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Spy Vs. Spy
Songs like
Spy Vs. Spy
by
Combustible Edison
Based on a tempo of (+/- 10%) and a similar genre
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Combustible Edison
Spy Vs. Spy
153 bpm • A min • 03:36 • -8.29db
30% Popularity • 43% Danceability • 70% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
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The Chantays
Pipeline
152 bpm • A min • 02:19 • -16db
49% Popularity • 44% Danceability • 46% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:21 • -5.69db
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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Elmer Bernstein
Black Straight Jacket from The Caretaker...
152 bpm • F Maj • 02:09 • -15.78db
19% Popularity • 51% Danceability • 41% Energy • 26% Liveness
92% Instrumentalness • 96% Positiveness
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Jean-Jacques Perrey
Passport To The Future
152 bpm • A min • 02:42 • -10.96db
13% Popularity • 50% Danceability • 62% Energy • 9% Liveness
70% Instrumentalness • 84% Positiveness
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The Moog Cookbook
Black Hole Sun
152 bpm • F# min • 04:22 • -11.14db
15% Popularity • 77% Danceability • 56% Energy • 6% Liveness
77% Instrumentalness • 94% Positiveness
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The Bambi Molesters
Double Danger
154 bpm • A min • 03:39 • -7.15db
9% Popularity • 41% Danceability • 88% Energy • 6% Liveness
92% Instrumentalness • 57% Positiveness
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Davie Allan & The Arrows
Bongo Party
155 bpm • G# Maj • 01:32 • -11.24db
18% Popularity • 72% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Alan Parker
Speed Speed Speed
152 bpm • E Maj • 01:17 • -12db
15% Popularity • 44% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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The Tiki Tones
Zombi Hut
155 bpm • A min • 02:55 • -9.78db
14% Popularity • 32% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 84% Positiveness
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The Challengers
Bulldog
155 bpm • A Maj • 01:56 • -13.4db
29% Popularity • 50% Danceability • 61% Energy • 6% Liveness
81% Instrumentalness • 64% Positiveness
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The Tikiyaki Orchestra
Ali'i Fire Dance
155 bpm • G Maj • 03:48 • -10.29db
27% Popularity • 64% Danceability • 76% Energy • 38% Liveness
51% Instrumentalness • 48% Positiveness
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Jean-Jacques Perrey
Chicken on the Rocks
155 bpm • C Maj • 01:51 • -8.96db
9% Popularity • 80% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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The Lively Ones
Exodus
151 bpm • D Maj • 02:16 • -9.69db
31% Popularity • 50% Danceability • 69% Energy • 7% Liveness
75% Instrumentalness • 57% Positiveness
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Raymond Scott
Twilight In Turkey
156 bpm • C# Maj • 02:41 • -13.07db
12% Popularity • 55% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 81% Positiveness
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Si Zentner
The Fugitive Theme - Remastered
156 bpm • C Maj • 02:03 • -12.31db
25% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
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The Challengers
Satan's Theme
151 bpm • D Maj • 02:26 • -11.57db
16% Popularity • 48% Danceability • 87% Energy • 8% Liveness
71% Instrumentalness • 92% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
27% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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The Champs
Beatnik
156 bpm • G min • 01:54 • -9.48db
27% Popularity • 56% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 87% Positiveness
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The Bambi Molesters
Theme from Slaying Beauty
157 bpm • F# min • 03:51 • -7.25db
21% Popularity • 38% Danceability • 74% Energy • 12% Liveness
81% Instrumentalness • 46% Positiveness
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The Guitaraculas
Surfing de l'amour
149 bpm • G# min • 02:39 • -7.5db
27% Popularity • 44% Danceability • 53% Energy • 18% Liveness
93% Instrumentalness • 78% Positiveness
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The Marketts
Love 1985
149 bpm • G# Maj • 02:15 • -14db
12% Popularity • 50% Danceability • 61% Energy • 11% Liveness
39% Instrumentalness • 88% Positiveness
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Ralph Dollimore
Ocean Terminal
149 bpm • F Maj • 01:29 • -12.71db
15% Popularity • 66% Danceability • 60% Energy • 7% Liveness
