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Sri Ramchandra Kripalu Bhajman
Songs like
Sri Ramchandra Kripalu Bhajman
by
Anup Jalota
Based on a tempo of (+/- 10%) and a similar genre
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Anup Jalota
Thumak Chalat Ramchandra
150 bpm • F# Maj • 05:14 • -9.31db
14% Popularity • 71% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Satish Dehra
Shri Banke Bihari Teri Aarti Gaun
150 bpm • G# Maj • 05:53 • -5.8db
43% Popularity • 52% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bijendra Chauhan
Shri Shyam Stuti
150 bpm • C# min • 01:57 • -2.44db
54% Popularity • 72% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Pousali Banerjee
Krishna Bole Amar Radha
150 bpm • C Maj • 06:24 • -8.92db
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Vipin Sachdeva
Chalo Shiv Shankar Ke Mandir Mein Bhakto...
150 bpm • C# min • 06:46 • -10db
28% Popularity • 37% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Mridul Krishna Shastri
Bankey Bihari Lal Teri
150 bpm • F# min • 08:08 • -8db
22% Popularity • 42% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Anup Jalota
Shri Ramchandra Kripalu Bhajuman
150 bpm • F# Maj • 05:18 • -12.64db
25% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Vandana Bhardwaj
Kanha Barsane Mein Aai Jaiyo
149 bpm • D Maj • 06:06 • -3.97db
40% Popularity • 44% Danceability • 70% Energy • 23% Liveness
15% Instrumentalness • 68% Positiveness
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Mridul Krishan Shastri
Mujhe Charno Se Laga Le Shyam Murli Wale
149 bpm • F# Maj • 06:15 • -6db
23% Popularity • 31% Danceability • 77% Energy • 80% Liveness
0% Instrumentalness • 54% Positiveness
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Rakesh Kala
Govind Mero Hai Gopal Mero Hai
151 bpm • E Maj • 10:38 • -4.74db
31% Popularity • 44% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Maithili Thakur
Shayam chanda hai shyama chakori
152 bpm • F min • 06:38 • -8.72db
35% Popularity • 31% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Vipin Sachdeva
Jai Jai Ram Jai Shree Ram
148 bpm • A Maj • 05:58 • -5.21db
24% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Anup Jalota
Aisi Laagi Lagan
148 bpm • A# min • 07:46 • -10.32db
24% Popularity • 73% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Murli Baja Ke Mohana
148 bpm • G# Maj • 10:06 • -7.4db
23% Popularity • 48% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Vandana Bhardwaj
Aisi Laagi Lagan Meera Ho Gai Magan
147 bpm • D# min • 06:32 • -5.98db
42% Popularity • 40% Danceability • 75% Energy • 17% Liveness
2% Instrumentalness • 58% Positiveness
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Seema Mishra
Shri Ram Jai Ram Jai Jai Ram Ram Dhun
153 bpm • F# Maj • 03:06 • -7db
51% Popularity • 36% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Ghulam Ali
Ye Faasla Jo
147 bpm • C# min • 05:28 • -11.25db
6% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Vipin Sachdeva
Suno Suno Ek Kahani Suno
147 bpm • B min • 07:06 • -10.97db
28% Popularity • 43% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Damyanti Bardai
He Odhaji Mara Whalane
146 bpm • C# min • 08:10 • -8.53db
22% Popularity • 44% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Anup Jalota
Jai Ganesh Jai Ganesh
146 bpm • A Maj • 05:06 • -7.96db
20% Popularity • 46% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Vijay Soni
Har Har Mahadev Shambu Kashi Viswanath
154 bpm • E Maj • 06:31 • -2db
25% Popularity • 64% Danceability • 80% Energy • 50% Liveness
0% Instrumentalness • 91% Positiveness
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Aditi Munshi
Shree Krishna Vandana
154 bpm • D Maj • 05:08 • -8.09db
31% Popularity • 59% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sohini Mishra
Ambe Kaho Durga Kali Kaho
146 bpm • G# Maj • 07:27 • -5.75db
29% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Dhruv Sharma
Sanware Aye Jaiyo
145 bpm • C# Maj • 04:13 • -13db
37% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Nidhi Dholakia
Arji Amari Suno Shreenathji
145 bpm • G# Maj • 07:47 • -13.19db
28% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Mridul Krishan Shastri
Vrindavan Dham Apar
146 bpm • F Maj • 05:21 • -7.68db
29% Popularity • 43% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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Bijender Chauhan
Aise Lagi Lagan
145 bpm • A# min • 06:08 • -0.88db
15% Popularity • 42% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Radhe Jhoolan Padharo Jhuki Aayee Badra
155 bpm • F Maj • 07:02 • -2.31db
19% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Gaurav Krishna Goswami
Jai Radhe Krishna Govind Gopal Radhe Rad...
