Songs like Sri Lalitha Sahasranama Stotram by Bombay Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Bombay Sisters
Saraswathi Ashtothara
139 bpm • F# Maj • 05:05 • -5.47db
5% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Baps Swaminarayan Sanstha
Naman Hun Karu, Ghanshyamne
139 bpm • F# min • 07:51 • -13.77db
16% Popularity • 47% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 47% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana
Nithyanandakari
139 bpm • C Maj • 08:08 • -10.43db
7% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Pranavi
Suddha Brahma
139 bpm • F# min • 02:18 • -8db
42% Popularity • 54% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Susmirata Dawalkar
Bhavani Ashtakam
139 bpm • F# min • 03:59 • -9db
45% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Aruna Sairam
Krishna Nee Begane - Raga Yamuna Kalyani...
139 bpm • A# Maj • 10:19 • -13db
12% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bombay Sisters
Sri Lalitha Sahasranama Stotram
139 bpm • F# Maj • 51:49 • -4.67db
28% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ranjani-Gayatri
Sri Dakshinamurthy Stotram
139 bpm • D Maj • 09:25 • -10.15db
25% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Morari Bapu
Shiv Stuti
138 bpm • C# Maj • 02:02 • -15db
33% Popularity • 38% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 38% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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S.Prakash Kaushik
Chamakam
138 bpm • F Maj • 12:08 • -4db
16% Popularity • 53% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 53% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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T. M. Krishna
Guruguha Padapankaja
140 bpm • G Maj • 01:31 • -8.66db
35% Popularity • 57% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 57% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Vighnesh Ghanapaathi
Shri Suktam
138 bpm • A Maj • 05:10 • -6.07db
48% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Nitya Santoshini
Hari Stothram
140 bpm • F# Maj • 06:28 • -8.56db
13% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Kedar Pandit
Ram Raksha Stotra
140 bpm • D Maj • 11:44 • -9.24db
32% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sharma Bandhu
Namami Shamishaan
138 bpm • F# Maj • 05:43 • -8.22db
37% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Seven
Guru Ashtakam
140 bpm • E min • 05:01 • -11db
34% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Aravind Sundar
Sri Vighna Rajam Bhaje - Ghambira Natai ...
140 bpm • B Maj • 04:06 • -7.8db
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ranjani-Gayatri
He Govinda
140 bpm • G Maj • 08:51 • -11db
13% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bombay Sisters
Vishwanathashtakam
140 bpm • F# Maj • 04:36 • -4.41db
3% Popularity • 43% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 43% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Chitra Roy
Guru Ki Mahima
141 bpm • F# Maj • 06:06 • -12db
12% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sikkil Gurucharan
Chinnan Chiru Pen Pole - Sindhubhairavi ...
137 bpm • A# Maj • 06:04 • -9.99db
30% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sagar Fadke
Mara Sahajanand sujan
141 bpm • G# Maj • 06:26 • -6.55db
11% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Prana Kishore
Shirdi Sai Baba 108 Chants: Healing Vibr...
136 bpm • G# Maj • 12:40 • -10.76db
21% Popularity • 26% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 20% Positiveness
21% Popularity • 26% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 20% Positiveness
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Maharajapuram Santhanam
Sadhinchane - Maharajapuram Santhanam
142 bpm • B Maj • 09:32 • -12.36db
23% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
23% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
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Rajan Mishra
Vighna Harna Gajanan
141 bpm • F min • 06:43 • -17db
18% Popularity • 36% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 36% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Rishi Nityapragya
Om Namaha Shivaya Shivaya Namaha Om
136 bpm • C# Maj • 06:30 • -7.72db
20% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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G Balakrishna Prasad
Jagadapu Chanavula
136 bpm • C min • 04:29 • -7db
34% Popularity • 81% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 81% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Vighnesh Ghanapaathi
Mangal Graha Mantra
142 bpm • B Maj • 01:20 • -10db
33% Popularity • 21% Danceability • 44% Energy • 9% Liveness
57% Instrumentalness • 14% Positiveness
33% Popularity • 21% Danceability • 44% Energy • 9% Liveness
57% Instrumentalness • 14% Positiveness
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Seven
Mahalkshmi Ashtakam
136 bpm • A Maj • 04:24 • -11db
36% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Narsimha Nayak
Sri Ganesha Suprabhatham
136 bpm • D Maj • 05:59 • -3db
14% Popularity • 72% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 72% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Bombay Saradha
Varalakshmi Deviyae
142 bpm • A min • 05:53 • -4.16db
23% Popularity • 75% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 75% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Rajan & Sajan Mishra & Shruti Sadolikar
Jai Shiva Shankar, Jai Gangadhar
136 bpm • C# Maj • 08:01 • -14db
22% Popularity • 37% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 37% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Maharajapuram Santhanam
Seetha Kalyana Vaibogamey
136 bpm • C Maj • 07:33 • -16.79db
24% Popularity • 40% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 43% Positiveness
24% Popularity • 40% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 43% Positiveness