93% Instrumentalness • 91% Positiveness
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The Challengers
Mr. Moto
157 bpm • A# Maj • 02:08 • -10.82db
23% Popularity • 46% Danceability • 79% Energy • 22% Liveness
70% Instrumentalness • 74% Positiveness
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The Fireballs
Torquay
157 bpm • C Maj • 01:55 • -15.11db
33% Popularity • 63% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
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The Chantays
Tragic Wind
157 bpm • A min • 02:07 • -13.31db
27% Popularity • 28% Danceability • 75% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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The Lively Ones
Bustin' Surfboards
149 bpm • D Maj • 03:13 • -11.47db
21% Popularity • 43% Danceability • 79% Energy • 20% Liveness
75% Instrumentalness • 60% Positiveness
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The Surfrajettes
Toxic
158 bpm • C min • 03:22 • -4.55db
37% Popularity • 42% Danceability • 80% Energy • 10% Liveness
4% Instrumentalness • 57% Positiveness
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The Centurians
Bullwinkle, Pt. II
158 bpm • G min • 02:16 • -15.4db
54% Popularity • 40% Danceability • 35% Energy • 9% Liveness
78% Instrumentalness • 33% Positiveness
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The Challengers
Satan's Theme
148 bpm • D Maj • 02:32 • -8.58db
25% Popularity • 48% Danceability • 84% Energy • 3% Liveness
68% Instrumentalness • 92% Positiveness
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The Fireballs
Bulldog
158 bpm • A Maj • 02:11 • -14.27db
31% Popularity • 54% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 94% Positiveness
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The Marketts
Collision Course
148 bpm • A# Maj • 02:00 • -13.9db
9% Popularity • 40% Danceability • 69% Energy • 28% Liveness
71% Instrumentalness • 55% Positiveness
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Walter Wanderley
Samba De Verão
158 bpm • D min • 03:12 • -9db
41% Popularity • 53% Danceability • 66% Energy • 11% Liveness
77% Instrumentalness • 61% Positiveness
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Syd Dale
Secret Service
158 bpm • D min • 02:25 • -9db
16% Popularity • 29% Danceability • 72% Energy • 26% Liveness
89% Instrumentalness • 89% Positiveness
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Milt Buckner
The Beast
148 bpm • F Maj • 02:30 • -11db
34% Popularity • 71% Danceability • 60% Energy • 7% Liveness
85% Instrumentalness • 85% Positiveness
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The Tornadoes
The Gremmie
148 bpm • A Maj • 02:33 • -8.37db
15% Popularity • 54% Danceability • 96% Energy • 40% Liveness
29% Instrumentalness • 90% Positiveness
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James Taylor Quartet
Austin's Theme
148 bpm • F Maj • 03:39 • -8.87db
21% Popularity • 47% Danceability • 84% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
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The Sentinals
Latin'ia
148 bpm • G# min • 02:31 • -13.51db
34% Popularity • 43% Danceability • 50% Energy • 7% Liveness
83% Instrumentalness • 63% Positiveness
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Stereophonic Space Sound Unlimited
The Bossa Nova Squad
147 bpm • B min • 03:04 • -7db
8% Popularity • 59% Danceability • 88% Energy • 32% Liveness
79% Instrumentalness • 91% Positiveness
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Don Ralke
Zulu Magic
147 bpm • A# min • 01:55 • -23.44db
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
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The Chantays
Beyond
147 bpm • B min • 02:03 • -12.84db
32% Popularity • 36% Danceability • 58% Energy • 52% Liveness
78% Instrumentalness • 59% Positiveness
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Perrey and Kingsley
Electronic Can-Can
147 bpm • G# Maj • 02:04 • -11db
14% Popularity • 75% Danceability • 76% Energy • 25% Liveness
5% Instrumentalness • 96% Positiveness
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The Tiki Tones
Twister
147 bpm • C Maj • 01:39 • -12db
23% Popularity • 51% Danceability • 79% Energy • 10% Liveness
70% Instrumentalness • 96% Positiveness
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Gordon Mills
Break-Thru
159 bpm • G# Maj • 01:37 • -10.54db
19% Popularity • 45% Danceability • 70% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
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The Marketts
Surfer's Stomp
147 bpm • D min • 01:57 • -9.35db
35% Popularity • 53% Danceability • 43% Energy • 7% Liveness
