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Spring Rush
Songs like
Spring Rush
by
Ruth Barrett
Based on a tempo of (+/- 10%) and a similar genre
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Howard Harper-Barnes
Prescient
140 bpm • A Maj • 02:48 • -16db
35% Popularity • 52% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Dan Romer
Where Lost Boys Go
140 bpm • A Maj • 02:06 • -19.25db
24% Popularity • 37% Danceability • 9% Energy • 39% Liveness
85% Instrumentalness • 5% Positiveness
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Christopher Spelman
In the Hospital
141 bpm • C# min • 03:33 • -15.57db
9% Popularity • 14% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Bear McCreary
Fallen Through Time
140 bpm • A min • 05:38 • -16db
47% Popularity • 19% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Ruth Barrett
Kids In Love
139 bpm • D Maj • 01:45 • -14.74db
10% Popularity • 24% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Johannes Lehniger
Runaway
139 bpm • A Maj • 01:55 • -18.57db
35% Popularity • 31% Danceability • 15% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Howard Harper-Barnes
Never Complain, Never Explain
140 bpm • A min • 03:30 • -17.27db
20% Popularity • 42% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
43% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Rob Simonsen
To a Future with an End
139 bpm • D# Maj • 01:41 • -17.13db
33% Popularity • 15% Danceability • 37% Energy • 8% Liveness
99% Instrumentalness • 5% Positiveness
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Ruth Barrett
Adoration
138 bpm • E min • 02:13 • -19.34db
10% Popularity • 19% Danceability • 14% Energy • 16% Liveness
31% Instrumentalness • 6% Positiveness
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Craig Armstrong
Spring Sheep Dip
142 bpm • A Maj • 02:18 • -16.5db
30% Popularity • 15% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Lehniger
Carriage Ride
142 bpm • C min • 01:04 • -17.32db
41% Popularity • 58% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
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Jordan Gagne
Astronomy
138 bpm • A min • 01:43 • -13.53db
28% Popularity • 40% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Maurizio Malagnini
The Miracle
142 bpm • A Maj • 04:16 • -17.3db
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Bear McCreary
The Veil of Time
138 bpm • C Maj • 10:14 • -21db
43% Popularity • 15% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
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Klaus Badelt
Professor Alexander Hartdegen
137 bpm • A min • 03:26 • -17db
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Peter Gregson
The Music Comes From the Heavens
138 bpm • A# Maj • 03:24 • -21.35db
22% Popularity • 17% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Ruth Barrett
Margo Swims
136 bpm • A min • 01:48 • -9.9db
17% Popularity • 24% Danceability • 36% Energy • 16% Liveness
69% Instrumentalness • 15% Positiveness
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Zbigniew Preisner
Colin Opens His Eyes
136 bpm • F# Maj • 02:00 • -22.18db
34% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Forgotten Overture - Finding Neverland/S...
135 bpm • A min • 03:31 • -19.03db
24% Popularity • 42% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
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Marco Beltrami
First Memory
146 bpm • A# Maj • 01:30 • -20db
33% Popularity • 18% Danceability • 10% Energy • 32% Liveness
91% Instrumentalness • 4% Positiveness
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Ruth Barrett
Birdwatching
144 bpm • C# min • 01:32 • -13.54db
16% Popularity • 55% Danceability • 20% Energy • 25% Liveness
62% Instrumentalness • 16% Positiveness
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Steven Price
An Ingenious Technique
146 bpm • F Maj • 02:49 • -15db
29% Popularity • 32% Danceability • 48% Energy • 6% Liveness
98% Instrumentalness • 9% Positiveness
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Christopher Willis
My Own Story
134 bpm • A min • 01:46 • -14.87db
19% Popularity • 44% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Where Is Mr. Barrie? - Finding Neverland...