145 bpm • B Maj • 07:23 • -1.76db
38% Popularity • 59% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Anup Jalota
Govind Bolo Hari Gopal Bolo
144 bpm • C# Maj • 05:18 • -6.58db
14% Popularity • 35% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
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Participants Of South India Female Choir
Lakshmi Ashtakam
144 bpm • C Maj • 01:01 • -10.75db
48% Popularity • 60% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Mridul Krishna Shastri
Dukh Me Mat Ghabrana
144 bpm • F# min • 06:37 • -8db
13% Popularity • 66% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Tripti Shakya
Jaahi Vidhi Rakhe Ram
144 bpm • F min • 08:05 • -12db
23% Popularity • 58% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Vrindavan Dham Apaar Jape Ja Radhe Radhe
144 bpm • F Maj • 09:19 • -2.33db
20% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Govind Krsna Das
Sakhi Re Mero Radharaman
144 bpm • F# Maj • 06:44 • -13db
26% Popularity • 56% Danceability • 37% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Prem Bhushan Maharaj
Hum Ram Ji Ke Ram Ji Hamare Hai
144 bpm • G Maj • 06:42 • -11.41db
40% Popularity • 27% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Pujya Prembhushanji Maharaj
Mujhe Prano Se Bhi Pyari Hai Ye Avadhpur...
144 bpm • G Maj • 02:36 • -11.99db
37% Popularity • 37% Danceability • 56% Energy • 13% Liveness
4% Instrumentalness • 92% Positiveness
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Kavita Krishnamurthy
Prem Mudit Man Se
144 bpm • F# min • 06:11 • -10.07db
18% Popularity • 51% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
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Sudhir Vyas
Sita Ram Kirtan
144 bpm • F# Maj • 05:17 • -2.04db
10% Popularity • 77% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Tera Pal Pal Bita Jae
156 bpm • B Maj • 08:15 • -9.44db
25% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Indresh Upadhyay
Gobardhan girdhari - Hindi Song
143 bpm • A# min • 07:07 • -9db
37% Popularity • 28% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Pujya Rajan Ji Official
Charo Dulha Me Badka Kamal Sakhiya
143 bpm • D# min • 05:38 • -10.87db
44% Popularity • 49% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Kumar Sanu
Shyama Ma Ki Amar Kalo
143 bpm • C min • 03:30 • -14.96db
14% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Anup Jalota
Do Din Ka Jag Mein Mela
157 bpm • G Maj • 04:32 • -7.4db
23% Popularity • 45% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Devendra Pathak
Hari Naam Nahi to Jina Kya
143 bpm • D Maj • 05:02 • -5.69db
35% Popularity • 66% Danceability • 84% Energy • 83% Liveness
0% Instrumentalness • 92% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Ram Naam Ke Heerey Moti Main Bikhraun Ga...
