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Sri Adithya Hrudayam
Songs like
Sri Adithya Hrudayam
by
Ramu
Based on a tempo of (+/- 10%) and a similar genre
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Maragadhamani
Ennayya Yennaiya
90 bpm • G min • 06:11 • -9.93db
7% Popularity • 81% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Ramu
Sri Adithya Hrudayam
90 bpm • G min • 07:47 • -6.41db
28% Popularity • 67% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Narsimha Nayak
Anjaneya Ashtothara Shatanaama Stotra
90 bpm • B min • 04:10 • -1db
32% Popularity • 74% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Seven
Krishnashtakam
90 bpm • G Maj • 06:49 • -11.84db
40% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Amrita Chaturvedi
Narayan Narayan Jay Govind Hare
90 bpm • C# Maj • 01:28 • -5.35db
39% Popularity • 58% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Bhimsen Joshi, Umakant & Ramakant Gundecha
Siri Ram Kahe Samjhayi
90 bpm • A Maj • 07:41 • -13db
10% Popularity • 53% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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G Balakrishna Prasad
Narayana
90 bpm • C min • 07:11 • -4.79db
32% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ramu
Sri Surya Suktham
90 bpm • E Maj • 03:01 • -6.42db
14% Popularity • 64% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Bhismen Joshi & Shruti Sadolikar
Jai Jagdishwari Mata Saraswati
91 bpm • G# Maj • 08:17 • -13.45db
15% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Narsimha Nayak
Panchamukhi Hanuman Stotram
90 bpm • F Maj • 05:45 • -4.7db
30% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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T. S. Ranganathan
Mahalakshmi Stotram
91 bpm • A# Maj • 02:24 • -7.52db
34% Popularity • 57% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Susmirata Dawalkar
Ya Kundendu
89 bpm • C Maj • 02:11 • -14.92db
52% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Vighnesh Ghanapaathi
Guru Graha Mantra
89 bpm • E Maj • 01:11 • -10db
38% Popularity • 26% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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K. S. Chithra
Saraswati Prarthana
89 bpm • A Maj • 02:53 • -22.82db
27% Popularity • 38% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bhimsen Joshi
Koruni So Ranga
91 bpm • D Maj • 06:04 • -11.19db
9% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Nutana Mohan
Nandalaala
89 bpm • F# min • 03:22 • -11.79db
21% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Kumar Vishu
Hare Krishna Hare Rama
89 bpm • G Maj • 03:50 • -9.82db
35% Popularity • 33% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Sounds of Isha
Chidambareshvara Stotram
91 bpm • B Maj • 06:19 • -5.63db
32% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ramu
Sri Shaileme
92 bpm • G min • 04:16 • -2.22db
14% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Sri Vidyabhushana
Nammamma Shaarade
92 bpm • C Maj • 04:44 • -13.11db
22% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Bhimsen Joshi
Bhaagyada Lakshmi Baaramma
91 bpm • D Maj • 06:38 • -13.26db
16% Popularity • 39% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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M.M.Manasi
Om Sarvani
92 bpm • G Maj • 03:45 • -7.62db
35% Popularity • 62% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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M. Balamuralikrishna
Vatapi Ganapatim Bhaje
92 bpm • G Maj • 08:15 • -8.65db
18% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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MM Sreelekha
Amma Mahalakshmi
92 bpm • G min • 05:42 • -4.23db
26% Popularity • 71% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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G Balakrishna Prasad
Adivo Alladivo
92 bpm • E Maj • 07:13 • -8.36db
31% Popularity • 64% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Satish Dehra
Om Jay Jagdish Hare
92 bpm • F min • 06:59 • -4.82db
25% Popularity • 61% Danceability • 57% Energy • 75% Liveness
0% Instrumentalness • 42% Positiveness
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B.Ramana
Sri Sai Ashtakam
88 bpm • G# Maj • 06:47 • -12.22db
25% Popularity • 64% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Vidyabhushana
Govinda Hare Govinda
92 bpm • D min • 05:49 • -9.6db
19% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Seven
Mantra Pushpam
92 bpm • G Maj • 04:21 • -8.98db
41% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sachin Limaye
Om Tat Sat Shree Narayan
92 bpm • D# min • 01:33 • -8db
43% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Narsimha Nayak
Ganesha Dwadasha Nama
92 bpm • C# min • 01:34 • -4.29db
31% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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M. M. Keeravani
Jaya Ranga Ranga
92 bpm • F Maj • 02:03 • -8.98db