134 bpm • C Maj • 03:32 • -18db
28% Popularity • 48% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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David Schweitzer
Loango
133 bpm • E Maj • 02:03 • -16.96db
20% Popularity • 30% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Ruth Barrett
Blue Shoes
136 bpm • G Maj • 02:30 • -14.69db
18% Popularity • 41% Danceability • 26% Energy • 7% Liveness
6% Instrumentalness • 6% Positiveness
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Steven Price
She's Late
148 bpm • A min • 02:24 • -11.93db
10% Popularity • 42% Danceability • 61% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Christopher Willis
These Pages Must Show (End Credits)
133 bpm • A min • 02:34 • -12.42db
13% Popularity • 45% Danceability • 42% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Roque Baños
Young Nickerson
132 bpm • F Maj • 02:16 • -20.17db
25% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Thor and Liv
132 bpm • B min • 01:21 • -26db
47% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Howard Shore
Pieces Of A Woman
132 bpm • D min • 01:41 • -18.55db
23% Popularity • 20% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ruth Barrett
Farewell to Sanditon
135 bpm • B min • 06:45 • -16.19db
13% Popularity • 18% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 6% Positiveness
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Debbie Wiseman
Prophecies and Dreams
132 bpm • D min • 03:50 • -21.08db
18% Popularity • 40% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nigel Crouch
Quid Sum Miser
132 bpm • A min • 03:26 • -17.6db
7% Popularity • 20% Danceability • 15% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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John Powell
Wake the Girls
132 bpm • F min • 02:37 • -12.77db
16% Popularity • 31% Danceability • 35% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
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Carter Burwell
The Mystery of Inisherin
150 bpm • D min • 02:30 • -18.31db
25% Popularity • 31% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ruth Barrett
Returning to Sanditon
134 bpm • G Maj • 02:09 • -15.87db
14% Popularity • 38% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
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Debbie Wiseman
Training Day
132 bpm • F Maj • 02:39 • -17db
18% Popularity • 27% Danceability • 20% Energy • 16% Liveness
95% Instrumentalness • 40% Positiveness
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David Hirschfelder
All Settled Then
130 bpm • D min • 01:53 • -19.74db
10% Popularity • 44% Danceability • 8% Energy • 14% Liveness
95% Instrumentalness • 10% Positiveness
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Guy Farley
A Guilded Cage
130 bpm • A# min • 02:15 • -31db
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
Summer Is Coming
129 bpm • G Maj • 02:33 • -15db
31% Popularity • 23% Danceability • 27% Energy • 21% Liveness
87% Instrumentalness • 20% Positiveness
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Burkhard Dallwitz
Working Life
151 bpm • D Maj • 02:45 • -11.57db
8% Popularity • 41% Danceability • 37% Energy • 16% Liveness
81% Instrumentalness • 24% Positiveness
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Ruth Barrett
Nightfall
132 bpm • A# min • 02:07 • -14.34db
13% Popularity • 32% Danceability • 45% Energy • 24% Liveness
75% Instrumentalness • 21% Positiveness
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Fernando Velázquez
Buffalo
129 bpm • G Maj • 02:08 • -21.93db
22% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Carter Burwell
The Consolation of Fiction
152 bpm • A min • 05:36 • -17.32db
8% Popularity • 17% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Senate Selection
128 bpm • A# min • 01:58 • -29.37db
15% Popularity • 50% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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David Hirschfelder
The Murderess Is Back!
128 bpm • C min • 02:38 • -18.31db
8% Popularity • 34% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 23% Positiveness
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Bear McCreary
Brianna and Roger Theme
128 bpm • A min • 03:24 • -21.95db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Ruth Barrett
Boys are Back
130 bpm • G Maj • 04:02 • -12.55db
23% Popularity • 51% Danceability • 44% Energy • 22% Liveness
76% Instrumentalness • 37% Positiveness
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Jan A.P. Kaczmarek
Why Does She Have To Die? - Finding Neve...
154 bpm • A Maj • 02:05 • -18.08db
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Blake Neely
The Time Traveler's Wife - Main Title Th...
