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
14% Popularity • 41% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Dean Evenson
Center of My Heart
100 bpm • A min • 06:43 • -16.35db
16% Popularity • 25% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Clookai
Set Free
110 bpm • G Maj • 08:23 • -21.62db
10% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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The Imperas
Natural Balance
100 bpm • D# min • 07:05 • -17.57db
5% Popularity • 39% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
5% Popularity • 39% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Medwyn Goodall
Midnight Deep
100 bpm • D Maj • 06:26 • -22.98db
16% Popularity • 39% Danceability • 10% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 10% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
Lachrimae antiquae
108 bpm • A min • 03:53 • -15.6db
0% Popularity • 25% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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A. Seoane
Para Elisa
100 bpm • C Maj • 03:29 • -17.36db
11% Popularity • 55% Danceability • 24% Energy • 40% Liveness
2% Instrumentalness • 13% Positiveness
11% Popularity • 55% Danceability • 24% Energy • 40% Liveness
2% Instrumentalness • 13% Positiveness
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Wadim Neufeld
Ein Ende
100 bpm • E min • 01:51 • -21.57db
11% Popularity • 78% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 78% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Master Wu
Awareness Meditation
110 bpm • F min • 02:16 • -20.55db
27% Popularity • 28% Danceability • 37% Energy • 37% Liveness
78% Instrumentalness • 19% Positiveness
27% Popularity • 28% Danceability • 37% Energy • 37% Liveness
78% Instrumentalness • 19% Positiveness
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Daniel May
Early Morning
100 bpm • D min • 09:11 • -18.83db
17% Popularity • 23% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Midori
Archangels (The Spirits Of Fire)
100 bpm • C# min • 06:27 • -30.38db
12% Popularity • 20% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
d'lof-zangh Marie
108 bpm • C Maj • 03:32 • -12.46db
0% Popularity • 53% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 74% Positiveness
0% Popularity • 53% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 74% Positiveness
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Simplicity
Natural White Noise
111 bpm • E min • 05:59 • -16.72db
20% Popularity • 17% Danceability • 22% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 22% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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David & Steve Gordon
Amethyst & Amber
99 bpm • A min • 04:15 • -26.83db
8% Popularity • 20% Danceability • 9% Energy • 35% Liveness
93% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 35% Liveness
93% Instrumentalness • 7% Positiveness
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Preparacion para el Parto
Musica Tranquila para el Vientre
99 bpm • A# Maj • 03:14 • -24.95db
18% Popularity • 20% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Lucas Cervetti
Frecuencia Álmica XI - Solo Piano
112 bpm • E Maj • 06:09 • -16.36db
22% Popularity • 58% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
22% Popularity • 58% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Erik Berglund
Angel of the Healing Waters
112 bpm • F Maj • 07:35 • -23.31db
15% Popularity • 35% Danceability • 20% Energy • 38% Liveness
55% Instrumentalness • 25% Positiveness
15% Popularity • 35% Danceability • 20% Energy • 38% Liveness
55% Instrumentalness • 25% Positiveness
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Andreas Prittwitz
The nest (El nido)
108 bpm • A Maj • 07:15 • -15.59db
21% Popularity • 58% Danceability • 36% Energy • 17% Liveness
14% Instrumentalness • 26% Positiveness
21% Popularity • 58% Danceability • 36% Energy • 17% Liveness
14% Instrumentalness • 26% Positiveness
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Andreas
Spring Awakening
98 bpm • D Maj • 05:51 • -22.88db
7% Popularity • 45% Danceability • 8% Energy • 28% Liveness
64% Instrumentalness • 12% Positiveness
7% Popularity • 45% Danceability • 8% Energy • 28% Liveness
64% Instrumentalness • 12% Positiveness
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Ensemble P.J. Rhinegould
Positive Feelings
113 bpm • G Maj • 03:56 • -27.11db
31% Popularity • 25% Danceability • 24% Energy • 91% Liveness
91% Instrumentalness • 29% Positiveness
31% Popularity • 25% Danceability • 24% Energy • 91% Liveness
91% Instrumentalness • 29% Positiveness
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Margot Reisinger
Track 02
97 bpm • E min • 06:34 • -17.46db
