Songs like Spring Waltz - Vienna Waltz by Ballroom Dance Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Ballroom Dance Orchestra
Take It to the Limit
90 bpm • C Maj • 03:58 • -19.66db
6% Popularity • 49% Danceability • 20% Energy • 15% Liveness
90% Instrumentalness • 45% Positiveness
6% Popularity • 49% Danceability • 20% Energy • 15% Liveness
90% Instrumentalness • 45% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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The Columbia Ballroom Orchestra
Around The World
90 bpm • A Maj • 02:27 • -15.02db
13% Popularity • 36% Danceability • 29% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
13% Popularity • 36% Danceability • 29% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
24% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
24% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Jean Claude Borelly
Rendez-vous à Fort de France
90 bpm • C Maj • 02:52 • -8.3db
17% Popularity • 63% Danceability • 88% Energy • 24% Liveness
66% Instrumentalness • 78% Positiveness
17% Popularity • 63% Danceability • 88% Energy • 24% Liveness
66% Instrumentalness • 78% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Ballroom Dance Orchestra
To My Love
90 bpm • G Maj • 03:17 • -18.69db
11% Popularity • 35% Danceability • 27% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 35% Danceability • 27% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
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Jean Paques
C'est magnifique
90 bpm • G Maj • 01:37 • -13.49db
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
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Discovey Light Orchestra
No Llores por Mi Argentina
90 bpm • D Maj • 03:03 • -15db
51% Popularity • 51% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
51% Popularity • 51% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Ballroom Dance Orchestra
Edelweiss
90 bpm • A# Maj • 03:37 • -19db
27% Popularity • 45% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
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The Columbia Ballroom Orchestra
Fascination
91 bpm • C Maj • 02:27 • -16.72db
29% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
29% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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Horst Jankowski
Happy Frankfurt
91 bpm • G min • 02:33 • -11.41db
32% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
32% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
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Pasapoga Light Orchestra
Historia de un Amor
89 bpm • E min • 02:59 • -15.77db
31% Popularity • 49% Danceability • 31% Energy • 9% Liveness
77% Instrumentalness • 44% Positiveness
31% Popularity • 49% Danceability • 31% Energy • 9% Liveness
77% Instrumentalness • 44% Positiveness
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Bernie Saxophone Entertainer
Mexico
91 bpm • D# Maj • 02:32 • -6db
32% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
32% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
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Ballroom Dance Orchestra
Three Times a Lady
90 bpm • G# Maj • 04:18 • -20db
11% Popularity • 49% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 31% Positiveness
11% Popularity • 49% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 31% Positiveness
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Melodías Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
57% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
57% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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The Gino Marinello Orchestra
Help Me Make It Through the Night
89 bpm • C Maj • 02:32 • -13.02db
32% Popularity • 72% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
32% Popularity • 72% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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50 Guitars of Tommy Garrett
You Belong To My Heart
92 bpm • E Maj • 01:53 • -14.17db
23% Popularity • 61% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Giacomo Puccini
Oh Mio Bambino Caro
88 bpm • G# Maj • 02:41 • -10db
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Geoff Love & His Orchestra
Theme from 'Elvira Madigan'
92 bpm • C Maj • 03:28 • -17.17db
30% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
30% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Orchester Etienne Cap
Walzer
88 bpm • D Maj • 02:46 • -13.33db
12% Popularity • 57% Danceability • 26% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
12% Popularity • 57% Danceability • 26% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
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The Romantic Sound Orchestra
Aura Lee
92 bpm • D Maj • 03:40 • -11.79db
16% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 42% Positiveness
16% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 42% Positiveness
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Orchestra
I Can´t Stop Loving You
88 bpm • F Maj • 02:39 • -9.93db
14% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Ballroom Dance Orchestra
Do That to Me One More Time
90 bpm • C Maj • 03:38 • -12.03db
13% Popularity • 62% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Günter Noris
This Is Love (English Waltz)
92 bpm • D# Maj • 02:56 • -9.7db
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Tol & Tol
Recuerdos De La Alhambra
88 bpm • A Maj • 03:18 • -15.57db
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Ronald Valentino
Dejé Mi Corazón en San Francisco
88 bpm • D min • 03:47 • -10.48db
39% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
39% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Ballroom Dance Orchestra
Mull of Kintyre
92 bpm • D Maj • 04:53 • -13.01db
7% Popularity • 68% Danceability • 40% Energy • 8% Liveness
80% Instrumentalness • 44% Positiveness
7% Popularity • 68% Danceability • 40% Energy • 8% Liveness
80% Instrumentalness • 44% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
35% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
35% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Botticelli
Don't Cry for Me Argentina
87 bpm • C# Maj • 03:50 • -19.07db
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Ross Mitchell, His Band & Singers
Come Back to Sorrento
87 bpm • A# min • 02:30 • -16db
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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Alfred Hause
Danube Waves Waltz - Waves Of The Danube...