83% Instrumentalness • 76% Positiveness
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The Moog Cookbook
Hotel California
159 bpm • G Maj • 06:34 • -13db
21% Popularity • 50% Danceability • 46% Energy • 13% Liveness
75% Instrumentalness • 51% Positiveness
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Dana Countryman
Atomic Twist
147 bpm • C Maj • 03:14 • -9.53db
7% Popularity • 84% Danceability • 62% Energy • 23% Liveness
89% Instrumentalness • 90% Positiveness
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Spindrift
Speak To The Wind
147 bpm • E min • 04:49 • -8db
34% Popularity • 26% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Apollo 100
Jazz Pizzicato
147 bpm • G Maj • 01:44 • -16.6db
15% Popularity • 70% Danceability • 39% Energy • 8% Liveness
14% Instrumentalness • 97% Positiveness
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Perrey and Kingsley
Computer In Love
160 bpm • A# min • 02:07 • -21.1db
14% Popularity • 66% Danceability • 49% Energy • 5% Liveness
66% Instrumentalness • 97% Positiveness
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Langhorns
Tierra del Fuego
160 bpm • F# min • 02:40 • -4db
22% Popularity • 35% Danceability • 80% Energy • 53% Liveness
91% Instrumentalness • 78% Positiveness
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Leonard Nimoy
Theme From Star Trek
160 bpm • G Maj • 02:03 • -9db
21% Popularity • 36% Danceability • 82% Energy • 16% Liveness
78% Instrumentalness • 57% Positiveness
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The Tikiyaki Orchestra
Exotique
160 bpm • C Maj • 02:08 • -11.33db
25% Popularity • 52% Danceability • 83% Energy • 37% Liveness
76% Instrumentalness • 76% Positiveness
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The Tornadoes
Bumble Bee Stomp
160 bpm • A Maj • 03:15 • -9.83db
12% Popularity • 33% Danceability • 87% Energy • 19% Liveness
92% Instrumentalness • 93% Positiveness
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The Chantays
Runaway
160 bpm • G Maj • 02:51 • -13.59db
20% Popularity • 47% Danceability • 62% Energy • 38% Liveness
95% Instrumentalness • 82% Positiveness
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The Impacts
Fort Lauderdale
161 bpm • E Maj • 01:43 • -10.42db
14% Popularity • 24% Danceability • 90% Energy • 27% Liveness
90% Instrumentalness • 38% Positiveness
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The Surf Teens
Moonshine
161 bpm • C Maj • 01:54 • -14.43db
14% Popularity • 37% Danceability • 54% Energy • 13% Liveness
83% Instrumentalness • 57% Positiveness
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Satan's Pilgrims
Vampiro
146 bpm • E Maj • 02:14 • -6.76db
26% Popularity • 42% Danceability • 90% Energy • 38% Liveness
92% Instrumentalness • 65% Positiveness
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The Tikiyaki Orchestra
Singapore Swing
146 bpm • E min • 03:02 • -12.45db
20% Popularity • 65% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 60% Positiveness
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The Marketts
Let's Go Trippin'
146 bpm • E Maj • 01:51 • -8.07db
32% Popularity • 70% Danceability • 86% Energy • 13% Liveness
89% Instrumentalness • 97% Positiveness
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The Challengers
K-39
161 bpm • E min • 02:13 • -11.18db
33% Popularity • 44% Danceability • 63% Energy • 6% Liveness
80% Instrumentalness • 75% Positiveness
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The Chantays
Banzai
161 bpm • B min • 02:03 • -16db
27% Popularity • 34% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
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Creepxotica
Murder on Molokai
145 bpm • G min • 02:11 • -11db
18% Popularity • 56% Danceability • 62% Energy • 10% Liveness
79% Instrumentalness • 92% Positiveness
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Pete Drake
The Spook
145 bpm • E min • 02:20 • -10.07db
32% Popularity • 46% Danceability • 57% Energy • 16% Liveness
97% Instrumentalness • 85% Positiveness
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The Tikiyaki Orchestra
Bachelor #2
146 bpm • C Maj • 02:00 • -10.23db
28% Popularity • 62% Danceability • 85% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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Keith Mansfield
Teenage Chase
145 bpm • C Maj • 02:26 • -13db
21% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Combustible Edison
Pavillion
145 bpm • C Maj • 01:10 • -14.19db
11% Popularity • 65% Danceability • 50% Energy • 7% Liveness
50% Instrumentalness • 93% Positiveness
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Anton Karas
The Third Man: The Third Man Theme (The ...