14% Popularity • 48% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 48% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Niall & Juliana
Golden Pathways
98 bpm • D# Maj • 05:06 • -23.05db
28% Popularity • 15% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Isabella Jenkins
Break of Day
114 bpm • C Maj • 02:26 • -20db
35% Popularity • 38% Danceability • 26% Energy • 94% Liveness
79% Instrumentalness • 41% Positiveness
35% Popularity • 38% Danceability • 26% Energy • 94% Liveness
79% Instrumentalness • 41% Positiveness
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Andreas Prittwitz
Peace (Paz)
100 bpm • C Maj • 05:30 • -13db
10% Popularity • 48% Danceability • 29% Energy • 27% Liveness
25% Instrumentalness • 20% Positiveness
10% Popularity • 48% Danceability • 29% Energy • 27% Liveness
25% Instrumentalness • 20% Positiveness
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Medwyn Goodall
Reaching Out
114 bpm • G Maj • 07:05 • -22.08db
16% Popularity • 40% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
16% Popularity • 40% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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The O'Neill Brothers Group
Gracias a la Vida
97 bpm • D min • 03:58 • -18db
21% Popularity • 26% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
21% Popularity • 26% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Midori
Seraphim (The Spirits Of Love)
114 bpm • D# Maj • 07:39 • -31.67db
14% Popularity • 38% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 38% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Lucas Cervetti
Frecuencia Álmica IV - Solo Piano
114 bpm • C# Maj • 05:47 • -17.33db
26% Popularity • 64% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 59% Positiveness
26% Popularity • 64% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 59% Positiveness
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Fabrice Tonnellier
Chinese Ink
114 bpm • D Maj • 04:04 • -17.66db
13% Popularity • 36% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 36% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
Y
100 bpm • G Maj • 03:26 • -11db
1% Popularity • 62% Danceability • 12% Energy • 19% Liveness
3% Instrumentalness • 74% Positiveness
1% Popularity • 62% Danceability • 12% Energy • 19% Liveness
3% Instrumentalness • 74% Positiveness
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Matthias Ruckdaeschel
Desert Fire-Singing Bowls
96 bpm • D Maj • 01:19 • -26db
23% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Sambodhi Prem
Illumination
115 bpm • F# min • 03:52 • -19db
6% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
6% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Tania Gaytán Terapeuta
Arcángel Rafael
115 bpm • F Maj • 08:39 • -32.6db
16% Popularity • 16% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Niall & Juliana
In the Hands of Time
115 bpm • A# Maj • 05:06 • -19.24db
25% Popularity • 18% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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James Asher
Green
115 bpm • A min • 03:13 • -16.89db
20% Popularity • 61% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
20% Popularity • 61% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Andreas Prittwitz
Zarabanda
110 bpm • D Maj • 02:16 • -22.02db
2% Popularity • 56% Danceability • 11% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
2% Popularity • 56% Danceability • 11% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Erik Berglund
Angel of Hope
116 bpm • G Maj • 03:53 • -24.5db
19% Popularity • 35% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
19% Popularity • 35% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Lucas Cervetti
Frecuencia Álmica, Pt. 7
116 bpm • G Maj • 04:36 • -15.38db
31% Popularity • 44% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 18% Positiveness
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Stuart Jones
Balance Energy
116 bpm • C# min • 06:24 • -26.75db
20% Popularity • 21% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Jean-Pierre Garattoni
Balance of Yin & Yang
116 bpm • C# Maj • 06:25 • -19.73db
8% Popularity • 59% Danceability • 23% Energy • 95% Liveness
11% Instrumentalness • 46% Positiveness
8% Popularity • 59% Danceability • 23% Energy • 95% Liveness
11% Instrumentalness • 46% Positiveness
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Karin Nobbs
Sur le toits du monde
116 bpm • D# Maj • 06:59 • -17.86db
14% Popularity • 23% Danceability • 28% Energy • 38% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 23% Danceability • 28% Energy • 38% Liveness
92% Instrumentalness • 7% Positiveness
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Andreas Prittwitz
The dolphin and the man (El delfin y el ...