93 bpm • A min • 03:14 • -12.41db
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
28% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
28% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Nicolas de Angelis
Voici l'Eau pour le Baptême
87 bpm • A Maj • 02:11 • -11.58db
49% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
49% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
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Ballroom Dance Orchestra
Dear Heart
87 bpm • G Maj • 03:06 • -20.31db
9% Popularity • 38% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
9% Popularity • 38% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Francis Dupont
Zambezi
93 bpm • C Maj • 02:32 • -11db
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
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50 Guitars of Tommy Garrett
I Left My Heart in San Francisco
87 bpm • C Maj • 02:18 • -11.45db
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Pasapoga Light Orchestra
Love Story
93 bpm • A# min • 02:52 • -12.24db
45% Popularity • 52% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 23% Positiveness
45% Popularity • 52% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 23% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Digno García
The Bird
93 bpm • F Maj • 02:03 • -7.87db
40% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ballroom Dance Orchestra
If You Don't Know Me By Now
93 bpm • A# Maj • 03:28 • -21db
22% Popularity • 47% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 18% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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The Romantic Sound Orchestra
Fascination
86 bpm • C Maj • 03:56 • -16.28db
18% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Blue Heaven
Sail Along Silv'ry Moon
94 bpm • F Maj • 02:14 • -11.02db
39% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Gino Marinello Orchestra
Le professionel
94 bpm • F# min • 03:27 • -14.89db
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Norman Candler
Theme from Love Story - Remastered
86 bpm • E min • 02:52 • -7db
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Maurice Jarre
Somewhere, My Love (Laura's Theme)
95 bpm • G Maj • 02:45 • -10.63db
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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L Russel Brown
Tie A Yellow Ribbon Round The Old Oak Tr...
94 bpm • F Maj • 03:06 • -10.78db
23% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Pasapoga Light Orchestra
El Amor Es Algo Maravilloso
95 bpm • D Maj • 02:16 • -11.32db
41% Popularity • 27% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 27% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
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Ronald Valentino
El Amor Es una Cosa Esplendorosa
85 bpm • C Maj • 02:51 • -8.46db
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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Ricci Ferra
Frühlingsstimmen-Walzer Op.410 (Voices ...
95 bpm • A# Maj • 03:57 • -12.99db
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Eddie Calvert
Sucu Sucu
95 bpm • A# Maj • 02:11 • -7.43db
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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50 Guitars of Tommy Garrett
Guantanamera
95 bpm • D Maj • 03:24 • -13.5db
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
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Victor Silvester
Moon River (Waltz)
85 bpm • G Maj • 03:01 • -15.13db
31% Popularity • 14% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 14% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Lennart Axelsson
Sprich Zu Mir Von Liebe, Mariu
96 bpm • G Maj • 03:26 • -13db
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
32% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
32% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Horst Jankowski
So What's New?
96 bpm • F Maj • 01:55 • -7db
35% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
35% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
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Ballroom Dance Orchestra
I Belong to Glasgow
96 bpm • A# Maj • 03:13 • -15.61db
3% Popularity • 28% Danceability • 29% Energy • 18% Liveness
83% Instrumentalness • 17% Positiveness
3% Popularity • 28% Danceability • 29% Energy • 18% Liveness
83% Instrumentalness • 17% Positiveness
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The Gino Marinello Orchestra
Put Your Head On My Shoulder
96 bpm • D# Maj • 02:13 • -13.64db
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
35% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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Pasapoga Light Orchestra
Te Quiero Dijiste
96 bpm • D# Maj • 02:46 • -13.9db
35% Popularity • 76% Danceability • 27% Energy • 12% Liveness
56% Instrumentalness • 67% Positiveness
35% Popularity • 76% Danceability • 27% Energy • 12% Liveness
56% Instrumentalness • 67% Positiveness
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Roger Williams
The Impossible Dream
96 bpm • F Maj • 03:03 • -13.07db
28% Popularity • 23% Danceability • 31% Energy • 53% Liveness
86% Instrumentalness • 12% Positiveness
28% Popularity • 23% Danceability • 31% Energy • 53% Liveness
86% Instrumentalness • 12% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
29% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
29% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Henry Salomon y su Orquesta
El Amor Es Algo Maravilloso - De: "La Co...
96 bpm • D Maj • 02:16 • -11.23db
50% Popularity • 28% Danceability • 38% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
50% Popularity • 28% Danceability • 38% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
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The Fantasy Strings
You Belong to My Heart
97 bpm • A# Maj • 02:58 • -8.71db
21% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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The Romantic Sound Orchestra
Eine Melodie geht um die Welt
84 bpm • G Maj • 03:43 • -8db
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Kai Warner
La Source
96 bpm • D# Maj • 02:34 • -12.78db
13% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
13% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
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Alfred Hause
Beautiful Dreamer
97 bpm • A# Maj • 02:49 • -10db
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Henry Salomon y su Orquesta
El Amor Es Algo Maravilloso
97 bpm • D Maj • 02:14 • -11.44db
47% Popularity • 31% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
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Nicolas de Angelis
Ô Père, je suis ton enfant
84 bpm • D Maj • 03:49 • -12.9db
45% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
45% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Willy Schobben
Somewhere My Love
97 bpm • A# Maj • 02:17 • -13db
30% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
30% Popularity • 39% Danceability • 30% Energy • 34% Liveness
78% Instrumentalness • 63% Positiveness
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Pasapoga Light Orchestra
Maria Elena
84 bpm • C Maj • 03:12 • -15.11db
22% Popularity • 45% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
22% Popularity • 45% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
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The Strings Of Paris
Love Story
83 bpm • G min • 03:33 • -15.06db
26% Popularity • 47% Danceability • 29% Energy • 18% Liveness
34% Instrumentalness • 15% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 18% Liveness
34% Instrumentalness • 15% Positiveness
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The Romantic Sound Orchestra
An der schönen blauen Donau
97 bpm • D Maj • 04:21 • -12.79db
15% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
15% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Nicolas de Angelis
Laisserons-nous à notre table
97 bpm • D Maj • 02:32 • -11.1db
45% Popularity • 68% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
45% Popularity • 68% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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50 Guitars of Tommy Garrett
Somewhere My Love (Lara's Theme From "Dr...
83 bpm • G Maj • 03:02 • -15.44db
38% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
38% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