145 bpm • D Maj • 02:07 • -11.52db
30% Popularity • 50% Danceability • 52% Energy • 16% Liveness
75% Instrumentalness • 92% Positiveness
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Satan's Pilgrims
Casbah
161 bpm • F Maj • 02:11 • -11db
29% Popularity • 38% Danceability • 66% Energy • 18% Liveness
74% Instrumentalness • 74% Positiveness
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Tak Shindo
Stumbling
145 bpm • D min • 02:08 • -12.84db
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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The Challengers
Hava Nagila
145 bpm • D Maj • 02:07 • -10.19db
15% Popularity • 41% Danceability • 88% Energy • 34% Liveness
67% Instrumentalness • 77% Positiveness
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Creepxotica
Head Huntin
144 bpm • G Maj • 03:13 • -11.05db
12% Popularity • 53% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 87% Positiveness
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Combustible Edison
Summer Samba
145 bpm • G min • 03:25 • -14.36db
10% Popularity • 59% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
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The Deadly Ones
Surfin' Dock Side
162 bpm • G Maj • 01:41 • -10db
23% Popularity • 66% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 97% Positiveness
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The Meltones
The Perfect Wave
145 bpm • B min • 02:19 • -5db
20% Popularity • 54% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 79% Positiveness
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The Moog Cookbook
Born to Be Wild
144 bpm • A Maj • 04:15 • -13.3db
17% Popularity • 86% Danceability • 38% Energy • 6% Liveness
22% Instrumentalness • 83% Positiveness
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Johnny "Guitar" Watson
Space Guitar
144 bpm • C Maj • 02:40 • -5.3db
33% Popularity • 41% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 73% Positiveness
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The Tiki Tones
Spectre Detector
163 bpm • G Maj • 02:41 • -10db
20% Popularity • 30% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
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Combustible Edison
The Corner Table
163 bpm • F min • 02:15 • -11.17db
8% Popularity • 46% Danceability • 48% Energy • 22% Liveness
10% Instrumentalness • 52% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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The Marketts
Here Comes The Ho-Dads
143 bpm • G Maj • 02:15 • -9.48db
34% Popularity • 76% Danceability • 73% Energy • 37% Liveness
52% Instrumentalness • 88% Positiveness
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The Pyramids
Contact
163 bpm • D min • 01:53 • -11.45db
32% Popularity • 47% Danceability • 51% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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The Centurians
Latinia
163 bpm • G Maj • 02:22 • -13.49db
18% Popularity • 38% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 20% Positiveness
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The Tiki Tones
Island Uprising
163 bpm • D Maj • 02:36 • -9db
18% Popularity • 42% Danceability • 67% Energy • 8% Liveness
84% Instrumentalness • 97% Positiveness
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Laika & The Cosmonauts
Note Crisis
143 bpm • A Maj • 02:01 • -6db
15% Popularity • 35% Danceability • 76% Energy • 11% Liveness
83% Instrumentalness • 64% Positiveness
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Martini Lounge
Glow Worm Cha-cha-cha
143 bpm • F min • 02:23 • -14.31db
17% Popularity • 76% Danceability • 45% Energy • 7% Liveness
76% Instrumentalness • 96% Positiveness
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Langhorns
Spybeat
143 bpm • G Maj • 03:13 • -6db
22% Popularity • 48% Danceability • 96% Energy • 28% Liveness
95% Instrumentalness • 62% Positiveness
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Combustible Edison
Rotisserie
164 bpm • F# min • 03:41 • -16.05db
4% Popularity • 40% Danceability • 44% Energy • 9% Liveness
71% Instrumentalness • 34% Positiveness
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Creepxotica
Creeping Kilauea
142 bpm • C min • 03:03 • -12db
13% Popularity • 60% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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The Surfrajettes
Banzai Pipeline
164 bpm • A# min • 02:34 • -5.61db
20% Popularity • 32% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
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Perrey and Kingsley
The Little Man From Mars
142 bpm • G Maj • 02:28 • -10db
20% Popularity • 58% Danceability • 67% Energy • 48% Liveness
23% Instrumentalness • 92% Positiveness
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The Tiki Tones
Kon Tiki
142 bpm • A Maj • 01:57 • -11db
21% Popularity • 60% Danceability • 52% Energy • 12% Liveness
83% Instrumentalness • 97% Positiveness
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Al Caiola
The Mod Squad Theme - Remastered
142 bpm • D# min • 02:05 • -11db
16% Popularity • 54% Danceability • 56% Energy • 24% Liveness
82% Instrumentalness • 96% Positiveness
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Al Hirt
Music to Watch Girls By
142 bpm • G min • 01:51 • -13db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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The Marketts
Other Limits
142 bpm • C Maj • 02:09 • -14.23db
13% Popularity • 49% Danceability • 70% Energy • 34% Liveness
51% Instrumentalness • 91% Positiveness
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The Surfrajettes
Party Line
165 bpm • A Maj • 03:07 • -5.8db
17% Popularity • 33% Danceability • 88% Energy • 9% Liveness
47% Instrumentalness • 86% Positiveness
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Stereophonic Space Sound Unlimited
Girl from Acapulco
142 bpm • E min • 02:53 • -4db
11% Popularity • 51% Danceability • 96% Energy • 16% Liveness
83% Instrumentalness • 95% Positiveness
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The Challengers
Out of Limits
141 bpm • B min • 02:17 • -11db
26% Popularity • 60% Danceability • 73% Energy • 12% Liveness
85% Instrumentalness • 92% Positiveness
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The Centurians
Bullwinkle (7" Radio Version)
166 bpm • D Maj • 01:49 • -11.54db
31% Popularity • 32% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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The Lively Ones
Surf Rider
141 bpm • A Maj • 03:18 • -13.26db
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
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Spy Vs. Spy