128 bpm • C min • 03:20 • -16.63db
24% Popularity • 28% Danceability • 31% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Jonathan Bar Giora
Ashes and Dust Instrumental - Hand Kissi...
154 bpm • C Maj • 01:24 • -15.35db
10% Popularity • 48% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 46% Positiveness
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Paolo Buonvino
Dulcis amor
127 bpm • E min • 01:24 • -27.73db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
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Dominik Scherrer
Do You Believe in God?
155 bpm • D min • 03:30 • -14.71db
15% Popularity • 13% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Ruth Barrett
Going to Ireland
130 bpm • F# min • 02:09 • -14.58db
13% Popularity • 17% Danceability • 31% Energy • 18% Liveness
89% Instrumentalness • 12% Positiveness
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Rob Simonsen
When You Were Born
127 bpm • D Maj • 02:37 • -16.71db
17% Popularity • 17% Danceability • 20% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
Mystery Path
127 bpm • A min • 02:30 • -13.15db
11% Popularity • 19% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Impossible Opening - Finding Neverland/S...
155 bpm • A min • 03:26 • -17.97db
28% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
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Paolo Buonvino
Dulcis amor 2
126 bpm • E min • 02:33 • -15.09db
29% Popularity • 29% Danceability • 12% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Ruth Barrett
Sanditon Theme
128 bpm • D Maj • 02:10 • -12.41db
24% Popularity • 48% Danceability • 60% Energy • 34% Liveness
84% Instrumentalness • 40% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
54% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Alex Baranowski
Escape to the Woods
125 bpm • B min • 01:16 • -15.56db
19% Popularity • 18% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Paolo Buonvino
The Engagement
126 bpm • E min • 02:10 • -14.55db
32% Popularity • 58% Danceability • 39% Energy • 28% Liveness
85% Instrumentalness • 25% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Robin Kelly
Sun City
124 bpm • D Maj • 03:25 • -5.9db
4% Popularity • 60% Danceability • 96% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
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Ruth Barrett
Vampire Lovers
124 bpm • D# min • 02:49 • -17.14db
12% Popularity • 26% Danceability • 17% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Steven Price
The Oceans Belong To Us All
159 bpm • F# Maj • 06:19 • -14db
26% Popularity • 18% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Paolo Buonvino
Lies
126 bpm • B min • 02:01 • -19.74db
34% Popularity • 30% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
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Tom Howe
Professor Marston
160 bpm • A min • 01:27 • -18.22db
11% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Ruth Barrett
The Great Exhibition
159 bpm • D Maj • 01:48 • -13.55db
9% Popularity • 22% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
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Paul Mottram
Fragile Wonder
123 bpm • D min • 02:59 • -16.16db
21% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Gavin Greenaway
Skyline
122 bpm • C# Maj • 04:44 • -21db
19% Popularity • 36% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Tom Howe
Olive Kisses Elizabeth
160 bpm • D min • 02:17 • -19db
18% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Ruth Barrett
It's Too Late
122 bpm • F Maj • 03:38 • -15.82db
16% Popularity • 18% Danceability • 10% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Paolo Buonvino
Decadence
162 bpm • A# Maj • 03:15 • -10.13db
26% Popularity • 27% Danceability • 49% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Steven Price
Great Rolling Waves
121 bpm • D# min • 06:36 • -14db
26% Popularity • 22% Danceability • 36% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Ruth Barrett
Naked Men
122 bpm • D Maj • 02:22 • -14.06db
17% Popularity • 55% Danceability • 60% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
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David Hirschfelder
Need a Lift?
120 bpm • D min • 02:20 • -18.34db
14% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
25% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Harper-Barnes
In a Perfect World
120 bpm • B min • 02:07 • -14db
24% Popularity • 61% Danceability • 23% Energy • 9% Liveness
97% Instrumentalness • 57% Positiveness
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Spring Rush