100 bpm • C# Maj • 07:07 • -17db
9% Popularity • 19% Danceability • 29% Energy • 76% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 19% Danceability • 29% Energy • 76% Liveness
88% Instrumentalness • 8% Positiveness
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Boko Suzuki
Tranquil Mind
95 bpm • F min • 06:58 • -19.19db
10% Popularity • 27% Danceability • 13% Energy • 7% Liveness
39% Instrumentalness • 10% Positiveness
10% Popularity • 27% Danceability • 13% Energy • 7% Liveness
39% Instrumentalness • 10% Positiveness
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Lucas Cervetti
Frecuencia Álmica III - Solo Piano
116 bpm • G Maj • 05:49 • -17.95db
27% Popularity • 62% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 49% Positiveness
27% Popularity • 62% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 49% Positiveness
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Andreas
Shimmering Forest
94 bpm • A Maj • 05:55 • -21.73db
15% Popularity • 23% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
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Noite bem dormida
Sons de sono
94 bpm • C Maj • 04:17 • -21db
38% Popularity • 12% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
38% Popularity • 12% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Niall
Angels Guard My Sleep and Waking
94 bpm • A Maj • 10:10 • -17.93db
27% Popularity • 14% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
Caribean water (Agua del Caribe)
100 bpm • F Maj • 08:32 • -17.9db
11% Popularity • 42% Danceability • 41% Energy • 64% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 42% Danceability • 41% Energy • 64% Liveness
90% Instrumentalness • 19% Positiveness
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Stuart Jones
50 Shades of Healing
94 bpm • F# Maj • 08:36 • -24.28db
19% Popularity • 12% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Lucas Cervetti
Frecuencia Álmica I - Solo Piano
116 bpm • D Maj • 05:47 • -19.16db
14% Popularity • 33% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
14% Popularity • 33% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Robert Haig Coxon
Angelic Love Section 1
117 bpm • G Maj • 04:57 • -20.01db
39% Popularity • 24% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Deuter
Sei
118 bpm • G# min • 04:41 • -27.83db
29% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Mike Rowland
Crystal Angel Part 2
118 bpm • F Maj • 06:51 • -20.47db
16% Popularity • 32% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Andreas Prittwitz
Rondo y saltarello
111 bpm • D Maj • 03:36 • -10.74db
0% Popularity • 45% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 51% Positiveness
0% Popularity • 45% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 51% Positiveness
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Jorge de Oro
Para los ángeles
118 bpm • D Maj • 05:29 • -20.78db
15% Popularity • 37% Danceability • 28% Energy • 40% Liveness
46% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 28% Energy • 40% Liveness
46% Instrumentalness • 13% Positiveness
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Karunesh
Gentle Warming Up
93 bpm • D Maj • 06:43 • -16.4db
8% Popularity • 35% Danceability • 18% Energy • 39% Liveness
65% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 18% Energy • 39% Liveness
65% Instrumentalness • 8% Positiveness
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Robert Haig Coxon
From the Heart
118 bpm • G Maj • 02:40 • -20.67db
26% Popularity • 17% Danceability • 11% Energy • 11% Liveness
99% Instrumentalness • 12% Positiveness
26% Popularity • 17% Danceability • 11% Energy • 11% Liveness
99% Instrumentalness • 12% Positiveness
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Margot Reisinger
Track 05
118 bpm • C Maj • 04:59 • -19.29db
15% Popularity • 41% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 41% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Anuvida
Healing Essence
119 bpm • C# min • 09:54 • -22.73db
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Andreas Prittwitz
Moon night (Noche de luna)
111 bpm • C Maj • 07:57 • -19.65db
7% Popularity • 30% Danceability • 12% Energy • 91% Liveness
42% Instrumentalness • 10% Positiveness
7% Popularity • 30% Danceability • 12% Energy • 91% Liveness
42% Instrumentalness • 10% Positiveness
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Infinite Healing Sound
432 Hz Relaxation Flute
119 bpm • A min • 01:37 • -21.75db
20% Popularity • 24% Danceability • 1% Energy • 7% Liveness
51% Instrumentalness • 13% Positiveness
20% Popularity • 24% Danceability • 1% Energy • 7% Liveness
51% Instrumentalness • 13% Positiveness
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Salvador Candel
Tocando El Cielo
119 bpm • E min • 04:43 • -6.4db
10% Popularity • 42% Danceability • 25% Energy • 10% Liveness
61% Instrumentalness • 22% Positiveness
10% Popularity • 42% Danceability • 25% Energy • 10% Liveness
61% Instrumentalness • 22% Positiveness
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QU CHI
Cosmos
93 bpm • C Maj • 02:44 • -27.65db
13% Popularity • 11% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Gomer Edwin Evans
Chinesische Meditation
119 bpm • C min • 10:47 • -12.87db
14% Popularity • 47% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
14% Popularity • 47% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
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Mike Rowland
Breath
93 bpm • G Maj • 06:16 • -14.25db
21% Popularity • 15% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 8% Positiveness