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Puttur Narasimha Nayak
Shiva Panchakshara
135 bpm • D Maj • 03:20 • -4.75db
13% Popularity • 60% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 60% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Priya Sisters
Kattedura Vaikuntamu
143 bpm • G min • 04:51 • -5.95db
32% Popularity • 50% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 50% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Narsimha Nayak
Hanuman Kavacham
143 bpm • C# Maj • 07:58 • -4db
28% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Brahma Kumaris
Prabhu app ki udaarta ka paar nahi
143 bpm • A# min • 06:08 • -13.04db
22% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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T. S. Ranganathan
Venkatesa Gayatri 11 Times
135 bpm • A Maj • 04:08 • -7.54db
26% Popularity • 69% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 69% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Dr. R. Thiagarajan
Sri Ashtalakshmi Stothram
143 bpm • A# Maj • 08:52 • -8.91db
9% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Shantanu Herlekar
Ganesh Stuti
135 bpm • C Maj • 03:59 • -9.17db
29% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Prem Prakash Dubey
Shree Sankat Nashan Ganesh Stotram
143 bpm • F Maj • 02:09 • -7.28db
47% Popularity • 62% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 62% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Jagadiswari Murthy
Meluko
135 bpm • D Maj • 06:20 • -7.62db
21% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Shraddha Jain
Maa Durga Chalisa
135 bpm • D Maj • 04:58 • -6.35db
26% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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T. S. Ranganathan
Ganesh Mantra 11 Times
135 bpm • A Maj • 04:17 • -6.58db
31% Popularity • 72% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 72% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Aruna Sairam
Alaipayuthe Kanna
143 bpm • C Maj • 08:44 • -15.66db
25% Popularity • 55% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 55% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Bombay Sisters
Sri Guru Stotram
135 bpm • F# Maj • 04:31 • -6.24db
21% Popularity • 58% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 58% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ajoy Chakrabarty
Raga Darbari Kanhada - Ektala
135 bpm • D# min • 09:59 • -13.59db
13% Popularity • 24% Danceability • 26% Energy • 6% Liveness
24% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 26% Energy • 6% Liveness
24% Instrumentalness • 6% Positiveness
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Swaminarayan Aksharpith
Shri Sahajanand Namavali Stotram
135 bpm • G min • 08:24 • -9.87db
11% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mano, Kasinath Sarma, N.S. Prakash Rao, Lalitha Saagari & Srinivas (Jeans)
Siva Astakam
144 bpm • C# Maj • 03:28 • -13db
35% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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T. S. Ranganathan
Shanmukha Gayatri 11 Times
135 bpm • F# min • 04:08 • -7.76db
26% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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T. M. Krishna
Jagadananda Karaka - Nattai - Adi
144 bpm • D Maj • 11:42 • -14.78db
18% Popularity • 56% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 56% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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G Balakrishna Prasad
Kanti Akthilanda
144 bpm • B Maj • 04:51 • -8db
19% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sanjay Subrahmanyan
Tunbam Nergaiyil Desh (Live)
144 bpm • G Maj • 07:46 • -13.71db
23% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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Bhismen Joshi & Shruti Sadolikar
Jai Durge Durgatipariharini
134 bpm • C# Maj • 06:28 • -14.03db
15% Popularity • 56% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 56% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Bangalore Sisters
Rama Raksha Stotram
134 bpm • E min • 10:35 • -15.86db
19% Popularity • 63% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 63% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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T. S. Ranganathan
Rudra Gayatri 11 Times
135 bpm • A Maj • 04:08 • -6.92db
23% Popularity • 70% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Participants Of South India Female Choir
Lakshmi Ashtakam
144 bpm • C Maj • 01:01 • -10.75db
48% Popularity • 60% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 60% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Sri Ganapathy Sachchidananda Swamiji
Gana Ganamunaku
134 bpm • C Maj • 06:08 • -10.75db
22% Popularity • 71% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 71% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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S. Sowmya
Thunga Theera
144 bpm • G Maj • 07:42 • -7.15db
27% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Manik Varma
Amrutahuni God
134 bpm • D min • 05:19 • -8db
36% Popularity • 39% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 39% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Bombay Sisters
Sri Dattatreya Stotram
144 bpm • F# Maj • 05:31 • -5.5db
27% Popularity • 52% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 52% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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T. S. Ranganathan
Anjaneya Gayatri 11 Times
135 bpm • A Maj • 04:08 • -7.58db
27% Popularity • 64% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 64% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Nitya Santoshini
Sri Venkateswara Saranagathi Stothram
133 bpm • A Maj • 05:05 • -10.45db
10% Popularity • 50% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 50% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Ganesha Bhajans
Gayiye Ganpati