24% Popularity • 43% Danceability • 63% Energy • 52% Liveness
0% Instrumentalness • 83% Positiveness
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Ranjani-Gayatri
Sri Rama Raksha Stotram
92 bpm • A Maj • 09:51 • -9.05db
29% Popularity • 57% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Vikram Hazra
Achutam Keshavam
93 bpm • D Maj • 05:48 • -11.51db
54% Popularity • 52% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Vidyabhushana
Jagadhodarana
87 bpm • E min • 07:27 • -10db
19% Popularity • 47% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Ramu
Thridhalam
93 bpm • G Maj • 03:02 • -9.69db
20% Popularity • 54% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Shreya Ghoshal
Sri Rama Lera
93 bpm • G Maj • 04:45 • -9.53db
35% Popularity • 50% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Shreedhar Bhosle
Vedha Re Veda Re Pandhari
93 bpm • D# min • 06:32 • -7.17db
16% Popularity • 53% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Sri Vidyabhushana
Kande Naa
93 bpm • C Maj • 03:17 • -12.52db
18% Popularity • 62% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Anjana Sowmya
Om Namashiva Bholo
93 bpm • D# min • 04:28 • -8.56db
19% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Vikram Hazra
Nikunj Mein Biraje
87 bpm • G# min • 05:54 • -7db
32% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Ankit Batra
Om Hari Om - Shiv Chants
87 bpm • F Maj • 09:06 • -24.85db
17% Popularity • 57% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jagjit Singh
De Maa Nij Charanon Ka Pyar
86 bpm • G min • 06:34 • -9.78db
9% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Suprabha KV
Eesha Ninna Charana Bhajane
86 bpm • D min • 06:59 • -9db
27% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Shri Ram Mantra
"Shri Ram Chandra Kripalu Bhajmana"
94 bpm • C# Maj • 05:07 • -10db
40% Popularity • 74% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Jitendra Abhisheki
Hechi Dan Dega Deva
86 bpm • C# Maj • 05:10 • -9db
23% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Anantha Kulkarni
Pavana Sambhootha
94 bpm • F Maj • 06:14 • -15.16db
15% Popularity • 74% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 89% Positiveness
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Sri Vidyabhushana
Haadidare
94 bpm • G min • 01:30 • -12.12db
17% Popularity • 59% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Peddapuli Eshwar
Chethilona Paisa Ledu
86 bpm • B Maj • 07:43 • -4.92db
29% Popularity • 64% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Kumar Swamy
Lord Ayyappa Songs
95 bpm • A# min • 06:30 • -8.18db
20% Popularity • 48% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Vandana Bhardwaj
Achutam Keshvam Krishna Damodaram
95 bpm • A Maj • 08:48 • -6.14db
33% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ved Vrind
Surya Sukta
85 bpm • D Maj • 02:17 • -7db
37% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Smitha
Yogeshwaraya
95 bpm • F Maj • 06:54 • -7.62db
37% Popularity • 66% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Dr. Sanjayraj SRG
Jay Laxmi Mata
95 bpm • F# Maj • 05:48 • -4.88db
12% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ajay-Atul
Sukhkarta Dukhaharta
95 bpm • B Maj • 03:41 • -12.39db
34% Popularity • 68% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Kumar Swamy
Lord Shiva Songs Telugu
95 bpm • F min • 06:29 • -6.78db
40% Popularity • 47% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Abhilasha Chellam
Madhurashtakam - Adharam Madhuram
85 bpm • G# min • 04:21 • -11.38db
34% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Vikram Hazra
Jaya Durge Laxmi
95 bpm • C# Maj • 05:00 • -17db
19% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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H. A. Sastry
Swasti Vachakam
85 bpm • G Maj • 01:26 • -7db
27% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ramu
Oh Bojja Ganapayya
85 bpm • G min • 04:44 • -9.4db
30% Popularity • 65% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 97% Positiveness
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K.S.Deekshith
Taraka Manthram
95 bpm • D Maj • 04:56 • -7.41db
9% Popularity • 58% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Guruprasad Subramanian
Entha Muddo
95 bpm • C Maj • 04:55 • -7.8db
23% Popularity • 45% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sri Nagaveni
Sowbagya Lakshmi Ravamma
85 bpm • F min • 04:05 • -2.46db
20% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Ajay
Vishwanathastakam
85 bpm • G# min • 05:42 • -5.53db
26% Popularity • 46% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Vandana Bhardwaj
Om Jai Laxmi Mata
95 bpm • F# min • 05:37 • -7.35db
28% Popularity • 62% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Bhimsen Joshi
Karuniso Ranga
85 bpm • F# min • 09:42 • -6.89db
14% Popularity • 36% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Anantha Kulkarni
Pavamana Pavamana
96 bpm • F# Maj • 05:49 • -13.94db
24% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dr. Shobana Vignesh
Krishna Mukunda Murare
96 bpm • D Maj • 04:57 • -4.92db
12% Popularity • 55% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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Mysore Ramachandrachar
Raya Baro Raghavendra
96 bpm • D# min • 04:28 • -8db
19% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Thevaara Isai Mani Ka. Venkatesan
Muthai Tharu Bathi Thirunagai
96 bpm • C min • 02:03 • -4.71db
34% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Sriraman
Mahesha Paapa Nasa
96 bpm • E Maj • 07:58 • -5.86db
19% Popularity • 63% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Vijay Lakshmi Sharma
Sankranthi Sandhyallo
96 bpm • F Maj • 04:52 • -5.99db
4% Popularity • 68% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Malola Kannan
Sudarsana Astakam
96 bpm • D Maj • 04:14 • -5.78db
17% Popularity • 67% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Rajkumar
Maruthi Sevakana Maado
96 bpm • F Maj • 04:25 • -7.46db
28% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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K. S. Chithra
Needu Shiva
97 bpm • A# Maj • 04:38 • -6.22db
17% Popularity • 65% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Mano, Kasinath Sarma, N.S. Prakash Rao, Lalitha Saagari & Srinivas (Jeans)
Viswanatha Astakam
84 bpm • G# min • 03:59 • -12db
32% Popularity • 55% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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G Balakrishna Prasad
Anthayu Neeve
84 bpm • G# Maj • 06:44 • -8db
33% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Shailendra Bharti
Stuti
84 bpm • D Maj • 01:22 • -10.17db
40% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Seven
Durga Suktham
83 bpm • D Maj • 02:21 • -8.97db
46% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Vani Jairam
Dhinolla Bhrovamaya
97 bpm • G# Maj • 04:04 • -9.66db
23% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 76% Positiveness
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Usha Raj
Hanuman Suprabhatam
83 bpm • A Maj • 06:52 • -6.78db
29% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Prasanna Rao
Ashrutha Mandhara
83 bpm • G Maj • 04:26 • -8.11db
18% Popularity • 40% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Swapnil Bandodkar
Shri Laxmi Aarti
98 bpm • A min • 04:32 • -6.14db
17% Popularity • 59% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Asha Bhosle
Sancha Naam Tera
83 bpm • G# Maj • 04:50 • -15db
34% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jagjit Singh
Shri Krishna Sharanam Mamah
83 bpm • G Maj • 05:10 • -7db
36% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Ramu
Pallikattu Shabarimalaiku
83 bpm • C Maj • 07:03 • -6.04db
26% Popularity • 68% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Broken Hearts
Oh Ningi Jabili
98 bpm • A# min • 03:47 • -9.29db
7% Popularity • 48% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Bhimsen Joshi
Kailasavaasa Gaurisha Isha
83 bpm • D Maj • 07:06 • -12.36db
10% Popularity • 50% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Parupalli Sri Ranganath
Sambho Shankara
98 bpm • D Maj • 06:02 • -5db
22% Popularity • 71% Danceability • 74% Energy • 26% Liveness
8% Instrumentalness • 94% Positiveness
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Seven
Medha Muktham
83 bpm • D Maj • 02:51 • -9.18db
41% Popularity • 49% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Jagjit Singh
Karaar Vinde Padar Vindam
83 bpm • G Maj • 05:15 • -7.4db
24% Popularity • 66% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Lipsika Bhashyam
Hanuman Chalisa
98 bpm • G Maj • 11:43 • -6db
29% Popularity • 63% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Ramu
Bharamu Murari Lingaham
83 bpm • D Maj • 09:22 • -1.89db
11% Popularity • 46% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Bhimsen Joshi
Karunaakara Nee
98 bpm • C# Maj • 10:06 • -8.3db
9% Popularity • 44% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Sujata Trivedi
Om Jai Shiv
98 bpm • G Maj • 09:42 • -10.71db
22% Popularity • 61% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Bhimsen Joshi, Umakant & Ramakant Gundecha
Prabhu Kar Sab Dukh Door Hamare
83 bpm • A# Maj • 07:38 • -12.42db
11% Popularity • 38% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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L.N. Shastry
Bramha
98 bpm • G# Maj • 04:20 • -2.09db
43% Popularity • 68% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Veeramanidaasan
Yenai Aalum Meenatchi - Language: Tamil;...
82 bpm • F Maj • 05:27 • -7.49db
14% Popularity • 45% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Vikram Hazra
Bolo Bolo
98 bpm • D min • 04:45 • -14db
26% Popularity • 46% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Priya Sisters
Durgadevi Kavacham
82 bpm • G min • 05:31 • -5db
34% Popularity • 46% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Sri Adithya Hrudayam