143 bpm • G min • 09:07 • -6.58db
33% Popularity • 50% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Prem Prakash Dubey
Shree Sankat Nashan Ganesh Stotram
143 bpm • F Maj • 02:09 • -7.28db
48% Popularity • 62% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Sanjay Mittal
Baba Ka Leke Naam
142 bpm • F Maj • 06:46 • -7.17db
29% Popularity • 73% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Rakesh Kala
Ramayan Chaupai
142 bpm • D Maj • 10:21 • -9.54db
24% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Anup Jalota
Shri Ram Chandra Kripalu: Mool Paath
143 bpm • C# Maj • 07:08 • -7.53db
18% Popularity • 53% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Falguni Pathak
Yamuna Jal Ma Kesar ( Mansi Seva )
142 bpm • A# Maj • 06:00 • -11.3db
18% Popularity • 60% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Maithili Thakur
Namami Shamishaan Nirvaan Rupam (Shiv Ru...
141 bpm • D# Maj • 07:25 • -7.65db
39% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Shiv Manas Pooja
141 bpm • D# Maj • 05:34 • -6db
16% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shri. Mridul Krishna Shastri
Bankey Bihari Ki Aarti
141 bpm • G# Maj • 07:41 • -9db
5% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Mridul Krishan Shastri
Jai Jai Shiv Shankar
160 bpm • G# Maj • 06:19 • -8.03db
21% Popularity • 51% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Anand Bhate
Vitari Prakhara
140 bpm • F# Maj • 01:32 • -4.38db
24% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Praful Dave
Jag Ne Jadva
140 bpm • D# Maj • 04:25 • -9db
23% Popularity • 38% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Vandana Bhardwaj
Shri Radha Barsane Wali
141 bpm • B Maj • 05:52 • -4db
28% Popularity • 59% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Shashaa Tirupati
Shri Ramchandra Kripalu Bhaj Mann
140 bpm • F# Maj • 05:04 • -7.93db
36% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Manjeera Ganguly
Shiv Chalisa (Superfast)
140 bpm • G# Maj • 04:00 • -4.74db
34% Popularity • 72% Danceability • 99% Energy • 5% Liveness
52% Instrumentalness • 59% Positiveness
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Talat Mahmood
Jaye To Jaye Kahan, From ''Taxi Driver''
140 bpm • G min • 03:27 • -16db
37% Popularity • 43% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 50% Positiveness
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Anup Jalota
Ramchandra Keh Gaye Siya Se
139 bpm • G# Maj • 06:35 • -7.5db
9% Popularity • 66% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Gajendra Pratap Singh
Hamare Sath Bholenath
139 bpm • F Maj • 05:18 • -8.74db
45% Popularity • 72% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Dipali Bhatt
Om Tatsat Shree Narayan Tu
162 bpm • D# Maj • 01:36 • -8db
35% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Hey Madhwa
139 bpm • C# min • 06:03 • -9.07db
19% Popularity • 45% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Manjeera Ganguly
Durga Chalisa (Superfast)
140 bpm • D# min • 04:08 • -3db
35% Popularity • 67% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Vijay Soni
Radhe Radhe Shyam Mila De
138 bpm • G Maj • 05:50 • -10.6db
31% Popularity • 38% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Anup Jalota
Jag Mein Sunder Hain Do Naa
138 bpm • D Maj • 05:49 • -9.82db
31% Popularity • 61% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sharma Bandhu
Namami Shamishaan
138 bpm • F# Maj • 05:43 • -8.22db
38% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jubin Nautiyal
Ganesha
138 bpm • C# min • 02:40 • -5db
48% Popularity • 69% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Holi Khelan Aayo Shyam
162 bpm • G# Maj • 06:47 • -7.49db
30% Popularity • 41% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 93% Positiveness
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Tripti Shakya
Khatu Wale Mere Shyam Baba
164 bpm • F min • 07:01 • -10.81db
39% Popularity • 53% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Nirvanstakam
164 bpm • G min • 07:19 • -5.01db