145 bpm • C# min • 09:15 • -17.68db
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Narsimha Nayak
Sri Lakshmi Narsimha Stuti
145 bpm • C Maj • 01:10 • -8.65db
31% Popularity • 66% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 66% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Sri Ganapathy Sachchidananda Swamiji
Echata Rama Kirtanam
145 bpm • G# Maj • 06:44 • -5.23db
17% Popularity • 69% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 69% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Swami Purnachaitanya
Sri Suktam
133 bpm • F Maj • 06:17 • -17.37db
24% Popularity • 49% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 49% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Ajay-Atul
Shree Ganapati Atharvashirsha
145 bpm • G Maj • 06:28 • -14.75db
42% Popularity • 63% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 63% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Nitya Santoshini
Sri Venkateswara Kavacham Stothram
145 bpm • C# Maj • 02:14 • -9.91db
26% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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T. S. Ranganathan
Dakshinamurthy Stotram
145 bpm • C# Maj • 08:38 • -8.62db
26% Popularity • 70% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 70% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Ranjani-Gayatri
Bhavayami - Yamanakalyani - Kanda Chapu
145 bpm • G Maj • 05:57 • -7.13db
14% Popularity • 33% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Haripriya
Muddugare Yesoda - Priya Sisters
145 bpm • C# Maj • 04:46 • -9.34db
23% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Vijaya Lakshmi Sharma
Raja Rajarajeshwari Ashtakam
133 bpm • G min • 07:22 • -6.52db
4% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bombay Saradha
Varahi Moola Mantra
133 bpm • A Maj • 05:18 • -4.2db
18% Popularity • 59% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 59% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar
Maha Lakshmi Chalisa
133 bpm • C# Maj • 08:23 • -4.76db
23% Popularity • 43% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 43% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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T. S. Ranganathan
Dhanvantri Mahaa Mantram - original
133 bpm • C Maj • 05:46 • -19.72db
20% Popularity • 78% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 78% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Bombay Sisters
Ishtaartha Siddhi Ganapathi Stothram
146 bpm • A# Maj • 05:00 • -3.82db
3% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Deepali Somaiya
Chattari Mangalam
133 bpm • F min • 01:34 • -12.64db
40% Popularity • 48% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 48% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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K.S. Surekha
Sri Lakshmi Narsimha Karavalamba Stotram
146 bpm • F min • 08:51 • -5.73db
23% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Durga Viswanath
Sree Durgashtakam
132 bpm • F Maj • 06:07 • -7.03db
10% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Rahul Vellal
Krishna Nee Begane
132 bpm • A Maj • 07:21 • -11.96db
21% Popularity • 63% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
21% Popularity • 63% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Jayshri Prakash
Govardhana Giridhaara
132 bpm • G min • 06:23 • -3.53db
23% Popularity • 73% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 73% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Bhanumathi Narasimhan
Raaga Hindolam
132 bpm • B Maj • 06:49 • -14.03db
14% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Bombay Sisters
Kaala Bhairavashtakam
132 bpm • F# Maj • 05:23 • -6.68db
2% Popularity • 70% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 70% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Yashasvi Ramakrishna Sharma
Ganesha Adharvashirshopanishad
147 bpm • G Maj • 01:17 • -6.73db
46% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bangalore Sisters
Sri Tulasi Gayatri Mantra
132 bpm • D# min • 11:44 • -3.44db
21% Popularity • 57% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 57% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Ved Vrind
Purush Sukta
131 bpm • A# Maj • 06:40 • -11db
25% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rita Thyagarajan
Ksheerabdhi Kanyakaku
148 bpm • B Maj • 05:55 • -9.38db
16% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Shri Ram Mantra
Ram Dhun
148 bpm • C# Maj • 03:47 • -8.92db
42% Popularity • 60% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 60% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Bombay Sisters
Runa Vimochana Nrisimha Stotram
132 bpm • F# Maj • 04:04 • -10.56db
18% Popularity • 43% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 43% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Priya Sisters
Jo Achyutananda
148 bpm • C# Maj • 07:41 • -11.25db
36% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Vighnesh Ghanapaathi
Chandra Graha Mantra
130 bpm • E Maj • 01:21 • -15db
32% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Stephen Devassy
Shree Vishnu Pratah - Smaranastotram
130 bpm • D Maj • 06:10 • -11.52db
20% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Harini Ivaturi
Garuda Gamana
130 bpm • D min • 04:43 • -4db
32% Popularity • 78% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Sriraman
Mahalakshmi Ashtakam
130 bpm • G min • 05:36 • -7.92db
28% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Bombay Sisters
Angarakamasrayami
147 bpm • G# min • 05:48 • -8db
3% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Arohi Anil Agarkar
Barah Bhavna
130 bpm • B Maj • 06:46 • -7db
29% Popularity • 70% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 70% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Susmirata Dawalkar
Achyutashtakam
130 bpm • A# Maj • 03:11 • -4db
50% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