14% Popularity • 40% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Govind Krsna Das
Krishna Bhajan Mashup
137 bpm • F# min • 06:09 • -7.35db
42% Popularity • 68% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Anup Jalota
Aisi Lagi Lagan
165 bpm • A# min • 08:00 • -9.9db
2% Popularity • 51% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Kavita Paudwal
Main Naach Naach Ke Jyot Jalaun
165 bpm • F# Maj • 05:14 • -6.2db
38% Popularity • 65% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Mridul Krishna Shastri
Door Nagari Badi Door
136 bpm • G# min • 08:05 • -10db
19% Popularity • 45% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Chitra Vichitra Ji Maharaj
Shyamaa Pyari Kunj Bihari
136 bpm • C# min • 09:47 • -5db
4% Popularity • 54% Danceability • 94% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Natraja Stuti
136 bpm • G# min • 09:52 • -4db
14% Popularity • 43% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Govind Krsna Das
Shri Ram Chandra Kripalu Bhajman
136 bpm • F# Maj • 07:40 • -12db
16% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anup Jalota
Naam Hari Ka Japle Bande
165 bpm • A Maj • 04:47 • -8db
20% Popularity • 49% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Chetna
Duniya Se Main Haara
136 bpm • G Maj • 05:50 • -9db
26% Popularity • 62% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Tripti Shakya
Shyama Aan Baso Vrindavan Mein
166 bpm • A# min • 07:41 • -9db
45% Popularity • 45% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Anuradha Paudwal
Kewat Prasang - Original
166 bpm • C# Maj • 06:48 • -9db
8% Popularity • 63% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Sonu Nigam
Tere Sharan Aaye
167 bpm • G Maj • 05:27 • -5.64db
14% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kavita Krishnamurthy
Radhe Radhe
135 bpm • B Maj • 07:08 • -10db
22% Popularity • 41% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Tirpti Shakya
Bhaye Pragat Kripala
134 bpm • D# Maj • 10:39 • -3.97db
36% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Niranjan Pandya
Agad Bam Daak Vage Damru
168 bpm • G# Maj • 07:39 • -7.98db
34% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Sohini Mishra
Hari Sundar Nand Mukunda
134 bpm • D Maj • 07:17 • -4.56db
36% Popularity • 77% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Morari Bapu
Kakbhusundi Path
134 bpm • C# min • 06:39 • -10db
30% Popularity • 53% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Kanchhan Srivas
Radha Naam Ho Jaye
134 bpm • D min • 04:07 • -10.17db
53% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Vandana Bhardwaj
Samjhay Le Apne Lala Ku
134 bpm • G Maj • 05:27 • -6.47db
28% Popularity • 72% Danceability • 82% Energy • 9% Liveness
10% Instrumentalness • 80% Positiveness
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Nidhi Dholakia
Aarti Shreenathjini ManglaKari-Mangla Aa...
134 bpm • C min • 06:27 • -9.87db
31% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Anup Jalota
Aise Lagi Lagan
133 bpm • A# min • 08:05 • -7.16db
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Ravindra Sathe
Sukhkarta Dukhharta Ganpatichi Aarti
169 bpm • B Maj • 02:30 • -6.41db
32% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Usha Mangeshkar
Ganpati Raya Padate Mi Paya
133 bpm • D min • 05:24 • -8db
35% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Chandrashekhar Gadgil
Ghanashyam Sundara Shridhara
170 bpm • G min • 04:29 • -9db
30% Popularity • 57% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Maithili Thakur
Aaj mithila me baaje badhaiya he
169 bpm • C# Maj • 05:28 • -9.35db
21% Popularity • 35% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Falguni Pathak
Radhe Radhe Govind ( Dhun )
132 bpm • F# Maj • 04:15 • -10.05db
12% Popularity • 52% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Mridul Krishna Sastri Ji
Radhey Radhey Japa Karo
132 bpm • C# Maj • 09:59 • -7.91db
18% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Sri Ramchandra Kripalu Bhajman